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Whats the difference between the Internet and the World Wide Web

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Title: Whats the difference between the Internet and the World Wide Web


1
Re-cap from last week
  • Whats the difference between the Internet and
    the World Wide Web?
  • What does http stand for?
  • What does the term multimedia include?
  • What image formats are suitable for use on the
    Web?

2
Re-cap
  • In Photoshop, whats the difference between image
    size and canvas size?
  • On what basis does Photoshops magic wand tool
    select an area of an image?
  • What does the magic wands tolerance setting do?

3
Web 1Colour Theory
4
What is Colour?
  • Colour is light of different wavelengths and
    frequencies reflected from objects
  • White light (sun) contains all the colours of the
    rainbow, and when shone through a prism each
    colour ray bends differently, showing the full
    spectrum (discovered by Isaac Newton)
  • Red rays bend less, violet rays bend more
  • The Colours of the light wave spectrum are red,
    orange, yellow, green, blue and indigo

5
Visible light
  • Visible light the wavelengths within the
    electromagnetic energy spectrum that can be
    detected by the human eye (e.g. microwaves and
    radio waves are not detectable)

Invisible wavelengths
Invisible wavelengths
Ultraviolet Xray
Infrared radiation radio waves
Longer wavelength
Shorter wavelength
6
Electromagnetic Spectrum
7
Importance of colour
  • Much of our world revolves around colour
  • Colour is a powerful means of communication
  • Traffic light colours are understood universally
  • blue for a boy, pink for a girl
  • Colours used for a product, web site, business
    card, logo, etc can cause powerful reactions

8
Three Properties of Colour
  • HSV values Hue, Saturation, Value
  • Hue is the correct way of referring to the pure
    spectrum colours
  • The word you associate with a colour when you see
    it
  • Saturation refers to how dominant the hue is
    within the colour ie purity of hue
  • Value refers to the amount of light reflected
    from a hue. High white contenthigh value

9
HSV values
High level of Saturation
High value
10
Red, Green, Blue (RGB) values
  • Any other colour can be made by combining these
    three colours

11
Primary Colours
  • Red, yellow, and blue
  • Traditional colour theory states
  • these are the colours (hues) that cannot be made
    by combining any other colours
  • all other colours are derived from these three
    hues

12
Secondary Colours
  • If you mix equal amounts of two primary colours,
    you get a Secondary colour
  • green, orange, and violet
  • Blue yellow green
  • Red yellow orange
  • Red blue violet

13
Tertiary Colours
  • There are six tertiary colours
  • Formed by mixing a primary colour with a
    secondary colour in a 21 ratio (2 primary 1
    secondary)
  • The hues produced have two-word names, determined
    by the mix
  • yellow-orange
  • red-orange
  • red-violet
  • blue-violet,
  • blue-green
  • yellow-green

14
Primary
Secondary
Tertiary
Tertiary
Tertiary
Secondary
Primary
Tertiary
Primary
Tertiary
Tertiary
Secondary
15
Other colours
  • Now that we have 12 Colours (3 Primary, 3
    Secondary 6 Tertiary) where do the rest of the
    Colours come from?
  • From variations in tint, shade, and tone
  • Shade hue mixed with black
  • Tint hue mixed with white
  • Tone hue gray or hue complementary colour

16
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17
Colour Schemes
  • Complementary
  • Analogous
  • Triadic
  • Split-Complementary
  • Rectangle
  • Square
  • Web reference for explanations
  • http//www.tigercolor.com/color-lab/color-theory/c
    olor-theory-intro.htmcolor_harmonies

18
The effect of a scheme
Mixing fully saturated complementary colours can
cause interesting/strange visual effects
19
Basic colour Schemes
  • Colour schemes are ways to use groups of colours
    together so a desired affect is achieved by an
    artist

20
Monochromatic Scheme
  • A single pure hue with a number of tints and
    shades
  • Pros Unified and harmonious - effective for
    establishing an overall mood
  • Cons Can be dull because of the lack of
    variation - can lose interest of the viewer

21
Analogous colours
  • Any three colours which are side by side on a 12
    part colour wheel
  • Usually one of the three colours predominates
  • Pros
  • Wide selection of possible combinations
  • similarity of colours makes the schemes
    harmonious
  • used in nature so usually soothing and restful
  • Cons
  • The use of more than three colours can dilute the
    overall effect
    of this scheme

22
Complementary colours
  • Any two colours positioned directly opposite each
    other on the colour wheel
  • In the illustration below, there are several
    variations of yellow-green in the leaves and
    several variations of red-purple in the orchid
  • This scheme creates maximum contrast they
    heighten and accent one another
  • Pros Eye-catching and vibrant
  • Cons Natural colour combinations may be quickly
    ignored by viewers

23
Triadic
  • Colours at the points of a triangle
  • Appealing and well balanced
  • The most effective colour mix is the three
    primary colours - the extreme contrast has strong
    visual impact
  • Pros
  • Colour mix is very balanced
  • Creates a vibrant colour scheme
  • Good for drawing viewer attention
  • Cons
  • Vibrancy may be too garish and detract from the
    message

24
Split Complementary
  • A colour and the two colours adjacent to its
    complementary
  • Pros
  • More variety than a simple complementary colour
    scheme
  • Cons
  • Less vibrant and eye-catching
  • Can be difficult to harmonize the colours

25
Colour Harmony
  • Visual harmony is when something is pleasing to
    the eye
  • Engages the viewer visual interest
  • Creates an inner sense of order, a balance in the
    visual experience
  • When something is not visually harmonious, it's
    boring or chaotic
  • If its too bland the viewer is not engaged
  • The human brain will reject under-stimulating
    information
  • If the visual experience is overdone, it becomes
    chaotic and the viewer may not want to look at it
  • . The human brain rejects what it can not
    organize or understand
  • Extreme unity leads to under-stimulation, extreme
    complexity leads to over-stimulation
  • Harmony is a dynamic equilibrium

26
Nature
  • Nature provides a perfect departure point for
    colour harmony
  • The same colours may not look good together
    outside of nature

27
Colour Context
  • How colours behave together can is complex
  • Compare the contrast effects of different colour
    backgrounds for the same red square
  • Red appears more brilliant against a black
    background and duller against the white
    background
  • Against orange red appears lifeless
  • Against blue-green it appears strong and stands
    out
  • Note that the red square appears larger on black

28
Psychology of colour
  • Different colours create different instinctive
    feelings
  • Red, yellow and their variations are referred to
    as warm colours
  • Associated with fire and the sun?
  • Blue and green are considered cool colours
  • Colours of sky, water and open land
  • Black can be associated with power, evil or
    grieving
  • White can be associated with cleanliness,
    neutrality or safety (bright lights)
  • Personal memories can play a part in colour
    perception as well

29
Primary Colours
Secondary Colours
Tertiary Colours
Monochrome
Complementary
Analogous
Split Complementary
30
This weeks workshop
  • Working with layers
  • Linking layers
  • Layer styles
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