HOOFDTITEL KAN OP 2 REGELS

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Preservation and Presentation of Installation Art
www.inside-installations.org
Tatja Scholte Project coordinator Researcher ICN
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Preservation and Presentation of Installation Art
WHO WHY WHAT

• Professionals from different backgrounds,
  especially conservators, technicians and curators
  working in museums and institutions of
  contemporary art
• . and artists!
• To safeguard artists installations which
  otherwise would be lost for future generations
  (or less well conserved)
• An innovative research project that aims to be
  trendsetting in scale and quality, both regarding
  content and in organisational approach

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Project Organogram
Project Coördinator NL Instituut Collectie
Nederland (ICN) Co-organisers UK TATE BE S.M.A.K.
DE Restaurierungszentrum Düsseldorf NL Stichting
Behoud Moderne Kunst (SBMK) ES Museo Nacional
Centro de Arte Reina Sofia
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PreservationTate
Artist Participation S.M.A.K.
33 case studies 15 special studies in 5
research areas 25 partners 50 professionals
Organisation ICN
33 case studies
DocumentationRestaurierungszentrum
Knowledge and learning MNCARS
Theory and semantics SBMK
6 November 2009
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KOP
Workshop Amsterdam, 2005
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Evaluation Workshop, Tate Modern Londen 2007
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Installation art takes conservators to places
that are not always comfortable Are you as
conservator prepared to let things fall apart?
Do we have time? Who is supposed to do what?
Understanding the significance is key to
designing your preservation strategy. Dont
acquire art without it.
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Acknowledgements

• All co-organisers and partners of Inside
  Installations
• SICA Amsterdam
• European Commission, Culture 2000, Brussels

Thank you!