Some of the great South African portrait artists you must need to know - PowerPoint PPT Presentation

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Some of the great South African portrait artists you must need to know

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The contemporary art landscape of Africa is characterized by a versatile list of black South African artists, who understand and capture socio-economic realisms, political tests, dynamic traditions and varied beauty. Culture Trip curates both leading and emerging artists who continue to affect the growth of contemporary art in Africa. – PowerPoint PPT presentation

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Title: Some of the great South African portrait artists you must need to know


1
Some of the great South African portrait artists
you must need to know
  • The contemporary art landscape of Africa is
    characterized by a versatile list of black South
    African artists, who understand and capture
    socio-economic realisms, political tests, dynamic
    traditions and varied beauty. Culture Trip
    curates both leading and emerging artists who
    continue to affect the growth of contemporary art
    in Africa.
  • https//www.buhlenkalashe.co.za/

2
Tracey Rose
  • Durban-born Tracey Rose is a noted contemporary
    multimedia artist and frank feminist, best known
    for her bold performances, video installations
    and attractive photographic works. Rose faces the
    politics of identity, including sexual, racial
    and gender-based themes, and often explores her
    multicultural ancestry. She competently mixes
    elements of popular culture with sociological
    theories to encourage potent displays of South
    Africas political and social landscape. Rose has
    held solo exhibitions in South Africa as well as
    Europe and America, and has taken part in a
    number of international events, including the
    Venice Biennale.

3
Meschac Gaba
  • One of the leading South African portrait
    artists, MeschacGaba bagged critical acclaim for
    his travelling exhibition, Museum of Contemporary
    African Art, inaugurated in 1997 at Amsterdams
    Rijksmuseum. Gabas extraordinary project
    consisted of 12 exhibition scenes, including
    Summer Collection Room, Museum Restaurant and
    Draft Room, set up across diverse European art
    institutions over five years in an attempt to
    place African art in front of global audiences.
    In 2013, the Tate Modern purchased and showcased
    Gabas entire museum, featuring paintings,
    ceramics and multimedia installations using
    materials such as paint, plywood, plaster, stones
    and decommissioned bank notes.

4
Kudzanai Chiurai
  • Thrown out from his native Zimbabwe after
    confidently producing an inflammatory image
    depicting Robert Mugabe, the countrys notorious
    leader, with horns and believed by flames in
    2009, KudzanaiChiurai now lives and works in
    Johannesburg. Chiurai was the first black
    recipient of a Bachelor of Fine Arts from the
    University of Pretoria, and has since become a
    major figure in the African contemporary art
    scene. Chiurai uses dramatic multimedia
    compositions to confront and challenge the most
    pressing issues in Southern African, from
    government corruption to violence, xenophobia and
    displacement. Chiurais work is brutally honest,
    tearing apart the status quo and challenging the
    state of African governments through a
    combination of digital photography, printing, and
    painting and, more recently, film.

5
Nástio Mosquito
  • Angolan multimedia and performance artist Nástio
    Mosquito trifles with African typecasts in
    Western contexts, working across the monarchies
    of music, video and spoken word. Often showed as
    the central figure in his video animations,
    Mosquitos creations make significant political
    and social declarations. Past exhibitions include
    9 Artists (2013) at the Walker Art Centre in
    Minneapolis, and Across the Board Politics of
    Representation (2012) at Tate Modern in London.
    Mosquito once said, I do represent, if you are
    willing, the army of the individuals, believing
    that art should not be generated separately, but
    should involve the community on a large basis.

6
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