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Learning Theory

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To observe the strengths and weaknesses of different theories ... A stuffed walrus? Ethnographic collections? A Midnight Robber carnival mask? Csikszentmihalyi. ... – PowerPoint PPT presentation

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Title: Learning Theory


1
Learning Theory
  • Viv Golding 2005

2
Learning Objectives
  • To look at theories of learning the
    relationship with theories of knowledge
    (epistemology)
  • To consider briefly some current key thinkers
    the historical context of their ideas
  • To observe the strengths and weaknesses of
    different theories
  • To examine the value of theory to the museum and
    gallery context
  • To observe useful theories in action on the
    Learning in Museums video
  • To begin to apply constructivist thought gain
    some confidence in developing learning

3
Timetable
  • Behaviourism
  • Gardner
  • McCarthy
  • Falk Dierking
  • Hein
  • Learning in Museums Video
  • Csikszentmihalyi
  • Your constructivist museum

4
Behaviorism
  • Ladderlike hierarchies of absolute knowledge
  • Incremental assimilation of new knowledge
  • Based on observable evidence of how people behave
  • Behaviour objective, recordable, measurable
  • Scientific. Animal experiments lead to the
    conclusion that humans repeat behaviour has a
    positive outcome
  • Associated with laboratory animals desire for
    food (i.e. rats in a maze, Pavlovs dog)

5
Behaviorism
  • Criticism. Simplistic incremental view of
    learning
  • Learning is low level. No account of active
    human engagement, the influence of experience
    the environment, Success failure
  • How can the consistent reward of one right
    factual answer lead to deeper conceptual
    understanding?
  • How can learners connect across subject
    specialisms develop an overview of specific
    ideas?
  • Postmodernism? Multiple viewpoints beliefs?
  • Is knowledge independent of external to knower?
  • Ethics, morality, power structures in society in
    experiments involving individuals (Miligram)?

6
Miligram authority experiment
http//new-life.net/miligram.htm
7
Howard Gardner 1990
  • At least 7 Multiple Intelligences It is a
    pluralistic view of mind, recognising many
    different discrete facets of cognition,
    acknowledging that people have different
    cognitive strengths contrasting cognitive
    styles 199012)
  • Linguistic. Manipulation words meanings. Poet,
    writers
  • Logical-mathematical. (Piaget) logic, science,
    abstract models theories.
  • Musical. Make, compose, listen to. Musician,
    teenager
  • Spatial. Use mental models of spatial world.
    Doctors, sculptor, navigator
  • Bodily kinaesthetic. Use all or parts body to
    solve problems or express ideas. Dancer,
    craftsperson, athlete

8
Howard Gardner 1990
  • Interpersonal. Understand other people,
    motivations aspirations. Teacher, religious
    leader
  • Intrapersonal. Understand oneself use this
    negotiate the world
  • Naturalistic. (8th) Understand the natural world
    use this to appreciate care for the
    environment
  • It is of the utmost importance that we recognise
    nurture all of the varied human intelligences,
    all of the combinations of intelligences. We
    are so different largely because we all have
    different combinations of intelligences (Gardner
    1990 18)
  • Can you identify
  • The usefulness to museums galleries? Any
    drawbacks?

9
McCarthy 1983, types of learner
Sense - Feel (concrete experience)
process
Dynamic
Imaginative
Do (Active Experimentation)
Watch (Reflective Observation)
perceive
Common sense
Analytical
Think (Abstract conceptualization)
10
McCarthy 4 types of learner
  • Learners have differentiated learning styles and
    learn by
  • Trial error. Dynamic. Their favourite question
    is, What can this become? Their strength is
    action
  • Listening sharing ideas. Imaginative. Their
    favourite question is, Why or why not. Strength
    is innovation ideas
  • Testing theories applying common sense. Common
    sense. Their favourite question is, How does
    this work? Their strength is the practical
    application of ideas
  • Thinking ideas sequentially. Analytical. Their
    favourite question is, What? Strength is
    creating concepts/models
  • This stresses a range skills ways of learning
    that humans possess, rather those dominant in the
    modern world i.e. the ability to accumulate
    factual information

11
Formal informal learning?
  • This distinction has become largely
    counterproductive one wonders what formal and
    informal refer to and whether the learning
    process in these settings are somehow different,
    or whether the outcomes expected are different.
    Learning is learning. It is strongly influenced
    by physical settings, social interactions and
    personal beliefs, knowledge and attitudes.
  • (Falk Dierking 1992 99)
  • Can you identify the reasons Falk and Dierking
    object to the idea of formal (ie schools) and
    informal (ie family) learning?

12
Falk Dierking (1992, 2000)
  • Stress the Personal, Social, Physical Context of
    learning
  • Personal Context
  • Different levels of prior knowledge (skills,
    interests, aptitudes preferred styles of
    learning) we bring to the learning environment
  • Varied combinations (person to person
    experience to experience)
  • Subject to changes in the development of
    intelligences and increasing maturity over time
  • Storing processing of information is personal
  • Perception of situations is different for each
    individual

13
Falk Social Context
  • Museum visiting is mostly a group activity
    according to research (colleagues, friends,
    family member, school or other study group)
  • Learning is mediated by the social group (CWWA)
  • Cultural background influences learning
    membership of particular interpretive communities
    or communities of practice (Wenger)
  • ie a social historian or an art historian engaged
    on a museum studies course become part of a new
    interpretive community

14
Falk Physical Context
  • Memories of the visit are spatially located
  • Journey, sensory experience of environment
    influence the willingness to enter the learning
    process
  • Formal inaccessible architecture can be off
    putting ie to ethnic groups (Desai Thomas 1998)
  • Considering all 3 factors are necessary to
    promote learning can you identify
  • What influences the way knowledge changes
    develops?
  • What impact do new experiences have on our
    structures of knowledge

15
Interactive experience model
Physical Context
Personal Context
Interactive Experience
Social Context
16
Contextual experience model
Time
Personal Context
Physical Context
Sociocultural Context
17
Constructivism
  • Focuses on the learner the ways people learn,
    quality experiences lifelong processes, rather
    than on teaching
  • Creates interactive environments uses the
    assimilation/ accommodation tension to generate
    learning (Piaget)
  • Sees no absolute knowledge independent of the
    leaner
  • all knowledge as linked to experience (Dewey,
    Vygotsky)
  • Learning is a way of making sense of our lives or
    constructing meaning, not the simple acquisition
    of facts, feelings, sensory phenomena
  • .. Follow a pedagogy provide learners with
    opportunity to (a) interact with the environment
    (b) construct their own world (Hein 1996 33)

18
Constructivism
  • Learning is an active a social process whereby
    people learn as they learn
  • Learners use sensory input to construct meaning
    but physical action alone is insufficient, since
    action that constructs meaning is mental,
    minds-on hands-on (Hein 1999)
  • New knowledge needs to be related to prior
    knowledge experience to be accessible, to
    contextualize what is already known and move into
    what is unknown
  • Learning takes time, it is not instantaneous
  • Motivation is a key component in learning

19
Constructivism. Hein (1994)
20
Constructivist Museum
21
Video National Museum of Welsh Life KS2
  • What educational philosophy is being used?
  • Why are the collections particularly suited to
    this philosophy?
  • What kinds of face-to-face provision is provided?
  • How are the activities organised spatially?
  • What teaching strategies are being used?
  • What words would you use to describe the
    processes the children are engaging in by
    building a wattle daub wall?

22
Video KS1. Horniman
  • How can we begin to think about the relationship
    between museum work school work?
  • What preparation does the teacher do before the
    visit?
  • How are the objectives of the visit related to
    the specific group?
  • How are the objectives of the visit related to
    the museums collections?
  • What teaching strategies are being used?
  • How many intelligences (Gardner) are being
    encouraged in the workshop?
  • Why is the multiple intelligence approach so
    useful to this specific group of children?

23
Video KS3. Fitzwilliam
  • What teaching strategies are used for learning
    from narrative paintings?
  • How would these strategies translate to other
    types of objects? Think about
  • Science Collections? A scientific instrument? A
    stuffed walrus?
  • Ethnographic collections? A Midnight Robber
    carnival mask?

24
Csikszentmihalyi. Motivation
  • Intrinsic extrinsic motivation
  • Intrinsic motivation leads growth, desire repeat
  • Clear goals
  • Appropriate rules
  • Immediate unambiguous feedback
  • Correspondence actions required skills actor
  • Positive state mind, free worries
  • Sense discovery
  • New challenges

25
Csikszentmihalyi. Hook Flow
26
A Constructivist Museum
  • Develop a constructivist museum. List the
  • characteristics activities of your museum

27
SWOT analysis successful use of the museum as
educator
  • strengths weaknesses
  • opportunities threats

28
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