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MUSIC OF INDIA

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... Music. Carnatic vs. Hindustani classical traditions (music ... Ghazal, by Zasar (vocal, tabla) (poetic form, 'light classical music' Indian Classical Ensemble ... – PowerPoint PPT presentation

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Title: MUSIC OF INDIA


1
MUSIC OF INDIA
2
  • BASIC FACTS
  • South Asia
  • 2nd most populous country in world
  • Birthplace of 4 major religions (Hinduism,
    Buddhism, Jainism, Sikhism)
  • Official languages Hindi, English and 21 other
    languages
  • Was British colony until independence in 1947
  • Over 5,000 years of recorded history
  • Largest film industry in the world great source
    of popular music

3
Indian Music
  • Carnatic vs. Hindustani classical traditions
  • (music and dance)
  • Raga and Tala
  • Improvisation and Composition

4
Indian Instruments
SITAR
SAROD
TAMBURA
5
Indian Instruments
TABLA
MRIDANGAM
6
Sound Sample
  • CD 2/20 Engal Kalyanam (Our wedding)
  • 1969, from Tamil film
  • CD 2/21 Devi Niye Tunai
  • Classical song (kriti) by 20th cent. Composer
    (singer, mridangam, in Tamil)
  • Medium and fast gats (sitar, tabla)
  • Ghazal, by Zasar (vocal, tabla) (poetic form,
    light classical music

7
Indian Classical Ensemble
8
RAGA
  • Series of pitches
  • Rules for ornamentation
  • Rules for ascending
  • Rules for descending
  • Associated with mood, time of day and
  • North India 200 ragas
  • South India 72 main, several secondary

9
Raga Basant
10
TALA
  • Fixed metrical cycle consisting of shorter units,
    often of unequal length
  • Basis for improvisation for soloist and drummer
  • Audience participates by counting time with hands

11
Ata Tala
  • Ata tala 5 5 2 2 14 beats
  • 2 3 4 5 /6 7 8 9 10/11 12 /13 14//
  • Clap Clap
    Clap Wave Clap Wave
  • Tintal 4 4 4 4 16
  • Clap 234/ clap 234 /wave234 /clap234
  • Sound example Medium and fast gats in raga
    Yaman and tintal EXC CD 1/1

12
The Kriti
  • Most well known form of Carnatic music
  • Originally vocal with religious texts
  • Modern kriti repertoire composed in 18th-19th
    cents.

Saint Tyagaraja (1757-1847)
13
Kriti Structure
  • Alapana (improvised opening, introduces the raga)
  • 3 sections (no breaks)
  • Pallavi opening section and refrain
  • Anupallavi introduces secondary theme, moves
    towards climax
  • Caranam final section (may be relaxed or may be
    virtuosic restatement of previous material)

14
Banturiti by Tyagaraja
  • Voice, violin, mridingam
  • Raga Hamsanadam (c e f g b)
  • Adi Tala (4 2 2)
  • Clap 2 3 4 / clap wave /clap wave

15
Devi Niye Tunai by Papanasam Sivan (20th cent.)
  • Voice, mridangam
  • Raga Keervani
  • Tala Adi Tala (4 2 2)
  • To the goddess Devi (with the fish-shaped/always
    open eyes)

16
Sarasiruha
Pallavi O Mother who loves the lotus
seat, Anupallavi Save me who have taken refuge
in you! Charanam Complete Being, who holds a
book in her hand which bestows all dominion.
17
Sarasiruha by Pulaiyar Doraismy (19th cent.)
  • Instrumental but based on song with words
  • Vina, mridangam
  • Raga Natai ancient raga associated with god
    Shiva in form of Lord of the Dance
  • Adi Tala
  • Alapana/Tanam//Pallavi/Anupallavi/
  • Caranam
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