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JUG320S: The Canadian Wilderness

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Robert Phillips: ex-Department of Northern Affairs official ... 8 clans (fox, loon, deer, turtle, crow, bear, beaver, squirrel) at 4 campsites ... – PowerPoint PPT presentation

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Title: JUG320S: The Canadian Wilderness


1
JUG320S The Canadian Wilderness
  • Week 5 Wilderness Sounds
  • Professor Emily Gilbert
  • http//individual.utoronto.ca/emilygilbert/

2
Todays Themes
  • I The Idea of North
  • II Glenn Gould
  • III R. Murray Schafer
  • IV Rheostatics

3
I The Idea of North
  • There is a saying that after five years in the
    north every man is an expert after ten years, a
    novice. No man can hope or expect to absorb it
    all in a lifetime, and fifteen generations of
    explorers, whalers, fur traders, missionaries,
    scientists, policemen, trappers, prospectors,
    adventurers, and tourists have failed to solve
    its riddles. To me, as to most northerners, the
    country is still an unknown quantity, as elusive
    to me as the wolf, howling just beyond the rim of
    the hills. Perhaps that is why it holds the
    fascination. Pierre Berton, The Mysterious North
    (1956)
  • I conclude, therefore, with a paradox. The
    ultimate and the comprehensive meaning of
    Canadian history is to be found where there has
    been no Canadian history, in the North.
  • WL Morton, The North in Canadian
    Historiography (1960)

4
  • 1570s Martin Frobisher
  • 1820-40s Sir John Franklin
  • 1903-06 Roald Amundsen
  • 1909 Robert Peary

5
  • KLONDIKE GOLD RUSH 18961898
  • Immortalized by
  • Jack London, eg The Call of the Wild and White
    Fang
  • Robert Services poems, eg The Shooting of Dan
    McGrew, The Cremation of Stan McGee

6
  • Charlie Chaplin (1925) The Gold Rush
  • Early twentieth century Hollywood movies about
    the North, Mounties

7
Nelvana of the Northern Lights
  • Created by Adrian Dingle and
  • Franz Johnston (1941-47)

8
  • Sergeant Preston of the Yukon
  • Radio series late 1940s-early 1950s
  • Comic book hero
  • Television program 1955-58

9
War and the North
  • 1942-43 trans-Alaska highway
  • 1949 the Pinetree line
  • 1957 mid-Canada line
  • 1954 Distant Early Warning line

10
John Diefenbaker (1895-1979)
  • 12 February, 1958 election speech in Winnipeg
  • We are fulfilling the vision and the dream of
    Canadas first prime ministerSir John A
    Macdonald. But Macdonald saw Canada from east to
    west. I see a new Canadaa Canada of the North.
    This is my vision
  • Diefenbakers government elected with 208 seats
  • Promise to build roads to resources and
    importance of Canadian sovereignty

11
II Glenn Gould (1932-1982)
  • From late 1950s most prominent classical
    musician in Canada
  • Mid-1960s most talked about pianist anywhere
  • Grew up in Toronto
  • Taught by mother until 10
  • 1943-52 studied at Toronto Conservatory of
    Music piano teacher was Alberto Guerrero

12
  • By 20 had appeared in Toronto, Hamilton, London,
    St. Catharines, Montreal, Vancouver, and Calgary
  • Concert repertoire emphasized Bach, Beethoven and
    Schoenberg
  • In 1964 retires from public performance

13
  • Began to make radio and TV documentaries
  • Writing to a friend in early 1965 he wrote What
    I have in mind, believe it or not, is a trip to
    the Arctic. I have an enormous compulsion to look
    upon the Polar seas and I find that this is
    growing apace each year, so that I really must
    get it out of my system somehow
  • As a child went as far north as a cottage on Lake
    Simcoe
  • Inspiration for Idea of North were maps of NWT
    and reproductions of Group of Seven on his school
    walls

14
  • June, 1965 took the Muskeg Express from Winnipeg
    to s-w shore of Hudsons Baythe end of the tree
    line (but 161km south of 60th parallel)
  • Idea of North commissioned as centennial project
    for CBC Ideas first broadcast on December 28,
    1967
  • TV documentary made in 1970

15
  • Ive long been intrigued by that incredible
    tapestry of tundra and taiga which constitutes
    the Arctic and sub-Arctic of our country. Ive
    read about it, written about it occasionally, and
    even pulled up my parka once and gone there. Yet
    like all but a very few Canadians, Ive had no
    real experience of the North. Ive remained of
    necessity an outsider. And the North has remained
    for me a convenient place to dream about, spin
    tall tales about sometimes, and, in the end,
    avoid (Glenn Goulds introductory comments in
    The Idea of North)

16
  • Contrapuntal orchestrationa new kind of
    listening
  • Includes an enthusiast, a cynic, a government
    budget-watcher, as well as someone who could
    represent that limitless expectation and
    limitless capacity for disillusionment which
    inevitably affects the questing spirit of those
    who go north seeking their future
  • Wally Maclean narrator
  • Marianne Schroeder Northern nurse
  • Frank Vallee Sociology professor from Ottawa
  • Robert Phillips ex-Department of Northern
    Affairs official
  • James Lotz British anthropologist and geographer

17
III R. Murray Schafer (1933-)
  • International acclaim and awards for musical
    compositions and educational theories
  • first Glenn Gould triennial prize (1987) Molson
    Prize (1993) Walter Carsen Prize (2005)
  • Created World Soundscape Project while at SFU
    (1965-75) documenting environmental sound
  • 1975 retreats to abandoned farm near Algonquin
    Park

18
  • 1973 the idea of the North is at the core
    of Canadian identity. The North is a place of
    austerity, of spaciousness and loneliness the
    North is pure the North is temptationless. These
    qualities are forged into the mind of a
    Northerner his temperament is synonymous with
    them The idea of North is a Canadian myth.
    Without a myth a nation dies (from the program
    notes to North/White)
  • 1977 The basic argument in Music from the Cold
    is that culture is shaped by climate and
    geography, that as the product of a northern
    territory Canadian art has a wildness and vigour
    not evident in the hot-house effusions of more
    civilized centres (Waterman 142)
  • The narrator ends with I will build a new
    culture a culture of the North The art of
    the North is the art of restraint whereas The
    art of the South is the art of excess the
    soft art of the dancing girls and of the
    slobber

19
  • 1984 of Canadian climate and geography as
    various as this is, it is our best unifier,
    transcending ethnic extraction or allegiance of
    any other kind. We are all Northerners, sharing a
    million acres of wildness in the imagination.
    That is our only uncounterfeit resource, and we
    should seek to draw more directly from it (On
    Canadian Music)
  • Canadians are about to be deprived of the idea
    of the North, which is at the core of the
    Canadian identity. The North is a place of
    austerity, of spaciousness and loneliness, the
    North is pure, the North is temptationless. These
    qualities are forged into the mind of the
    Northerner his temperament is synonymous with
    them (63)

20
  • PATRIA (1966)
  • 12 cycles of music dramas
  • My idea was that two principal characters, a man
    and a woman, would engage in a search for one
    another through a labyrinth of different cultures
    and social twistings almost as if they
    represented the split halves of the same
    being...They might return with various guises and
    different names but the quest for unity and the
    homeland they were seeking would always be the
    same
  • in Patria The Complete Cycle I am constantly
    amazed at the inability of Canadians to prize the
    one distinguishing feature they still possess in
    this crazed world, and that is the pristine
    wilderness (256)

21
  • PROLOGUE PRINCESS TO THE STARS North American
    Wilderness
  • 1 WOLFMAN 20th Century North America
  • 2 REQUIEMS FOR THE PARTY GIRL 20th Century
    North America
  • 3 THE GREATEST SHOW 20th Century North America
  • 4 THE BLACK THEATRE OF HERMES TRISMEGISTOS
    exotic lands, travelling back in time
  • 5 THE CROWN OF ARIADNE exotic lands,
    travelling back in time
  • 6 RA exotic lands, travelling back in time
  • 7 ASTERION interior voyage, search for self
  • 8 CINNABAR PHEONIX mythical times, in natural
    settings
  • 9 ENCHANTED FOREST mythical times, in natural
    settings
  • 10 SPIRIT GARDEN mythical times, in natural
    settings
  • EPILOGUE AND WOLF SHALL INHERIT THE MOON
    return to North American wilderness

22
  • Epilogue And Wolf Shall Inherit the Moon
  • Since 1988 performed annually at the Haliburton
    Forest and Wildlife Reserve in August
  • Ritual performance that lasts 8 days, ending with
    final pageant
  • Same participants return each year to camp in 8
    clans (fox, loon, deer, turtle, crow, bear,
    beaver, squirrel) at 4 campsites
  • March 2005 permanent home established, with
    plans for 800-seat amphitheatre
  • Schafer on Patria From this lake, Wolf will go
    out in search of the Princess, seeking her
    forgiveness and compassion. If he can find her,
    he will also find himself. Then she will at last
    return to the heavens, and he, redeemed, will
    also rise to inherit the moon. Wolfs wanderings
    will take him to many distant lands and he will
    visit many historical periods before he will
    return to find the Princess in the same natural
    environment he deserted at the close of the
    Prologue

23
IV Rheostatics
  • Formed in c.1980 at Martingrove Collegiate
  • 1995 music inspired by the Group of Seven
    commissioned by the National Gallery of Canada
    part of the Oh! Canada Project
  • largely instrumental work, with spoken word
    clips
  • hockey player Newsie LaLonde
  • Diefenbaker reading poem about WWI fighter pilots
  • Narrator Winchell Price, artist, vegetarian,
    lightning strike survivor

24
  • "In music there's always a, well, there's a key
    in which the composition is set. It could be like
    A minor, E flat, B flat or E major or whatever it
    is. Well, in painting, there's another color that
    goes through all. It may be major or minor in
    tone and it's the key note, it holds the picture
    together, it binds it together, it has that
    underneath! You might call it the signature of
    the painting." Winchell Price
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