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Lamb to the Slaughter by Roald Dahl

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Lamb to the Slaughter by Roald Dahl Lamb to the Slaughter R1E: Develop vocabulary through text. Use context clues. Lamb to the Slaughter R1F: Apply ... – PowerPoint PPT presentation

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Title: Lamb to the Slaughter by Roald Dahl


1
Lamb to the Slaughterby Roald Dahl
2
Lamb to the Slaughter
  • R1E Develop vocabulary through text.
  • Use context clues.

3
Lamb to the Slaughter
  • R1F Apply pre-reading strategies to aid
    comprehension.
  • Make predictions based on title.

4
Lamb to the Slaughter
  • R1G During reading, utilize strategies to
    self-question and correct, infer, visualize,
    predict, and check using cueing systems
    meaning, structure, visual.
  • Make predictions.
  • Revise predictions.

5
Lamb to the Slaughter
  • R1H Apply post-reading skills to comprehend and
    interpret text questions to clarify, reflect,
    analyze, draw conclusions, summarize, and
    paraphrase.

6
Lamb to the Slaughter
  • R1I Compare, contrast, analyze, and evaluate
    connections.

7
Lamb to the Slaughter
  • R2A Locate, interpret, and apply information in
    title, table of contents, and glossary, and
    recognize the text features of fiction, poetry,
    and drama in grade-level text.
  • Understand situational and dramatic irony.
  • Analyze situational and dramatic irony.

8
Lamb to the Slaughter
  • R2C Use details from text to analyze character,
    plot, setting, point of view, and development of
    theme evaluate proposed solutions analyze the
    development of a theme across genres evaluate
    the effect of authors style and complex literary
    techniques.
  • Write a character analysis.

9
Lamb to the Slaughter
  • ambiguity
  • Ambiguous situations have different possible
    results.

10
Origin of the title
11
Origin of the title
12
  • Excerpt from a 1950s Home Economics Textbook
  • Compiled by Ms. Leslie Blankship
  • Columbus, Ohio
  • Have dinner ready Plan ahead even the night
    before to have a delicious meal on time. This is
    a way of letting him know that you have been
    thinking about him and are concerned about his
    needs. Most men are hungry when they come home
    and the prospects of a good meal are part of the
    warm welcome needed.

13
  • Prepare yourself Take 15 minutes to rest so you
    will be refreshed when he arrives. Touch up your
    makeup, put a ribbon in your hair and be fresh
    looking. He has just been with a lot of work-wary
    people. Be a little gay and a little more
    interesting. His boring day may need a lift.

14
  • Clear away the clutter Make one last trip
    through the main part of the house just before
    your husband arrives, gathering up school books,
    toys, paper, etc. Then run a dust cloth over the
    tables. Your husband will feel he has reached a
    haven of rest and order, and it will give you a
    lift, too.

15
  • Prepare the children Take a few minutes to wash
    the children's hands and faces (if they are
    small), comb their hair, and if necessary, change
    their clothes. They are little treasures and he
    would like to see them playing the part.

16
  • Minimize all noise At the time of his arrival,
    eliminate all noise of washer, dryer, dishwasher,
    or vacuum. Try to encourage the children to be
    quite. Be happy to see him. Greet him with a warm
    smile and be glad to see him.
  • Some don'ts Don't greet him with problems or
    complaints. Don't complain if he's late for
    dinner. Count this as minor compared with what he
    might have gone through that day.

17
  • Make him comfortable Have him lean back in a
    comfortable chair or suggest he lie down in the
    bedroom. Have a cool or warm drink ready for him.
    Arrange his pillow and offer to take off his
    shoes. Speak in a low, soft soothing and pleasant
    voice. Allow him to relax-unwind.

18
  • Listen to him You may have a dozen things to
    tell him, but the moment of his arrival is not
    the time. Let him talk first.
  • Make the evening his Never complain if he does
    not take you out to dinner or to other places of
    entertainment. Instead, try to understand his
    world of strain and pressure, his need to be home
    and relax.

19
  • The goal Try to make your home a place of peace
    and order where your husband can renew himself in
    body and spirit.
  • Source http//www.coax.net/people/lwf/TEXTBOOK.H
    TM

20
Now its time to read
21
Dark Humor
  • Dark humor is the use of the grotesque, morbid,
    or absurd for darkly comic purposes.

22
Dark Humor
  • Dark humor became widespread in popular culture,
    especially in literature and film, beginning in
    the 1950s it remains popular toward the end of
    the twentieth century.
  • Joseph Hellers novel Catch-22 (1961) is one of
    the best-known examples in American fiction.

23
Dark Humor
  • The image of the cheerful housewife suddenly
    smashing her husbands skull with the frozen
    joint of meat intended for his dinner is itself
    darkly humorous for its unexpectedness and the
    grotesque incongruity of the murder weapon.

24
Dark Humor
  • There is a morbid but funny double meaning, too,
    in Marys response to her grocers question about
    meat Ive got meat, thanks. I got a nice leg of
    lamb from the freezer.

25
Dark Humor
  • She did indeed get a leg of lamb from the
    freezer, and after she used it as a club, she
    found herself with a rather large portion of dead
    meat on her living-room floor.

26
Dark Humor
  • Also darkly funny is the grocers question about
    what she plans to give her husband afterwards,
    that is, for dessert. From Marys point of view,
    Patrick has already gotten his just desserts,
    and there will be no more afterwards for him!

27
Dark Humor
  • The ultimate example of dark humor in Lamb to
    the Slaughter is, of course, the spectacle of
    the policemen and detectives sitting around the
    Maloney kitchen table, speculating about the
    murder weapon while they unwittingly devour it.

28
Setting
  • The setting is symbolic Its domestic primness
    implies Marys having bought into a rather boring
    version of middle class happiness.

29
Symbols
  • The frozen leg of lamb is also symbolic and
    indeed constitutes the central symbol of the
    story. The piece of meat is already a token of
    violence an animal traditionally viewed as meek
    and gentle slaughtered for carnivorous
    consumption.

30
Symbols
  • The notion of a lamb, moreover, resonates with
    biblical symbols, such as the scapegoat mentioned
    in Leviticus, the ram that substitutes for Isaac
    in the tale of Abraham and Isaac, or Jesus
    himself, the Lamb of God.
  • But Dahls story reverses the connotation of
    these biblical images.

31
Themes
  • BETRAYAL
  • Patrick Maloneys unexplained decision to leave
    his pregnant wife. This violation of the
    marriage-vow is obviously not the only betrayal
    in the story, however.
  • Marys killing of her husband is perhaps the
    ultimate betrayal.
  • Her elaborately planned alibi and convincing lies
    to the detectives also constitute betrayal.

32
Themes
  • IDENTITY
  • At the level of popular psychology, Dahl makes it
    clear through his description of the Maloney
    household that Mary has internalized the middle
    class ideal of a young mid-twentieth-century
    housewife, maintaining a tidy home and catering
    to her husband pouring drinks when the man
    finishes his day is a gesture that comes from
    movies and magazines of the day.

33
Themes
  • IDENTITY
  • Marys sudden murderous action shatters the image
    that we have of her and that she seems to have of
    herself. Dahl demonstrates, in the deadly fall of
    the frozen joint, that identity can be fragile.

34
Themes
  • IDENTITY
  • Once she shatters her own identity, Mary must
    carefully reconstruct it for protective purposes,
    as when she sets up an alibi by feigning a normal
    conversation with the grocer.

35
Themes
  • IDENTITY
  • Dahl appears to suggest that, in essence, human
    beings are fundamentally nasty and brutish
    creatures capable of precipitate and bloody acts.

36
Themes
  • IDENTITY
  • Then there are the police detectives, who pride
    themselves on their ability to solve a crime, but
    whom Mary sweetly tricks into consuming the main
    exhibit.
  • Their identity, or at least their competency, is
    thrown into doubt.

37
Themes
  • LOVE AND PASSION
  • At the beginning of Lamb to the Slaughter, Mary
    Maloney feels love and physical passion for her
    husband Patrick.
  • She luxuriates in his presence, in the warm male
    glow that came out of him to her, and adores the
    way he sits, walks, and behaves.

38
Themes
  • LOVE AND PASSION
  • Even far along into her pregnancy, she hurries to
    greet him, and waits on him hand and foot much
    more attentively, it appears from his reactions,
    than he would like.

39
Themes
  • LOVE AND PASSION
  • Patrick is presumably motivated to leave his wife
    by an overriding passion for something or someone
    else.
  • Marys mention of his failure to advance at work,
    and his own wish that she not make a fuss about
    their separation because It wouldnt be very
    good for my job indicate that it may be
    professional success that he desires.
  • His treatment of his wife does not suggest that
    he loves her.

40
Themes
  • PASSIVITY
  • The concept of passivity figures in the story.
  • The first pages of the story portray Marys
    existence as almost mindlessly passive she sits
    and watches the clock, thinking that each minute
    brings her husband closer to her.

41
Themes
  • PASSIVITY
  • She is content to watch him closely and try to
    anticipate his moods and needs.
  • Patricks predictability up to this point is part
    of this passivity.
  • The two are living a clockwork life against
    which, in some way, each ultimately rebels.
  • Passivity appears as the repression of passion,
    and passion finds a way to reassert itself.

42
Themes
  • JUSTICE AND INJUSTICE
  • The question of justice and injustice is directly
    related to the question of revenge. Lamb to the
    Slaughter narrates a train of injustices,
    beginning with Patricks betrayal of Mary and
    their marriage, peaking with Marys killing of
    Patrick, and finding its denouement in Marys
    deception of the investigating officers.

43
Themes
  • JUSTICE AND INJUSTICE
  • Patrick acts unjustly (or so it must be assumed
    on the basis of the evidence) in announcing his
    abandonment of Mary, for this breaks the wedding
    oath Mary acts unjustly, in a way far exceeding
    her husbands injustice, in killing Patrick, and
    she compounds the injustice by concealing it from
    the authorities.

44
Lamb to the Slaughter
  • ambiguity
  • A wolf is trapped near town. Wildlife rescuers
    set it free in the mountains so it wont bother
    the townspeople. Will the wolf eventually cause
    trouble for these townspeople?
  • ambiguous

45
Lamb to the Slaughter
  • ambiguity
  • A student needs at least a B on a test to pass a
    class and stay on the basketball team. He studies
    hard and gets a 90 on his test. Does he stay on
    the basketball team?
  • unambiguous

46
Lamb to the Slaughter
  • ambiguity
  • A quality that allows readers to interpret a
    story or other work in more than one way.

47
Lamb to the Slaughter
Academic vocabulary
verbal (saying something)
irony (the opposite of what is expected)
verbal irony (saying something that is the
opposite of what is expected or true)
48
Lamb to the Slaughter
Academic vocabulary
situational irony
49
Lamb to the Slaughter
Academic vocabulary
dramatic irony
50
Lamb to the Slaughter
Academic vocabulary
verbal irony
51
Lamb to the Slaughter
Academic vocabulary
contradiction
52
Lamb to the Slaughter
Academic vocabulary
ambiguous
53
Lamb to the Slaughter
Academic vocabulary
subtleties
54
Lamb to the Slaughter
Academic vocabulary
mood
55
Lamb to the Slaughter
Academic vocabulary
tone
56
Lamb to the Slaughter
Academic vocabulary
reliability of sources
57
Lamb to the Slaughter
Academic vocabulary
bias
58
Lamb to the Slaughter
Academic vocabulary
analogy
59
Lamb to the Slaughter
Academic vocabulary
prefix
60
Lamb to the Slaughter
Academic vocabulary
suffix
61
Lamb to the Slaughter
Academic vocabulary
root word
62
Lamb to the Slaughter
Academic vocabulary
plot
63
Lamb to the Slaughter
Academic vocabulary
synonym
64
Lamb to the Slaughter
Academic vocabulary
text structure
65
Lamb to the Slaughter
Academic vocabulary
inference
66
Lamb to the Slaughter
Academic vocabulary
cause and effect
67
Lamb to the Slaughter
Academic vocabulary
antonym
68
Lamb to the Slaughter
Context clues
When you come across an unfamiliar word, look for
clues in the contextthe words surrounding the
unknown word.
69
Lamb to the Slaughter
Context clues
In the following examples, the context clues help
you figure out the meaning of the unknown word.
70
Lamb to the Slaughter
Context clues
Similarly, when you are asked to write a sentence
using a new word, you should include a context
clue to demonstrate that you understand the word.
71
Lamb to the Slaughter
Context clues
DEFINITION Her instinct, or automatic response,
is to run away.
72
Lamb to the Slaughter
Context clues
RESTATEMENT She knows what the penalty is and
will accept her punishment.
73
Lamb to the Slaughter
Context clues
EXAMPLE Her action might bring relieffor
example, it would end the anger she felt.
74
Lamb to the Slaughter
Context clues
COMPARISON Ice cubes clinking in a glass sound
like pencils tapping on a table.
75
Lamb to the Slaughter
Context clues
CONTRAST Although she looks tranquil, she doesnt
feel peaceful.
76
Lamb to the Slaughter
Vocabulary
administered
77
Lamb to the Slaughter
Vocabulary
premises
78
Lamb to the Slaughter
Vocabulary
luxuriate
79
Lamb to the Slaughter
Vocabulary
placid
80
Lamb to the Slaughter
Vocabulary
precinct
81
Lamb to the Slaughter
Vocabulary
hospitality
82
Lamb to the Slaughter
Vocabulary
anxiety
83
Lamb to the Slaughter
Vocabulary
consoling
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