Picasso and Braque

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Picasso and Braque

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by bringing together familiar scraps and unfamiliar forms in ... Still Life with Chair Caning (May 1912). Collage of oil, oilcloth, and pasted paper on canvas. ... – PowerPoint PPT presentation

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Title: Picasso and Braque


1
  • Picasso and Braque
  • Synthetic Cubism

1912 1920s
2
To synthesize means to integrate two or more
pre-existing elements which results in a new
creation.
3
Purpose To Depict a Vision of Modern Urban Life
  • by bringing together familiar scraps and
    unfamiliar forms in order to give shape to a
    particular sense of urban life on the eve of WWI
  • by exploring the individual experiences
    associated with public spaces and urban
    recreation
  • by using the language of publicity and commerce
    in an ambiguous manner to suggest a multiplicity
    of contradictory meanings, especially through
    puns
  • by capturing the new sense of simultaneity of
    diverse experiences-the fusion of objects,
    people, machines, noises, light, smells, etc.

4
Pablo Picasso before The Aficionado
(summer-autumn 1912).

5
Pablo Picasso. Man with a Violin (spring 1912).
Oil on canvas.
6
Place Saint-André-des-Arts, Paris (1903-04).
The photographer Eugène Atget captures the
excitement and apparent randomness of the
information environment of the modern city.
Paris street, 1906.
7
Eugène Atget. Paris Street (1925).
8
Posted wall, Dijon, 1901
9
Morris columns, Paris (1910).
10
Newstand, Paris, before 1914
11
Pablo Picasso. Violin, Wineglasses, Pipe, and
Anchor (May 1912). Oil on canvas.
12
Representation of Representation
13
Pablo Picasso. Still Life with Chair Caning (May
1912). Collage of oil, oilcloth, and pasted paper
on canvas.
14
Collage
  • Noun from the French verb coller to glue

15
Characteristics
  • A new relationship is enacted between low
    culture (mass culture) and high culture
    (professional art).
  • This relationship is felt to be inappropriate,
    jarring, or wrongyet interestingly so.
  • The end result is irreverence, paradox, and
    perplexity.

16
Pablo Picasso. Still Life with Chair Caning (May
1912). Collage of oil, oilcloth, and pasted paper
on canvas.
17
Pablo Picasso. The Scallop Shell Notre Avenir
est dans lair (May 1912). Oil on canvas.
18
Cover of Nôtre Avenir est dans lair, a brochure
imploring France to improve its aviation. Braque
and Picasso were using the slogan ironically, as
to imply that Frances future was in the air.
19
Georges Braque. The Clarinet (spring-late summer
1912). Oil on canvas.
20
Pablo Picasso. The Poet (August 1911).
Oil on canvas.
Pablo Picasso. The Poet (summer 1912). Oil on
canvas.
21
This fan sits in front of a Spanish guitar and
clutches a banderilla. His refined tastes are
presented through his stiff collar, top hat, and
the newspaper Le Torero, as well as by the
bottle of manzanilla sherry to his left.
Pablo Picasso. The Aficionado (summer 1912).
Oil on canvas.
22
Pablo Picasso. Maquette for Guitar (October
1912). Construction of cardboard, string, and
wire (restored).
23
Pablo Picasso. Guitar and Sheet Music
(October- November 1912). Pasted paper, pastel,
and charcoal.
24
Le Journal, November 18, 1912, p. 1
Pablo Picasso. Guitar, Sheet Music, and Glass
(after November 18, 1912). Pasted paper,
gouache, and charcoal.
25
This collage evokes a café, with its cheap
wallpaper and humble guitar, where people would
go to listen to music, read newspapers, and
discuss the news of the day.
Pablo Picasso. Guitar, Sheet Music, and Glass
(after November 18, 1912). Pasted paper,
gouache, and charcoal.
26
The subject evoked in the collage is the debating
of political issues with friends in a public
place.
Pablo Picasso. Glass and Bottle of Suze
(after November 18, 1912). Pasted paper, gouache,
and charcoal.
27
Pablo Picasso. Guitars (spring 1913). Ink.
28
Pablo Picasso. Guitar (December 3, 1912). Paper
construction.
29
Pablo Picasso. Guitar (winter 1912-13).
Construction of sheet metal, string, and wire.
30
Pablo Picasso. Bowl with Fruit, Violin, and
Wineglass (after December 2, 1912 completed
after January 21, 1913). Pasted paper,
water- color, chalk, oil, and charcoal on
cardboard.
31
Pablo Picasso. Gas Jet and Guitar (winter
1912-13). Gouache and charcoal.
32
Georges Braque. Pedestal Table (early 1913). Oil
and charcoal on canvas.
33
Pablo Picasso. Au Bon Marché (January 25-26,
1913). Oil and pasted paper on cardboard.
34
This is a parody of the females dual role as a
consumer and as goods for sale. A pasted lid
from the lingerie department of the store Au Bon
Marché combines with decorative wallpaper, glass
on the right, a decanter on the left, and an ad
from the department store Samaritaine. Picasso
cuts the ad to focus on a modern woman, with her
modern hair cut and her gesture of vanity. A
number of elements cut off from their context in
the newspaper are combined to suggest her
availability the price 2.85 and the words
above Method of Payment, Massage and Trou
Ici meaning hole here.
35
Construction mounted in Picassos Studio at 5
bis, rue Scheolcher, early 1913, including
cardboard maquette for Guitar. Photographed by
the artist. Construction no longer extant.
36
Pablo Picasso. Man with a Guitar (spring 1913).
Ripolin (shiny enamel house paint) on canvas.
37
Georges Braque. Violin and Glass (spring 1913).
Oil, charcoal, and pencil on canvas.
38
Pablo Picasso. Guitar (after March 31, 1913).
Pasted paper, charcoal, ink, and chalk.
39
Pablo Picasso. Bar Table with Guitar (spring
1913). Chalk, and pasted and pinned paper.
40
Pablo Picasso. Head of a Man With a Moustache
(after May 6, 1913). Charcoal and ink on
newspaper.
41
Pablo Picasso. Head (May- June 1913). Pasted
paper, charcoal, and pencil on cardboard.
42
Pablo Picasso. Bottle of Vieux Marc, Glass,
Guitar, and Newspaper (spring 1913). Pasted
paper and ink.
43
Georges Braque. Clarinet (summer 1913).
Pasted paper, oil, charcoal, chalk, and pencil on
canvas.
44
Pablo Picasso. Mandolin and Clarinet (autumn
1913). Construction of painted wood with pencil
marks.
45
Georges Braque. Woman with a Guitar (autumn
1913). Oil and charcoal on canvas.
46
Pablo Picasso. Card Player (winter 1913-14).
Ripolin paint on canvas.
47
Georges Braque. Violin and Pipe Le Quotidien
(after December 20, 1913). Chalk, charcoal, and
pasted paper.
48
Georges Braque. Glass and Bottle
(winter 1913-14). Charcoal and pasted paper.
49
Georges Braque. Bottle of Eau-de-Vie
(early1914). Oil on canvas.
50
Georges Braque. Glass, Bottle, and Newspaper
(after January 15, 1914). Pasted paper.
51
Pablo Picasso. Still Life (early 1914).
Construction of painted wood with upholstery
fringe.
52
Pablo Picasso. Glass and Dice (early 1914).
Construction of painted wood.
53
Pablo Picasso. Glass, Newspaper, and
Dice (spring 1914). Construction of
painted wood and tin.
54
Pablo Picasso. Glass, Dice and Newspaper (spring
1914). Construction of painted wood and tin.
55
Pablo Picasso. Glass (spring 1914).
Construction of painted tin.
56
Pablo Picasso. Bottle of Bass, Glass, and
Newspaper (spring 1914). Construction of painted
tin.
57
Pablo Picasso. Glass of Absinth (spring
1914). Painted bronze with sand and perforated
absinth spoon.
58
Pablo Picasso. Smoker (spring 1914). Oil and
pasted paper on canvas.
59
Georges Braque. Man with a Guitar (spring 1914).
Oil and sand on canvas.
60
Pablo Picasso. Man with a Mask, Playing a Guitar
(summer 1914). Pencil.
61
Pablo Picasso. Bearded Man Playing a Guitar
(summer 1914). Pencil and gouache.
62
Pablo Picasso. Still Life with Cards,
Glasses, and a Bottle of Rum Vive la France
(summer 1914). Ripolin paint and sand on canvas.
63
Pablo Picasso. Green Still Life (summer 1914).
Ripolin paint on canvas.
64
Pablo Picasso. Portrait of a Girl (summer
1914). Ripolin paint on canvas.
65
Pablo Picasso. Man with a Pipe (1915). Ripolin
paint on canvas.
66
Pablo Picasso. Harlequin (fall-winter 1915).
Ripolin paint on canvas.
67
Pablo Picasso. Three Musicians (1921). Oil on
canvas.
68
Pablo Picasso. Three Musicians (1921). Oil on
canvas.