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Mediation, Alienation,

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Title: Mediation, Alienation,


1
Mediation, Alienation, the Problem of
Existential Uncertainty
  • Commhip100
  • Guest Lecture Michael Cole
  • January 10, 2006

2
Blow Up Questions
  • 1 point for putting your name on the piece of
    paper2 points What were the clowns doing at the
    beginning of the film?2 points How did the hero
    get the guitar at the end of the rock concert and
    what did he do with it?

3
Why Three Comm 100 Courses?
  • Communication as a Social Force
  • Communication and Culture
  • Communication Human Information Processing
    better known as cohi100)
  • Why, after Comm20, are there three courses at the
    100 level as introductions to the upper division?

4
Answer Depends Upon Defintion (Theory) of
Communication
  • Theory 1 The transmission model
  • The act of communicating transmission
  • The art and technique of using words effectively
    to impart information or ideas
  • Sender---? Receiver
  • Hypodermic needle theory
  • ALL are one way processes

5
(No Transcript)
6
Definition/Theory 2Communication Putting in
common
  • 2. Definition 2
  • The exchange of thoughts, messages, or
    information, as by speech, signals, writing, or
    behavior.
  • Interpersonal rapport.
  • A TWO way process
  • Question Can communication every achieve perfect
    communality, perfect knowing in common? If not,
    why not? If so, when and for how long?

7
How do we achieve common understanding/communicati
on?
Indirectly, in a medium
Directly
8
Culture/Medium/Mediation
  • The literal meaning of mediation
  • The opposite of Direct is Indirect
  • A synonym of Direct is Immediate
  • The opposite of Immediate is MEDIATED
  • Therefore Direct experience immediate
    experience
  • Indirect experiencemediated experience
  • Therefore, to say that something the relation
    between two people is mediated is the same thing
    as saying that the relation is indirect.
  • MediatedIndirectthrough a medium

9
Implications of mediated experience
  • 1. Very little of the information upon which we
    make decisions about how to act come from direct
    experience.
  • 2. It is impossible to communicate everything
    about any experience. Therefore, information upon
    which we base our behavior is incomplete.
  • 4. Even if person from whom we gain (mediated)
    information has our best interests at heart, they
    are not us.Therefore, it is, from our
    perspective, biased.
  • 5. Thus, we are doomed to base our actions on
    information that that is incomplete and biased
    with respect to our self interest.

10
This is the Problem of Existential Uncertainty
  • We have incomplete knowledge of the world and we
    know it.
  • That knowledge is not only partial, it is not
    selected for us in a way that is optimal to us as
    individuals.
  • Consequently, we live with the knowledge that we
    do not know. We try to achieve knowledge through
    acquiring information
  • Information (technically) reduction of
    uncertainty.
  • Nothing is certain except. Death and taxes.
  • So here is the central problem of communication
    from the perspective of individuals.

11
The Three Sides of Communication as Putting in
Common
  • Culture (Medium or the media)

Mediated Knowledge
Mediated Knowledge
Person
World
Direct knowledge
12
The Three Sides of the Comm Curriculum
Culture
Individual/ Person
Social Force
13
Thinking about Communication and the Person Some
Key Concepts
  • Mediation Artifacts
  • Forms of Representation (images, words.)
  • Systems of mediation (montage, narrative,theme
    and variation
  • Alienation and Coordination
  • Meaning Interpretation
  • Power and Control
  • Perspective and granularity

14
Communication and The Berman Chair of Language
and Communication
  • This set of problems defines the issues addressed
    by the Berman chair of Language and
    Communication.
  • The general perspective championed by Dr. Berman
    is called General Semantics which reminds us
    that the map is not the territory, the word is
    not the thing. We will examine these ideas
    continuously through the course.

15
Juxtaposition
  • The action of placing two or more things close
    together or side by side
  • What is the psychological consequence of doing
    this?
  • How does the psychological consequence depend
    upon what two images (things) are placed side by
    side?

16
Example of Portmanteau Word
  • Fuming
  • Applied to foaming or seething water
  • That fumes, angry, raging. Also, characterized by
    or exhibiting anger.
  • Furious
  • mad with anger, zeal, or the like raging,
    frantic
  • Frumious perfect balance of fuming and furious
    like perfect balance of saddlebags, but not
    montage.
  • Fuming combined with furious

17
From Portmanteau to Montage
  • Portmanteau- A case or bag for carrying clothing
    and other necessaries on horseback an oblong
    stiff leather case, which opens like a book, with
    hinges in the middle of the back.
  • In the sense of that into which things are
    packed together originally applied by L.
    Carroll to a factitious word made up of the
    blended sounds of two distinct words and
    combining the meanings of both extended to
    things that are or suggest a combination of two
    different things of the same kind.

18
Montage (OED)
  • The process or technique of selecting, editing,
    and piecing together separate sections of film to
    form a continuous whole a sequence or picture
    resulting from such a process.
  • The act or process of producing a composite
    picture by combining several different pictures
    or pictorial elements so that they blend with or
    into one another
  • a mixture, blend, or medley of various elements
    a pastiche, miscellany
  • NONE OF THESE DEFINITIONS FITS EISENSTEIN

19
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20
Three Parts of the Image
  • Phylogenetic constraints
  • Cultural/historical constraints
  • Active resolving
  • Imagination in Russian
  • voobrazhenie
  • Vo into
  • Obrazimage
  • Zhenie making

21
Stabilized Images
  • When images stabilized on the retina, visual
    field goes grey.
  • Slight slippage produces partial image
  • Full image reappears when there is free play of
    image across the retina
  • Implication Discoordination with the world is
    constituitive of our perception of it.
  • What goes on between interval of total
    coordination and maximal discoordination?

22
Stabilizing images
23
Newborn Gaze
24
(No Transcript)
25
Newborn Fixations High Contrast Luminance Changes
26
Newborn Face Processing(Phylogenetic
constraints
27
When whole images fragment
28
Three Parts of the Image- Again
  • Phylogenetic constraints what infants see
  • Cultural historical constraints (cell
    assemblies?). Result of millions of highly
    constrained actions through cultural medium
    (letters of the alphabet)
  • These constraints are not sufficient. Need active
    resolving efforts off the organism. Into image
    making

29
Opposite of Stabilized Image Sensory Isolation
30
Granularity
  • http//www.docm.mmu.ac.uk/STAFF/P.McKenna/RLO/pixe
    ls.htm
  • http//zoomquilt2.madmindworx.com/zoomquilt2.swf
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