ITI

1
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2

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• ????? ???????? ?????? ????????????
• ????? ???????? ?????????
• ?????? ??????????
• ???????? ??
• ????? ??????? ??????? ????????
• ?????? ??????? ?????? ITI
• ????? ????????
• ??????????? ? ??????? ??????? ? ?????? ???????
• ???????? 11 ?????? 2007? ? ?????? ??????? ??????
  ????? ???? ???????? ????????

3
(No Transcript)
4
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5
?????? ???????? 1- ?????? ?????? .2- ???? ????
?????? ??????? ? ?. ??? ???? 3_???? ?????? ? ?.
???? ????4- ???? ???? ????? ?????? ? ???? ?????
??? ???5-???? ????? / ???? ???????? ?????? ?
?.?. ???? ????6-???? ????? / ???? ????? ???????
?????? ???????????? ? ?.?. ???? ????? ????7-????
????? / ???? ?????? ?????? ??????? ???????
???????? ? ?. ??? ?????? ???? ???8- ????
????? ?. ???? ??????9- ?????
??????? ??????? .. ????? ?????10-
????? ????? ? ??????? ??? ????
???? ???? ????
6
(No Transcript)
7
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8
??? ???? ?????? ?????? ????? ????????
?????? ???????????? ?????? ??????? ??????
ITI????? ??????????????????? ? ??????? ???????
?????? ??????? ????? ????? ?? ?????? ?????? /
???????? ??????? 11 13/12/2007???????
?????????????? ????? ???????? ?????????? ??????
?????????? 11/1210 ? 11 ????????? ????????1-
?????? ??????2- ???? ???? ?????? ??????? ? ?. ???
????3- ???? ?????? ? ?. ???? ???? 4- ???? ?????
?????? ? ???? ????? ??? ???5- ???? ????? / ????
???????? ?????? 6- ???? ????? / ???? ???????7-
???? ????? / ??????8- ?????? ???? ??????11.15?
13.1519.00 20.00 ?????? ??????1- ?. ??????
?????? ????? ? ????? ???? ????? .. ??????2- ?.
??? ?????? ???? ? ????? IFe ??????? 3- ?. ???
????? ???? ? ????? ???????4- ?. ????? ????
????? ??????? ? ?????? 5- ?. ???? ?????? ?
???????? ?????? ??????? ?????? ???????1- ?. ????
???? ? ?. ????? ???? ??????? ? ?????
???????2- ?.
????? ??? ????? ? ??????3- ?. ?????? ??????? ?
?????????? ????????????? ?????????
9
(No Transcript)
10
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11
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(No Transcript)
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14
PERFORMING GENDER IN ARABIC/AFRICAN THEATREUN/
MAKING SENSE OF DIFFERENCES

• The Fourth INTERCULTURAL THEATRE CONFERENCE
• EAST MEETS WEST
• Khartoum/ Sudan, December 11-14, 2007

15
(No Transcript)
16
????? ?????? ???????? ???????
17
University of Amsterdam/ Institute for Theatre
StudiesUniversity of Sudan / College of Music
and DramaWith the cooperation of Ahfad
University and ITI, Khartoum, Sudan

• The Gender-Issue is one of the most important
  social and cultural discussed theme both in the
  world in general and with growing attention also
  in the Arabic/African world countries.
• As is- and has been happening everywhere in the
  domain of the Arts, a focus on gender-representati
  ons in Arabic/African drama and theatre must deal
  not only with the performance of women and men in
  texts and on stage, reflecting or criticizing
  their social roles in culture and society.
• Also the position of women as female artists in
  the mostly male-dominated domain of the theatre
  organizations must be considered. Their voices
  and their visions about the daily practices and
  future changes must be heard and seen breaking
  their silence.
• Struggling against the social and ideological
  power-constructions both male and female artists
  are searching for a new freedom of body and mind
  where image and self-image can come together.
• The cultural geography of our present world is
  leading to a pluralistic concept of identity,
  reflected in terms like hyphenated identities
  and hybrid constructs, touching different forms
  of migration where nearly every-one, East/West or
  North/South, has to take part in.
• Old oppositions are continually shifting and
  re-formulated, or disappearing as no longer
  making sense.

18
(No Transcript)
19
????? ?????? ???????? ???????
20
Papers may explore the following territoriesThe
gender-issue as manifested in the Arabo-Islamic
phallocentric performing traditions and their
subordination of femininity in the public space
(public squares such as Jemaa elfna,
al-halfawin, al-ataba, arrachid)The silence of
female artists in the theatre, writers and
directors to beIdentity and Image performing
subversive femininities and masculinities.The
actress and the boundaries of the visible
performing gender with/within the veil as
habitaSubversive female models of taming
masculinity as in Shahrazads tradition.Mixed
identities I pray in Arabic and dance in
Africa Abstracts are due before September
1, 2007 and should be submitted via e-mail to the
coordinators of the conference. Final papers are
due by October 30, 2007. Languages
English/Arabic.Those accepted will be hosted
etc. by The University of Sudan, KhartoumThe
Intercultural Conference can offer a limited
amount of air-tickets for participants from the
Middle-East and Africa.Organization Mieke Kolk,
University of Amsterdam, M.L.Kolk_at_uva.nlShams El
Din Younis, issra2_at_hotmail.com College of Music
and Drama, Sudan
21
(No Transcript)
22
????? ?????? ???????? ???????
23

• ??? ???? ?????? ??????
• ????? ???????? ?????? ????????????
• ????? ???????? ?????????
• ?????? ??????????
• ???????? ??
• ????? ??????? ??????? ????????
• ?????? ??????? ?????? ITI
• ????? ????????
• ??????????? ? ??????? ??????? ? ?????? ???????
• ???????? 11 ?????? 2007? ? ?????? ??????? ??????
  ????? ???? ???????? ????????

24
(No Transcript)
25
????? ?????? ???????? ???????
26
?????? ???????? 1- ?????? ?????? .2- ???? ????
?????? ??????? ? ?. ??? ???? 3_???? ?????? ? ?.
???? ????4- ???? ???? ????? ?????? ? ???? ?????
??? ???5-???? ????? / ???? ???????? ?????? ?
?.?. ???? ????6-???? ????? / ???? ????? ???????
?????? ???????????? ? ?.?. ???? ????? ????7-????
????? / ???? ?????? ?????? ??????? ???????
???????? ? ?. ??? ?????? ???? ??? ???? ?????
?8 ?. ???? ?????? ????? ??????? 9?
??????? .. ????? ?????10- ????? ?????
? ??????? ??? ???? ???? ???? ????
27
(No Transcript)
28
????? ?????? ???????? ???????
29
??? ???? ?????? ?????? ????? ????????
?????? ???????????? ?????? ??????? ??????
ITI????? ??????????????????? ? ??????? ???????
?????? ??????? ????? ????? ?? ?????? ?????? /
???????? ??????? 11 13/12/2007???????
?????????????? ????? ???????? ?????????? ??????
?????????? 11/1210 ? 11 ????????? ????????1-
?????? ??????2- ???? ???? ?????? ??????? ? ?. ???
????3- ???? ?????? ? ?. ???? ???? 4- ???? ?????
?????? ? ???? ????? ??? ???5- ???? ????? / ????
???????? ?????? 6- ???? ????? / ???? ???????7-
???? ????? / ??????8- ?????? ???? ??????11.15?
13.1519.00 20.00 ?????? ??????1- ?. ??????
?????? ????? ? ????? ???? ????? .. ??????2- ?.
??? ?????? ???? ? ????? IFe ??????? 3- ?. ???
????? ???? ? ????? ???????4- ?. ????? ????
????? ??????? ? ?????? 5- ?. ???? ?????? ?
???????? ?????? ??????? ?????? ???????1- ?. ????
???? ? ?. ????? ???? ??????? ? ?????
???????2- ?.
????? ??? ????? ? ??????3- ?. ?????? ??????? ?
?????????? ????????????? ?????????
30
(No Transcript)
31
????? ?????? ???????? ???????
32
?????? ??????? ???????? ???? ???? ???
33
(No Transcript)
34
????? ?????? ???????? ???????
35
PERFORMING GENDER IN ARABIC/AFRICAN THEATREUN/
MAKING SENSE OF DIFFERENCES

• The Fourth INTERCULTURAL THEATRE CONFERENCE
• EAST MEETS WEST
• Khartoum/ Sudan, December 11-14, 2007

36
(No Transcript)
37
????? ?????? ???????? ???????
38
University of Amsterdam/ Institute for Theatre
StudiesUniversity of Sudan / College of Music
and DramaWith the cooperation of Ahfad
University and ITI, Khartoum, Sudan

• The Gender-Issue is one of the most important
  social and cultural discussed theme both in the
  world in general and with growing attention also
  in the Arabic/African world countries.
• As is- and has been happening everywhere in the
  domain of the Arts, a focus on gender-representati
  ons in Arabic/African drama and theatre must deal
  not only with the performance of women and men in
  texts and on stage, reflecting or criticizing
  their social roles in culture and society.
• Also the position of women as female artists in
  the mostly male-dominated domain of the theatre
  organizations must be considered. Their voices
  and their visions about the daily practices and
  future changes must be heard and seen breaking
  their silence.
• Struggling against the social and ideological
  power-constructions both male and female artists
  are searching for a new freedom of body and mind
  where image and self-image can come together.
• The cultural geography of our present world is
  leading to a pluralistic concept of identity,
  reflected in terms like hyphenated identities
  and hybrid constructs, touching different forms
  of migration where nearly every-one, East/West or
  North/South, has to take part in.
• Old oppositions are continually shifting and
  re-formulated, or disappearing as no longer
  making sense.

39
(No Transcript)
40
????? ?????? ???????? ???????
41
Papers may explore the following territoriesThe
gender-issue as manifested in the Arabo-Islamic
phallocentric performing traditions and their
subordination of femininity in the public space
(public squares such as Jemaa elfna,
al-halfawin, al-ataba, arrachid)The silence of
female artists in the theatre, writers and
directors to beIdentity and Image performing
subversive femininities and masculinities.The
actress and the boundaries of the visible
performing gender with/within the veil as
habitaSubversive female models of taming
masculinity as in Shahrazads tradition.Mixed
identities I pray in Arabic and dance in
Africa Abstracts are due before September
1, 2007 and should be submitted via e-mail to the
coordinators of the conference. Final papers are
due by October 30, 2007. Languages
English/Arabic.Those accepted will be hosted
etc. by The University of Sudan, KhartoumThe
Intercultural Conference can offer a limited
amount of air-tickets for participants from the
Middle-East and Africa.Organization Mieke Kolk,
University of Amsterdam, M.L.Kolk_at_uva.nlShams El
Din Younis, issra2_at_hotmail.com College of Music
and Drama, Sudan
42
(No Transcript)
43
????? ?????? ???????? ???????