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Title: Creative Interventions for Older People: Using creativity in facilitating recovery Louise Woolf Clar


1
Creative Interventionsfor Older PeopleUsing
creativity in facilitating recoveryLouise
Woolf Clare Cottage, MHSOA, Waitemata DHB
2
Introduction

3
What is required?
  • Passion for the task
  • Compassion and Care for clients acknowledging
    the privilege
  • Willingness to embark on a journey of discovery

4
An example of working creatively
  • Mrs T
  • the quilt of strengths

5
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6
Why creative interventions?
  • A picture paints a thousand words
  • Words and cognitive understanding alone often not
    enough to create change
  • We need to both understand and experience.
  • Often something that takes us out of mental
    understanding can provide another perspective or
    useful insight

7
Overview
  • Journey of discovery
  • Practical applications
  • Own creativity and imagination
  • Group and individual methods
  • Cognitively impaired to higher functioning
  • Fluidity of process, adaptability
  • Evidence base

8
The Context
  • To work therapeutically we must endeavour to work
    efficaciously our treatment methods need to be
    evidence based
  • While there is much, and increasing evidence for
    the efficacy of CBT with older adults, and in
    general there is less evidence for other
    therapeutic methods partly due to lack of
    research

9
What is the Evidence Base?
  • Very little research specifically for creative
    interventions with older people
  • There is growing evidence for cognitive skills
    groups in dementia care
  • Evidence in work with children that play therapy
    has similar effect sizes to other forms of
    therapy
  • Play therapy, and sandtray frequently used in
    treating trauma

10
The Context
  • My own approach is grounded in CBT as a treatment
    approach but with the adaptations and
    flexibility necessary when working with real
    life people particularly older adults and some
    of the complexities they present us with

11
The Context
  • Creative Interventions can be used as an adjunct
    to a CBT based approach.
  • They may be used in a variety of forms within
    this general framework for example role plays,
    two chair work, and a variety of other techniques
    are in fact creative applications

12
What is Creativity?
  • Creativity is fundamental to life.
  • We all have the ability to be creative
  • We see this in work, in recreation, and in play
  • Every child is an artist. The problem is how to
    remain an artist once he grows up Pablo
    Picasso

13
What is Creativity?
  • Creativity takes many different forms
  • Art
  • Music
  • Writing
  • Gardening
  • Baking
  • Designing
  • Building

14
What is Creativity?
  • What would you say are areas of life in which you
    are more creative?

15
What is Creativity?
  • A guided imagery task
  • The Rose Bush

16
Creativity Older Adults
  • We do not lose our ability to create with age.
  • While our ability to do some things may change
    we are still at heart able to create in some
    capacity.
  • To rediscover lost creativity can bring life, joy
    and healing.
  • We can encourage the use of creativity in many
    ways.

17
Creativity Older Adults
  • Essential in working with people is knowing who
    they are their personhood or their story.
  • Strengths, joys, and things which have helped
    people to be resilient in life are often cues to
    creativity.

18
Working Creatively
  • Can be undertaken on an individual basis, as an
    adjunct to therapy
  • Can be done in small or large groups
  • Can be specific or may be more general
  • Needs to be targeted to the individual in
    question
  • Aim is to view all interaction as an opportunity
    for learning and growth eg games, cognitive
    skills

19
Paths to Creativity
  • Stories and Metaphors
  • Art
  • Craft
  • Clay
  • Music
  • Dance/Drama
  • Reminiscence
  • Games
  • Play Sandtray

20
Working with more cognitively impaired Older
Adultsindividually and in groups
21
Working with more impaired Older Adults
  • What does it mean to work therapeutically?

22
Working with more impaired Older Adults
  • Even small moments count
  • Progress may be slow
  • The value of stimulation and interaction
  • Quality of life
  • Meaning
  • The balance of working with ability yet not
    demeaning the older person

23
Working with more impaired Older Adults
  • Groups/Activities at Glenburn
  • Reminiscence
  • Art and Craft
  • Music
  • Brain Gym
  • Relaxation
  • Travel
  • Games
  • Using stories

24
Working with more impaired Older Adults
  • Groups
  • Specific - may be selective have a small group
    of similar ability and a specific goal (eg.
    Cognitive Skills Group)
  • General such as on Ward changing population,
    varying ability (requires more adaptability,
    thinking on feet, and facilitation)

25
Working with more impaired Older Adults
  • Individually
  • Can target strengths
  • Set goals for each individual client
  • Can also then have people work alongside the
    individual in a group situation
  • The therapeutic role of caregivers working
    together to facilitate quality of life

26
Working with higher functioning Older Adults
  • Often use creative techniques as an adjunct to
    more cognitive therapy
  • Useful in illustrating, or helping in areas where
    stuck or difficulty with grasping a concept
  • Determined by areas of clients interest or
    strengths
  • Presentation of ideas is important in
    activities/ideas not being demeaning

27
Working with higher functioning Older Adults
  • In group work such as Anxiety Groups can use
    stories, metaphors, etc to illustrate and to
    encourage deeper level understanding

28
Using Reminiscence
  • Can enable memories that are easier to access to
    be brought to mind
  • Gives people a stronger sense of themselves
    helps us to know the person
  • Can be adapted depending on ability from a
    topic of discussion to tactile or visual cues to
    aid discussion and memory

29
Overview of Techniques
30
Using Reminiscence
  • Can have a set topic for discussion each session
    or week
  • School days
  • Places have stayed on holiday
  • Clothes
  • Use of props and tactile objects to aid memory
  • Use of stories

31
Using Music, Dance Drama
  • Music can often unleash potential where words
    cannot be expressed.
  • Can be a very strong and effective intervention
    for people with limited physical and mental
    capacity
  • Even simple movement, and listening to music can
    be beneficial for people

32
Games
  • Can enhance physical skills and mental skills
  • Can encourage participation with others
  • Can use games specifically designed for older
    adults or dementia or adapt games in various
    ways
  • 20 Questions
  • Memory
  • Quizzes
  • Kids games

33
Using Stories Metaphors
  • Can be used to help identify with an issue or a
    transition that may be happening for a person
  • Can choose to identify with a particular person
    or object in the story
  • Can ask how is this story similar to their own
    experience
  • Can ask for their own image, picture, or metaphor
  • Can begin a story or ask them to tell a story

34
Using Stories Metaphors
  • Poetry
  • Playing God
  • Not Understood
  • Excerpts from novels that capture themes
  • Mister Pip
  • Captain Correllis Mandolin
  • The Poisonwood Bible
  • Movies
  • The Notebook
  • Awakenings

35
Using Stories Metaphors
  • Sophisticated Picture Books
  • The Short and Incredibly Happy Life of Riley
  • The Quiltmakers Gift
  • Grandads Prayer of the Earth
  • Little Bears Grandad
  • The Little Prince
  • The Red Tree

36
Using Stories Metaphors
  • The Incredible Journey of
  • Edward Tulane
  • Captain Correllis Mandolin

37
Using Art Craft Activities
  • Art and craft can help with fine motor skills and
    encourage creativity
  • Can be targeted to skills for daily living
    (such as cooking), and easily adapted to suit the
    various ability levels of a group (i.e. card
    making)
  • Can also be used to work together as a group
    collage, large art work
  • Useful in dealing with trauma, loss, adaptation
    and change

38
Using Art Craft Activities
  • Craft activities can also be designed to be more
    specifically therapeutic
  • Specifically targeted art work Rose bush, anger
    drawings, collage of life (tree of life)
  • People in my world collage or tree leaves of
    important people what remains on the tree, what
    has fallen
  • Clay creating something specific working
    through a trauma or memory

39
Using Art Craft Activities
  • Working with Grief Loss, transitions,
    adaptation and change
  • Shadows Cards
  • Strengths Cards
  • Optimism Boosters
  • Tree of Life

40
Using Art Craft Activities
  • Clay
  • Tactile
  • Uses our senses
  • Can facilitate unconscious processes
  • Can be self-soothing and calming
  • Can be helpful with aggression and anger
  • Can be directed or free to experiment
  • Can be used in groups to create a scene
  • Can be used as a mindfulness exercise

41
Clay
  • Come forward and break of a piece of clay the
    size easily able to fit into the palm of your
    hand.

42
Break
43
Sandplay
44
Sandplay
  • Sandplay or sandtray refer to the technique of
    using miniatures in a shallow box partially
    filled with sand.
  • The box measures 73 x 60cm, and is approximately
    12.5cm deep. It is usually painted blue on the
    inside to depict water or sky.
  • Miniatures are placed in the tray to depict a
    scene or small world

45
Sandplay
46
The History of Sandplay
  • HG Wells
  • Emerged out of psychoanalytic work with children
  • Psychoanalytic/Jungian in form
  • Later used by Educational Psychologists
  • Developed and adapted over time
  • Frequently used in work with children,
    particularly with abuse/trauma

47
Sandplay Today
  • The practice of sandtray/sandplay today usually
    includes two trays (one wet, one dry).
  • After the therapist has introduced the procedure
    and given the client an opportunity to engage
    with the objects, miniatures on shelves or
    baskets are selected and placed in one of the
    trays to form a scene.

48
Sandplay Today
  • While each tray is taken on its own merit, often
    themes and stories emerge from a series of trays
  • Photographs are taken of trays in order to
    observe the development of the trays

49
Sandplay Today
  • Current practice is to introduce concept of the
    sandtray. For example This is a sandtray. The
    aim of todays session is to use any of the
    objects on the shelves to create a world or a
    picture in the sand. Look over the shelves until
    you find something that speaks to you and put it
    in the tray and then add to it as you wish

50
Sandplay Today
  • The sandtray can be used in either
  • Non-directive ways free way such as described
    perviously make a scene or picture in the tray
  • Directive ways find some objects that represent
    you, your family and what has happened or find
    some objects that show in some way your different
    feelings. Or find some objects that we can tell
    a story about what is happening for you right
    now.

51
Sandtray Today
  • In deciphering of trays therapists draw upon
    all psychological training and abilities
    including
  • Theoretical understanding
  • Symbolism
  • Observation of process
  • Intuition and empathy.

52
Sandplay Today
  • While there are many possible levels of
    understanding when a tray is created it is
    important not to over-analyse a tray with a
    client but allow their own processing of what is
    occurring to unfold over time

53
Sandplay Today
  • Key considerations are
  • The title the tray is given
  • The story that is told with the tray
  • Any changes or adjustments that are made
  • Themes that emerge across trays
  • Their own understanding or meaning attributed to
    the objects used in the tray
  • What does the process of making the tray help
    them to see or understand (some of this may be
    subconscious)

54
Sandplay Today
  • In current Sandplay literature five main
    considerations dominate the field
  • How the sand tray is created
  • The content of the tray
  • Developmental perspective of a series of trays
  • The sandplay story
  • The therapists feeling response

55
SandplayExperiencing the medium
56
Sandplay Experiencing the Medium
  • Take time to come up and look at the miniature
    objects on display. Try to leave your
    professional self behind and not try to analyse
    or think about it too much
  • Choose a miniature object which appeals to you
    perhaps stands out from the others in some way
    and take it back to your seat

57
Sandplay Experiencing the Medium
  • Share with the person next to you what appealed
    to you about the object
  • Does it have any particular significance to you
    currently your space in lifes journey,
    decisions you need to make, or thoughts about
    yourself?
  • Invitation to share your thoughts/experience of
    choosing an object with wider group.

58
Sandplay Experiencing the Medium
  • I have created a world in the tray. I would like
    you to think of life as a journey. There are many
    different terrains we have to cross along the way
  • Forest
  • Seas
  • Rivers/Lakes
  • Desert
  • Open field
  • Mountains
  • Rocky places

59
Sandplay Experiencing the Medium
  • Bring your chosen object to the front and
    consider where in this scene you would place
    yourself.
  • It may be that your chosen object doesnt easily
    fit into any place. If not, consider what other
    object you might need to make it feel right, or
    if you need to change the scene somewhat to place
    your object.
  • If that object is not here either improvise, or
    keep a mental note of what you would like to use.

60
Sandplay Experiencing the Medium
  • Share your experience with the group

61
Sandplay Examples
62
Sandplay ExamplesChildren Trauma
63
Sandplay Examples
  • Children and Trauma
  • The unfolding story
  • Childrens own unconscious process
  • The second tray healing of self
  • Key objects
  • Discovery
  • Dealing with trauma
  • Finding a future and hope

64
Sandplay Examples
  • Work with an Older Adult Grief
  • Understanding Grief
  • Adjusting to Loss
  • Denial and Acceptance
  • Finding a future and hope

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Understanding Sandplay
  • The unfolding story
  • Themes which emerge
  • Key figures or objects
  • Symbolism
  • Jungian analysis
  • Gestalt work
  • The quadrant theory
  • CBT applications

68
The unfolding story
  • Reflect on the story that is told
  • How is it representative of the clients current
    experiences
  • What themes emerge
  • Would they like to change the narrative in some
    way if so what is needed to change the story

69
Themes which emerge
  • After a series of trays certain themes may
    consistently emerge
  • Struggle/Adaptation/Change/Transition
  • Uncertainty/Decision making
  • Loss/Grief
  • Relational issues
  • Unresolved issues
  • Discuss the themes which have emerged, what does
    the client take from this, are the themes
    positive and helpful or do they need to be
    changed in some way

70
Key figures or objects
  • In what ways are key figures or objects
    reflective of the person or their current
    experience of life
  • Does the key figure need another figure to be
    helped towards wholeness
  • What is missing
  • Are the key figures beneficial or harmful

71
Symbolism
  • Clients can choose objects that have particular
    meaning for them
  • It is important to gain an understanding of what
    items mean to the individual
  • However, there are also Jungian perspectives on
    the meaning of objects, and this might enable
    some clients a deeper understanding of underlying
    subconscious processes occuring

72
Jungian Analysis
  • Relies on unconscious communication of the psyche
  • Aim is to allow unconscious process to unfold
    and for the ego and self to be in relationship
    which facilitates healing and wholeness
  • Jung the development of the individual can be
    brought about only by means of symbols which
    represent something far in advance of himself

73
Gestalt Work
  • Based on personality therapy which aims at
    striving toward individuals state of harmony and
    balance with environment.
  • Promotes heightening of individual awareness of
    responsibility for behaviour, feelings and
    thoughts
  • Encouraged to experience in the present
    unfinished business of the past

74
Gestalt Work
  • Within sandplay idea of owning each item and
    speaking to each as an expression of part of self
  • Take each item used in tray and be that item
    what does it feel like to be this item, in what
    ways are you like this object etc
  • Can also be acted out moved around etc
  • Can then be adapted or changed as insight and
    understanding gained

75
Quadrant Theory
  • The quadrant theory
  • Divides tray into parts based on psychoanalytic
    principles of conscious and unconscious
    principles
  • Considers the symbols and work going on within
    each quadrant and persons own understanding of
    that quadrant
  • In the centre is the area of activity development
    what is currently happening for the client in
    their world, issues being addressed etc

76
Activity Development
77
CBT applications
  • Feelings tray
  • Use the tray to facilitate uncovering thoughts
  • As an alternative to a role play ie place key
    figures in the sandtray and role play possible
    options
  • Working through a traumatic memory or event
  • Supervision of cases

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