Title: Creative Interventions for Older People: Using creativity in facilitating recovery Louise Woolf Clar
1Creative Interventionsfor Older PeopleUsing
creativity in facilitating recoveryLouise
Woolf Clare Cottage, MHSOA, Waitemata DHB
2Introduction
3What is required?
- Passion for the task
- Compassion and Care for clients acknowledging
the privilege - Willingness to embark on a journey of discovery
4An example of working creatively
- Mrs T
- the quilt of strengths
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6Why creative interventions?
- A picture paints a thousand words
- Words and cognitive understanding alone often not
enough to create change - We need to both understand and experience.
- Often something that takes us out of mental
understanding can provide another perspective or
useful insight
7Overview
- Journey of discovery
- Practical applications
- Own creativity and imagination
- Group and individual methods
- Cognitively impaired to higher functioning
- Fluidity of process, adaptability
- Evidence base
8The Context
- To work therapeutically we must endeavour to work
efficaciously our treatment methods need to be
evidence based - While there is much, and increasing evidence for
the efficacy of CBT with older adults, and in
general there is less evidence for other
therapeutic methods partly due to lack of
research
9What is the Evidence Base?
- Very little research specifically for creative
interventions with older people - There is growing evidence for cognitive skills
groups in dementia care - Evidence in work with children that play therapy
has similar effect sizes to other forms of
therapy - Play therapy, and sandtray frequently used in
treating trauma
10The Context
- My own approach is grounded in CBT as a treatment
approach but with the adaptations and
flexibility necessary when working with real
life people particularly older adults and some
of the complexities they present us with
11The Context
- Creative Interventions can be used as an adjunct
to a CBT based approach. - They may be used in a variety of forms within
this general framework for example role plays,
two chair work, and a variety of other techniques
are in fact creative applications
12What is Creativity?
- Creativity is fundamental to life.
- We all have the ability to be creative
- We see this in work, in recreation, and in play
- Every child is an artist. The problem is how to
remain an artist once he grows up Pablo
Picasso
13What is Creativity?
- Creativity takes many different forms
- Art
- Music
- Writing
- Gardening
- Baking
- Designing
- Building
14What is Creativity?
- What would you say are areas of life in which you
are more creative?
15What is Creativity?
- A guided imagery task
- The Rose Bush
16Creativity Older Adults
- We do not lose our ability to create with age.
- While our ability to do some things may change
we are still at heart able to create in some
capacity. - To rediscover lost creativity can bring life, joy
and healing. - We can encourage the use of creativity in many
ways.
17Creativity Older Adults
- Essential in working with people is knowing who
they are their personhood or their story. - Strengths, joys, and things which have helped
people to be resilient in life are often cues to
creativity.
18Working Creatively
- Can be undertaken on an individual basis, as an
adjunct to therapy - Can be done in small or large groups
- Can be specific or may be more general
- Needs to be targeted to the individual in
question - Aim is to view all interaction as an opportunity
for learning and growth eg games, cognitive
skills
19Paths to Creativity
- Stories and Metaphors
- Art
- Craft
- Clay
- Music
- Dance/Drama
- Reminiscence
- Games
- Play Sandtray
20Working with more cognitively impaired Older
Adultsindividually and in groups
21Working with more impaired Older Adults
- What does it mean to work therapeutically?
22Working with more impaired Older Adults
- Even small moments count
- Progress may be slow
- The value of stimulation and interaction
- Quality of life
- Meaning
- The balance of working with ability yet not
demeaning the older person
23Working with more impaired Older Adults
- Groups/Activities at Glenburn
- Reminiscence
- Art and Craft
- Music
- Brain Gym
- Relaxation
- Travel
- Games
- Using stories
24Working with more impaired Older Adults
- Groups
- Specific - may be selective have a small group
of similar ability and a specific goal (eg.
Cognitive Skills Group) - General such as on Ward changing population,
varying ability (requires more adaptability,
thinking on feet, and facilitation)
25Working with more impaired Older Adults
- Individually
- Can target strengths
- Set goals for each individual client
- Can also then have people work alongside the
individual in a group situation - The therapeutic role of caregivers working
together to facilitate quality of life
26Working with higher functioning Older Adults
- Often use creative techniques as an adjunct to
more cognitive therapy - Useful in illustrating, or helping in areas where
stuck or difficulty with grasping a concept - Determined by areas of clients interest or
strengths - Presentation of ideas is important in
activities/ideas not being demeaning
27Working with higher functioning Older Adults
- In group work such as Anxiety Groups can use
stories, metaphors, etc to illustrate and to
encourage deeper level understanding
28Using Reminiscence
- Can enable memories that are easier to access to
be brought to mind - Gives people a stronger sense of themselves
helps us to know the person - Can be adapted depending on ability from a
topic of discussion to tactile or visual cues to
aid discussion and memory
29Overview of Techniques
30Using Reminiscence
- Can have a set topic for discussion each session
or week - School days
- Places have stayed on holiday
- Clothes
- Use of props and tactile objects to aid memory
- Use of stories
31Using Music, Dance Drama
- Music can often unleash potential where words
cannot be expressed. - Can be a very strong and effective intervention
for people with limited physical and mental
capacity - Even simple movement, and listening to music can
be beneficial for people
32Games
- Can enhance physical skills and mental skills
- Can encourage participation with others
- Can use games specifically designed for older
adults or dementia or adapt games in various
ways - 20 Questions
- Memory
- Quizzes
- Kids games
33Using Stories Metaphors
- Can be used to help identify with an issue or a
transition that may be happening for a person - Can choose to identify with a particular person
or object in the story - Can ask how is this story similar to their own
experience - Can ask for their own image, picture, or metaphor
- Can begin a story or ask them to tell a story
34Using Stories Metaphors
- Poetry
- Playing God
- Not Understood
- Excerpts from novels that capture themes
- Mister Pip
- Captain Correllis Mandolin
- The Poisonwood Bible
- Movies
- The Notebook
- Awakenings
35Using Stories Metaphors
- Sophisticated Picture Books
- The Short and Incredibly Happy Life of Riley
- The Quiltmakers Gift
- Grandads Prayer of the Earth
- Little Bears Grandad
- The Little Prince
- The Red Tree
36Using Stories Metaphors
- The Incredible Journey of
- Edward Tulane
- Captain Correllis Mandolin
37Using Art Craft Activities
- Art and craft can help with fine motor skills and
encourage creativity - Can be targeted to skills for daily living
(such as cooking), and easily adapted to suit the
various ability levels of a group (i.e. card
making) - Can also be used to work together as a group
collage, large art work - Useful in dealing with trauma, loss, adaptation
and change
38Using Art Craft Activities
- Craft activities can also be designed to be more
specifically therapeutic - Specifically targeted art work Rose bush, anger
drawings, collage of life (tree of life) - People in my world collage or tree leaves of
important people what remains on the tree, what
has fallen - Clay creating something specific working
through a trauma or memory
39Using Art Craft Activities
- Working with Grief Loss, transitions,
adaptation and change - Shadows Cards
- Strengths Cards
- Optimism Boosters
- Tree of Life
40Using Art Craft Activities
- Clay
- Tactile
- Uses our senses
- Can facilitate unconscious processes
- Can be self-soothing and calming
- Can be helpful with aggression and anger
- Can be directed or free to experiment
- Can be used in groups to create a scene
- Can be used as a mindfulness exercise
41Clay
- Come forward and break of a piece of clay the
size easily able to fit into the palm of your
hand.
42Break
43Sandplay
44Sandplay
- Sandplay or sandtray refer to the technique of
using miniatures in a shallow box partially
filled with sand. - The box measures 73 x 60cm, and is approximately
12.5cm deep. It is usually painted blue on the
inside to depict water or sky. - Miniatures are placed in the tray to depict a
scene or small world
45Sandplay
46The History of Sandplay
- HG Wells
- Emerged out of psychoanalytic work with children
- Psychoanalytic/Jungian in form
- Later used by Educational Psychologists
- Developed and adapted over time
- Frequently used in work with children,
particularly with abuse/trauma
47Sandplay Today
- The practice of sandtray/sandplay today usually
includes two trays (one wet, one dry). - After the therapist has introduced the procedure
and given the client an opportunity to engage
with the objects, miniatures on shelves or
baskets are selected and placed in one of the
trays to form a scene.
48Sandplay Today
- While each tray is taken on its own merit, often
themes and stories emerge from a series of trays - Photographs are taken of trays in order to
observe the development of the trays
49Sandplay Today
- Current practice is to introduce concept of the
sandtray. For example This is a sandtray. The
aim of todays session is to use any of the
objects on the shelves to create a world or a
picture in the sand. Look over the shelves until
you find something that speaks to you and put it
in the tray and then add to it as you wish
50Sandplay Today
- The sandtray can be used in either
- Non-directive ways free way such as described
perviously make a scene or picture in the tray - Directive ways find some objects that represent
you, your family and what has happened or find
some objects that show in some way your different
feelings. Or find some objects that we can tell
a story about what is happening for you right
now.
51Sandtray Today
- In deciphering of trays therapists draw upon
all psychological training and abilities
including - Theoretical understanding
- Symbolism
- Observation of process
- Intuition and empathy.
52Sandplay Today
- While there are many possible levels of
understanding when a tray is created it is
important not to over-analyse a tray with a
client but allow their own processing of what is
occurring to unfold over time
53Sandplay Today
- Key considerations are
- The title the tray is given
- The story that is told with the tray
- Any changes or adjustments that are made
- Themes that emerge across trays
- Their own understanding or meaning attributed to
the objects used in the tray - What does the process of making the tray help
them to see or understand (some of this may be
subconscious)
54Sandplay Today
- In current Sandplay literature five main
considerations dominate the field - How the sand tray is created
- The content of the tray
- Developmental perspective of a series of trays
- The sandplay story
- The therapists feeling response
55SandplayExperiencing the medium
56Sandplay Experiencing the Medium
- Take time to come up and look at the miniature
objects on display. Try to leave your
professional self behind and not try to analyse
or think about it too much - Choose a miniature object which appeals to you
perhaps stands out from the others in some way
and take it back to your seat
57Sandplay Experiencing the Medium
- Share with the person next to you what appealed
to you about the object - Does it have any particular significance to you
currently your space in lifes journey,
decisions you need to make, or thoughts about
yourself? - Invitation to share your thoughts/experience of
choosing an object with wider group.
58Sandplay Experiencing the Medium
- I have created a world in the tray. I would like
you to think of life as a journey. There are many
different terrains we have to cross along the way - Forest
- Seas
- Rivers/Lakes
- Desert
- Open field
- Mountains
- Rocky places
59Sandplay Experiencing the Medium
- Bring your chosen object to the front and
consider where in this scene you would place
yourself. - It may be that your chosen object doesnt easily
fit into any place. If not, consider what other
object you might need to make it feel right, or
if you need to change the scene somewhat to place
your object. - If that object is not here either improvise, or
keep a mental note of what you would like to use.
60Sandplay Experiencing the Medium
- Share your experience with the group
61Sandplay Examples
62Sandplay ExamplesChildren Trauma
63Sandplay Examples
- Children and Trauma
- The unfolding story
- Childrens own unconscious process
- The second tray healing of self
- Key objects
- Discovery
- Dealing with trauma
- Finding a future and hope
64Sandplay Examples
- Work with an Older Adult Grief
- Understanding Grief
- Adjusting to Loss
- Denial and Acceptance
- Finding a future and hope
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67Understanding Sandplay
- The unfolding story
- Themes which emerge
- Key figures or objects
- Symbolism
- Jungian analysis
- Gestalt work
- The quadrant theory
- CBT applications
68The unfolding story
- Reflect on the story that is told
- How is it representative of the clients current
experiences - What themes emerge
- Would they like to change the narrative in some
way if so what is needed to change the story
69Themes which emerge
- After a series of trays certain themes may
consistently emerge - Struggle/Adaptation/Change/Transition
- Uncertainty/Decision making
- Loss/Grief
- Relational issues
- Unresolved issues
- Discuss the themes which have emerged, what does
the client take from this, are the themes
positive and helpful or do they need to be
changed in some way
70Key figures or objects
- In what ways are key figures or objects
reflective of the person or their current
experience of life - Does the key figure need another figure to be
helped towards wholeness - What is missing
- Are the key figures beneficial or harmful
71Symbolism
- Clients can choose objects that have particular
meaning for them - It is important to gain an understanding of what
items mean to the individual - However, there are also Jungian perspectives on
the meaning of objects, and this might enable
some clients a deeper understanding of underlying
subconscious processes occuring
72Jungian Analysis
- Relies on unconscious communication of the psyche
- Aim is to allow unconscious process to unfold
and for the ego and self to be in relationship
which facilitates healing and wholeness - Jung the development of the individual can be
brought about only by means of symbols which
represent something far in advance of himself
73Gestalt Work
- Based on personality therapy which aims at
striving toward individuals state of harmony and
balance with environment. - Promotes heightening of individual awareness of
responsibility for behaviour, feelings and
thoughts - Encouraged to experience in the present
unfinished business of the past
74Gestalt Work
- Within sandplay idea of owning each item and
speaking to each as an expression of part of self - Take each item used in tray and be that item
what does it feel like to be this item, in what
ways are you like this object etc - Can also be acted out moved around etc
- Can then be adapted or changed as insight and
understanding gained
75Quadrant Theory
- The quadrant theory
- Divides tray into parts based on psychoanalytic
principles of conscious and unconscious
principles - Considers the symbols and work going on within
each quadrant and persons own understanding of
that quadrant - In the centre is the area of activity development
what is currently happening for the client in
their world, issues being addressed etc
76Activity Development
77CBT applications
- Feelings tray
- Use the tray to facilitate uncovering thoughts
- As an alternative to a role play ie place key
figures in the sandtray and role play possible
options - Working through a traumatic memory or event
- Supervision of cases
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