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Live Sound Tool Kit

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Live Sound Toolkit. Seven road-rugged reasons we're serious about ... Live music venues. Houses of worship. Retail opportunities. Contractors and consultants ... – PowerPoint PPT presentation

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Title: Live Sound Tool Kit


1
(No Transcript)
2
Live Sound Toolkit
3
Live Sound Toolkit
Seven road-rugged reasons we're serious about
live sound processing. Each with advanced 24-bit
digital technology inside and intuitive, hands-on
analog controls outside.
4
Why analog-controlled digital?
  • Analog familiarity and real-time ease of use
    digital accuracy and repeatability
  • Allows features that are impossible or
    cost-prohibitive to do with analog
  • Improved circuit designs are less susceptible to
    interference

5
Target customers
  • Regional and touring sound companies
  • Live music venues
  • Houses of worship
  • Retail opportunities
  • Contractors and consultants

6
C4 Quad Compressor/Limiter
7
C4 Quad Compressor/Limiter
Each Channel Features
  • Independent Compressor and Limiter sections with
    extensive metering
  • Auto mode for fast setup
  • Adjustable compressor knee

8
C4 Quad Compressor/Limiter
Each Channel Features
  • Internal or External side-chain (auto) with
    Listen and PEQ
  • Dynamic EQ True de-essing

9
C4 Quad Compressor/Limiter
  • Whats so special about the C4s Dynamic EQ
    feature?
  • Relative threshold detection allows for accurate
    processing during level changes during live
    performances (best de-essing for live
    applications)

10
C4 Quad Compressor/Limiter
Result Dynamic EQ performance stays the same
regardless of input level.
11
C4 Quad Compressor/Limiter
More Features
  • Adjacent channels link for stereo operation
  • Balanced, auto-switching TRS side-chain inputs
  • Internal, universal power supply

12
G4 Quad Gate/Ducker/Expander
13
G4 Quad Gate/Ducker/Expander
Each Channel Features
  • Gate, Duck, Expand modes
  • Internal or external side-chain with EQ and
    Listen
  • Complete envelope control
  • Extensive metering

14
G4 Quad Gate/Ducker/Expander
More Features
  • Adjacent channels link for stereo operation
  • Balanced TRS side-chain inputs

15
G4 Quad Gate/Ducker/Expander
Whats so special about a gate with look-ahead
ramping?
16
MM 42Personal Monitor Processor
17
MM 42Personal Monitor Processor
How is it used?
18
MM 42Personal Monitor Processor
How is it used?
19
MM 42 Personal Monitor Processor
Key Features
  • 4 line-level inputs
  • Process single stereo or two independent mono
    mixes
  • Shelf/cut filters, 3-band rms compressor, 5-band
    PEQ, 3-band brick wall limiter on each mix

20
MM 42 Personal Monitor Processor
Key Features
  • Factory presets for many popular earphones
  • Built in headphone amp
  • On-board cue bus links devices
  • Sub output

21
DEQ 60 DEQ 60L Graphic EQ with Perfect-Q
22
DEQ 60 DEQ 60L Graphic EQ with Perfect-Q
Key Features
  • Perfect-Q and Proportional-Q modes, 12 dB or 6
    dB
  • Unique A/B switches permit stereo linking or two
    EQ curves
  • Tone controls, cut filters and I/O levels

23
DEQ 60 DEQ 60L Perfect-Q Graphic Equalizer
Meet the DEQ 60L
  • same great feature set as DEQ 60, only with
    longer faders(45 mm)
  • -12 dB or -6 dB Cut Only mode

24
DEQ 60 60L Perfect-Q Graphic Equalizer
Whats so special about Perfect-Q?
25
DEQ 60 60L Perfect-Q Graphic Equalizer
What are users saying about the DEQ? From an
independent GEQ shootout best resistance to
fader interaction very good required less
cutting for same SPL Best must have faders
consistently placed at the top or near the
top of every trial This EQ is new to the
market and promises to make a big dent.
26
PEQ 55 Parametric Equalizer
27
PEQ 55 Parametric Equalizer
Key Features
  • 5 fully overlapping frequency bands per channel,
    with overload indicator
  • Shelf mode on bands 1 and 5 of each channel
  • 5- or 10-band operation

28
PEQ 55 Parametric Equalizer
Key Features
  • Unique A/B switches permit stereo linking or two
    EQ curves
  • Tone controls, cut filters, and I/O levels

29
AC 24 Stereo Crossover
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AC 24 Stereo Crossover
  • Every feature users have ever requested
  • Stereo 3- or 4-way
  • Automatic phase compensation
  • Limiter and delay per output

31
(No Transcript)
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