Title: Kaleidoscope III Dante
1Kaleidoscope III Dante Kafka
- Session 1
- Dante Alighieri, Commedia Inferno
2Dante Alighieri 1265-1321
- Low aristocracy
- Florence commercial and cultural centre, city
state cf. Merchant of Prato (letters) gtgt city
life (contacts, machinations) vs. rural life, cf.
Decameron - Military exploits battle in 1289
- Complicated society gtgt factions
- Church vs. State
- Pope vs. Emperor
- Guelfs vs. Ghibellines
- White (Cherchi family) vs. black (Donati) Guelfs
in Florence
3Dante, the politician
- Active from 1295, becoming guild member allows
political activity, rises to be priore
june-august 1300 - Exiles number of Blacks and Whites in attempt to
restore peace - Afterwards revenge? Dante exiled himself, lives
in the North, supported by patrons/mecenae - He tries in vain to return (coups) until death in
Ravenna
4Dante, the writer and thinker
- Treatise on the use of the vernacular De vulgari
eloquentia gtgt emancipation vs. latin - Proof poetry already written (Vita Nuova,
biographical prose poetry), new work Convivio
(philosophy, thoughts about mans place in the
universe and about God) - 1307-8 starts writing the Commedia, Paradiso
finished at the end of his life - Mss http//www.bodley.ox.ac.uk/dept/scwmss/wmss/m
edieval/mss/holkham/misc/048.b.htm
5Dante, the lover
- Béatrice Portinari
- Dante (9) sees her, when she is 7, falls in love
gtgt love poetry in Vita Nuova (emotion limerence) - Dante (18) meets her, but she does not greet him
gtgt depression - Poems praise her, celebrate her beauty
- She dies (23, in 1290), while married to merchant
- Returns in Paradiso, love sublimated
6Commedia comedy?
- Written 1307-1321
- Theme status animarum post mortem (also, in
Inferno Gods justice in its dreadful operation,
Canto XIV, l. 6) - Inferno-Purgatorio-Paradiso
- Happy ending, like comedy, also low style
(register), and written in vernacular - Dream? Vision? Mental Journey, reality?
Jenseitsvision - Canto 1, l. 1-18 map timing Good Friday, time
between crucifixion and resurrection - 3 beasts (sins, correspond to regions of Hell,
maps) prevent return, detour through underworld
greyhound?? - Terza rima (cf. Omeros), 100 cantos (133, 33,
33) in 3 cantiche length of the canti differs
7Terza rima
8Guide and Pilgrim
- Fellow poet Virgil (70-19 b.C) becomes D.s
guide, on Béatrices request, until she takes
over and leads him into the heavenly spheres - Precursor of Christian faith, yet heathen and
thus in Hell (Limbo), allowed free movement (lt-gt
the souls) - Represents wisdom, reason reassures the
emotional and upset pilgrim (D.) during Inferno
and Purgatorio - D. is homodiegetic narrator (eyewitness!), there
is a difference in time between pilgrim and
author (story told afterwards author knows what
is to come), cf. XX/1-3, 19-21 XXVI/19-24
XXXIV/22-27 - The pilgrim has to undergo the confrontation with
mans sins and do penance, before he can be shown
Heaven
9layout
10Sins punished
- Gate Abandon all hope! Lasciate ogni speranza gtgt
Hell is eternal, meeting with D. is final contact - Hierarchy of Sins (medieval scholasticism),
sinners from all times until Ds day (historical
figures, real and fictive, lots of Florentines!
Enemies in Inferno, friends in Purgatorio VIPs
like Ulysses XXVI Tiresias XX, 40-42)) - Example Paolo Francesca lustful like Tristan
and Isolde true story (Ravenna Boccaccio) - Canto 5, ll. 124 vv. gtgt Lancelot Guinevere,
plus Galehot/aut (not Galahad!) - Far worse punishments priests who gain money
from selling clerical positions (simony) are
buried upside down, with burning feet gtgt
inversion - Matthew Pearl, The Dante Club
- Concept of contrapasso punishment corresponds to
sin (retribution). Other examples? I Slothful in
mud of Styx, P Acedia gtgt running)
11Through Earths core
- Satan ( Judas in one of 3 mouths, Brutus) is the
centre, Dante slips past his body (somersault),
and then comes to mount Purgatory (no information
on transportation) gtgt Southern hemisphere - Mount Purgatory gtgt concept of 12th century
(LeGoff St. Brendan legends) slow ascent to
heaven, penance (again contrapasso!), support
through prayer of the living. - Heaven Béatrice takes over, and leads D. into
the circles of saints and the overwhelming
presence of God (light)
12Memento mori
- Hell hell, until the end of time (and from its
beginning) - Only an exemplary life brings man to heaven what
you do wrong on earth will be visited upon you in
hell, and if you are lucky in Purgatory
(contrapasso!) - Heaven is bliss God is light
- Secondary message reckoning by God, according to
Dantes sympathies/opinions
13The author, ms Holkham, is he asleep?
14Paolo Francesca meet Dante and Virgil
15Souls on their way to Heaven from Purgatory
16Béatrice and Dante speak to Venus, with Taurus
and Libra
17(Bernard of Clairvaux and Dante see) the Virgin
Mary in a Rose, surrounded by saints
18Trinity (cf. Lucifer), Bernard shows Dante
19Dante Gabriel Rossetti, Paolo Francesca, 1862
20G. Doré Paolo Francesca(1861)
21LancelotGuinevere first kiss, BN 118
22(No Transcript)
23William Blake, The whirlwind of lovers(1825-7)
24Doré, harpies,CantoXIII, suicidesare
trees,having destroyedtheir own bodies
25Session 2 Kafka
- Prague, July 3, 1883 Vienna, June 3, 1924
- Czech, writing in German, Jewish background
- Novels and short stories (very short, sometimes,
example) - Publications and fame mostly posthumously (Max
Brod, cf. role Ezra Pound in Eliots case) - Very influential (cf. Paul Auster, George Orwell,
Albert Camus, Milan Kundera, W.F. Hermans) - Situations may be described as pure Kafka
(Catch 22), when the system overrules the
individual also HP V
26Alas, said the mouse, the world is growing
smaller every day. At the beginning it was so big
that I was afraid, I kept running and running,
and I was glad when at last I saw walls far away
to the right and left, but these long walls have
narrowed so quickly that I am in the last chamber
already, and there in the corner stands the trap
that I must run into. You only need to change
your direction, said the cat, and ate it
up.Tr. D.F. Wallace
27Works
- Realistic stories about absurd things (Die
Verwandlung man wakes up as a huge bug) - Tales of frustrating and destructive bureaucracy
(Der Prozess Das Schloss) the small man
succumbs to invisible power structures the
system wins - Inspired by Eastern European bureaucracy?
28Machines
- Kafka worked for insurance company for industrial
workers, visited factories in Bohemia, knew the
injuries machines could inflict - In the Penal Colony written oct. 1914,
beginning of WWI, war in which young men
sacrifice themselves on the battlefield to
machines like machine gun, artillery, tanks
29Penal colonies
- Penal colonies, islands were common, cf.
Papillon isolated, specialized punishment - Hell on earth, places of no return (gt Dante)
- Hope for release Messianic tradition in Jewish
fate. The Redeemer will come - Cf. Grailquest
30Tasks/presentations
- J
- Which of the following statements is the more
persuasive (and why)? - 1. The old system of justice in the penal colony
comes straight from the Middle Ages and shows
many features that are characteristic of Dantes
system of sin and retribution. - 2. The old system in the penal colony is a hollow
mechanism that serves no moral purpose. - K
- Some scholars have advanced the view that the
regime of the old governor represents the rule of
God. Are there passages in the story that support
this interpretation? If there is something to
this view, in what light should we see the new
governor and his regime? - L
- A peculiar figure, quite uncommon in Kafkas
work, is the outside position of the
traveler/explorer (in German Forschungsreisender
and Reisender) who is asked to pass judgment
on the course of justice on the island. - Does he fulfill his function?
- How should we interpret the last scene when the
traveler chases the condemned man and the soldier
away?