Controlled Remote Viewing CRV

1
Controlled Remote Viewing (CRV)

• This presentation is based on the CRV Manual
• http//www.firedocs.com/remoteviewing/answers/crvm
  anual/index.html
• It is in alphabetical order.
• It is not intended to teach CRV
• Designed by Angela T Smith
• Wessex Remote Viewing Group

2
Controlled Remote Viewing

• Protocol designed by Ingo Swann in conjunction
  with Hal Puthoff and the staff of Stanford
  Research Institute (SRI) International
• Original DIA manual written by Paul Smith
• Published by P.J. Gaenir at Firedocs.com

3
Controlled Remote Viewing

• Serves as a comprehensive explanation of the
  theory and mechanics of coordinate remote viewing
  - later to be known as Controlled Remote Viewing
  or CRV
• Intended for individuals who have no knowledge of
  psychoenergetic technology
• Intended as a guide for training programs
• All text from CRV Manual

4
Admonitions

• Specific Glossary of specific terms
• Attention should be paid to the terms used in
  this presentation. Alphabetical
• They are the only acceptable terms that can be
  used in this methodology

5
A Component - Stage I

• Feeling/motion component of the ideogram (I)
• Physical consistency hard, soft, solid, fluid,
  gaseous
• Contour/shape/motion
• Motion first, feeling next.

6
Analytic Overlay(AOL)

• Analytic response of viewers mind to signal line
  input. Usually wrong in early stages
• Possesses valid elements of site
• Looks like-Its sort of Hesitation - ???
• Mental image sharp and clear and static

7
AOL Matching
8
AOL Matching

• Later in a session, the viewers AOL may match or
  nearly match the actual signal line impression of
  the site
• The viewer must become proficient of seeing
  through the AOL to the signal line
• What is this AOL telling me about the site?
• Describe the AOL information - Stage V

9
AOL/Signal (AOL/S)
10
AOL Drive
11
AOL Drive

• Becomes a problem in Stage III
• Occurs when viewers system caught up in AOL when
  viewer believes they are on signal line when not
• Two similar AOLs in close proximity
• Repeating signals, blackness, peacocking
• NOT DECLARING AN AOL!

12
AOL Racheting

• Recurrence of the same AOL over and over again
• Trapped in a feedback loop
• Declare an AOL break
• Resume session

13
AOL Peacocking
14
AOL Peacocking

• Rapid, unfolding AOLs, one right after another,
  of series of brilliant AOLs
• Each building on the other before
• Analogous to the unfolding of a peacocks tail
  one feather at a time
• Declare a break
• Resume session

15
Aesthetic

• Sensitivity of response to a given site
• Important when declaring an Aesthetic Impact
  Break (AI Brk)
• AI also comes into consideration during Stage III
  and IV

16
Aperture

• An opening or an open space hold, gap, cleft,
  chasm, slit. In radar, the electronic gate that
  controls the width and dispersement pattern of
  the radiating signal or wave. In remote viewing
  the opening of the aperture allows more contact
  with the signal line as it flows through the lumen

17
Attributes

• Characteristic or quality of a person or thing.
• Characteristics of site and viewer response
• Quiet, dimly lit, echoing, muted

18
Auditory

• Pertaining to hearing, to the sense of hearing,
  or the organs of hearing
• Perceived through or resulting from the sense of
  hearing

19
Autonomic Nervous System (ANS)

• Part of the vertebrate nervous system
• Innervates smooth, cardiac muscle, and glandular
  tissues
• Governs actions that are automatic
• Sympathetic Nervous System and
• Parasympathetic Nervous System

20
Automatic vs Autonomic

• Automatic process which implies an action arising
  and subsiding entirely within the system rather
  than from without
• Autonomic process is the reception and movement
  of the signal line information through the
  viewers system and into objectification.

21
B Component - Stage I

• First spontaneous analytical response to the
  ideogram and A component
• Follows the Ideogram, Feeling, and Movement of
  A component

22
Breaks

• Mechanism to allow the system to be put on
  hold, to flush out AOLs, to deal with
  necessities, and allow a fresh start
• Viewer objectifies a .break
• 7 types of breaks

23
AOL Break

• An AOL break allows the signal line to be put on
  hold while AOL is expelled from the system
• Declared as an AOL Break-written as AOL Bk

24
Confusion Break

• When viewer becomes confused a Confusion Break is
  called
• Allows confusion to dissipate.
• Confusion break declared and written as Conf Bk
• Coordinate taken

25
Too Much Break

• When too much information provided by signal line
• TM break is declared and written
• Often initiated by overly elaborate ideogram

26
Break Break

• If viewer takes a break that does not fit
  categories mentioned a break is declared
• If break extensive, 20 minutes or more, state
  resume and time at point of resumption

27
AI and BiLo Breaks

• Aesthetic Impact (AI) occurs in Stage III
• Objectified and written as AI Break
• AOL Drive Break - needs to be longer than a
  simple AOL Break to purge analytic loop
• Bilocation Break (Bilo Brk) can be taken when
  consciousness appears to be
• transferred to site and data
• reporting stops

28
Coding/Encoding/Decoding

• Information conveyed on signal line is encoded,
  translated into an information system (a code)
  allowing data to be transmitted by the signal
  line. The viewer must code the information
  through proper structure to make it accessible.
• Coding/encoding/decoding
• in structure

29
Cognitron

• Assemblage of neurons, linked together by
  interconnecting synapses which, when stimulated
  by recall system produce a composite concept
• Reinforced with use
• Tiger fierce, fangs, orange, stripes, roar

30
ConsciousnessSubconscious

• Existing in the mind but not immediately
  available to consciousness
• Affecting thought, feeling, and behavior without
  entering awareness
• Mental activities just below the threshold of
  consciousness

31
ConsciousnessSubliminal

• Existing or functioning outside the area of
  conscious awareness
• Influencing thought, feeling, or behavior in a
  manner unperceived by personal or subjective
  consciousness
• Designed to influence the mind on levels other
  than conscious awareness by brief presentations
  of information

32
ConsciousnessLimen and Limenal

• Limen the threshold of consciousness
• The interface between the subconscious and
  conscious
• Limenal At the limen
• Verging on consciousness
• Supraliminal Above the limen.
• In the realm of conscious awareness

33
ConsciousnessConscious

• Perceiving, apprehending, or noticing with a
  degree of controlled thought or observation
• Recognizing as something external
• Present, especially to the senses
• Involving rational power, perception and
  awareness
• Our link to the material world

34
ConsciousnessNeurons and Synapses

• Neuron is a nerve cell with all its processes.
  Neurons are basic element in formation of
  cognitrons
• Apparent fundamental physical building blocks of
  mental and nervous processes
• Synapses interstices between neurons over which
  nerve impulses travel to
• carry information from senses to brain

35
Coordinate Remote Viewing (CRV)

• The process of remote viewing using geographic
  coordinates for cueing or prompting
• Later referred to as Controlled Remote Viewing
  (CRV)

36
Dimension

• Extension in a single line or direction
• Length, breadth, thickness, depth.
• Example a solid or cube has three dimensions
  length, breadth, and thickness

37
Dimensionals

• Can be simple or complex
• Occurs in Stage IV
• Spired, twisted, edged, partitioned
• More complex than Stage III dimensionals

38
Drawing

• The act of representing something by line.
• Sketching a representation of an actual object,
  event, individual, concept, device, or location

39
Emotional Impact (EI)

• Perceived emotions or feelings of people at the
  site or the viewer
• Site may possess element of emotional impact,
  imprinted with long association with human
  emotional response

40
Evoking

• To call forth or up, to summon, to call forth a
  response, elicit a response
• Iteration of the coordinate or prompting
  mechanism that evokes the signal line, to
  impinge on the autonomic nervous system and
  unconscious for transmittal to viewer and on to
  objectification

41
Feedback

• In Session
• Responses provided during session to indicate
  site detected and properly decoded
• Post Session Information provided after
  completion of session

42
Feedback Abbreviations

• Correct (C) Assessed to be a true component of
  the site by monitor
• Probably Correct (PC) Data cannot be fully
  assessed by monitor but assumed valid
• Near Site (N) Elements of objects or locations
  near the site
• Cant Feed Back (CFB) Insufficient information
  to evaluate viewer data

43
Feedback Abbreviations Continued

• Site (S) Tells the viewer that he/she has
  successfully acquired and debriefed the site
• Usually signifies termination of the session
• Session may continue on after Site declared to
  acquire further information about the site
• Silence Data incorrect. To avoid reinforcing
  negative responses. No feedback for incorrect
  response

44
First-Time Effect

• Occurs in any human activity or skill
• Usually called Beginners Luck
• Especially good first attempt, then a sharp drop
  in success, to be built up again gradually
  through further training
• Many explanatory theories
• Known in psi functioning
• for decades

45
Ideogram (I)

• Reflexive mark made on paper as result of
  impingement of the signal line on ANS
• Subsequent transmittal through ANS to arm and
  hand, through pen onto paper

46
In-Session Feedback

• In Session feedback is only used during early
  stages of training.
• At later stages no in-session feedback given
• Monitor becomes blind to site information or
  feedback until session over
• Monitor remains silent whenever possible

47
Learning Curve

• Graphic representation of standard success to
  session ratio of remote viewing trainee
• Typical curve demonstrates high success for first
  few sessions, followed by a sudden drastic drop,
  then a gradual improvement curve until a
  relatively high plateau is reached and maintained

48
Gestalt

• A unified whole
• Having specific properties that cannot be derived
  from the summation of its component parts
• Major Gestalt of example would be structure

49
I/A/B Sequence - Stage I

• Core of all CRV structure
• Fundamental element of Stage I structure
• Foundation for site acquisition/decoding
• Ideogram, feeling/motion, first analytic response

50
Ideograms

• The I component of the I/A/B sequence in Stage I
• Spontaneous graphic representation of the major
  gestalt, manifested by the motion of the viewers
  pen on the paper

51
Ideograms Continued

• Motion of ideogram produced by the impingement of
  signal line on the autonomic nervous system and
  reflexive transmission of nervous energy to
  muscles of the viewers hand and arm

52
Impact

• A striking together changes, moods, emotions,
  sometimes but may be very subtle
• Impact may be objectified as an Aesthetic Impact
  (AI) or an Emotional Impact (EI)

53
Inclemencies - Internal

• Personal factors that might degrade or preclude
  psychic functioning muscle pains, allergies,
  cold, hunger, thirst, bathroom needs
• Declare and objectify
• Take care of them

54
Inclemencies - External

• Environmental inclemencies
• Extra low frequency (ELF)
• electromagnetic radiation
• Solar storms and sun spots
• Sidereal time considerations
• Allergens and other environmental factors
• A skilled viewer can work around these

55
Intangibles

• Qualities of a site that are abstract such as
  purposes, non-physical categorizations, such as
  governmental, foreign, business, medical, church,
  business, museum, or library

56
Overtraining

• State reached when the individuals learning
  system is over-saturated and is burned-out
• Analogous to a muscle that has been overworked
  and can no longer extend and contract until it is
  allowed to rest, rebuild, and reinforce. Student
  needs to have adequate rest

57
Matrix

• A place of origin or growth
• Something within which something else originates
  or takes form or develops
• The origin of the signal line

58
Matrix Continued

• Matrix described as a huge, non-material, highly
  structured, mentally accessible framework of
  information containing all data pertaining to
  everything in both the physical and non-physical
  universe. From this informational framework
  originates data encoded on the signal line
• Similar to Jungs Cosmic Unconscious

59
Matrix Continued

• Matrix may be envisioned as a vast, 3-D geometric
  arrangement of dots, each dot representing a
  discrete information bit
• Each geographic location on earth has
  corresponding segment. Viewer accesses the Signal
  Line for data derived from the Matrix.

60
Mobility and Motion

• The state or quality of being mobile
• The act or process of moving
• Motion can be perceived from the signal line
• Movement exercises

61
Monitor

• Individual who assists viewer during session
• Monitor provides coordinate and helps viewer stay
  in structure, records information, provides
  feedback and analytic support and training

62
Noise

• Effect of various types of overlay, inclemencies
  that serve to obscure or confuse the viewers
  reception and accurate decoding of the signal
  line. Noise must be dealt with properly and in
  structure to allow the viewer to accurately
  recognize the difference between valid signal and
  incorrect internal processes

63
Objects

• Thing that can be seen and touched
• Physical items present at the site that help
  create a cognitron in viewers mind and help
  prompt response candles, robes, chanting
  ceremonial

64
Objectification

• The act of physically saying out loud and writing
  down information.
• Allows information derived from the signal line
  to be recorded and expelled, freeing viewer to
  receive further information
• Makes system independently
• aware that its contributions have
• been acknowledged and recorded..

65
Objectification Continued

• Allows re-input of information into the system as
  necessary for further prompting
• Gives reality to the signal line and
  information that it conveys
• Allows non-signal line derived material (AOLs) to
  be expelled so as not to clutter system or mask
  valid signal line data

66
Perceptible

• That which can be grasped mentally through the
  senses
• Cat can be heard, touched, seen etc.
• Cat can be perceptible through all five physical
  senses and through subconscious

67
Post Session Dynamics

• After session is over, remote viewer and monitor
  obtain specific information about the site
• Picture/descriptive form, then discuss session
  results

68
Prompt

• To incite to move or to action. Move or inspire
  by suggestion
• To prompt Sounds? Smells? Tastes? Move 100 yards
  above target and describe? Move 10 minutes into
  future and describe?

69
Quit on a High Point

• Concept comes from learning theory
• Rote repetition concept tends to reinforce
  incorrect performance
• Need to develop proper behavior or skill
• Quitting on a high point reinforces and
  strengthens successful behavior
• Training session continues until high point

70
Remote Viewer

• Remote viewer or viewer is a person who employs
  his/her mental faculties to perceive and obtain
  information to which he/she has no other access
  and which he/she has no previous knowledge
  concerning persons, places, events, or objects
  separated by time, distance or other intervening
  obstacles

71
Remote Viewing (RV)

• Name of a method of psychoenergetic perception
• Term coined by SRI-International (Swann, Puthoff,
  and team) defined as
• the acquisition and description, by mental
  means, of information blocked from ordinary
  perception by distance, shielding, or time

72
Rendering

• Version or translation
• Often highly detailed
• Drawing or sketching

73
Self-Correcting Characteristic

• Tendency of the ideogram to re-present itself if
  improperly or incompletely decoded
• Informs the viewer that he/she has made an error
  somewhere in procedure
• Sometimes will occur when ideogram has been
  properly decoded and occurs if site is uniform in
  characteristics sand, water etc.

74
Sense and Sensory

• Any of the faculties sight, hearing, smell,
  taste or touch that perceive stimuli originating
  outside or inside the body
• Pertaining to the senses and sensation

75
Session

• Individual or viewer attempts to acquire and
  describe by mental means alone information about
  a designated site
• Viewer is provided a cue or prompt which
  designates the site

76
Session Dynamics

• Remote viewer and monitor seated at opposite ends
  of table in room equipped with paper and pens
• Usually room bland, acoustic tiled, and
  featureless. Aim to cut down on environmental
  distractions but not always possible

77
Session Dynamics Continued

• Monitor provides cueing or prompting for
  information to the remote viewer
• At this point viewer has no conscious knowledge
  of actual site
• In training, monitor knows enough about site to
  determine when accurate information is provided
  by viewer
• Monitor continues to prompt
• at intervals

78
Session Dynamics Continued

• Viewer generates verbal responses and sketches
  until a coherent response to the overall task
  requirement emerges
• Objectifies responses in a structured written
  format

79
Signal and Signal Line

• Signal something that incites into action, An
  immediate cause or impulse.
• From radio propagation theory carrier wave
  received by radio or radar receiving set
• Signal line hypothesized train of signals
  emanating from the matrix and perceived by the
  viewer, which transports information obtained
  through remote viewing process

80
Signal Line

• Roughly analogous to standard radio propagation
  theory. Signal Line, is a carrier wave that may
  be detected and decoded by the viewer. Signal
  Line radiates in many different frequencies and
  is modulated through a phenomenon known as the
  aperture in sharp, rapid influx of information

81
Sketch

• To draw the general outline without too much
  detail
• To describe the principle points or idea of
  something
• No professional drawing skills are needed by
  viewer

82
Stage 1 sites

• Stage 1 sites consist of such features as
  islands, mountains, deserts, lakes, seas
• Can be interfaces air/land, water/land,
  water/air

83
Stage II sites

• Stage II sites contain quality sensory value
• Uniquely describable through touch, taste, sound,
  color and smell
• May contain glaciers, volcanoes, industrial,
  food, or plants

84
Stage III sites

• Sites possessing significant dimensional
  characteristics such as building, bridges,
  airfields
• Have height, depth, length, and other dimensions

85
Stage IV sites

• Stage IV sites are where viewer begins to form
  qualitative mental percepts (technical area,
  military feeling, research.)

86
Stage V sites

• Trainee learns to interrogate qualitative
  mental percepts to produce analytical target
  descriptions (aircraft tracking, radar,
  biomedical research facility, etc.)

87
Stage VI sites

• Trainee involved in direct, 3-D assessment and
  physical modeling of the site
• Relationship of site elements to one another i.e.
  planes at an airport

88
Structure

• Structure signifies the orderly process of
  proceeding from general to specific in accessing
  the signal line, of objectifying in proper
  sequence all data bits
• Structure executed in a formal
• ordered format sequence using
• pen and paper
• Structure will be demonstrated
• at each stage

89
Subjects

• Something dealt with in a discussion, study such
  as exploration
• Serve a function in describing the site or may be
  abstract intangibles
• Specific terms such as searching, exploring

90
Tactile

• Pertaining to, endowed with, or affecting the
  sense of touch
• Perceptible to the touch
• Capable of being touched
• Tangible

91
Tangible

• Objects or characteristics at the site that have
  solid, touchable impact on the perceptions of
  the viewer
• Solids, liquids, strong smells, noises, colors,
  temperatures

92
Theory

• Remote Viewing Theory postulates a non-material
  Matrix in which any and all information about any
  person, place, or thing may be obtained through
  the agency of a hypothesized Signal Line
• Viewer psychically perceives and decodes the
  Signal Line and Objectifies information
• Interaction between Viewer
• and Signal Line

93
Topics

• Subject of discourse or treatise. A theme for
  discussion such as politics
• Related to subjects
• A subject can produce several topics in a
  hierarchical form

94
Track

• To trace by means of vestiges or evidence
• To follow with a line
• Tracking may be carried out by touching the paper
  with a series of dots or dashes on the paper

95
Vision

• One of the faculties of the sensorum
• Connected to the visual senses of which the brain
  constructs an image
• The sense of vision

96
Wave

• Disturbance that transfers itself and energy
  progressively from point to point in a medium or
  space
• Each particle influences adjacent ones pressure,
  temperature, changes

97
Further Education

• If this illustrated CRV Glossary has your
  interest there are many remote viewing
  instructors who teach CRV or variations of the
  original protocol. Search the Internet or access
  the links on www.irva.org