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A Sociolinguistic Study of Pitch Leveling in Japanese: A Preliminary Analysis

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Title: A Sociolinguistic Study of Pitch Leveling in Japanese: A Preliminary Analysis


1
A Sociolinguistic Study of Pitch Leveling in
JapaneseA Preliminary Analysis
  • Shoji Takano
  • Hokusei Gakuen University
  • Ichiro Ota
  • Kagoshima University
  • UK Language Variation and Change 5
  • University of Aberdeen
  • September 12, 2005

2
Background
  • Takeshi Shibatas (1995) Informal Observation on
    Recently Emerging Changes in Japanese
  • General preference for non-prominence among the
    younger generation because they want to convey
    images of novelty, freshness and urbanity in
    speech (p.181-2). For example,
  • (1) Leveling of lexical accents
  • e.g., kareshi boyfriend ? kareshi ( x
    indicates a pitch accent.)
  • (2) Leveling of sentence intonation or pitch
    in general (p. 185)
  • It may be fair to assume that sentence-level
    pitch leveling (2) precedes lexical accent
    leveling (1) (p. 185).
  • However, it should be noted that the change in
    question is considered specific to Tokyo
    Japanese. We do not know whether the change has
    become widespread in local dialects as well (p.
    186).
  • No follow-up studies have been conducted thus
    far
  • no empirical evidence that verifies Shibatas
    observation is available today.

3
The Present Study
  • Research Question
  • (1) We empirically examine Shibatas hypothesis
    on sentence- level pitch leveling prevalent among
    the younger generation.
  • (2) We explore the possibility that the change
    in question is a nation-wide phenomenon.
  • Data
  • 3 read sentences that consist only of accented
    (kifuku-shiki) words
  • (/ xx / indicates an
    accentual phrase.)
  • (1) /Basu wa/ /nai kara/ /aruite/ /ikoo./
  • (Lets walk since there is no bus service.)
  • (2) /Doryoku/ /shitemo/ /imi ga/ /nai./
  • (Its meaningless even if you make an effort.)
  • (3) /yomeba/ /yomuhodo/ /yukai na/ /hanashi
    da./
  • (The deeper you read, the more amusing you find
    the story.)

4
  • Hokkaido Subjects
  • 20 Hokkaido dialect speakers in 2 age groups
    all are natives in coastal areas of Hidaka
    (including the towns of Shizunai and Mitsuishi)
  • Kagoshima Subjects
  • 10 native informants in the southern Kyushu
    region all are females

5
  • Analytical Procedures
  • ? How can we identify the leveling of pitch?
  • ? In an utterance involving the leveling of
    pitch
  • (1) Fundamental frequency (F0) of every
    accented phrase (AP) is weakened i.e., every
    pitch peak is relatively lower than otherwise.
  • (2) The movement of pitch involves a steady
    declination due to the
  • above-mentioned pitch accent weakening.
  • ? How can we measure the leveling of pitch?
  • (see Figure 1)
  • Step 1 Measuring the pitch range (PR) of each
    utterance as the
  • benchmark ?
  • Maximum F0 - Minimum F0 PR
  • Step 2 Measuring the height of F0 peak for
    every AP ?
  • Step 3 Measuring the relative decrease of F0
    peak (divided by PR)
  • F0 peak of 1st AP? - F0 peak of 2nd AP, 3rd AP,
    4th AP, etc.
  • F0 declination
  • Step 4 Measuring the relative magnitude of
    pitch rise (divided by PR)
  • AP-final F0 ? - F0 peak of the following AP
    F0 increase

6
  • Figure 1 /Doryoku//shitemo//imi ga//nai/ by
    a 65-year-old Shizunai woman
  • The utterance involving pitch leveling should
    show
  • (1) The value of F0 declination is high
  • Pitch declination curve is relatively steep and
    steady (without prominent pitch rise) toward the
    end of an utterance.
  • (2) The value of F0 increase is low
  • F0 rise of every AP is small-scale in its
    magnitude.

?
?
?
?
7
  • Results
  • In 2 (S-2, S-3) out of 3 sentences, differences
    in both F0 declination and F0 increase are found
    statistically significant between the age groups.
  • Sentence 2 /doryoku//shitemo//imi ga//nai/
  • F0 declination ( divided by PR)
  • /doryoku/ ? /imi ga/
  • Younger Group -33.4
  • Older Group -21.2 p lt .05
  • F0 increase ( divided by PR)
  • /shitemo/ ? /imi ga/
  • Younger Group 36
  • Older Group 70.5 p lt .01

8
  • Sentence 3 /yomeba//yomuhodo//yukai
    na//hanashi da/
  • F0 declination ( divided by PR)
  • /yomeba/ ? /yomuhodo/ /yomeba/ ? /yukai
    na/
  • Younger Group -37.4 -36.7
  • Older Group -10.3 -11
  • p lt .05 p lt .01
  • F0 increase ( divided by PR)
  • /yomeba/ ? /yomuhodo/ /yomuhodo/ ?
    /yukai na/
  • Younger Group 14.9 35
  • Older Group 51.4 64.9
  • p lt .01 p lt .05

9
Individual distribution Sentence 2
10
Individual distribution in HIdaka Sentence 3
11
Pitch Contours of Age Groups
Young
Old
subject to catathesis
steady realization of pitch accents
minor pitch peaks and accentual de-generation
prominent pitch peaks
12
Summary Discussion
  • YES! Pitch Leveling is Prevalent among the
    Younger Generation
  • OLD less F0 declination, more F0 increase
  • Realization of pitch accents is sure and
    steady.
  • F0 is vigorous and dynamic in its movement
    with relatively prominent pitch peaks and even
    with frequent pitch reset.
  • YOUNG more F0 declination, less F0 increase
  • Realization of pitch accents is subject to
    catathesis ( a feature of the Tokyo
    dialect).
  • F0 is flat with relatively minor pitch peaks
    and accentual de-generation.
  • YES! This could be a nation-wide phenomenon
  • One of the processes of standardization of
    regional dialects?
  • Female speakers lead this change both in Hokkaido
    and Kagoshima, as is usually the case in
    linguistic change in general??

13
Further Investigation to Call For
  • Is there such a thing as age-linked differences
    in perception of prosodic units?
  • OLD frequent pitch reset ? sensitivity to
    individual APs as a single prosodic unit
  • YOUNG frequent weakening or de-generation of
    pitch accents ? tendency to do chunking of
    multiple APs as a single prosodic unit
  • Is this a genuine linguistic change or just a
    reflection of age-grading?
  • The necessity of more widespread corpora (e.g.,
    middle-aged group, speakers of different local
    dialects) for further analysis
  • How can we account for individual variability
    within the age group?
  • The necessity of a more qualitative look at
    individuals social lives, including the degree
    of contact with speakers of local dialects
    (e.g., grandparents), social network structures,
    loyalty to vernacular culture, etc.

14
References
  • Cheshire, J. (1982). Linguistic variation and
    social function. In S. Romaine (ed.),
    Sociolinguistic Variation in Speech Communities.
    London Edward Arnold. Pp. 153-66.
  • Kubozono, H. (1993). The Organization of Japanese
    Prosody. Tokyo Kurosio.
  • Labov, W. (1972). Sociolinguistic Patterns.
    Philadelphia, PA University of Pennsylvania
    Press.
  • Milroy, L. (1980). Language and Social Networks.
    Cambridge, MA Blackwell.
  • Pierrehumbert, J., Beckman, M. (1988). Japanese
    Tone Structure. Cambridge, MA The MIT Press.
  • Sibata, T. (1978). Shakai-gengogaku no kadai
    (Issues in sociolinguistics). Tokyo Sanseido.
  • ________. (1995). Nihongo wa omoshiroi (Japanese
    is interesting). Tokyo Iwanami.
  • Thomas, E. R. (2002). Instrumental phonetics. In
    J. Chambers, et al. (eds.), The Handbook of
    Language Variation and Change. New York
    Blackwell.
  • ________. (2002). Sociophonetic applications of
    speech perception experiments. American Speech
    77(2) 115-47.
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