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Introduction to Literary Criticism

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Title: Introduction to Literary Criticism


1
Introduction to Literary Criticism
  • ENG4UI

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  • Can you read this mans mind?

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  • How about this mans?

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  • Or this womans?

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The old way
  • This was the old way of reading
  • Authors were seen as sole proprietors of the
    meaning of their writing
  • Readers took it at face value

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  • Romanticism
  • centered on the artist and creative genius
  • text was indebted to previous writers and ideas
  • the power of the natural world

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Romanticism centered on the artist and creative
genius text was indebted to previous writers and
ideas The power of the natural world
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  • Realism
  • art should replicate the world around us
  • literature represents the times it is written

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  • Modernism
  • overturn traditional modes of representation and
    express the new sensibilities of their time
  • the Artist as savior
  • "irrationality at the roots of a supposedly
    rational world
  • Michel-André Bossy

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  • Postmodernism
  • resist definition or classification
  • the artist is impotent, and the only recourse
    against "ruin" is to play within the chaos
  • death of the author

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Literary Criticism and Theory
  • Any piece of text can be read with a number of
    different sets of glasses, meaning you are
    looking for different things within the text
  • Literary Criticism helps readers understand a
    text in relation to the author, culture, and
    other texts

22
The Most Common Critical Stances for Literature
  • Formalistic
  • Marxist
  • Feminist/Gender
  • Psychological
  • Archetypical
  • Biographical
  • Historical/Cultural
  • Deconstructionist

23
What is theory?
  • Interdisciplinary
  • Speculative
  • Thinking about thinking

24
The Author is Dead
  •  The reader's role active agent who imparts
    "real existence to the work and completes its
    meaning through interpretation

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Questioning?
  • Dispute common sense meanings
  • Literary theory suggests that we cannot know what
    the writer had in mind
  • The text holds no truths
  • Instead there are various ways of reading a text
    and interpreting a text
  • Be suspicious of that which we find natural

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Your Assignment
  • At the end of the unit, you will choose one of
    the four main theories we look at and apply this
    theory to a childrens story
  • We will use The Three Little Pig as a an
    example throughout this unit

28
Formalist Criticism
  • A formalist (aka New Criticism) reading of a text
    focuses on symbol, metaphor, imagery, and so on
  • Formalism ignores the authors biography and
    focuses only on the interaction of literary
    elements within the text
  • Its what you do most often in English literature

29
A Formalist Reading of The Three Little Pigs
  • What does the wolf symbolize?
  • Notice the consonance of Ill huff and Ill
    puff
  • How does the story foreshadow the final fate of
    the pigs?
  • What does the wolfs dialogue tell us about his
    character?

30
Marxist Criticism
  • Capitalism is a social system based on the
    principle of individual rights and means of
    production are privately owned
  • Key points
  • exploitation of an entire class
  • of society by another
  • the ruling class controls the means of
  • production
  • Subjectification of working class

31
Questions Marxist theorists ask
  • Whom does it benefit if the work or effort is
    accepted/successful/believed, etc.?
  • What is the social class of the author?
  • Which class does the work claim to represent?
  • What values does it reinforce?
  • What values does it subvert?
  • What conflict can be seen between the values the
    work champions and those it portrays?
  • What social classes do the characters represent?
  • How do characters from different classes interact
    or conflict?

32
The Hunger Games
  • How would a Marxist view these novels/films?

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The Three Little Pigs
  • How would a Marxist look at this story?
  • How could we alter this story to demonstrate our
    understanding of the Marxist theory?

34
Gender Criticism
  • Gender criticism analyzes literature through the
    lens of socially-constructed gender roles
  • The largest part of gender criticism is feminism,
    which critiques and seeks to correct womens
    subordination to men in society
  • In its purist form, feminism is about equality

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Gender Criticism Feminism
  • Belief in the social, political, and economic
    equality of the sexes
  • An example of a marginalized groups attempt to
    re-appropriate meaning

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  • Concerned with the ways in which literature
    reinforces or undermines the economic, political,
    social, and psychological oppression of women
  • Inherently patriarchal

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  • Patriarchal ideology is the primary means by
    which women are politically, economically,
    psychologically or socially oppressed
  • Women as other she is marginalized, defined
    only by her difference from male norms and values
  • All of western (Anglo-European) civilization is
    deeply rooted in patriarchal ideology, for
    example, in the biblical portrayal of Eve as the
    origin of sin in the world
  • Biology determines our sex (male or female)
    culture determines our gender (masculine or
    feminine)

39
Questions Feminist theorists ask
  • How is the relationship between men and women
    portrayed?
  • What are the power relationships between men and
    women (or characters assuming male/female roles)?
  • How are male and female roles defined?
  • What constitutes masculinity and femininity?
  • How do characters embody these traits?
  • Do characters take on traits from opposite
    genders? How so? How does this change others
    reactions to them?
  • What does the work reveal about the operations
    (economically, politically, socially, or
    psychologically) of patriarchy?
  • What does the work imply about the possibilities
    of sisterhood as a mode of resisting patriarchy?
  • What does the history of the work's reception by
    the public and by the critics tell us about the
    operation of patriarchy?
  • What role the work play in terms of women's
    literary history and literary tradition?

40
Gender Criticism Queer Theory
  • A newer segment of gender criticism is queer
    theory, which looks for the influence of
    homosexuality within texts
  • Research of this type is fairly difficult
    because, as youve learned, homosexuality was
    largely suppressed in Europe and America, and it
    hasnt been openly discussed until the last few
    decades

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Gender Studies/Queer Theory
  • What elements of the text can be perceived as
    being masculine (active, powerful) and feminine
    (passive, marginalized) and how do the characters
    support these traditional roles?
  • What sort of support (if any) is given to
    elements or characters who question the
    masculine/feminine binary? What happens to those
    elements/characters?
  • What elements in the text exist in the middle,
    between the perceived masculine/feminine binary?
    In other words, what elements exhibit traits of
    both (bisexual)?
  • What are the politics (ideological agendas) of
    specific gay, lesbian, or queer works, and how
    are those politics revealed in...the work's
    thematic content or portrayals of its characters?
  • What does the work contribute to our knowledge of
    queer, gay, or lesbian experience and history,
    including literary history?
  • How is queer, gay, or lesbian experience coded in
    texts that are by writers who are apparently
    homosexual?
  • What does the work reveal about the operations
    (socially, politically, psychologically)
    homophobic?
  • How does the literary text illustrate the
    problems of sexuality and sexual "identity?

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The Three Little Pigs
  • How would a Gender theorist look at this story?
  • How could we alter this story to demonstrate our
    understanding of the Gender theory?

44
Psychological Criticism
  • Psychological critical theory applies the
    theories of psychology to a text to better
    understand its characters
  • Based largely on Freud, this theory hinges on an
    examination of peoples (characters) unconscious
    desires

45
Psychological Criticism
  • Drives governing human behaviour
  • Id the animal nature that says, Do what feels
    good.
  • Ego the reality-based part of your personality
    that makes decisions to satisfy the Id and
    Superego
  • Superego the socialized conscience that tells
    you whats right or fair

46
Psychological Criticism
  • Oedipus Complex Every boy has the unconscious
    desire to have sex with their mother
    consequently, sons are deeply afraid of their
    fathers, and fathers are deeply threatened by
    their sons.
  • Elektra Complex Every daughter has the
    unconscious desire to have sex with their father
    consequently, daughters are deeply afraid of
    their mothers, and mothers are deeply threatened
    by their daughters.

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Psychological Criticism
  • Of course, these complexes have their origins in
    literature and mythology
  • Psychological criticism is a way to understand
    characters, not diagnose them

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Questions Psycho-analytical theorists ask
  • How do the operations of repression structure or
    inform the work?
  • Are there any oedipal dynamics - or any other
    family dynamics - at work here?
  • How can characters' behaviour, narrative events,
    and/or images be explained in terms of
    psychoanalytic concepts of any kind (for
    example...fear or fascination with death,
    sexuality - which includes love and romance as
    well as sexual behaviour - as a primary indicator
    of psychological identity or the operations of
    ego-id-superego)?
  • What does the work suggest about the
    psychological being of its author?
  • What might a given interpretation of a literary
    work suggest about the psychological motives of
    the reader?
  • Are there prominent words in the piece that could
    have different or hidden meanings? Could there be
    a subconscious reason for the author using these
    "problem words"?

49
A Psychological Reading of Macbeth
  • Macbeth kills King Duncan because he
    unconsciously recognizes the king as a
    father-figure. Hence, Duncan is a rival for power
    and the affections of the people.
  • In the latter acts of the play, Macbeth has
    indulged his id so often that his ego has lost
    the ability to restrain it.

50
The Three Little Pigs
  • How would a Psychoanalyst look at this story?
  • How could we alter this story to demonstrate our
    understanding of the Psychological theory?

51
Archetypical Criticism
  • This stance is not about mythology
  • It is about the universal elements of human life
    common in all cultures
  • Like ancient mythology, all literature is a
    window to creating meaning for human life
  • In other words, stories make us feel like our
    lives are more significant

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Archetypical Criticism
  • Central to the Archetypical theory is the concept
    of archetypes
  • Simply put, archetypes are those universal
    elements present in the literature of all
    cultures

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Archetypical Criticism
  • Common Archetypes
  • The Hero Beowulf, Spiderman, Luke Skywalker,
    Braveheart
  • The Outcast Macbeths clown, Grendel, Cain
  • The Quest LOTR, Star Wars, Beowulf
  • Sacrificial King Jesus, The Lion the Witch and
    the Wardrobe, LOTR
  • Evil Personified Wicked Witch of the West, the
    Devil, the Emperor in SW, the Borg

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Archetypical Criticism
  • The goal of Archetypical Criticism seeks to
    understand how the story constructs meaning in
    the human existence through archetypes

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The Three Little Pigs
  • How would an Archetypical theorist look at this
    story?
  • How could we alter this story to demonstrate our
    understanding of the Archtypical theory?

56
More Literary Theory
  • New ways of viewing literature (and the world)
    continue to develop, but these are the main
    theories youll come in contact with
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