The%20Poets%20and%20the%20Poems - PowerPoint PPT Presentation

About This Presentation
Title:

The%20Poets%20and%20the%20Poems

Description:

Metaphysical poets wrote both love poems and deeply religious devotional poems. The poetry categorizes human love and more specifically, human romantic passion, ... – PowerPoint PPT presentation

Number of Views:710
Avg rating:3.0/5.0
Slides: 74
Provided by: lad566
Category:

less

Transcript and Presenter's Notes

Title: The%20Poets%20and%20the%20Poems


1
The Poets and the Poems
  • Marlowe, Raleigh, Shakespeare, and Donne

2
Christopher Marlow (1564-1593)
  • The Life of
  • Christopher
  • Marlowe
  • (1564-1593)

3
Life Stats
  • BornFebruary 6, 1564 in Canterbury, England
  • Baptized Catholic
  • Eldest son of a shoemaker
  • Lived during the same time as Shakespeare
  • English poet and dramatist

4
Education
  • At 14 he started at Kings School
  • In 1581, Marlowe was granted a six-year
    scholarship to study at Corpus Christi College in
    Cambridge, England
  • 1584earned his B.A.
  • 1587began his M.A.
  • The university was reluctant to grant the degree
    because they suspected that Marlowe was an
    atheist.
  • The queens Privy Council intervened and the
    degree was granted.

5
After university
  • Did not join the clergy but went to London to
    write plays for The Admirals Men.
  • He is renowned for his elaborate style that
    influenced the tragic style used by his
    predecessors.
  • Considered by many to be the chief of dramatic
    form.

6
His death
  • Died May 30, 1593 during a brawl at a tavern in
    Deptford, England. He was stabbed in the eye.
  • Some believe that he was a secret agent.
  • Some believed that he was involved with secret
    peace negotiations.
  • Some believe his quick temper and lawless past
    led to his demise.
  • His life and death are both mysterious but his
    early death provided a preface for Shakespeares
    fame.

7
The Passionate Shepherd to His
LoveChristopher Marlowe
  • Setting
  • Christopher Marlowe sets the poem in early
    spring in a rural locale (presumably in England)
    where shepherds tend their flocks. The use of the
    word madrigals (Line 8)referring to poems set to
    music and sung by two to six voices with a single
    melody or interweaving melodiessuggests that the
    time is the 16th Century, when madrigals were
    highly popular in England and elsewhere in
    Europe. However, the poem could be about any
    shepherd of any age in any country, for such is
    the universality of its theme.

8
Characters
  • The Passionate Shepherd He importunes a
    womanpresumably a young and pretty country
    girlto become his sweetheart and enjoy with him
    all the pleasures that nature has to offer.
  • The Shepherds Love The young woman who receives
    the Passionate Shepherds message.
  • Swains Young country fellows whom the Passionate
    Shepherd promises will dance for his love.

9
Type of Work
  • The Passionate Shepherd is a pastoral poem.
    Pastoral poems generally center on the love of a
    shepherd for a maiden (as in Marlowes poem), on
    the death of a friend, or on the quiet simplicity
    of rural life. The writer of a pastoral poem may
    be an educated city dweller, like Marlowe, who
    extolls the virtues of a shepherd girl or longs
    for the peace and quiet of the country. Pastoral
    is derived from the Latin word pastor, meaning
    shepherd.

10
Theme
  • The theme of The Passionate Shepherd is the
    rapture of springtime love in a simple, rural
    setting. Implicit in this theme is the motif of
    carpe diemLatin for seize the day. Carpe diem
    urges people to enjoy the moment without worrying
    about the future.

11
Rhyme and Meter
  • In each stanza, the first line rhymes with the
    second, and the third rhymes with the fourth. The
    meter is iambic tetrameter, with eight syllables
    (four iambic feet) per line. (An iambic foot
    consists of an unstressed syllable followed by a
    stressed syllable.) The following graphic
    presentation illustrates the rhyme scheme and
    meter of Stanza 1
  • Come LIVE..with ME..and BE..my LOVE,
  • And WE..will ALL..the PLEA..sures PROVE
  • That HILLS..and VALL..eys, DALE..and FIELD,
  • And ALL..the CRAG..gy MOUNT..ains YIELD.

12
The Poems Enduring Appeal
  • Over the centuries, Marlowes little poem has
    enjoyed widespread popularity because it captures
    the joy of simple, uncomplicated, love. The
    shepherd does not worry whether his status makes
    him acceptable to the girl nor does he appear
    concerned about money or education. The future
    will take carry of itself. What matters is the
    moment. So, he says, let us enjoy itsitting on a
    rock listening to the birds.

13
Vocabulary
  • Dales valleys
  • Melodious musical
  • Madrigals a short, musical poem about love
  • Posies flowers
  • Embroiderd sewn
  • Swains young boys from the country

14
Analyzing and Interpreting the Poems
  • 1. a) What does the shepherd in Marlowe's poem
    offer his love to make his world sound
    attractive and desirable?
  • b) What things does he offer her that he
    cannot possibly provide?
  • 2. Notice that lines 19 and 20 at the end of the
    fifth stanza in Marlowe's poem almost repeat the
    poem's opening lines.
  •  
  • a) What effect is created by this near
    repetition?
  • b) Instead of ending with this refrain-like
    repetition, the shepherd goes on for another
    stanza. Does the promise of the final stanza
    add anything new to the promises made earlier?
    If so, what does it add?

15
Additional Questions
  • 3. What, metaphorically, does the speaker want
    to prove in the first stanza?
  • 4. What is the purpose of the Shepherds poem?
  • 5. Why has Marlowe capitalized Love when he
    speaks to the young maiden in the poem?

16
Sir Walter Raleigh
  • Born October 1552 in Devon
  • Died October 29, 1618 in London
  • Nationality
  • British
  • Religion Born to a prominent Protestant family

17
Occupation
  • Writer
  • Poet
  • Soldier
  • Courtier a person who attends the court (centre
    of government and residence) of the monarch
  • Explorer
  • Colonizer (founder of Virginia)

18
Raleighs Life
  • Was similar to Marlowe in the sense that both men
    were reckless, free-thinkers who eventually came
    to violent ends.
  • Was noted for his charisma, wit, and womanizing
  • Was in and out of favour with Queen Elizabeth I.

19
Raleighs life . . .
  • Loved by the queen in the 1580s.
  • Was frequently at court.
  • The queen found out about his secret marriage to
    one of her maids of honor, Elizabeth
    Throckmorton, in 1592.
  • Raleigh was imprisoned in The Tower of London but
    regained her favour through military exploits and
    voyages to South America.

20
Raleighs Life . . .
  • His success came to a halt when James I, from
    Scotland, came to the throne in 1603.
  • James I accused Raleigh of plotting to bar his
    ascension to the throne and had him imprisoned
    until 1616.
  • Released to make one last voyage to South America
    to search for gold.
  • Voyage was a failure.
  • Raleighs men burned a Spanish settlement, Spain
    demanded he be arrested (James I was happy to
    carry out this demand), and Raleigh was executed
    for treason in 1618.

21
Legend says . . .
  • On the night before he died he wrote one of his
    best poems, The Authors Epitaph, Made by
    Himself.
  • While on the scaffold, he smiled as he ran his
    finger along the ax and said, This is a sharp
    medicine, but it is a physician for all diseases.

22
Legend also says . . .
  • In an obvious attempt to impress the queen,
    Raleigh laid his plush and expensive cloak over a
    mud puddle so the queen would not muddy her feet.

23
Legend also says . . .
  • Raleigh introduced and popularized the use of
    tobacco in Europe (this is fact, not legend).
  • Immediately before his death, Raleigh asked for
    one last smoke of tobacco.
  • His request was granted, and it is believed that
    this established the tradition of allowing
    prisoners one last cigarette before their
    execution.

24
Poetry
  • Relatively straightforward and easily understood.
  • Often appears to express contempt for the world
    around him (as in the poems What is Our Life
    and The Lie).
  • Expresses sarcasm and satire at social flaws (as
    in the poem The Nymphs Reply to the Shepherd).

25
The Nymphs Reply to the Shepherd
  • Written in response to Marlowes The Passionate
    Shepherd to His Love.
  • Speaker of the poem is not the author
  • Traditional pastoral modeshepherds, idealized,
    and rustic landscape.
  • The nymph may be considered anti-pastoraloppose
    d to the perfection of nature.
  • Satirical modethe nymph dismisses the shepherds
    romantic pleas because she does not see happiness
    in terms of material comfort . She also knows
    how quickly promises are broken.

26
Marlowe's "The Passionate Shepherd to His
Love"andRaleigh's "The Nymph's Reply to the
Shepherd"
  • It's important to note that the narrator is not
    necessarily the poet Marlowe is no more the
    "Shepherd" from the first poem than Raleigh is
    the "Nymph" in the second.
  • Both poets are using traditional voices from
    pastoral literature which uses shepherds and an
    idealized rustic landscape to indirectly explore
    a range of ideas and themes.

27
Analysis Name the
  • Rhyme Scheme and Meter
  • Theme
  • Figures of Speech (find two)

28
Analyzing and Interpreting the Poems
  • "The Nymph's Reply to the Shepherd"
  •  
  • 1. a) What assumption made by Marlowe's shepherd
    does Raleigh's nymph begin by attacking?
  •  
  • b) How does she follow up this attack?
  •  
  • 2. As in Marlow's poem, lines 19 and 20 of the
    fifth stanza of Raleigh's poem sound like a
    summarizing refrain. Yet the nymph, like the
    shepherd, goes on for an additional stanza.
  •  
  • a) Why does this last stanza begin with "But?"
  •  
  • b) How are lines 19 and 20 transformed in lines
    23 and 24.
  • c) Describe the change in attitude in the last
    stanza in the poem, and how it affects your
    evaluation of the nymph's reply.

29
William Shakespeare (1564-1616)
  • Born in Stratford-on-Avon (a small town about 90
    miles from London)on April 23, 1564.
  • Father was John Shakespeare, a glove maker. His
    mother, Mary Arden, came from a good family with
    considerable land and fortune.
  • Average student who focused mainly on Latin
    grammar but also on French later in London.
  • Traveling players came to Stratford this was his
    introduction to drama.

30
Marriage and Children
  • Married Anne Hathaway, a woman 6 years older than
    him, at the age of 18 on November 27, 1592.
  • May 26, 1583, their first child, Susanna, was
    born.
  • February 2, 1585, they had twins, Hamnet and
    Judith.
  • 1587-1592 (The Lost Years) Shakespeare left his
    family (people believed he was running from the
    law) to go to London to earn fortune and fame.
  • It was believed that Anne did not join him
    because she was a Puritan (a Puritan being a
    religious fanatic who believed that the stage and
    actors corrupted people's morals). Puritanism
    was so strong in London that eventually all the
    theatres were closed.

31
Poet Playwright
  • Joined a theatrical company (sponsored by Queen
    Elizabeth herself) and became a noted actor,
    playwright, and poet.
  • By 1592 he was an established actor but his money
    was earned by gate admissions, not from the sale
    of his plays.
  • Theatres were reopened in 1594 after closing
    temporarily during a plague epidemic.
  • After this, Shakespeare focused on writing plays.
    He wrote 37 by the time of his retirement in
    1610. He wrote comedies, histories, tragedies,
    and many sonnets.
  • Throughout his career, he was a member of the
    Lord Chamberlain's Men (later the King's Men) and
    worked closely with Richard Burbage.

32
Death Details
  • Dies on April 23, 1616, but was predeceased by
    his son, Hamnet.
  • Left his property to his daughter and his
    "second-best-bed" to his wife.
  • Remains unmatched as a writer because of his
    ability to understand the truths of the human
    condition and his skill of expression. Perfectly
    communicated profound, universal concepts in
    creative, lyrical language.
  • Introduced the concept of "Blank Verse" there
    are 5 feet to a line and each foot is written in
    Iambic Pentameter.
  • Used other stylistic tools such as puns,
    metaphors, soliloquies, asides, similes,
    apostrophes, and personification.

33
Why Study Shakespeare?
  • The Reasons Behind Shakespeare's Influence and
    Popularity
  • Ben Jonson anticipated Shakespeares dazzling
    future when he declared, "He was not of an age,
    but for all time!" in the preface to the First
    Folio. While most people know that Shakespeare
    is, in fact, the most popular dramatist and poet
    the Western world has ever produced, students new
    to his work often wonder why this is so.
  • The following are the top four reasons why
    Shakespeare has stood the test of time.

34
1) Illumination of the Human Experience
  • Shakespeares ability to summarize the range of
    human emotions in simple yet profoundly eloquent
    verse is perhaps the greatest reason for his
    enduring popularity. If you cannot find words to
    express how you feel about love or music or
    growing older, Shakespeare can speak for you. No
    author in the Western world has penned more
    beloved passages. Shakespeare's work is the
    reason John Bartlett compiled the first major
    book of familiar quotations.

35
Here are some examples of Shakespeare's most
popular passages
  • The seven ages of man Shall I compare thee
    to a summer's day? We band of brothers The
    green-eyed monster What's in a name? Now is
    the winter of our discontent If music be the
    food of love Beware the ides of March We are
    such stuff as dreams are made on Something is
    rotten in the state of Denmark To be, or not to
    be that is the question

36
2) Great Stories
  • Marchette Chute, in the Introduction to her
    famous retelling of Shakespeares stories,
    summarizes one of the reasons for Shakespeares
    immeasurable fame
  • William Shakespeare was the most remarkable
    storyteller that the world has ever known. Homer
    told of adventure and men at war, Sophocles and
    Tolstoy told of tragedies and of people in
    trouble. Terence and Mark Twain told cosmic
    stories, Dickens told melodramatic ones, Plutarch
    told histories and Hand Christian Andersen told
    fairy tales. But Shakespeare told every kind of
    story comedy, tragedy, history, melodrama,
    adventure, love stories and fairy tales and
    each of them so well that they have become
    immortal. In all the world of storytelling he has
    become the greatest name. (Stories from
    Shakespeare, 11)
  • Shakespeare's stories transcend time and culture.
    Modern storytellers continue
  • to adapt Shakespeares tales to suit our modern
    world, whether it be the tale of
  • Lear on a farm in Iowa, Romeo and Juliet on the
    mean streets of New York City,
  • or Macbeth in feudal Japan.

37
3) Compelling Characters
  • Shakespeare invented his share of stock
    characters, but his truly great characters
    particularly his tragic heroes are unequalled
    in literature, dwarfing even the sublime
    creations of the Greek tragedians. Shakespeares
    great characters have remained popular because of
    their complexity for example, we can see
    ourselves as gentle Hamlet, forced against his
    better nature to seek murderous revenge. For this
    reason Shakespeare is deeply admired by actors,
    and many consider playing a Shakespearean
    character to be the most difficult and most
    rewarding role possible.

38
4) Ability to Turn a Phrase
  • Many of the common expressions now thought to be
    clichés were Shakespeare's creations. Chances are
    you use Shakespeare's expressions all the time
    even though you may not know it is the Bard you
    are quoting. You may think that fact is "neither
    here nor there", but that's "the short and the
    long of it.
  • See Handout/Assignment

39
Shakespeare's Sonnets
  • Published in 1609 but most were written in the
    1590s
  • 154 sonnets in total and suggest an elusive and
    mysterious "story
  • Sonnets 1-126 are addressed mainly to a young man
    of great beauty and promise. The speaker
    expresses affection and admiration for the young
    man, urges him to marry and have children, and
    warns him about the destructive power of time,
    age, and moral weakness.
  • Sonnets 78-86 are concerned with a rival poet who
    has also addressed poems to the young man.
  • Sonnets 127-154 are addressed to a lady with dark
    hair, eyes and complexion. Both the speaker and
    the young man seem to be romantically involved
    with her.

40
Sonnets continued
  • There is no evidence to connect these sonnets
    with the facts of Shakespeare's own life though
    some speculate that they are auto-biographical in
    nature.
  • The situations and relationships suggested in the
    sonnets are a means through which Shakespeare
    explores universal questions about time and
    death, about beauty and moral integrity, about
    love and about poetry itself.

41
WHAT IS A SONNET???
  • A lyric poem that is 14 lines long
  • Italian (or Petrarchan) sonnets are divided into
    two quatrains and a six-line sestet with a rhyme
    scheme of abba abba cdecde (or cdcdcd)
  • English (or Shakesperian) sonnets are composed of
    three quatrains and a final couplet with a rhyme
    scheme of abab cdcd efef gg
  • English sonnets are generally written in Iambic
    Pentameter

42
Sonnet 18 - Background
  • Sonnet 18 is the best known and most well-loved
    of all 154 sonnets. It is also one of the most
    straightforward in language and intent. The
    stability of love and its power to immortalize
    the poetry and the subject of that poetry is the
    theme.
  • The poet starts the praise of his dear friend
    without showiness, but he slowly builds the image
    of his friend into that of a perfect being. His
    friend is first compared to summer in the octave,
    but, at the start of the third quatrain, he is
    summer, and thus, he has metamorphosed into the
    standard by which true beauty can and should be
    judged.

43
Sonnet 18 - Background
  • The poet's only answer to such profound joy and
    beauty is to ensure that his friend be forever in
    human memory, saved from the oblivion that
    accompanies death. He achieves this through his
    verse, believing that, as history writes itself,
    his friend will become one with time. The final
    couplet reaffirms the poet's hope that as long as
    there is breath in mankind, his poetry too will
    live on, and ensure the immortality of his muse.

44
Sonnet 18 Questions
  • 1. How does Shakespeare use language and
    metaphor to present the young mans beauty in
    Sonnet 18?
  • 2. What question does the poetic speaker ask
    himself in the opening lines of this sonnet? What
    does he ultimately decide about whether or not
    this comparison is a good one?
  • 3. What are some of the problems with a summer's
    day that the poet discusses in the first eight
    lines? What does the poet mean when he says, "But
    thy eternal summer shall not fade"?
  • 4. The poet also promises, "Nor shall death brag
    thou wander'st in his shade." Does this seem
    possible or plausible as a promise?
  • 5. The last two lines, however, limit the
    promise to "So long as men can breathe, or eyes
    can see, / So long lives this, and this gives
    life to thee." What does the "this" refer to? How
    does "this" continue to give this young man/woman
    life--even four hundred years after Shakespeare
    wrote the poem?

45
Sonnet 29 - Background
  • Sonnet 29 shows the poet at his most insecure and
    troubled. He feels unlucky, shamed, and fiercely
    jealous of those around him. What causes the
    poet's anguish will remain a mystery as will the
    answer to whether the sonnets are
    autobiographical.
  • However, an examination of Shakespeares life
    around the time he wrote Sonnet 29 reveals two
    traumatic events that may have shaped the theme
    of the sonnet.

46
Sonnet 29 - Background
  • In 1592 the London theatres closed due to a
    severe outbreak of plague. Although it is
    possible that Shakespeare toured the outlying
    areas of London, it is almost certain that he
    left the theatre entirely during this time to
    work on his sonnets and narrative poems. The
    closing of the playhouses made it hard for
    Shakespeare and other actors of the day to earn a
    living. With plague and poverty looming it is
    expected that he would feel "in disgrace with
    fortune" (1).
  • Moreover, in 1592 there came a scathing attack on
    Shakespeare by dramatist Robert Greene, who, in a
    deathbed diary, warned three of his fellow
    university-educated playwrights "There is an
    upstart Crow, beautified with our feathers, that
    with his Tygers heart wrapt in a Players hide,
    supposes he is as well able to bombast out a
    blanke verse as the best of you and, beeing an
    absolute Johannes fac totum, is in his owne
    conceit the onely Shake-scene in a countrey."

47
Sonnet 29 Questions
  • 1. In Sonnet 29, what two moods are contrasted?
  • 2. What kind of men does the speaker say he
    envies?
  • 3. What causes his change of mood in the last
    few lines of the poem?
  • 4. Judging from the reference in lines 11-12,
    what would you say the lark symbolizes?

48
The 7 Ages of Man
  • 1. What, according to Shakespeare, are the acts
    in a mans life?
  • 2. What is Shakespeares concept of life?
  • 3. Lines 152-153
  • a) Name the stage in mans life.
  • b) What is the figure of speech in the first
    line?
  • c) Why does the lover sigh?
  • 4. Lines 155-157
  • a) Who is referred to here?
  • b) What are the distinguishing features of the
    soldier?

49
The 7 Ages of Man
  • 5. Lines 165 166
  • a) In which act is the man playing this part?
  • b) What features of old age are mentioned here?
  • 6. Lines 143-147
  • a) What poetic device is used in these lines?
  • b) To what in mans life does the poet compare
    the exits and entrances of the stage to?
  • c) Explain the phrase one man in his time.
  • 7. Lines 149-151
  • a) Which stage of human life is described in
    these lines?
  • b) What are the words or phrases which indicate
    that the boy is not willing to go to school?

50
The 7 Ages of Man
  • 8. Lines 154 157
  • a) Which stage of human life is described in the
    above lines? What are the main characteristics
    of this stage?
  • b) What is the bubble reputation and how is it
    linked with the cannons mouth?
  • 9. Lines 157-161
  • a) How does a man look in this stage of life?
  • b) What does he do to show his wisdom? Why?
  • 10. How is the last stage of a mans life
    described?

51
John Donne 1572-1631The Original
Metaphysical Poet
  • He was a new kind of poeta Copernicus in
    poetry (Carey xix).

52
Family
  • John Donne was born in London in 1572.
  • He was the son of a wealthy ironmonger.
    Unfortunately, his father died when he was only
    four years old.
  • Johns family was strongly Catholic, a cause of
    some conflict for the family because of
    anti-Catholic feelings in England.
  • (Jokinen)
  • As a Catholic in England, his birthright was
    persecution and rejection.
  • (Carey xix)

53
Education
  • John was well educated by Jesuit priests as a
    boy.
  • He later attended Oxford University but was not
    granted a degree because of his refusal to take
    the Oath of Supremacy (that the King/Queen is the
    supreme head of the Church in England).
  • Donne later studied law.
  • (Jokinen)

54
Poetic Style
  • While associated with the Inns of Court ( an
    institution that specialized in the study of
    law), Donnes love lyrics and satires circulated
    among students.
  • (Abrams)
  • The speaker of his love elegies is a swaggering
    nonconformist he is a lewd yet intelligent
    seducer of women of the bourgeoisie out to take
    his pleasure and their fathers money.
  • The speaker of the satires is serious,
    responsible, moralistic and deplores vice and
    corruption he is especially critical of
    courtiers and state officials seeking power and
    success by climbing Englands social ladder.
  • (Carey xx-xxi)

55
Faith
  • In 1593, his brother Henry died in prison.
  • He had been imprisoned for harbouring a Catholic
    priest.
  • It is speculated that this event may have lead to
    Donnes questioning of his Catholic faith.
  • (Jokinen)

56
Career
  • In his youth, Donne spent his money on
    womanizing, books, theatre and travel.
  • He joined naval expeditions against the Spanish
    in Spain and the Azores.
  • In 1601, at age 29, he became a member of Queen
    Elizabeths last parliament. (Jokinen)
  • His career suffered a set back, however, due to
    his secret marriage to Ann More, niece of Lady
    Egerton and daughter of Sir George More, Lord
    Keeper of the Great Seal.
  • He lost his job and was imprisoned for some
    weeks because of the scandal, he would struggle
    financially for a decade while endeavoring to
    re-establish his reputation.

57
Religion
  • In his 40s, Donne converted to Protestantism,
    thus winning the favour of King James I.
  • With the kings encouragement, he took holy
    orders in 1615 and became the Royal Chaplain.
  • He was greatly admired for his preaching style
    which used elaborate metaphors and religious
    symbolism to great dramatic effect.
  • (Jokinen)

58
  • In 1617, when she was just 33 years old, his wife
    Ann died after giving birth to their 12th child.
    Unfortunately, the child was stillborn.
  • Many of his later poems would demonstrate an
    apprehension of death, especially as he struggled
    with his own illness.
  • His Holy Meditation 17 is a good example of this
    preoccupation with death. (Jokinen)

"No man is an island, entire of itself every man
is a piece of the continent, a part of the main.
If a clod be washed away by the sea, Europe is
the less... Any man's death diminishes me,
because I am involved in mankind and therefore
never send to know for whom the bell tolls it
tolls for thee." John Donne, 1624, Meditation
XVII
59
Death
  • In 1621, Donne was appointed Dean of St. Pauls
    Cathedral.
  • Obsessed with the idea of death, Donne posed for
    a portrait in a shroud. The painting was
    completed a few weeks before his death and later
    used to create an effigy.
  • He preached what was called his own funeral
    sermon, Deaths Duel, just a few weeks before
    he died in London on March 31, 1631.
  • He was buried at St. Pauls Cathedral. Donne's
    monument is the only one to survive the Great
    Fire of London in 1666 and can still be seen
    today at St. Paul's. (Jokinen)

60
Holy Sonnets
XVII. Since she whom I loved hath paid her last
debtTo Nature, and to hers, and my good is
dead,And her soul early into heaven
ravishèd,Wholly on heavenly things my mind is
set.Here the admiring her my mind did whetTo
seek thee, God so streams do show the headBut
though I have found thee, and thou my thirst hast
fed,A holy thirsty dropsy melts me yet.But why
should I beg more love, whenas thouDost woo my
soul, for hers offering all thineAnd dost not
only fear lest I allowMy love to saints and
angels, things divine,But in thy tender jealousy
dost doubtLest the world, flesh, yea, devil put
thee out.
  • Thankfully, Donne left us powerful love poetry,
    divine poems and holy sonnets reflecting his
    religious struggles, and satires.
  • (Jokinen)

61
His Style
  • His writing shows a mind that was restlessly
    energetic, highly individualistic, and
    essentially dramatic.
  • It challenges his readers minds to be as daring
    and agile as his own.
  • He began a trend in poetry he was the original
    METAPHYSICAL POET (Abrams).

62
What are Metaphysics?
  • of Greek origins meaning beyond (meta) the
    physical (matter in Aristotles works).
  • is a branch of philosophy that investigates
    principles of reality transcending those of any
    particular science.
  • A central branch of metaphysics is ontology, the
    investigation into what types of things there are
    in the world and what relations these things bear
    to one another.
  • The metaphysician also attempts to clarify the
    notions by which people understand the world,
    including existence, objecthood, property, space,
    time, causality, and possibility.
  • Before the development of modern science,
    scientific questions were addressed as a part of
    metaphysics known as natural philosophy.
  • The scientific method, however, made natural
    philosophy an empirical and experimental activity
    unlike the rest of philosophy, and by the end of
    the eighteenth century it had begun to be called
    "science" to distinguish it from philosophy.
  • Thereafter, metaphysics became the philosophical
    enquiry of a non-empirical character into the
    nature of existence.

63
The Metaphysical Poetic Style - Content
  • Metaphysical poets wrote both love poems and
    deeply religious devotional poems.
  • The poetry categorizes human love and more
    specifically, human romantic passion, as a Divine
    experience comparable to the Afterlife.
  • It is concerned with defining the entire human
    experience (love, romantic and sensual man's
    relationship with God, and to a lesser extent
    pleasure, learning and art).
  • Metaphysical poetry is considered great because
    of its scathing wit, wordplay, and irony.
  • It is always meditative and lyrical in nature.
  • It often presents complicated arguments to
    confront lifes complications.
  • (Abrams)

64
The Metaphysical Poetic Style- Imagery and
Structure
  • Uses elaborate, intellectualized images (often
    called conceitsa figure of speech where a
    parallel is drawn between two dissimilar things
    to create striking imagery).
  • Extensive use of paradox (a statement or
    proposition that seems self-contradictory or
    absurd but in reality expresses a possible
    truth).
  • Multi-layered use of symbol and metaphor.
  • Rhythm and meter is irregular to reflect the
    irregular and unpredictable movements of an
    active mind and of an informal speaking voice.
  • (Abrams)

65
Holy Sonnet Death Be Not Proud
  • Title and Publication Information
  • The poem first appeared as Holy Sonnet X in a
    collection of 19 sonnets by John Donne
    (1572-1631). However, its title came to be known
    as Death, Be Not Proud (after the first four
    words of the poem). It was written between 1601
    and 1610the exact year is uncertainand
    published after Donne died.
  •  
  • Type of Work
  • Death, Be Not Proud" is a sonnet (14-line poem)
    similar in format to that established in Italy by
    Petrarch (1304-1374), a Roman Catholic priest who
    popularized the sonnet form before it was adopted
    and modified in England. Petrarch's sonnets each
    consist of an eight-line stanza (octave) and a
    six-line stanza (sestet). The first stanza
    presents a theme, and the second stanza develops
    it.

66
Donne Assignment 30 Marks Total
  • Theme
  • Rhyme Scheme
  • Meter
  • Figures of Speech
  • Questions
  • Personal View of the Poem

67
Analysis 10 Marks
  • Theme (3 Marks)
  • Rhyme Scheme and Meter (7 Marks)
  • Figures of Speech (name two) reference the
    line(s) in which the figure of speech is found
    and explain. (2 marks each)

68
Questions 5 Marks
  •  1. Why does Donne consistently capitalize the
    word death?
  • (1 mark)
  • 2. What is the tone in Donnes poem? Defend
    your answer.
  • (2 marks)
  •  
  • 3. Give an interpretation of the title of the
    poem.
  • (1 mark)
  •  
  • 4. Why would the poet write thinkst and
    swellst instead of writing thinkest and
    swellest?
  • (1 mark)

69
Summary What is this poem about???
  • Complete a 1/3-1/2 page paragraph summary of the
    poem. (10 Marks)
  • Make at least 3 specific line references as
    evidence to support your claims.
  • Do NOT use the internet for this assignment.

70
Analysis Answers
  • Rhyme Scheme and Meter
  • The rhyme scheme of "Death, Be Not Proud" is as
    follows ABBA, ABBA, CDDC, EE. The meter varies,
    although most lines are in iambic pentameter.

71
Theme
  • Death Be Not Proud is among the most famous
    and most beloved poems in English literature. Its
    popularity lies in its message of hope couched in
    eloquent, quotable language. Donnes theme tells
    the reader that death has no right to be proud,
    since human beings do not die but live eternally
    after one short sleep. Although some people
    depict death as mighty and powerful, it is really
    a lowly slave that depends on luck, accidents,
    decrees, murder, disease, and war to put men to
    sleep. But a simple poppy (whose seeds provide a
    juice to make a narcotic) and various charms
    (incantations, amulets, spells, etc.) can also
    induce sleepand do it better than death can.
    After a human beings soul leaves the body and
    enters eternity, it lives on only death dies.

72
Figures of Speech
  • To convey his message, Donne relies primarily on
    personification, a type of metaphor, that extends
    through the entire poem. (Such an extended
    metaphor is often called a conceit.) Thus, death
    becomes a person whom Donne addresses, using the
    second-person singular (implied or stated as
    thou, thee, and thy). Donne also uses
    alliteration, as the following lines illustrate
  •  
  • Line 4 Die not, poor Death, nor yet canst though
    kill me
  • Line 6 Much pleasure then from thee much more
    must flow
  • Line 13 One short sleep past, we wake eternally
    (Note One begins with a w sound thus, it
    alliterates with we and wake.)
  • Donne ends the poem with paradox and irony
    Death, thou shalt die.

73
Works Cited
  • Abrams, M.H., ed. The Norton Anthology of English
    Literature.
  • New York W.W. Norton Company, 1987. Print.
  • Boldt, Danielle, Sarah Carlin, and Erin Maguire.
    "The Life of Christopher Marlowe." Christopher
    Marlowe (1564-1593). LtWr 308 A, n.d. Web. 28 Mar
    2010.lthttp//public.csusm.edu/marlowe/index.htmlgt.
  • Carey, John. Introduction. John Donne A
    Critical Edition of the Major Works. Toronto
    Oxford University Press, 1990. xix-xxxii.
    Print.
  • Jokinen, Anniina. "The Life of John Donne."
    Luminarium.22 June 2006. Web. 27 May 2010.    
  • Mabillard, Amanda. Why Study Shakespeare?
    Shakespeare Online. 20 Aug. 2000. (January 31st,
    2011) lt http//www.shakespeare-online.com/biograph
    y/whystudyshakespeare.html gt.
Write a Comment
User Comments (0)
About PowerShow.com