The Post-War Era and The Catcher in the Rye - PowerPoint PPT Presentation

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The Post-War Era and The Catcher in the Rye

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HISTORICAL CONTEXT: WWII The Catcher in the Rye was published in 1951. August, 1945: ... – PowerPoint PPT presentation

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Title: The Post-War Era and The Catcher in the Rye


1
The Post-War Era and The Catcher in the Rye
  • English 10
  • REDDING

2
Historical Context WWII
  • The Catcher in the Rye was published in 1951.
  • August, 1945 first atomic bombs used in warfare
    dropped on Hiroshima and Nagasaki
  • Reasons for the bombings controversial
  • In Hiroshima, approx. 70,000 people immediately
    killed as result of initial blast, heat, and
    radiation effects. After five years, the death
    total was approx. 200,000 due to cancer and
    other long-term effects.
  • In Nagasaki, approx. 40,000 people were
    immediately killed. After five years, the death
    total was approx. 140,000.

3
The Post-War Era
  • After end of WWII (1945), growing confidence in
    U.S. military and economic might
  • End of war rationing meant access to consumer
    items
  • Opportunities for employment for many (although
    women employed in wartime factories often exited
    the workforce)
  • Burgeoning consumer culture of luxury for the
    masses

4
The Cold War Era
  • 1946 Churchill coins the term Iron Curtain
  • 1950 North Korean Communist troops invade South
    Korea U.S. and U.N. intervene
  • 1951 Julius and Ethel Rosenberg are convicted of
    selling U.S. atomic secrets to the Soviet Union.
    They are executed in 1953
  • 1950-1954 The Joseph McCarthy Erainvestigations
    into alleged Communists in the government

5
Culture of the Post War/Cold War Era
  • Symbols and signs of optimism, wealth, and
    vulgarity
  • the car (In the 50s, 20 of GNP of U.S. went
    to purchasing vehicles)
  • gaudy colors chrome
  • the supermarket (with an astounding selection
    of goods)
  • home appliances (the mod cons)
  • the suburbs
  • Levittown considered first planned,
    mass- produced community in the suburbs built
    1947-1951 on Long Island

6
The Mainstream vs. The Artists
  • While the mainstream was embracing the
    consumerism and prototypical suburban family,
    many artists felt isolated and disconnected from
    the mainstream.
  • These artists were often seeking
  • apolitical subject matter that was avant-guard
    (experimental or innovative)
  • a divergence from past art forms
  • reactions and meaning-making from the
    viewers/readers/listeners
  • Can you think of ways your generation tries to
    stray from the mainstream?

7
About Salinger
  • Born 1919 in New York City to parents Sol and
    Miriam father was Jewish, mother, Catholic
  • Attended public and private schools in
    Manhattan then Valley Forge Military Academy in
    Pennsylvania (may be basis for Pencey Prep, a
    boarding school the main character attends)
  • Attended college, but didnt graduate

8
About Salinger
  • Distinguished himself as writer in second
    semester of night class at Colombia, but many of
    his submitted stories were rejected by The New
    Yorker.
  • Served in WWII participated in D-Day Landings in
    1944 was one of first soldiers to enter a
    liberated concentration camp
  • Was treated for shell shock, aka combat stress
    reaction, after the war
  • Met and began correspondence with Earnest
    Hemingway while overseas E.H. called Salinger a
    helluva talent

9
About Salinger
  • The Catcher in the Rye, featuring Holden
    Caulfield, was published on in July 1951
  • Salinger on Catcher "My boyhood was very much
    the same as that of the boy in the book. It
    was a great relief telling people about it.
  • Novel was immediate popular success but also
    faced criticism for profanity, irreverance, and
    other inappropriate content
  • Attention after publication of Catcher led
    Salinger to move to a small town in New
    Hampshire he never published anything after 1965
    and remained a hermit until his death in 2010.

10
About Salingers techniques and themes
  • Techniques/aspects of style
  • internal monologue
  • stream of consciousness
  • sparse but revealing dialogue
  • young characters as focus
  • colloquialisms intermingled with elevated
    diction
  • Themes in Catcher and other works
  • youthful innocence and the loss thereof
  • alienation and isolation of the individual
  • failure to live up to parental and societys
    expectations
  • Be on the lookout for these elements!

11
Highlights of the Modern Era
  • Two devastating almost-global wars World War I
    (1914-1918) and World War II (1941-1945)
  • Huge changes in industry and technology as
    compared to the 19th century
  • The rise in power and influence of international
    corporations
  • Interconnectedness across the globe cultural
    exchanges, transportation, communication, mass
    (or popular) culture from the West (with "West"
    being considered Europe and North America)

12
Modernism
  • Uses images ("word pictures") and symbols as
    typical and frequent literary techniques
  • Uses colloquial language rather than formal
    language
  • Often, the intention of writers in the Modern
    period is to change the way readers see the world
    and to change our understanding of what language
    is and does  

13
Modernism continued
  • Uses language in a very self-conscious way,
    seeing language as a technique for crafting the
    piece of literature just as an artist crafts a
    piece of art like a sculpture or a painting.
  • Sees language as a special medium that influences
    what that piece of literature can do or can be
  • Form, style, and technique thus become as
    important--if not more so--than content or
    substance.

14
Existentialism
  • Philosophical ideology that became prevalent
    after WWII
  • Individuals give meaning to life meaning cannot
    be found through society or religion
  • In literature, the existential writer reacted to
    traditional storylines and character development
    the author of these traditional works would
    manipulate the plot and character choices so that
    everything resolved (life made sense)
  • With existential plots, life doesnt make real
    sense---only the sense you choose to make of
    it. These stories deal with the absurd series
    of events that each person tries to make sense
    of.
  • Three core existential thematic elements death,
    alienation, authenticity
  • Many critics argue that Catcher in the Rye fits
    the definition of existential through these
    elements. As we read, you decide!
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