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NARRATIVE

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Title: NARRATIVE Author: Michael A Walker Last modified by: Retestrak Created Date: 10/15/2002 5:37:30 PM Document presentation format: On-screen Show – PowerPoint PPT presentation

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Title: NARRATIVE


1
NARRATIVE
  • Film and Media Studies

2
What is Narrative?
  • Latin NARRE- To make Known
  • Via
  • Causally related events
  • Connected
  • Sequenced
  • Logically presented

3
Definition 2
  • Narrative is a way of organising spatial and
    temporal data into a cause and effect chain of
    events with a beginning, middle and end that
    embodies a judgement about the nature of the
    events as well as demonstrates how it is possible
    to know, and hence to narrate, the events.
    Brannigan E. Narrative Comprehension and Film

4
Macro Features of Narrative
  • Structure
  • Aristotles beginning, middle and end.
  • Todorovs equilibriumgtdisequilibriumgtre-equilibriu
    m
  • Propps functions
  • Voglers twelve steps
  • 2. Temporal order,temporal duration, temporal
    frequency
  • 3. Story and Plot
  • Explicitly presented actions/events
  • Implicitly inferred ationas/events
  • Non diegetic material (captions/titles,drama
    enhancing music etc.)

5
Micro Features
  • 1. Constructional Devices
  • Cinematography
  • Mise- en- Scene
  • Editing
  • Sound

2. Genre Associations Genre Codes
(e.g. Iconography) Genre
Conventions 3. Narrative Codes
Levi Strauss Binary Oppositions
Barthes Narrative Codes
Character Psychology Semiotic
Analysis
6
Todorov
  • Initial Situation (Equilibrium)
  • Disruption (Non equilibrium)
  • Restoration (Re Equilibrium)

7
Propp 1928
  • Morphology of the Russian Folktale 1928
  • Types of Characters, Specific Forms of Action,
    function in the Narrative.
  • Thiry One Functions identified.

8
Specific research on narrative
  • Vladimir Propp
  • Russian Formalist in the 1930s
  • He wanted to see if there was a finite number of
    structures for narrative. He analysied Russian
    folk tales and found they could be classified
    into 5 categories.
  • He also identified seven archetypal characters.

9
Propps character archetypes
  • The Villain
  • The Donor/giver of knowledge
  • The Helper
  • The Princess (sought after person)
  • The Dispatcher
  • The Hero (or victim)
  • The False Hero

10
Propps character archetypes
  • The Villain Darth Vader
  • The Donor
  • The Helper
  • The Princess (sought after person)
  • The Dispatcher
  • The Hero (or victim)
  • The False Hero

11
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper
  • The Princess
  • The Dispatcher
  • The Hero (or victim)
  • The False Hero

12
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper Han Solo
  • The Princess
  • The Dispatcher
  • The Hero (or victim)
  • The False Hero

13
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper Han Solo
  • The Princess Princess Leah
  • The Dispatcher
  • The Hero (or victim)
  • The False Hero

14
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper Han Solo
  • The Princess Princess Leah
  • The Dispatcher R2 - D2
  • The Hero
  • The False Hero

15
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper Han Solo
  • The Princess Princess Leah
  • The Dispatcher R2 - D2
  • The Hero Luke Skywalker
  • The False Hero

16
Propps character archetypes
  • The Villain Darth Vader
  • The Donor Obi Won Kenobe
  • The Helper Han Solo
  • The Princess Princess Leah
  • The Dispatcher R2 - D2
  • The Hero Luke Skywalker
  • The False Hero Darth Vader (Lukes dad)

17
Basic Plots
  • Romance Boy meets girl / boy loses girl / boy
    finds girl(or Vice versa)
  • Bordwell and Thompson (1991) define narrative as
    A chain of events in cause-effect relationship
    occurring in time and space.
  • The Kuleshov Effect The linear connections we
    make between shots.

18
Definitions from Bordwell and Thompson (1991)
  • Plot What we see on screen. Includes
    extra-narrative things.
  • Story all that we know about the narrative
    including seen and unseen.
  • Diegesis The total world of the story.
  • Parallelism Parallel development of multiple
    storylines.
  • Cause and effect Cause and effect. Causes can
    come from a character.

19
Chris Vogler 1992The Writers Journey
  • Archetypes
  • Hero
  • Mentor
  • Shapeshifter
  • Trickster
  • Herald
  • Allies
  • Shadow
  • Threshold Guardians
  • The Heros Journey
  • Ordinary World
  • Call to Adventure
  • Refusal of the Call
  • Mentor
  • First Threshold
  • Tests, Allies, Enemies
  • Approach to the Inmost Cave
  • Ordeal

20
Levi Strauss
  • Binary Opposites (Macro)
  • Protagonist/Antagonist
  • Action /Inaction
  • Binary Opposites (Micro)
  • Good looking / Ugly
  • Witty / Humourless

21
Barthes
  • Audience Decodes
  • Enigma Code (sets up a question to be answered
    later)
  • Semic Code (How characters, actions ,events,
    settings etc. take on meaning within a culture.
  • Symbolic Code - Binary Oppositions or
    Psychological symbols
  • Action Code - understood by cross reference to
    other narratives in our culture
  • Cultural Codes - understood through our
    interaction with the wider world.
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