Title: NARRATIVE
1NARRATIVE
2What is Narrative?
- Latin NARRE- To make Known
- Via
- Causally related events
- Connected
- Sequenced
- Logically presented
3Definition 2
- Narrative is a way of organising spatial and
temporal data into a cause and effect chain of
events with a beginning, middle and end that
embodies a judgement about the nature of the
events as well as demonstrates how it is possible
to know, and hence to narrate, the events.
Brannigan E. Narrative Comprehension and Film
4Macro Features of Narrative
- Structure
- Aristotles beginning, middle and end.
- Todorovs equilibriumgtdisequilibriumgtre-equilibriu
m - Propps functions
- Voglers twelve steps
- 2. Temporal order,temporal duration, temporal
frequency - 3. Story and Plot
- Explicitly presented actions/events
- Implicitly inferred ationas/events
- Non diegetic material (captions/titles,drama
enhancing music etc.)
5Micro Features
- 1. Constructional Devices
- Cinematography
- Mise- en- Scene
- Editing
- Sound
2. Genre Associations Genre Codes
(e.g. Iconography) Genre
Conventions 3. Narrative Codes
Levi Strauss Binary Oppositions
Barthes Narrative Codes
Character Psychology Semiotic
Analysis
6Todorov
- Initial Situation (Equilibrium)
- Disruption (Non equilibrium)
- Restoration (Re Equilibrium)
7Propp 1928
- Morphology of the Russian Folktale 1928
- Types of Characters, Specific Forms of Action,
function in the Narrative. - Thiry One Functions identified.
8Specific research on narrative
- Vladimir Propp
- Russian Formalist in the 1930s
- He wanted to see if there was a finite number of
structures for narrative. He analysied Russian
folk tales and found they could be classified
into 5 categories. - He also identified seven archetypal characters.
9Propps character archetypes
- The Villain
- The Donor/giver of knowledge
- The Helper
- The Princess (sought after person)
- The Dispatcher
- The Hero (or victim)
- The False Hero
10Propps character archetypes
- The Villain Darth Vader
- The Donor
- The Helper
- The Princess (sought after person)
- The Dispatcher
- The Hero (or victim)
- The False Hero
11Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper
- The Princess
- The Dispatcher
- The Hero (or victim)
- The False Hero
12Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper Han Solo
- The Princess
- The Dispatcher
- The Hero (or victim)
- The False Hero
13Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper Han Solo
- The Princess Princess Leah
- The Dispatcher
- The Hero (or victim)
- The False Hero
14Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper Han Solo
- The Princess Princess Leah
- The Dispatcher R2 - D2
- The Hero
- The False Hero
15Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper Han Solo
- The Princess Princess Leah
- The Dispatcher R2 - D2
- The Hero Luke Skywalker
- The False Hero
16Propps character archetypes
- The Villain Darth Vader
- The Donor Obi Won Kenobe
- The Helper Han Solo
- The Princess Princess Leah
- The Dispatcher R2 - D2
- The Hero Luke Skywalker
- The False Hero Darth Vader (Lukes dad)
17Basic Plots
- Romance Boy meets girl / boy loses girl / boy
finds girl(or Vice versa) - Bordwell and Thompson (1991) define narrative as
A chain of events in cause-effect relationship
occurring in time and space. - The Kuleshov Effect The linear connections we
make between shots.
18Definitions from Bordwell and Thompson (1991)
- Plot What we see on screen. Includes
extra-narrative things. - Story all that we know about the narrative
including seen and unseen. - Diegesis The total world of the story.
- Parallelism Parallel development of multiple
storylines. - Cause and effect Cause and effect. Causes can
come from a character.
19Chris Vogler 1992The Writers Journey
- Archetypes
- Hero
- Mentor
- Shapeshifter
- Trickster
- Herald
- Allies
- Shadow
- Threshold Guardians
- The Heros Journey
- Ordinary World
- Call to Adventure
- Refusal of the Call
- Mentor
- First Threshold
- Tests, Allies, Enemies
- Approach to the Inmost Cave
- Ordeal
20Levi Strauss
- Binary Opposites (Macro)
- Protagonist/Antagonist
- Action /Inaction
- Binary Opposites (Micro)
- Good looking / Ugly
- Witty / Humourless
21Barthes
- Audience Decodes
- Enigma Code (sets up a question to be answered
later) - Semic Code (How characters, actions ,events,
settings etc. take on meaning within a culture. - Symbolic Code - Binary Oppositions or
Psychological symbols - Action Code - understood by cross reference to
other narratives in our culture - Cultural Codes - understood through our
interaction with the wider world.