Composition (The elements) - PowerPoint PPT Presentation

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Composition (The elements)

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Title: Composition (The elements)


1
Composition(The elements)
2
What is Composition
  • Composition is the arrangement of shapes (forms)
    in an image their position, relationship to one
    another and to the image as a whole.
  • Photographers, like other artists, compose their
    images to create certain effects and to affect
    the viewer.

3
  • How you arrange a scene's elements in your
    camera's viewfinder will not only determine the
    effectiveness of your picture, but will also
    contribute to how well its message is conveyed.
    There is more to good composition, than the
    placement of elements.
  • Lighting, shutter speed, and depth of field and
    aperture contribute to a picture's mood and
    clarity of what the picture is saying, and
    therefore the effectiveness of its composition.

4
Elements of Design
  • Space - Space is defined and determined by shapes
    and forms. Positive space is where shapes and
    forms exist negative space is the empty space
    around shapes and forms. For images to have a
    sense of balance positive and negative space can
    be used to counter balance each other.
  • Line - A line represents a "path" between two
    points. A line can be straight, curved, vertical,
    horizontal, diagonal, or zigzag.
  • Shape - Shapes are the result of closed lines.
    However shapes can be visible without lines when
    an artist establishes a color area or an
    arrangement of objects within the camera's
    viewfinder.
  • Color - Color occurs when light in different
    wavelengths strikes our eyes.
  • Texture - Texture refers to the surface quality
    or "feel" of an object - smooth, rough, soft,
    etc. Textures may be actual (felt with touch -
    tactile) or implied (suggested by the way an
    artist has created the work of art -visual).
    Texture is often emphasized in oblique lighting
    as it strikes the objects from one side.
  • Form - Form refers to the three-dimensional
    quality of an object, which is due in part to
    light, and dark areas. Light and dark areas
    within an image provide contrast that can suggest
    volume
  • Value - Value helps with Form. It gives objects
    depth and perception. Value is also referred to
    as tone.

5
More about Space
  • Positive and Negative Space
  • Positive space is where shapes and forms exist.
  • Negative space is the empty space around shapes
    and forms.

The next few slides will help to see the positive
and negative space in photographs
6
Positive Space
  • The positive space masked in black

7
Negative Space
  • The negative space masked in blacknotice how
    the negative space defines and implies the shape
    of a plane

Negative space helps define a subject, so
negative space works when theres a balance
between the positive and negative spaces.
Negative space also works when it draws the
viewers eye into the subject.
8
Negative Space
  • Negative space can actually be used as the main
    subject in a composition itself, sometimes to the
    extent where it takes on an identifiable shape
    defined by its surrounding positive space.

Photography by Numlok
9
Balancing Negative and Positive Space
  • In this photo the black area is negative space
    and it serves to balance the area in which the
    marmot and rock occupy. Areas of a picture that
    contain "nothing" are important visual elements
    that provide balance in an image.

10
Examples
Photography by Faquino101
Photography by Stephen M. Gray
11
Line
  • Diagonal, Horizontal, Vertical and Converging,
    Leading lines all impact images differently when
    photographing use the lines to strengthen the
    images.

Photography by Stevacek
Lines have the power to lead the viewers eye to
certain points in the image.
12
Diagonal Lines
  • Diagonal lines generally work well to draw the
    eye of an images viewer through the photograph.
    They create points of interest as they intersect
    with other lines and often give images depth by
    suggesting perspective.

13
Horizontal Lines
  • Theres something about a horizontal line in an
    image that conveys a message of stability or
    even rest.

Photography by Tal Bright
14
Vertical Lines
  • Vertical lines have the ability to convey a
    variety of different moods in a photograph
    ranging from power and strength (think of
    skyscrapers) to growth (think of trees).

15
Converging Lines
  • A picture with converging lines contains a set
    of lines which seem to come together in the
    distance.
  • Experiment with Positioning
  • Positioning the convergence
  • Adding Interest at the Point of Convergence

Photography by Kenny Maths
Photography by MarvinOS
16
Leading Lines
  • Leading lines are used to draw the viewer's eye
    through the photograph. This is an especially
    powerful technique to draw the viewer's attention
    to one or more intended subjects or a single
    focal point.

17
Shape
  • In photographs, shape can be the objects in the
    image, but they can also be the way subjects
    connect to each other in a photo to form shapes
    that draw the eye from subject to subject.

Photography by Wong Chek
18
Texture
  • Texture helps to emphasize the features and
    details in a photograph. By capturing "texture"
    of objects, you can create form.
  • Texture particularly comes into play when light
    hits objects at interesting angles.

Photography by Grant McDonald
Photography by Scose
19
More Texture
20
Color
The 12 part color wheel below is based on the
three primary colors - ( Red, Yellow and Blue )
The secondary colors (Green, Orange and Violet)
are mixtures of the two primaries they sit
between. The tertiary colors fall between each
primary and secondary.
Color wheel with primaryand secondary colors
Color wheel with primary, secondary and
intermediate (or tertiary) colors
Another color wheel with primary, secondary and
intermediate (or tertiary) colors
21
More about Color
  • Color Terms
  • Hue refers to the names of the primary colors,
    red, green and blue.Value lightness and
    darkness of the color - the amount of white or
    black added. Intensity the purity or
    saturation of the color Monochromatic color
    use of one color where only the value of the
    color changes Analogous colors colors that are
    adjacent to each other on the color wheel, e.g.
    yellow and green

22
Analogous Color
  • Analogous colors next to each other on the color
    wheel "get along" and are referred to as being
    harmonious.
  • Analogous colors are often used in visual
    design and have a soothing affect.

23
Monochromatic Colors
  • Monochromatic colors are all the hues (tints
    and shades) of a single color. As a result, the
    energy is more subtle and peaceful due to a lack
    of color contrast.

24
Complementary Colors
  • Complementary colors colors opposite to each
    other on the color wheel, e.g. Blue-violet and
    yellow, represent colors positioned across from
    each other on the color wheel.
  • Complimentary colors exhibit more contrast when
    positioned adjacent to each other -for example
    yellow appears more intense when positioned on or
    beside blue or violet

25
Warm Colors
  • Warm colors include yellows, red and orange we
    associate these with blood, sun and fire. Warm
    colors make you feel energized.

26
Cool Colors
  • Cool colors include violet, blue and green
    because of our association with snow and ice.
    Cool colors invoke sadness.

This image is monochromatic.
27
  • http//www.alifetimeofcolor.com/study/g_cool_color
    s.html
  • http//www.alifetimeofcolor.com/study/g_warm.html
  • http//www.tutorial9.net/resources/enhancing-your-
    art-with-negative-space/
  • http//en.wikipedia.org/wiki/Design_elements_and_p
    rinciples
  • http//photoinf.com/General/Robert_Berdan/Composit
    ion_and_the_Elements_of_Visual_Design.htm
  • http//www.flickr.com/photos/blind_eye_frank/35144
    2724/
  • http//www.layersmagazine.com/negative-space.html
  • http//www.digitalphotoguides.com/composition2.htm
    l
  • http//digital-photography-school.com/converging-l
    ines
  • http//www.photographyicon.com/line/index.html
  • http//www.catfolks.net/sean/photos/OakGlenTrip052
    707/
  • http//www.photips.com/photography-tips/leading-li
    nes.html
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