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Title: Akhnaton's Religion 1


1
Akhnaton's Religion 1
  • AMORC
  • RCUI Online
  • Mystery School Class

2
Participants in the Group Project for the Ancient
Mystery Schools
  • Tony Griggs FRC
  • Larry Ford FRC
  • Leah Larsen SRC
  • Glenn Larsen FRC

3
The Great Hymn to the Aten
  • try to think about his hymn to Aten as answers to
    some questions , may be if we found those
    questions we could reach something , I will post
    those questions due to my trial to understand
    this man , and his belief

4
Who are you ? who am I ? where is your seat ?
  • Splendid you rise in heavens lightland,O living
    Aten, creator of life!

5
Are you the all ? are you in me ? are you there ?
  • When you have dawned in eastern lightland, You
    fill every land with your beauty. You are
    beauteous, great, radiant, High over every
    landYour rays embrace the lands,To the limit
    of all that you made. Being Re, you reach their
    limits,

6
who really is your son ?
  • You bend them for the son whom you love Though
    you are far, your rays are on earth,Though one
    sees you, your strides are unseen.

7
chaos or less universal logic or less blessing ,
we have when you leave it ?
  • When you set in western lightland, Earth is in
    darkness as if in deathOne sleeps in chambers,
    heads covered, One eye does not see another.
    Were they robbed of their goods, That are under
    their heads, People would not remark it. Every
    lion comes from its den, All the serpents bite

8
are you the light or the power behind the light
or the properties of light ? or all of them ?
  • Darkness hovers, earth is silent, As their maker
    rests in lightland.Earth brightens when you dawn
    in lightland, When you shine as Aten of daytime
    As you dispel the dark,As you cast your
    rays,The Two Lands are in festivity. Awake they
    stand on their feet, You have roused
    themBodies cleansed, clothed,Their arms adore
    your appearance. The entire land sets out to
    work, All beasts browse on their herbs Trees,
    herbs are sprouting,Birds fly from their
    nests,Their wings greeting your ka.All flocks
    frisk on their feet,All that fly up and
    alight,They live when you dawn for them. Ships
    fare north, fare south as well, Roads lie open
    when you riseThe fish in the river dart before
    you. Your rays are in the midst of the sea.

9
( in this part of hymn I found akhenaten a deep
thinker , mediating the creation process trying
to understand it using his belief , his ideas)
10
are you there in the mother's womb ?
  • Who makes seed grow in women, Who creates people
    from spermWho feeds the son in his mother's
    womb, Who soothes him to still his tears.Nurse
    in the womb,Giver of breath,

11
are you there in the origin of every one , so in
the mother's womb ?
  • To nourish all that he made.When he comes from
    the womb to breathe, On the day of his
    birth,You open wide his mouth,You supply his
    needs.

12
are you there in the egg ?
  • When the chick in the egg speaks in the shell,
    You give him breath within to sustain him When
    you have made him complete,To break out from the
    egg,He comes out from the egg,To announce his
    completion,Walking on his legs he comes from it.

13
the chaos , discipline , the system , rules , are
all one , by you ?
  • How many are your deeds, Though hidden from
    sight,O Sole God beside whom there is none!You
    made the earth as you wished, you alone, All
    peoples, herds, and flocks All upon earth that
    walk on legs, All on high that fly on wings,
    The lands of Khor and Kush, The land of
    Egypt.You set every man in his place, You
    supply their needsEveryone has his food,His
    lifetime is counted.Their tongues differ in
    speech, Their characters likewise Their skins
    are distinct,For you distinguished the peoples.

14
Some information on the Hymn To the Aten
  • In the tomb of Ay, the chief minister of
    Akhenaten (and later to become king after
    Tutankhamun's death), occurs the longest and best
    rendition of a composition known as the 'Hymn to
    the Aten', said to have been written by Akhenaten
    himself. Quite moving in itself as a piece of
    poetry, its similarity to, and possible source of
    the concept in, Psalm 104 has long been noted.
  • It sums up the whole ethos of the Aten cult and
    especially the concept that only Akhenaten had
    access to the god 'Thou arisest fair in the
    horizon of Heaven, 0 Living Aten, Beginner of
    Lifethere is none who knows thee save thy son
    Akhenaten. Thou hast made him wise in thy plans
    and thy power.' No longer did the dead call upon
    Osiris to guide them through the after-world, for
    only through their adherence to the king and his
    intercession on their behalf could they hope to
    live beyond the grave.
  • 2

15
Perhaps all should look and see how the Hymn
Applies to them
16
These are some added thoughts
  • For one to truly understand Akhnaton and his
    faith you need to understand him a little more.
    Even though history tried to erase him and his
    ideas they lived on and we must piece together
    what we know of him.

17
A Brief History
  •    Amenhotep IV-better known as Akhenaten, the
    new name he took early on in his reign-ushered in
    a revolutionary period in Egyptian history. The
    Amarna Interlude, as it is often called, saw the
    removal of the seat of government to a
    short-lived new capital city, Akhetaten (modern
    el-Amarna), the introduction of a new art style,
    and the elevation of the cult of the sun disc,
    the Aten, to pre-eminent status in Egyptian
    religion. This last heresy in particular was to
    bring down on Akhenaten and his immediate
    successors the opprobrium of later kings.
  •     The young prince was at least the second son
    of Amenhotep III by his chief wife, Tiy an elder
    brother, prince Tuthmosis, had died prematurely
    (strangely, a whip bearing his name was found in
    Tutankhamun's tomb). There is some controversy
    over whether or not the old king took his son
    into partnership on the throne in a co-regency
    there are quite strong arguments both for and
    against. A point in favor of a co-regency is the
    appearance during the latter years of Amenhotep
    III's reign of artistic styles that are
    subsequently seen as part of the 'revolutionary'
    Amarna art introduced by Akhenaten on the other
    hand, both 'traditional' and 'revolutionary' Art
    styles could easily have coexisted during the
    early years of Akhenaten's reign. At any rate, if
    there had been a co-regency, it would not have
    been for longer than the short period before the
    new king assumed his preferred name of Akhenaten
    ('Servant of the Aten') in Year 5.
  •     The beginning of Akhenaten's reign marked no
    great discontinuity with that of his
    predecessors. Not only was he crowned at Karnak
    (temple of the god Amun) but, like his father  he
    married a lady of non-royal blood, Nefertiti, the
    daughter of the vizier Ay. Ay seems to have been
    a brother of Queen Tiy (Anen was another) and a
    son of Yuya and Tuya. Nefertiti's mother is not
    known she may have died in childbirth or shortly
    afterwards, since Nefertiti seems to have been
    brought up by another wife of Ay named Tey, who
    would then be her stepmother.
  • 2

18
The cult of the Aten
  • Some say that he was the most remarkable king to
    sit upon Egypts throne.  There can be little
    doubt that the new king was far more of a thinker
    and philosopher than his forebears.  Akhenaten
    was traditionally raised by his parents,
    Amenhotep III and Queen Tiy (1382-1344 B.C.) by
    worshipping Amen. Akhenaten, however, preferred
    Aten, the sun god that was worshipped in earlier
    times.  Amenhotep III had recognized the growing
    power of the priesthood of Amun and had sought to
    curb it his son was to take the matter a lot
    further by introducing a new monotheistic cult of
    sun-worship that was incarnate in the sun's disc,
    the Aten.  When early in his reign he changed his
    name to Akhenaten, meaning He Who is of Service
    to Aten, he also renamed his queen to
    Nefer-Nefru-Aten, which is Beautiful is the
    Beauty of Aten.  Akhenaten's innovation was to
    worship the Aten in its own right. Portrayed as a
    solar disc whose protective rays terminated in
    hands holding the ankh hieroglyph for life, the
    Aten was accessible only to Akhenaten, thereby
    obviating the need for an intermediate
    priesthood.

19
The New Religion
  • It was said that one day Akhenaten had a vision
    wherein he saw a sun disc between two mountains.
    He felt that God was guiding him to make change.
    He was shown the God, Aten, as the Sun Disk - the
    Light. He felt guided by Aten to build a city
    between the two mountains. In the sixth year of
    his reign Akhenaten rejected the Gods of Thebes.
    They were never part of his childhood anyway
    since he had been shunned as a child.
  • Akhenaten had declared for the first time in
    recorded that there was only one God - the
    concept of monotheism. He turned 2,000 years of
    Egyptian religious upside down overnight!
  • To make a complete break, the king and his queen,
    left Thebes behind and moved to a new capital in
    Middle Egypt, 180 miles north of Thebes half way
    between Memphis and Thebes.
  • It was a virgin site, not previously dedicated to
    any other god or goddess, and he named it
    Akhetaten - The Horizon of the Aten.
  • Today the site is known as El-Amarna.
  • In essence he was an cult leader taking his
    following into the mountains and desert to build
    a new paradise.

20
In The Beginning.
  • At first, the king built a temple to his god Aten
    immediately outside the east gate of the temple
    of Amun at Karnak, but clearly the coexistence of
    the two cults could not last. He therefore
    proscribed the cult of Amun, closed the god's
    temples, took over the revenues.  He then sent
    his officials around to destroy Amens statues
    and to desecrate the worship sites. These actions
    were so contrary to the traditional that
    opposition arose against him. The estates of the
    great temples of Thebes, Memphis and Heliopolis
    reverted to the throne. Corruption grew out of
    the mismanagement of such large levies.
  • 2

21
A new Capitol
  • To make a complete break, in Year 6 the king and
    his queen, left Thebes behind and moved to a new
    capital in Middle Egypt, half way between Memphis
    and Thebes. It was a virgin site, not previously
    dedicated to any other god or goddess, and he
    named it Akhetaten-The Horizon of the Aten. Today
    the site is known as el-Amarna.

22
In its finished state Armana offered a theatrical
setting for celebrating Akhenaten's kingship. The
city sprawled for miles over the plain. There
were elegant palaces, statues of the Pharaoh,
good housing throughout the city, a royal road
that ran through the center of town, probably the
widest street in the ancient world. It was
designed for chariot processions, with Akhenaten
leading the way.
23
A new Art Form
  • It is evident from the art of the Amarna period
    that the court officially emulated the king's
    unusual physical characteristics. Thus
    individuals such as the young princesses are
    endowed with elongated skulls and excessive
    adiposity, while Bek-the Chief Sculptor and
    Master of Works-portrays himself in the likeness
    of his king with pendulous breasts and protruding
    stomach. On a stele now in Berlin Bek states that
    he was taught by His Majesty and that the court
    sculptors were instructed to represent what they
    saw. The result is a realism that breaks away
    from the rigid formality of earlier official
    depictions, although naturalism is very evident
    in earlier, unofficial art.

24
A lime stone slab, with traces of the
draughtsman's grid still on it, found in the
Royal Tomb of Amarna. Its style is characteristic
of the early period of Akhenaten's reign. The
king is accompanied by Nefertiti and just two of
their daughters, but this does not necessarily
indicate that these are the eldest, since others
of the six may have been omitted Cairo Museum
25
Realism was a part of the new art form note the
king walking with a cane
  • 4

26
Nefertiti is depicted in her advanced years. She
wears a long, white linen dress that allows the
contours of her body to be seen. It has been
speculated that this small statuette was the
model for a life size representation that was
never executed. Arnold points out that, although
she is past her prime, she is not old. While this
may be true, the sagging features of the
statuette do indicate that she is no longer the
vivacious Queen.
  • 4

27
The End of a Dream
  • Akhenaten's reign lasted 16 years. This was a
    difficult time in Egyptian history. Many scholars
    maintain that Akhenaten was responsible for this
    decline, but evidence suggests that it had
    already started.

28
In 1332 BC Akhenaten died, the circumstances
never explained. His memory and all that he had
created soon to erased from history not to be
found for centuries later.
29
Royal Tomb at Amarna Akhenaten and Nefertiti
grieve over daughterDrawing of Relief (N.
Davies, The Rock Tombs of el-Amrna, 1903-08)
Note that behind the King and Queen there is
what appears to be a wet-nurse holding an infant.
30
Was The New Religion for Everyone?
  • According to present evidence, however, it
    appears that it was only the upper echelons of
    society which embraced the new religion with any
    fervor (and perhaps that was only skin deep).
    Excavations at Amarna have indicated that even
    here the old way of religion continued among the
    ordinary people. On a wider scale, throughout
    Egypt, the new cult does not seem to have had
    much effect at a common level except, of course,
    in dismantling the priesthood and closing the
    temples but then the ordinary populace had had
    little to do with the religious establishment
    anyway, except on the high days and holidays when
    the god's statue would be carried in procession
    from the sanctuary outside the great temple
    walls.
  • The standard bureaucracy continued its endeavors
    to run the country while the king courted his
    god. Cracks in the Egyptian empire may have begun
    to appear in the later years of the reign of
    Amenhotep III at any rate they became more
    evident as Akhenaten increasingly left government
    and diplomats to their own devices. Civil and
    military authority came under two strong
    characters Ay, who held the title 'Father of the
    God' (and was probably Akhenaten's
    father-in-law), and the general Horemheb (also
    Ay's son-in-law since he married Ay's daughter
    Mutnodjme, sister of Nefertiti). Both men were to
    become pharaoh before the 18th Dynasty ended.
    This redoubtable pair of closely related high
    officials no doubt kept everything under control
    in a discreet manner while Akhenaten pursued his
    own philosophical and religious interests.
  • 2

31
  • Akhenaten wanted everyone to be happy. He created
    a beautiful, idealistic religion and Utopia for
    his people but many just didn't understand it.
    Akhenaten was not living in the reality of his
    worshippers. Though he had found himself and his
    God but the people were used to Gods they could
    see, carved in stone with beautiful bodies, many
    with heads of animals. Akhenaten's God was too
    much of an abstraction. Aten was the basic
    principle of the universe, Light! They also
    wondered why the sun God only shed its rays on
    the royal family and not everyone.
  • According to present evidence, however, it
    appears that it was only the upper echelons of
    society which embraced the new religion with any
    fervor. Excavations at Amarna have indicated that
    even here the old way of religion continued among
    the ordinary people. On a wider scale, throughout
    Egypt, the new cult does not seem to have had
    much effect at a common level except, of course,
    in dismantling the priesthood and closing the
    temples but then the ordinary populace had had
    little to do with the religious establishment
    anyway, except on the high days and holidays when
    the god's statue would be carried in procession
    from the sanctuary outside the great temple
    walls.
  • 4

32
Or the Planting Of a Seed?
  • Perhaps Egypt was not ready to give up 1000s of
    years of tradition. But change, It has to start
    somewhere
  • What about the ancestors, and who they prayed to
    and dedicated the temples to?
  • What about the confession to Maat? Why would you
    need to confess to 42 Gods and Goddesses other
    than The Aten?
  • Perhaps it was the concepts that he taught that
    are his legacy?
  • He was the first in recorded history to openly
    worship One God, Perhaps the Hebrews and
    Egyptians have more in common than they want to
    admit?
  • was Akhnaton's religion different from how we
    define religion today. An opinion, Akhnaton
    taught a way of life.
  • Perhaps we are sharing in this seed he planted

33
Refrences
  • Work Cited
  • 1. Hymn To The Aten Rosicrucian Mystery
    Schools Translated by J.A. Wilson in ANET, pp.
    369-371.
  • 2. http//www.touregypt.net/18dyn10.htm
  • 3 Open http//web.ics.purdue.edu/rauhn/Akhnaton.h
    tm in a new window.
  • 4 http//www.lost-civilizations.net/ancient-egypt
    -egiptian-pharaoh-akhenaten-nefertiti-page-3.html
  • http//www.eternalegypt.org/EternalEgyptWebsiteWeb
    /HomeServlet?ee_website_action_keyaction.display.
    homelanguage_id1
  • http//www.virtual-egyptian-museum.org/Collection/
    FullVisit/Collection.FullVisit-JFR.html?../Content
    /WOD.XL.00141.html0

34
Akhnatons Cartouche
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