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Chapter 7: Tone, Point of View, and allusions

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CHAPTER 7: TONE, POINT OF VIEW, AND ALLUSIONS Practice Exercise 4 B. Ilka Chase was a famous actress in the movies and on stage in the1930s and 1940s. – PowerPoint PPT presentation

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Title: Chapter 7: Tone, Point of View, and allusions


1
Chapter 7 Tone, Point of View, and allusions
2
Chapter 7 Tone, Point of View, and allusions
  • In Chapter 7 several elements you have studied
    thus far come together. In this second chapter
    dealing with the importance of language, you will
    enhance and deepen your understanding of what you
    read by studying some rather sophisticated
    elements.

3
Chapter 7 Tone, Point of View, and allusions
  • Objectives
  • Points of view
  • Tone
  • Allusions
  • Special effects

4
Point of view
  • The writers attitude toward or position on a
    subjecthis or her stance.

Topic
Point of view
purpose
Tone
Mode of discourse
Diction (word choice)
5
Go to practice ex. 1 on p. 240
  • Read this paragraph by Harvard biologist Edwin O.
    Wilson, in which he discusses the Incas
    contributions to the worlds food supply. (Wilson
    is the author
  • of The Power of Story, which was a practice
    exercise in Chapter 6.) As you read it, circle
    the connotative words. Now fill in the missing
    elements inthe circle.

6
Go to practice ex. 1 on p. 240
  • From the mostly unwritten archives of native
    peoples has come a wealth of information about
    wild and semicultivated crops. It is a remarkable
    fact that with a single exception, the macadamia
    nut of Australia, every one of the fruits and
    nuts used in western countries was grown first by
    indigenous peoples. The Incas were arguably the
    all-time champions in creating a reservoir of
    diverse crops. Without the benefit of wheels,
    money, iron, or written script, these Andean
    people evolved a sophisticated agriculture based
    on almost as many plant species as used by all
    the farmers of Europe and Asia combined. Their
    abounding crops, tilled on the cool upland slopes
    and plateaus, proved especially suited for
    temperate climates. From the Incas have come lima
    beans, peppers, potatoes, and tomatoes. But many
    other species and strains, including a hundred
    varieties of potatoes, are still confined to the
    Andes. The Spanish conquerors learned to use a
    few of the potatoes, but they missed many other
    representatives of a vast array of cultivated
    tuberous vegetables, including some that are more
    productive and savory than the favored crops. The
    names are likely to

7
Go to practice ex. 1 on p. 240
  • be unfamiliar achira, ahipa, arracacha, maca,
    mashua, mauka, oca, ulloco, and yacon. One, maca,
    is on the verge of extinction, limited to 10
    hectares in the highest plateau region of Peru
    and Bolivia. Its swollen roots, resembling brown
    radishes and rich in sugar and starch, have a
    sweet, tangy flavor and are considered a delicacy
    by the handful of people still privileged to
    consume them.
  • Edwin O. Wilson, The Diversity of Life

8
Go to practice ex. 1 on p. 240
  • From the mostly unwritten archives of native
    peoples has come a wealth of information about
    wild and semicultivated crops. It is a remarkable
    fact that with a single exception, the macadamia
    nut of Australia, every one of the fruits and
    nuts used in western countries was grown first by
    indigenous peoples. The Incas were arguably the
    all-time champions in creating a reservoir of
    diverse crops. Without the benefit of wheels,
    money, iron, or written script, these Andean
    people evolved a sophisticated agriculture based
    on almost as many plant species as used by all
    the farmers of Europe and Asia combined. Their
    abounding crops, tilled on the cool upland slopes
    and plateaus, proved especially suited for
    temperate climates. From the Incas have come lima
    beans, peppers, potatoes, and tomatoes. But many
    other species and strains, including a hundred
    varieties of potatoes, are still confined to the
    Andes. The Spanish conquerors learned to use a
    few of the potatoes, but they missed many other
    representatives of a vast array of cultivated
    tuberous vegetables, including some that are more
    productive and savory than the favored crops. The
    names are likely to

9
Go to practice ex. 1 on p. 240
  • be unfamiliar achira, ahipa, arracacha, maca,
    mashua, mauka, oca, ulloco, and yacon. One, maca,
    is on the verge of extinction, limited to 10
    hectares in the highest plateau region of Peru
    and Bolivia. Its swollen roots, resembling brown
    radishes and rich in sugar and starch, have a
    sweet, tangy flavor and are considered a delicacy
    by the handful of people still privileged to
    consume them.
  • Edwin O. Wilson, The Diversity of Life

10
(No Transcript)
11
An overview of tone
  • the feeling, mood, or emotional quality of a
    piece of writinghard to detect on paper or
    easily understood if not clearly seen.

the reader must infer the tone from the writers
words and their connotative values, from the
details included, from the rhythms and cadences
of the sentence structure, and from the writers
attitude toward the subject.
12
An overview of tone
  • Common varieties of tone

informative, impartial, instructive
provocative
approving, admiring, laudatory
sincere, honest, candid
critical
serious, somber, grave
philosophical, reflective, pensive
complaining
eager, fervent, passionate, zealous
questioning, skeptical, cynical
amusing, funny, humorous
harsh
sorrowful, mournful, lamenting
nostalgic, wistful, melancholy
13
An overview of tone
  • Tone in textbooks

written in objective and impartial tone
to convey factual information
Tone in Fiction
dependent on the characters and their relation
to the environment they live in and to the other
characters
14
An overview of tone
  • Go to p. 243
  • Read the following questions.
  • Then, read the passage.

15
An overview of tone
  • Now answer these questions
  • 1. What is the connotation of the word scalping
    and what is its
  • origin?

16
An overview of tone
  • Now answer these questions
  • 1. The word is negative it probably stems from a
    barbaric
  • form of torture.

17
An overview of tone
  • Now answer these questions
  • 2. What is McConnell and Brues point of view
    toward scalping?

18
An overview of tone
  • Now answer these questions
  • 2. They have no objections to the practice.

19
An overview of tone
  • Now answer these questions
  • 3. In the second paragraph, why do the authors
    put quotation marks around ripping off and
    exorbitant?

20
An overview of tone
  • Now answer these questions
  • 3. These words describe scalping in a negative
    way, but the quotation marks tell us that the
    writers dont share this opinion.

21
An overview of tone
  • Now answer these questions
  • 4. Locate and identify the two primary reasons
    that the writers think that scalping has been
    given a bum rap.

22
An overview of tone
  • Now answer these questions
  • 4. The transaction is voluntary both parties
    benefit.

23
An overview of tone
  • Now answer these questions
  • 5. How would you describe the tone of the
    passage?

24
An overview of tone
  • Now answer these questions
  • 5. informative, but also positive and favorable
    economically, the system makes sense.

25
Tone in nonfiction prose
  • In the next few pages, 244-248, you will read
    nonfiction passages, moving from straightforward
    prose to more complex examples.
  • Create the graphic organizer for each passage.

1
26
Tone in nonfiction prose
  • In the next few pages, 244-248, you will read
    nonfiction passages, moving from straightforward
    prose to more complex examples.
  • Create the graphic organizer for each passage.

2
A Romantic Entanglement
27
Tone in nonfiction prose
  • In the next few pages, 244-248, you will read
    nonfiction passages, moving from straightforward
    prose to more complex examples.
  • Create the graphic organizer for each passage.

3
Skateboarders
28
Tone in nonfiction prose
  • In the next few pages, 244-248, you will read
    nonfiction passages, moving from straightforward
    prose to more complex examples.
  • Create the graphic organizer for each passage.

4
Lincoln
29
Tone in nonfiction prose
  • In the next few pages, 244-248, you will read
    nonfiction passages, moving from straightforward
    prose to more complex examples.
  • Create the graphic organizer for each passage.

5
Addis Ababa
30
An overview of tone
  • Sentimentality

an umbrella word describing a tone that appeals
to ones tender emotions
genuine or fake depending on the writers motive
and care in writing effective and/or affective
31
An overview of tone
  • Sentimentality


It can appeal to our tender and compassionate
instincts and win us over. Whats wrong with
sentimentality? A sentimental feeling may become
counterfeit and full of clichés which then
becomes offensive or ludicrous. Writing about
daily life can be very difficult. Read the
passage found on p. 249.
32
An overview of tone
  • Sentimentality


33
Practice Exercise 2, pp. 249-253
34
Practice Exercise 2, pp. 249-253
35
Practice Exercise 2, pp. 249-253
36
Practice Exercise 2, pp. 249-253
37
Practice Exercise 2, pp. 249-253
38
Practice Exercise 2, pp. 249-253
39
Practice Exercise 2, pp. 249-253
40
Practice Exercise 2, pp. 249-253
41
Tone and mood in fiction
  • In literature, tone is conveyed not only by the
    writers manner of expression but also by the
    thoughts and actions of the characters, by their
    relation to the other characters and to their
    environment, by figurative language, and by
    descriptions of the world the characters inhabit,
    whether natural or artificial.

42
Tone and mood in fiction
  • Unlike nonfiction, literature conveys moodthe
    atmosphere or emotional state that all these
    things evoke.
  • Read the paragraph at the bottom of p. 253-254.
    Then, the explanation on p. 254.
  • Probably all of us can identify with Callies
    feelings about the Charm Bracelets. All high
    schools have such groups, the rulers of the
    school. How would you characterize Callies tone
    in this passage? She is clearly scornful and
    resentful of their social standing, their
    shallowness, their arrogance, their refusal to
    study, the fact that they know that they dont
    need to study. Even at a young age, she is aware
    of her own role in lifeher need to write, to
    accomplish something. So we might say that her
    tone toward the end of the passage is one of
    resignation to her fate. The tone is complicated
    and not easily reduced to a single feeling.

43
Go to practice exercise 3
  • Answer the questions of each passage.
  • A. How would you describe the mood of this
    excerpt? What is the minister feeling?

44
Go to practice exercise 3
  • Answer the questions of each passage.
  • How would you describe the mood of this excerpt?
    What is the minister feeling?
  • The mood is serene and cheerful. The scene elates
    him the simple pleasure of watching his family
    delights him.

45
Go to practice exercise 3
  • Answer the questions of each passage.
  • Explain what Amir is feeling as he surveys the
    landscape of his native Afghanistan and ponders
    his family.

46
Go to practice exercise 3
  • Answer the questions of each passage.
  • Explain what Amir is feeling as he surveys the
    landscape of his native Afghanistan and ponders
    his family.
  • Amirs thoughts suggest a welter of
    emotionspride, a sense of family history and his
    place in it, a sense of reverence for his native
    land.

47
Go to practice exercise 3
  • Answer the questions of each passage.
  • Describe the prevailing mood the narrators
    thoughts evoke.

48
Go to practice exercise 3
  • Answer the questions of each passage.
  • Describe the prevailing mood the narrators
    thoughts evoke.
  • The lure of freedom, represented by the endless
    horizon of the lovely plains, is matched by a
    feeling of restless optimism. Everything is
    possible in the West.

49
Tone continued more difficult varieties
  • Tones that are cultural, social, and political
    create increased cynicism, uncertainty, and
    skepticism about the American dream and about the
    countrys role in the world political arena..

Witty, playful, droll
Ironic, tongue-in-cheek
Sarcastic, scornful, sardonic
Pessimistic, cynical
Mocking, satirical
50
Tone continued more difficult varieties
See p. 257-258
  • Witty

Writers mental keenness and sense of playfulness
and an ability to recognize the comic elements of
a situation or condition.
It is not sarcasm which has a mean streak.
It is humorous, brief, clever in its use of
words, and pointedly perceptive in describing
human frailty and folly.
51
Tone continued more difficult varieties
The heart of many jokes!
  • Irony

Used when the writer actually means the opposite
of what he/she actually means.
It is an unexpected contrast which results in a
heightening of intensity about the real subject.
It can be used to poke fun at human weaknesses
and inconsistencies, or more seriously, to
criticize, to encourage reform, or to cast doubt
on someones motives.
52
Irony
  • Irony often is present in cartoons. What is the
    irony underlying the situation?

53
Irony
  • The Grim Reaper, the traditional personification
    of death, has a complicated set of locks in his
    presumably urban apartment. We wouldnt expect
    the Grim Reaper to be afraid of crime.

54
Irony
55
Irony
Go to p. 259
Read the passage on p. 260.
56
Irony
Go to p. 259
Read the passage on p. 260.
57
Tone continued more difficult varieties
Latin flesh-cutting
  • Sarcasm

A form of wit intended to taunt, wound, or
subject another to ridicule or contempt.
irony Sarcasm
Writer deliberately says the opposite of what is intented. May involve irony Sneering at Mocking the target
Consider the writers intent.
58
Tone continued more difficult varieties
Modern attitude
Cynicism
Watergate
Vietnam
Distrusting or disparaging the motives or
sincerity of others
Sneeringly distrustful, contemptuous, or
pessimistic A cynic detects falseness in others
and recognizes impure motives. It may or may not
involve irony.
politicians
59
Tone continued more difficult varieties
Irony Sarcasm cynicism
60
Tone continued more difficult varieties
Typically relies on exaggeration
  • Satire

A type of writing that seeks to expose folly or
wickedness, to hold human behavior up to
ridicule, and to show the reader that certain
actions or behavior would be more desirable.
Distrusting or disparaging the motives or
sincerity of others
Sneeringly distrustful, contemptuous, or
pessimistic
61
Tone continued more difficult varieties
Typically relies on exaggeration
  • Satire

Read pp. 262-263
62
Practice Exercise 4
  • Read the following passages. Then, keeping in
    mind the writers purpose and intent, decide
    which of the following tones is most accurately
    reflected in each excerpt witty, ironic,
    sarcastic, cynical, satirical.

63
Practice Exercise 4
  • Read the following passages. Then, keeping in
    mind the writers purpose and intent, decide
    which of the following tones is most accurately
    reflected in each excerpt witty, ironic,
    sarcastic, cynical, satirical.
  • A. From Oscar Wilde, Irish playwright Bigamy is
    having one wife too many. Monogamy is the same.
    The tone of this definition is

64
Practice Exercise 4
  • Read the following passages. Then, keeping in
    mind the writers purpose and intent, decide
    which of the following tones is most accurately
    reflected in each excerpt witty, ironic,
    sarcastic, cynical, satirical.
  • A. From Oscar Wilde, Irish playwright Bigamy is
    having one wife too many. Monogamy is the same.
    The tone of this definition is witty.

65
Practice Exercise 4
  • B. Ilka Chase was a famous actress in the movies
    and on stage in the1930s and 1940s. When she
    published her 1942 autobiography, Past Imperfect
    , she encountered an actor at a party. (Legend
    has it that the actor was Humphrey Bogart.) When
    the actor congratulated Chase, he said, I
    thought your book was wonderful. I cant tell you
    how much I enjoyed it. By the way, who wrote it
    for you? Chase responded, Im so glad you like
    it. By the way, who read it to you? The tone of
    this selection is

66
Practice Exercise 4
  • B. Ilka Chase was a famous actress in the movies
    and on stage in the1930s and 1940s. When she
    published her 1942 autobiography, Past Imperfect
    , she encountered an actor at a party. (Legend
    has it that the actor was Humphrey Bogart.) When
    the actor congratulated Chase, he said, I
    thought your book was wonderful. I cant tell you
    how much I enjoyed it. By the way, who wrote it
    for you? Chase responded, Im so glad you like
    it. By the way, who read it to you? The tone of
    this selection is sarcastic.

67
Practice Exercise 4
  • C. From a review of Bolt of Fate by Tom Tucker, a
    biography of Benjamin Franklin . . . a new book
    argues that the legend on which Franklins
    reputation rests is dubious. There was no kite,
    no key, no bolt, no knuckle, no charge. He let
    people believe he had been places he never went,
    done things he never did, and seen things that
    never happened. No wonder hes been called the
    father of American journalism. (Adam Gopnik,
    American Electric Did Franklin Fly the Kite?
    The New Yorker ) The tone of this excerpt is

68
Practice Exercise 4
  • C. From a review of Bolt of Fate by Tom Tucker, a
    biography of Benjamin Franklin . . . a new book
    argues that the legend on which Franklins
    reputation rests is dubious. There was no kite,
    no key, no bolt, no knuckle, no charge. He let
    people believe he had been places he never went,
    done things he never did, and seen things that
    never happened. No wonder hes been called the
    father of American journalism. (Adam Gopnik,
    American Electric Did Franklin Fly the Kite?
    The New Yorker ) The tone of this excerpt is
    cynical.

69
Practice Exercise 4
  • D. This letter to the editor is in response to a
    proposal that creationism be taught in the public
    schools alongside evolution, which creationists
    contend is only a theory.
  • EditorAs a public school teacher, I heartily
    support the teaching of creationism over
    evolution. Creationism is easy to teach and can
    help with classroom discipline. (Behave or
    youll turn into a pillar of salt.)
  • The savings in textbooks would be tremendous. At
    an average cost of more than 80 a piece, school
    textbooks are prohibitively expensive. Bibles are
    not only much cheaper but are usually given

70
Practice Exercise 4
  • D. continued
  • away by evangelical groups.
  • The greatest advantage would be that textbooks
    would be available in every hotel room in
    America. Incidentally, I teach math (pass the
    cubits, please) . . .
  • Jim Thurber
  • Mountain View, California
  • San Francisco Chronicle , December 1, 2004
  • The tone of this letter is

71
Practice Exercise 4
  • D. continued
  • away by evangelical groups.
  • The greatest advantage would be that textbooks
    would be available in every hotel room in
    America. Incidentally, I teach math (pass the
    cubits, please) . . .
  • Jim Thurber
  • Mountain View, California
  • San Francisco Chronicle , December 1, 2004
  • The tone of this letter is satirical.

72
Practice Exercise 4
  • E. The Kim Basinger movie I Dreamed of Africa
    bombed at the box office last weekend. It wasnt
    supposed to be that way. It was originally
    expected to bomb way back in September. (Tom
    King, Waiting for Their Closeups, The Wall
    Street Journal , May 12, 2000)
  • The tone of this selection is

73
Practice Exercise 4
  • E. The Kim Basinger movie I Dreamed of Africa
    bombed at the box office last weekend. It wasnt
    supposed to be that way. It was originally
    expected to bomb way back in September. (Tom
    King, Waiting for Their Closeups, The Wall
    Street Journal , May 12, 2000)
  • The tone of this selection is ironic (movie
    makers dont expect their movies to bomb)

74
Practice Exercise 4
  • F. If Superman were real, heres how the Iraq
    war could have been avoided At the request of
    the U.N., the Man of Steel rockets to Iraq, scans
    for weapons of mass destruction with his X-ray
    vision and, upon finding some, flings them into
    the sun. Instant disarmament. (Jeff Jensen,
    Cape Cowed, Entertainment Weekly )
  • The tone of this passage is

75
Practice Exercise 4
  • F. If Superman were real, heres how the Iraq
    war could have been avoided At the request of
    the U.N., the Man of Steel rockets to Iraq, scans
    for weapons of mass destruction with his X-ray
    vision and, upon finding some, flings them into
    the sun. Instant disarmament. (Jeff Jensen,
    Cape Cowed, Entertainment Weekly )
  • The tone of this passage is cynical.

76
Practice Exercise 4
  • G. This excerpt is a made-up excerpt from a
    letter sent to a potential credit card customer
  • Dear Occupant
  • Youve been pre-approved! What does that mean?
    Let us tell you. Just the other day, we were
    sitting around asking ourselves, Where are we
    going to find exactly the kind of person we
    need? This was a hard question, because our
    standards and specifications are stringent. We
    spent weeks asking
  • ourselves this question. We got sick of looking
    at one another because we were meeting so often
    with the same people and asking the same question
    over

77
Practice Exercise 4
  • G. continued
  • and over. One of us started to ridicule another
    one of us for his slight Midwestern twang.
    Another one of us broke down sobbing. It was a
    trying period. There didnt make it.
  • But, finally, after countless cups of coffee and
    cigarettes and frantic phone calls and
    consultations and trips to the bathroom and
    looking things up in the dictionary and the
    thesaurus and just throwing our hands up in
    despair, we came up with somebody. And that
    somebody just happened to be someone you
    knowyou!
  • Frank Gannon, Pre-Approved for Platinum, The
    New Yorker

78
Practice Exercise 4
  • G. Is this passage an example of wit, irony,
    sarcasm, cynicism, or satire?

79
Practice Exercise 4
  • G. Is this passage an example of wit, irony,
    sarcasm, cynicism, or satire? satire

80
Allusion
  • A pointed and meaningful reference to something
    outside the text, which helps illuminate the
    subject.
  • The Bible or other religious texts
  • History
  • Literature
  • Greek, Roman, or other mythology
  • Popular culture, including movies, songs, works
    of art, fashion, the media, etc.

81
Allusion
  • A master reader may read allusion. The common
    reader will have difficulty.
  • If you cant grasp the connection between the
    allusion and the subject, it is impossible to
    understand the allusion.
  • Go to pp. 266-267.

82
Special Stylistic Effects
Special Effects
  • Understatement
  • Hyperbole (deliberate exaggeration)
  • Alliteration
  • Repetition for effect
  • Unusual sentence structure

83
Special Effects
  • Understatement
  • Hyperbole (deliberate exaggeration)
  • Alliteration
  • Repetition for effect
  • Unusual sentence structure

84
Special effects
  • Repetition for effect
  • Attention getter

suspense
  • Unusual sentence structure
  • Attention getter by having incomplete sentences
    (fragments) and repetition
  • Alliteration
  • Repetition of initial consonant sounds in
    wordsmore often associated with poetry
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