Screen, relief, intaglio and thermographic printing - PowerPoint PPT Presentation

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Screen, relief, intaglio and thermographic printing

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... those who can t afford genuine engraving fake it using thermography. Ink is printed on the sheet using litho and then a powder is dusted on the wet ink. – PowerPoint PPT presentation

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Title: Screen, relief, intaglio and thermographic printing


1
Screen, relief, intaglio and thermographic
printing
2
The various types of printing.
3
Screen printing
  • Screen printing uses a stencilwhich is mounted
    to a screento form images.
  • Premedia and prepresssame as other processes.
    Prepress processes customized to capabilities of
    screen-printing process.
  • Thick opaque inks
  • Images cannot be too small due to the fabric of
    the screen

4
Printing plate
  • http//www.graphics.tech.uh.edu/student_work/scree
    n_101/index.htm
  • o What is looks like
  • o Frame
  • o Polyester screen (not silk)

5
Stencil
  • Openings in the stencil are the image. Portions
    of the screen that are covered are the non-image.
  • Hand cut stencil of paper, plastic, or other
    material.
  • Photographically exposed onto light-sensitive
    emulsion from a positive made with film or by
    using a black-and-white laser printer to print a
    black image on a clear polyester sheet.
  • Direct to screenink-jet device sprays the
    non-image area onto an uncoated screen.

6
Example of Direct to Screen 1
7
Example of Direct to Screen 2
8
Printing process
  • Screen, mounted to a frame, is attached to a
    printing press (see Screen Printing 101 The
    Process page)
  • The screen is brought into contact with the
    substrate
  • Ink (paint) is applied to the screen.
  • A squeegee pushes the ink through the screen and
    onto the substrate.
  • The ink (paint) is dried and then the next color
    applied.
  • Products are removed, stacked, wrapped, and
    delivered.

9
Uses
  • Very short runs
  • Odd shaped objects (coffee cups, touch-pads for
    electronic devices)
  • Fabrics, T-shirts
  • Items that need to withstand extreme weather
    abuse (outdoor billboards, point of purchase
    displays)
  • Items needing very thick ink (paint) coating
    (street signs, warning signs)
  • Extremely large items (billboards, signs in gas
    station parking lots)
  • Electronic items (circuits can literally be
    printed using molten metal instead of
    ink/paint)

10
Identifying screen-printed products
  • Extremely thick ink layer
  • Odd-shaped items (cups, Frisbees, ball caps)
  • TextilesT-shirts

11
Relief printing
  • Relief printing processes have raised image areas
    and sunken non-image areas.
  • Inked rollers touch the top of the raised image.
    The non-image does not receive ink because it is
    too far below the surface for the ink rollers to
    touch.
  • The raised and inked image is then pressed
    directly onto paper or other substrate. The ink
    transfers (splits) from the raised surface to the
    substrate.
  • There are two relief printing processesone uses
    a hard raised plate and the other uses a softer
    raised plate.

12
  • Letterpress uses a hard relief plate (metal or
    hard polyester). The process is the same as
    students used to print on the Columbian and
    Gutenberg presses at the museum of printing
    history. The process is very seldom used nowadays
    except for fine arts and historical applications.
  • Flexography uses a softer relief plate. The
    process is used extensively for the production of
    all sorts of packaging materials from labels to
    food boxes to plastic bags.

13
  • Premedia and prepresssame as other processes.
    Prepress processes customized to capabilities of
    letterpress or flexography.
  • Neither letterpress nor flexography can print
    extremely fine text or halftone dots.
  • Flexo plates stretch when theyre mounted to a
    press cylinder. The stretch is around the
    cylinder. So, the prepress process must shorten
    the around-the-cylinder length by an amount
    determined by a special formula. The
    across-the-cylinder dimension does not change.
  • Since flexo is often used for packaging, the
    specifications for bar codes and RFID tags must
    be followed carefully.

14
  • Food containers produced by flexo contain
    Nutrition Facts. The design of this portion of
    a package is specified by law and the designer
    must follow those specifications (typeface, size,
    boldness, and so on).
  • Documents to be printed by Flexography need to
    adhere to the specifications published in FIRST
    (Flexographic Image Reproduction Specifications
    and Tolerancesavailable through the bookstore on
    www.flexography.org)

15
Plates
  • Traditionally, both letterpress and flexography
    began with metal type characters (show type in
    type stick and linotype slugs)
  • When letterpress was used, the type itself, or a
    curved metal stereotype made from the type, was
    used to directly print onto the substrate. This
    hard plate-against-hard paper resulted in a
    somewhat broken appearance in type (especially
    headlines), solids, and halftone photos.
  • The softer flexo plates compress slightly when
    they print on rough stocks and can press the ink
    deeper into the crevices than can letterpress.
    Thus, flexo images are smoother than images
    printed by letterpress.

16
  • Traditional flexo plates were made by pressing
    the metal type into heated matrix material.
    Then, heated rubber was melted into the matrix.
    The cooled rubber became the plate.
  • Contemporary letterpress and flexographic plates
    can be made
  • Photomechanicallyby exposing a pre-sensitive
    photopolymer (explain) plate with a negative made
    from an imagesetter.
  • Using platesetters designed to expose relief
    plates.

17
Plate Maker
18
Printing process
  • Contemporary relief plate (letterpress or
    flexographic) wrapped around cylinder of printing
    press page 142 of Kenly)
  • Cylinder rotates and is inked
  • Letterpress hard plate brought into contact with
    soft inking rollers
  • Flexographic soft plate is brought into contact
    with hard anilox roller that contains small
    wells that hold liquid ink.
  • Ink is applied to the raised portions of the
    plate.
  • Paste-like ink for letterpress
  • Liquid aniline ink for flexography

19
  • The cylinder continues to turn until the
    freshly-inked image touches the substrate being
    fed through the press.
  • The ink is pressed onto the substrate.
  • The ink is dried.
  • Products are removed, stacked, wrapped, and
    delivered. Some flexographically-produced
    products are re-rolled for use in automatic
    packaging machines (labels, plastic wrappers for
    candy, and so one)

20
Uses
  • Letterpress is seldom used
  • Flexography is very commonly used for packaging.

21
Identifying relief-printed products
  • Letterpress images are broken because the hard
    plate cannot press ink into the crevices of
    paper.
  • Flexographic images almost always have a halo
    around the edges caused by the compressing and
    expansion of the soft rubber as it prints the
    substrate.

22
Intaglio processes
  • Intaglio processes are engravedthat is, they
    have sunken (engraved) image areas and raised
    non-image areas.

23
  • There are three intaglio printing processes
  • Gravure the image is created using a stylus to
    peck cells into a metal cylinder. The cells,
    which can vary in circumference and depth, are
    filled with a liquid ink, the excess ink is
    squeegeed off of the raised non-image area (with
    a doctor blade), and the paper is pressed against
    the cylinder. (Refer to the Intaglio Printing
    Process PDF and/or pg 146 of Kenly.

24
  • Engraving the image, formed of lines rather than
    wells, is cut into a metal plate by hand,
    duplicated, and then the plates are combined on a
    press (Kipphan Fig 2.5-7 on pg 427).
  • Ink rollers press ink into the engraved imageand
    cover the non-image, too.
  • The ink is wiped off of the non-image area and
    then a large amount of force is applied to press
    the paper into the engraved image. This results
    in a characteristic raised image on the front
    of the sheet and sunken image on the back of the
    sheet.
  • This is a time consuming, difficult, and costly
    process used primarily for the production of
    currency, stamps, and other security items.
  • Engraving is also a symbol of statusas in the
    old saying, What are you waiting for? An
    engraved invitation? Thus, engraved stationery
    and business cards are associated with wealth or
    rank within an organization.

25
  • Pad printing What is Pad Printing? See senior
    project website at http//graphics.tech.uh.edu/st
    udent_work/pad_print_php/index.php.)
  • An engraved plate (called a cliché) is inked, the
    ink is squeegeed off of the non-image area with a
    doctor blade, and then a transfer pad, known as a
    tampon, removes the ink from the cliché.
  • Finally, the tampon moves into position to print
    the objectusually an odd-shaped object (like a
    pen, bottle cap, yo-yo) or a cylindrical object
    like a drink bottle.

26
How pad printing works
27
Prepress and platemaking
  • Prepress and platemaking vary considerably from
    one intaglio process to another and differ from
    lithography and screen-printing.
  • Gravure prepress uses digital illustration,
    photographic, and page layout files like
    lithography.
  • Completed forms are sent to a RIP that converts
    the entire image, not just photographs, to dots.
    Every imageincluding solids, text, and
    illustrations printed by gravure is composed of
    dots (pass around samples of gravure printing and
    a loupe).
  • A HelioKlischograph follows the instructions
    provided by the RIP and engraves wells of varying
    circumference and depth into a copper cylinder.

28
A HelioKlischograph
29
  • Engraving Engraving plates for security purposes
    are generally cut by hand by a master engraver
    and then duplicated for multiple-up printing.
    This is a fundamental part of the security of
    money and other negotiables because engraved
    plates are hard to counterfeit and few people
    have the skill and training to engrave.
  • Engraving plates can be cut by laser for more
    mundane purposes such as business cards,
    wedding invitations, and classy stationery.
  • Engraving plates can also be prepared
    photographically by exposing an image to a light
    sensitive coating. The image area is washed away
    and then an etch is used to cut into the metal
    plate.

30
  • Pad printing The cliché is cut by laser or
    through the use of a photographic/etching process
    (There are movies of the process available on the
    What Is Pad Printing website.

31
Uses
  • Gravurevery long runs like magazines, catalogs,
    gift-wrapping paper, cigarette wrappers.
  • Engravingsecurity documents and high-status
    printing
  • Pad Printingused in-line to decorate objects
    as they are being manufactured

32
Identifying intaglio-printed products
  • Gravure every part of the imageincluding text
    and illustrationsis composed of dots.
  • Engraving image on the front of the page is
    raised and is sunken on the back.
  • Pad printing the image prints on or around an
    object that really couldnt be printed any other
    way.

33
Themography
  • Imitation engraving
  • Since the raised image on an engraved business
    card or letterhead is a mark or status, those who
    cant afford genuine engraving fake it using
    thermography.
  • Ink is printed on the sheet using litho and then
    a powder is dusted on the wet ink.
  • The powder-dusted sheet passes through a heater
    than causes the powder to swell.
  • The result is a raised image on the frontbut a
    flat image on the back. You can tell fake
    engraving by the raised image without a sunken
    back.
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