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Creativity

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Title: Creativity


1
  • Creativity.
  • digging deeperto ensure our curriculum supports
    profound learning

2
Aims
  • Enhance our understanding of creativity
  • Why creativity is so important
  • How we can promote it and spot it
  • How we can sustain creativity
  • (the where, what and how)
  • How we can build a 21st century, personalised
    curriculum

3
  • What would the world be like in 20 years time?

4
21st Century Learning
  • What does this mean for youngsters and for
    schools ?

5
Should we label learners ?
  • Did you know each one of us has 100 billion brain
    cells, called neurons and each neuron likes to
    connect with others !
  • The thinking and learning potential
  • is hard to imagine because of the number of
    connections it can make.
  • Our brain potential is unlimited !

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Schoolsdilemma
  • Michelin Star
  • v
  • Mc Donalds

9
Ofsted inspection section 5
  • The schools curriculum provides memorable
  • experiences and rich opportunities for high
  • quality learning and wider personal
  • development and well being. The school maybe at
    the forefront of successful innovative curriculum
    design in some areascross curricular provision,
    including literacy, numeracy and ICT is mainly
    outstanding.
  • Grade descriptor outstanding

10
Ken Robinson, the guru of creativity
  • All children start their school careers with
    sparkling imaginations ,fertile minds and a
    willingness to take risks with what they think .
    Most students never get to explore the full range
    of their abilities and interests.
  • Linear v Diversity

11
Mick Waters (Director QCA 2008)
  • The programmes of study are just the
    ingredientsImagine the ingredients of a meal
    separated in the kitchen, ready to eat. How do we
    create an appetising salad? In schools we usually
    serve the ingredients separately imagine eating
    tomatoes for 40 minutes, followed by lettuce for
    40 minutes then, after a 15minutes break, sitting
    down to double onions.

12
The Rose Report
  • The curriculum must provide all pupils with a
    broad and balanced entitlement to learning which
    encourages creativity and inspires in them a
    commitment to learning that will last a life
    time.
  • The content should be organised as it is now
    under knowledge skills and understanding but
    structured as six areas of learning to enable
    children to benefit fully from high quality
    subject teaching and equally challenging cross
    curricular studies .

13
The Rose Report 2009
  • The touch stone of an excellent curriculum is
    that it instils a love of learning for its own
    sake .This means that primary children must not
    only learn what to study ,they must also learn
    how to study and thus become confident, self
    disciplined individuals capable of engaging in a
    lifelong process of learning.

14
Creativity. a definition
  • Imaginative activity fashioned so as to produce
    outcomes that are both original and of value
  • All our futures document, DfeS

15
  • The application of independent original thinking
  • M.Joubert

16
And what its not .
  • Only the Arts
  • Always the Arts
  • Only for the few (creative geniuses)
  • Freedom without control

17
SUSTAINABLE CREATIVITY
  • Teaching creatively
  • Teaching for creativity

18
Ofsted 2009
  • CURRICULUM
  • well organised cross curricular links that allow
    scope for independent enquiry
  • inclusive, accessible and relevant for all pupils
  • a focus on experiential learning ,with knowledge
    understanding and skills developed through first-
    hand practical experience and evaluation
  • well integrated use of technology
  • effective preparation for their next stage of
    learning
  • clear links between local communities and
    cultures often drawing on local knowledge to
    enhance pupil learning
  • a broad and balanced enrichment programme
  • flexible timetabling to accommodate extended,
    whole school or whole year activities
  • partnerships that extend pupils opportunities
    for creative learning

19
Secret of success in school?
  • Wait to be told what to do and do it well!
  • - Ideas evolve like we do through mutation , we
    cant have children simply thinking the thoughts
    we think, otherwise the world will end!
  • Ian Gilbert, Independent Thinking

20
So what are schools changing now?
  • Literacy and Numeracy a.m.
  • Cross curricular approaches p.m.
  • Special themed weeks where timetable is collapsed
  • One off events
  • Still embracing QCA but wanting to change
  • Wanting buy off the shelf a new curriculum
    which will replace QCA
  • Embracing cross curricular provision fully
    including Literacy and Numeracy within this, if
    authentic, and tracking progress through skills
    ladders. e.g. Pye Green Valley School Where have
    all the Miners gone?
  • Using Learning to Learn approaches alongside
    content changes, in the Rose report this is
    recognised as Essential for Learning and Life
  • Ensuring pupil voice is given credence in terms
    of curriculum choices
  • Evidence of impact is emerging

21
Ken Robinson the guru of creativity
  • All children start their school careers with
    sparkling imaginations ,fertile minds and a
    willingness to take risks with what they think .
    Most students never get to explore the full range
    of their abilities and interests.
  • Linear v Diversity

22
  • When inspectors visit classrooms they are
    looking for evidence of critical thinking
    ,creative thinking and imagination.
  • But which teaching methods best achieve these
    kinds of thinking?

23
Learningcreative approaches that raise standards
Ofsted 2010
  • Teachers felt confident in encouraging pupils to
  • Make connections across traditional boundaries
  • Speculate constructively
  • Maintain an open mind while exploring a wide
    range of options
  • Reflect critically on ideas and outcomes

24
Monitoring and evaluation of impactof curriculum
(latest Ofsted news)
  • The role of Middle Leaders/Subject /Aspect
    Leaders
  • How the assessment of pupils is built on from
    previous teacher
  • Consistency of expectations in Writing in
    Literacy and Cross curricular.
  • The pupil consultation influence

25
Indicators of creative thinking
  • Pupils may demonstrate that they can
  • generate imaginative ideas in response to stimuli
  • discover and make connections through play and
    experimentation
  • explore and experiment with resources and
    materials
  • ask, why, how, what if and unusual
    questions
  • try alternatives or different approaches
  • look at and think about things differently and
    from other viewpoints
  • respond to ideas, tasks and problems in
    surprising ways
  • apply imaginative thinking to achieve an
    objective
  • make connections and see relationships
  • reflect critically on ideas, actions and outcomes
  • It is an enabling device which can be stimulated
    or stifled by educators!

26
  • PUPIL VOICE ON A NEW CURRICULUMQuestion What
    makes learning exciting now and in the future
    ?(NCSL Summer 2008)

27
The Childrens charter
  • To learn about real things, things which matter
    to us
  • To break down barriers between subjects into real
    life topics
  • To learn from experts who inspire us
  • To learn more about the world, world events and
    where we live
  • To be involved in choosing what we learn what
    interests and inspires us
  • More opportunities to work in teams, to learn
    from one another and to work with different age
    groups
  • More time to learn, to research and more time to
    finish
  • To learn by doing and making
  • To learn with our parents and other adults
  • To communicate our learning through the
    technologies we use
  • To communicate and learn with children from other
    countries
  • To learn more by being outside the classroom and
    outside school
  • To be listened to

28
Research for Curriculum 360 Professor Mick
Waters, to help me learn I need ..
  • invent, play, make, do and mend
  • meet a range of people
  • gather and articulate knowledge
  • use real purposes and audiences
  • talk about futures
  • contribute to school and community life
  • have a world view
  • value my education
  • be with adults who tell me they like me

29
  • The pursuit of novelty without quality
  • Subjects are essential but not sufficient ,think
    outside rigidity of subject boxes

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A look in the creative tool box
  • Associating, brainstorming, evaluating,
    generalising, handling ambiguity and paradox,
    hypothesising, inferring, inventing ,personifying
    ,predicting, problem solving, solving and making
    analogies, visualising,

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  • Making connections is how we make sense of the
    world and making new connections is the basis of
    all creative thinking.
  • Robert Fisher

37
Why connections are important
  • By increasing the number of connections between
    different types of experience pupils get under
    the skin of an area of knowledge. This helps
    make new meanings and deeper understanding.
  • Following up links they have identified allows
    natural curiosity to bloom, absorption is obvious
    as they explore how things that interest them
    connect.

38
Blooms taxonomy of thinking

Creating Evaluating Analysing
Applying Understanding Remembering
39
Learning creative approaches that raise
standards Ofsted 2010
  • The most effective teaching and learning
  • Open ended questioning encouraged independent
    thinking ..Teachers succinctly set out the
    territory to be explored and ensured that the
    learning objectives were kept clearly in view,
    while encouraging pupils to make decisions about
    which avenues to investigate and to reflect on
    the progress made. Pupils responded
    enthusiastically ..to opportunities to work
    collaboratively, make choices and to present
    their work for review by teachers and peers.
  • Teachers lack of confidence in working creatively
    and an anxiety about how such an approach would
    help them to meet targets characterised less
    effective teaching and learning.

40
Questions about thinking
  • What is a thought?
  • Where do thoughts come from?
  • Can you stop thinking?
  • How do you you remember things?
  • What helps you to think?
  • Does your brain talk to you or do you talk to
    your brain?
  • Can you think someone elses thoughts?
  • Why are some people better at thinking up things
    than others?
  • Why doesnt your brain always work in the same
    way?
  • How do you get a better brain?

41
  • Philosophy for Children
  • P4C

42
  • What colour is Monday?

43
  • Is a broken down car parked?

44
What is a third of love ?

45
  • Was Goldilocks a burglar?

46
  • What colour is the back of a rainbow?
  • Did Theseus cheat in the labyrinth?

47
The most effective teaching .Ofsted 2010
  • Teachers guided but did not over direct pupils
  • Considerable emphasis was placed on developing
    skills, especially problem solving and
    communication, with pupils able to track their
    progress and to understand how one level of
    competence led on to the next
  • Teachers questioning skills were excellent.They
    fostered a spirit of enquiry and an awareness of
    there being multiple possibilities rather than
    one answer
  • Pupils with widely different abilities and
    interests were fully engaged and appropriately
    challenged(continued..)

48
  • ..
  • Teachers and pupils used many technologies, to
    gather information, to model possible solutions
    to complex questions, to construct presentations
    and communicate in an engaging and provocative
    way.
  • Role play was used to explore ideas to encourage
    empathy and speculation, to practise working in
    teams and making decisions, and to build
    confidence.
  • Teachers and pupils responded enthusiastically
    ,purposefully and with curiosity to opportunities
    offered by partnerships and outsiders with
    specific expertise

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Glen Dolman
  • Learning is the greatest game in life and the
    most fun.
  • All children are born believing this and will
    continue to believe it until we convince them
    that learning is very hard work and unpleasant.
  • Some kids never really learn this lesson, and go
    through life believing that learning is fun and
    the only game worth playing.
  • We have a name for these people we call them
    geniuses.
  • Our challenge is to bring out the genius in
    everyone.
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