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Pacing, Enthusiasm, and Classroom Management

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Pacing, Enthusiasm, and Classroom Management. Teaching Instrumental Music. Dr. Miksza ... Focus on the environment necessary for great music making ... – PowerPoint PPT presentation

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Title: Pacing, Enthusiasm, and Classroom Management


1
Pacing, Enthusiasm, and Classroom Management
  • Teaching Instrumental Music
  • Dr. Miksza

2
General ideas regarding pacing
  • Pace is brisk enough to keep kids active and
    engaged but also allows for time for students to
    understand and participate meaningfully in the
    lesson
  • Too fast frustration, Too slow lack of
    on-task behavior
  • Keeping students engaged and interested will give
    them less to time to create disruptions
  • There is a balance of student/teacher directed
    activities

3
Bauers tips on pacing
  • Lag-time and inactivity leads to boredom which
    leads to discipline problems
  • Use a variety of activities
  • Vary the mode of instruction (aural, visual,
    etc.)
  • Monitor ratio of student activity and teacher
    talk
  • Clear conducting gestures can help eliminate
    teacher talk
  • Monitor how much time is spent on one passage
  • Monitor how much time is spent on one section of
    the ensemble
  • Ask students to silently analyze while working
    with other sections
  • Ask students questions to keep them engaged when
    not playing

4
Pacing and planning
  • Effective pacing is much more difficult to
    achieve without clear plans
  • Plan to address one concept at a time
  • Lack of planning and poor pacing can lead to
    student frustration
  • Plan should be interesting
  • Plan should incorporate multiple activities and
    activity types
  • Plan extra activities in case plan goes quicker
    than expected
  • Students can detect when a teacher is unprepared
    or winging it

5
Price and Byo on enthusiasm
  • Accuracy, clarity, and interest in delivery
  • High levels of eye contact varying between
    group and individuals
  • Proximity to and from the ensemble
  • Variety of speech volume
  • Expressive gesture
  • Overall, varied rather than static

6
Activity
  • Teach the class
  • Demonstrate one of the following
  • Varied modes of instruction
  • Switching activities quickly
  • High enthusiasm
  • Low enthusiasm

7
Characteristics of a well-managed ensemble
  • Students involved
  • Students on-task
  • Expectations are clear
  • Goal-oriented
  • Students feel comfortable and secure
  • Time is used efficiently
  • Disruptions are rare
  • Successful in learning

8
Proactive approaches
  • Good planning/preparation
  • Curricular
  • Selecting literature
  • Providing appropriate musical and technical
    challenges
  • Learning outcomes
  • Plan to address multiple types of objectives
    (e.g., cognitive, psychomotor, affective)

9
Proactive approaches
  • Instructional
  • Mid-range and short-term goals lead to success
    and increased motivation
  • Score study ahead of time so that can attend to
    students

10
Proactive approaches
  • Procedural
  • Setting up class ahead of time
  • As students come in build rapport, discuss
    assembly/maintenance, individual warm-up
    procedures
  • Clock time to be in their seats
  • Start on time to discourage stragglers
  • Administrative duties out of class,
    parent/student helpers, quick attendance
    procedure, quick handing-out and collecting
    procedures
  • Leaving the classroom come back and sit down

11
Proactive approaches
  • Good Teaching
  • Mind-on warm-ups
  • Goals stated
  • Sequences logical and effective
  • Feedback specific and detailed
  • Professional appearance and rapport
  • Vary proximity to students
  • Eye contact
  • Enthusiasm
  • Gesture

12
Reactive approaches
  • Even with all else in place, inappropriate
    behavior will still occur
  • Discipline plan
  • As opposed to making up a consequence on the fly
  • Must be consistent with school wide discipline
    plan
  • Rules
  • State expectations for acceptable behavior
  • Limit rules to five or less
  • Explain rules to students
  • Perhaps involve students in development of rules
  • Consequences
  • Consequences for not following rules must be
    clear
  • Consider keeping discipline consequences separate
    from academic issues
  • Administer consequences quickly and as much as
    possible without interrupting the flow of the
    class
  • Be careful not to reinforce poor behavior with
    the administration of the consequence
  • Rewards
  • Compliment, smile, privilege, certificates, phone
    call home
  • Must be attractive and appropriate to that
    particular group of students

13
More on the discipline plan
  • Must be consistent when administration of plan
  • Document discipline actions taken
  • Have school administration check over discipline
    plan
  • Share discipline plan with parents as well
  • Call or supervise a student call to parents
    when major problems arise
  • Austin continuum from Gordon

14
Very general advice
  • Cultivate an environment of mutual respect
  • Be careful of I vs. we
  • Have clear rules and a discipline plan
  • Follow them and carry them out fairly and
    consistently
  • Focus on the environment necessary for great
    music making
  • Have high expectations of your students
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