If you follow all the rules, you miss half the fun' - PowerPoint PPT Presentation

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If you follow all the rules, you miss half the fun'

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forget the rules is the first comedy/drama series. in the world to ... meetings with Telstra, 3, Optus, Foxtel, Channel V, MTV, Yahoo, Sensis, ninemsn ... – PowerPoint PPT presentation

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Title: If you follow all the rules, you miss half the fun'


1
If you follow all the rules, you miss half the
fun. Katharine Hepburn
www.forgettherules.com
2
  • forget the rules is the first comedy/drama series
  • in the world to broadcast all episodes over
  • TV, mobile phones and broadband
  • Format
  • Nine minutes per week targeting 18-30yo male
    female
  • Released in three episodes of 3 minutes on Mon,
    Tues, Wed
  • Audience is given 3 story options following
    Wednesdays episode and they vote via SMS and
    online
  • Next weeks episodes are written produced Thurs
    - Sun

3
three unique viewer attractions
  • The audience plays an active role in driving the
    story
  • 2. Scalable Interactivity allows the viewer to
    choose the level of involvement they wish to
    enjoy on a daily or weekly basis.
  • During 1st season viewers have had
  • Their photo from a big night out shown on a
    Ponys phone
  • Lyrics turned into a song to serenade Lisa
    performed by Joel Turner the Modern Day Poets
    in a cameo role
  • Rock pose/photo featured in a street magazine
  • Designed a motivational poster that featured on
    set
  • Chance to win a walk-on role 15 seconds of
    fame!
  • Songwriters artists had songs used in FTR via a
    promotion with MP3.com
  • 3. Virtually a live production dialogue
    stories can touch on topical issues - shoot
    scenes at real events such as sport music gigs
    etc.

4
  • Forget The Rules Pty Ltd controls all IP in FTR
  • and is owned by Global Dilemma private
    investors
  • Global Dilemma Pty Ltd is a joint venture
    between
  • Jim Shomos and Catfish - Paul Baiguerra Peter
    Dixon.
  • Catfish - produce and direct award winning TVCs,
    music clips and corporate films in Australasia.
    In-house facilities in Port Melbourne include
    production and post-production, graphics and 3D
    motion graphics
  • Paul Baiguerra - Producer/director photography
    acting before directing producing short films,
    TVCs music clips
  • Peter Dixon - Producer/editor extensive post
    production exp before directing producing
    short films, TVCs music clips
  • Jim Shomos - Producer/writer creator of FTR
  • Neighbours storyliner, copywriter on Sale of The
    Century, songwriter, extensive business
    marketing exp
  • forget the rules is our first production

5
The FTR roller coaster part 1 (quick part)
  • 2004, July 1 Film Vic Digital Media Seminar (Mark
    Pesce facilitator)
  • - FTR format comes to Jim (scribbles
    furiously)
  • - first coffee break meets Paul business at
    first sight
  • Mid-Aug Jim, Paul Pete finalise JV, set-up
    Global Dilemma
  • Sept Apply for 18,000 Film Vic DMF grant
  • Oct Shoot pilot 4 x 3min episodes
  • Participate in 3-day Xmedia Lab
  • Nov Film Vic grant approved pilot
    post-production, legal research, expert
    marketing advice
  • Dec Finish pitch doc business plan

6
The FTR roller coaster part 2 (frustrating part)
  • 2004, Dec Pole dancing, FTR style!
  • to March 05 - cold calls meetings with Telstra,
    3, Optus, Foxtel, Channel V, MTV, Yahoo,
    Sensis, ninemsn
  • - potential private investors
  • - everyone loves FTR, but love their
    more
  • April 3 V firm as key distribution partners
  • July finalise deal with 3
  • Aug 2 investors say yes within 5 minutes yay!
  • finalise deal with V
  • investor deal memo 1st installment yay,
    yay!
  • start pre-production yayyyyyyy!
  • Oct 05 on-air Monday 10 Oct

7
  • distribution
  • Australia Season 1, 10 October 2005 8 January
    2006
  • Channel V FTR website Hutchison/3
  • 3 had exclusivity for first season only and at
    time of launch were effectively the only 3G
    carrier in Australia
  • 3 deal revenue share
  • V deal we controlled sponsorship in lieu of
    license fee
  • International
  • FTR has representatives, or is negotiating
    directly, with TV broadcasters and mobile
    carriers in the UK, Canada, Italy, Scandinavia,
    New Zealand, the USA and Asia.

8
Cross-platform sound bytes
  • Web, mobile and podcasting isnt new media to the
    U/30 market
  • They dont even think of it as media they just
    watch stuff - on different stuff when they can
    be stuffed not when it suits heritage broadcast
    programmers
  • You dont need to know the technology in detail
    there are experienced partners that can help
    re-purpose your content
  • If mobile is to be a key part of your
    distribution, be aware of the limitations
    content duration, lighting, sound, no fancy
    editing etc
  • In todays entertainment world, you cant not do
    it

9
Focus is still on story If your core show is not
consistently entertaining to your target market,
interactivity cross-platform elements wont
save it. You need more story-per-minute for
short-form comedy/drama not less Our creative
driver on FTR to consistently deliver engaging,
entertaining stories for the target market. Our
interactive challenge to continually find
interesting ways of involving our viewers without
detrimentally affecting the narrative
10
Forget the rules nobody knows anything!
  • On todays digital ocean all paradigms are
    virtual
  • - no one really knows what will work and what
    wont
  • - great opportunity for new content creators
    original shows
  • TV broadcasters will drift to wherever the ad
    are ad agencies brands will sail to wherever
    the punters are swimming
  • TV is hemorrhaging to internet and Pay TV in both
    audience
  • Pay TV originally focused on sport, music
    lifestyle
  • little original content
  • Now Pay TV is funding a lot of local content,
    including drama
  • Mobile TV is initially focusing on sport, music
    lifestyle

11
Forget the rules nobody knows anything!
  • For Paul, Pete and Jim, FTR has
  • Opened doors we could not have achieved with
    heritage TV projects
  • Created a niche in interactivity cross-platform
    entertainment that we enjoy and can be leaders in
    (for a little bit)
  • Given us the chance to prove we can write
    produce an entertaining show (we love these
    characters!)
  • Forget the rules especially ours!
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