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Animation in Russia. Animation in Japan.

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Soviet animator and director, sometimes called the ' ... (he was granted the title of professor in 1952) 1962 member of the board of ... The Overcoat. Yuri ... – PowerPoint PPT presentation

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Title: Animation in Russia. Animation in Japan.


1
Animation in Russia.Animation in Japan.
Yuri Norstein Ivan Inanov-Vano Feodor
Khitrouk Renzo Kinoshita Yoji Kuri Kihachiro
Kawamoto Osamu Tezuka Hayao Miyazaki Yoichiro
Kawaguchi
2
Ivan Ivanov-Vano (1900-1987)
  • Soviet animator and director, sometimes called
    the "Patriarch of Soviet animation" laureate of
    numerous festivals
  • 1900 born in Moscow
  • 1923 graduated from Vkhutemas
  • 1929 began working at the State Film Technicum
  • 1939 was teaching at VGIK(he was granted the
    title of professor in 1952)
  • 1962 member of the board of directors of ASIFA

3
Ivan Ivanov-Vano (1900-1987)
  • 1927 Ice Rink
  • 1927 Sen'ka the African
  • 1928 The Adventures of Munchhausen
  • 1932 Black and White - with L.A.Amalriko
  • 1934 The Tale of the Czar Durondai with V.C. and
    Z.C.Brumberg
  • 1935 The Dragonfly and the Ant with V.C. and
    Z.C.Brumberg
  • 1937 Kotofey Kotofeyich
  • 1938 Journal of Political Satire 1
  • 1938 The Three Musketeers
  • 1939-1954 Moidodyr
  • 1944 Stolen Sun
  • 1945 Winter Tale
  • 1949 Geese-Swans with A.G.Snezhko-Blotska
  • 1970 The Battle of Kerzhenets a collaboration
    with Yuriy Norshteyn
  • 1976 The Humpbacked Horse - remake of 1947 film
  • 1984 The Tale of Tsar Sultan - based on a tale by
    Pushkin

4
Ivan Ivanov-Vano (1900-1987)
5
Yuri Norstein b.1941
  • 1941 born in Andreyevka, Penza, USSR
  • widely regarded as one of the most innovative
    animators of all time
  • 1943 during WWII family were evacuated to Moscow
  • studied at art school, worked in a furniture
    factory before embarking on a two-year course
    attached to the state animation studio
    Soyuzmultfilm

6
Yuri Norstein b.1941
  • 1961 started work as an animator in
    Soyuzmultfilm
  • met his future wife and creative partner,
    Francesca Yarbusova, with whom he collaborated on
    many of his films.worked as an animation artist
    on some 50 films
  • 1967 his first film 25th, the First Day
  • Through this project I discovered that animation
    is plastic time. This influenced all my
    subsequent work and I learned another lesson from
    this film never make a concession if it goes
    against your conscience'.
  • 1971 The Battle of Kerzhenets in collaboration
    with Ivan Ivanov-Vano.
  • 1973 The Fox and the Hare
  • 1974 Heron and Crane based on a Russian
    fairytale

7
Yuri Norstein b.1941
  • 1975 Hedgehog in the Fog

8
Yuri Norstein b.1941
  • 1975 Hedgehog in the Fog

9
Yuri Norstein b.1941
  • 1975 Hedgehog in the Fog

10
Yuri Norstein b.1941
  • 1979 Tale of Tales
  • widely regarded as Norstein's masterpiece and is
    the result of his third collaboration with
    Yarbusova and Zhokovsky, who photographed houses
    and old cars in the Moscow neighbourhood where
    Norstein had grown up.
  • 1984 an international panel of animation experts
    proclaimed Tale of Tales the best animated film
    of all time.

11
Yuri Norstein b.1941
  • with Yarbusova and cameraman Alexander Zhokovsky
    invented a
  • machine which allowed them to animate on layers
    of glass.
  • 1995 awarded the Russian Independent Triumph
    Award, which acknowledges 'the highest
    achievements in art and literature'.
  • The Overcoat

12
Fyodor Khitruk b. 1917
  • one of the most influential animators and
    animation directors in Russian animation

13
Fyodor Khitruk b. 1917
  • 1917 born in Tver, Russia
  • 1936 graduated from graphic design program at the
    OGIS College for Applied Arts in Moscow
  • 1938 started to work with Soyuzmultfilm as an
    animator
  • From 1962 worked as a director

14
Fyodor Khitruk b. 1917
  • 1962 Story of A Crime - was an immense success.
  • 1964 Toptyzhka
  • 1965 Boniface's Holiday

15
Fyodor Khitruk b. 1917
  • 1966 Man in the Frame
  • 1967 Othello 67

16
Fyodor Khitruk b. 1917
  • 1968 Film, Film, Film Winnie-the-Pooh (?????-???,
    1969)
  • 1970 The Young Friedrich Engels
  • 1971 Winnie-the-Pooh Goes on a Visit
  • 1972 Winnie-the-Pooh and the Day of Concern

17
Fyodor Khitruk b. 1917
  • 1973 Island
  • 1974 I Grant You A Star
  • 1976 Icarus and the Wise Men
  • 1982 Olympiad
  • 1983 Lion and Ox

18
Fyodor Khitruk b. 1917
  • 1993 founded the Animation School and Studio
    (SHAR Studio) in Russia with Yuriy Norshtein,
    Andrey Khryanovsky, and Edward Nazarov. The
    Russian Cinema Committee is among the
    share-holders of the studio.
  • awarded innumerable awards by all major film
    festivals
  • lives in Moscow

19
Animation in Japan.
  • Ancient Shinto mythology (Shinto pantheon with
    large number of deities)
  • manga (comic book)
  • Anime (animation industry)
  • 1980s-1990s intended for purely domestic
    audience, but spread all over
  • the world.
  • Sheer quantity of material
  • Anime is easily adaptable through dubbing,
    cutting and editing.
  • Most anime characters are light-skinned with no
    racial or ethnic attributes

20
Animation in Japan.
  • Manga and anime share symbiotic relationship
  • Most anime are based on popular manga
  • Manga American comic book styles and Japans own
    rich illustrative traditions such as e-maki
    (picture scrolls) and ukiyo-e (woodblock prints)
  • Anime dramatic effect derived from Noh, Kabuki,
    Bunraku and Takarazuka theatrical traditions.
    These include sound effects, stylized poses,
    tableau effects, and the elegant androgyny

21
Animation in Japan.
  • Manga and Anime resurrect ancient mythologies and
    use them to create new myths suited to the needs
    of postmodern Japan and most of the world
  • Global economies, multinational corporations, and
    shifting moral and social climates there seem to
    be little opportunity for individual to achieve
    heroic stature-many animated heroes are mutants
    and aliens with superpower.
  • Environmental degradation.
  • With the rise of Bio-engineering, cloning, and
    organ transplants many anime use robots to embody
    the techno- fear concerns of the effect of
    machine byproducts on the humanity.
  • Mythologies rewritten to meet contemporary needs.

22
Renzo Kinoshita (1936-1997)
  • 1936 born in Osaka, Japan
  • 1967 began working as an independent animator
    with his wife Sayoko
  • main focus was his own little films and
    documentaries
  • made commercials to subsidize his independent
    films

23
Renzo Kinoshita (1936-1997)
  • 1972 Made in Japan Grand Prix at the New York
    International Animation Festival
  • Vice president of ASIFA (The International
    Animated Film Association)
  • 1977 Japonese --a send up of Japanese features

24
Renzo Kinoshita (1936-1997)
25
Renzo Kinoshita (1936-1997)
  • 1978 Picadon --a moving portrayal of the horror
    of the A-bomb attack on Hiroshima
  • 1981 established the ASIFA Japan national group
  • 1985 the first Hiroshima Animation Festival was
    held as a result of long years of tireless work
    by him and his wife Sayoko.
  • 1993 The Last Air Raid Kumagaya

26
Yoji Kuri b. 1928
  • 1928 born in Fukui, Japan
  • Attended military high school
  • 1941-1945 worked in an aeroplane factory
  • 1945 entered Kyoto School of Fine Arts
  • 1947 transferred to Tokyo Bunga Gakuin art
    academy
  • 1950s began work as a comic artists publishing in
    newspapers and magazines
  • 1955 one-man show- comics, paintings, sculpture

27
Yoji Kuri b. 1928
  • 1956 published COO collection of drawn stories
    with no words which won a national prize
  • 1960 opened Kuri Jikken Manga Kobo production
    company for short films
  • Founded three Designers polemical movement
    claiming that Japan animators should follow the
    very rich iconographic tradition of Japan rather
    than foreign suggestions

28
Yoji Kuri b. 1928
  • 1962 Human Zoo
  • 1963 Locus
  • 1963 Love
  • 1964 AOS
  • 1965 The man next door
  • 1971 The Bathroom
  • 1972 Midnight parasites inspired by Bosch and
    Borowczyk
  • 1977 Manga

29
Kihachiro Kawamoto b.1925
  • 1925 born in Sendagaya, Japan
  • was captivated by the art of doll and puppet
    making from the early age

30
Kihachiro Kawamoto b.1925
  • 1952-56 Worked as a puppet maker for animated
    puppet films, such as "Little Black Sambo",
    "Kobutori", "A Magic Drum" etc. (35mm,
    approximately 12min. )
  • 1957 Worked as an animator, puppet maker and
    assistant director at an animated puppet film,
    "The History of Beer", 35mm, colored, 11min.)
  • 1958 co-founded Shiba Productions to make
    commercial animation for television, advertising
    animated puppet films for TV, and produced many
    animated puppet films.
  • 1962 quit the company.

31
Kihachiro Kawamoto b.1925
  • 1963 Studied at the studio in Prague,
    Czechoslovakia with Jiri Trunka.
  • Trnka encouraged Kawamoto to draw on his own
    country's rich cultural heritage in his work, and
    so Kawamoto returned from Czechoslovakia to make
    a series of highly individual, independently-produ
    ced artistic short works
  • 1965-66 Began to work as a free-lanced artist and
    produced animated puppet films for TV program.
  • 1968 Produced my own animated puppet film,
    "Hanaori/ Breaking Branches is Forbidden" (16mm,
    color, 14min.) Won Silver Prize at the Mamaia
    Festival.

32
Kihachiro Kawamoto b.1925
  • 1970 Produced my own puppet animation film
    "Kenjugiga/ Anthropocynical Farce" (35mm, 8 min.)
  • Heavily influence by the traditional aesthetics
    of Noh, Bunraku doll theatre and Kabuki, since
    the 70s his haunting puppet animations
  • 1972 Produced own puppet animation film "Oni/ The
    Demon", (35mm, color, 8min.) Won Prize at the
    Mainichi film contest in Japan, and Special Award
    at The Melbourne Festival 1973, and the work was
    mentioned at the Annecy Festival.
  • 1973 Produced my own cut-out animation film
    "Tabi/ The Travel" (35mm, color, 12min.)
  • 1974 Produced my own cut-out animation film
    "Shijin no Shogai/ A poet's Life" (35mm, color
    19min.) Won the Prize at The Mainichi Film
    Contest in Japan

33
Kihachiro Kawamoto b.1925
34
Kihachiro Kawamoto b.1925
  • 1976 Produced my own puppet animation film
    "Dojoji/Dojoji Temple" (35mm, color, 19min.) Won
    the Prize at the Mainichi Film Contest in Japan
    '77.
  • 1980s-1990s designed the puppets used in the
    long-running TV series based on the Chinese
    literary classic Romance of the Three Kingdoms
    (Sangokushi, 1982-84), and later for The Story of
    Heike (Heike Monogatari, 1993-94)
  • 2003 was responsible for overseeing the Winter
    Days (Fuyu no Hi) project, in which 35 of the
    world's top animators each worked on a two-minute
    segment inspired by the renka couplets of
    celebrated haiku poet Matsuo Basho.2005 The Book
    of the Dead (Shisha no Sho) is Kawamoto's second
    feature length stop motion puppet animation,
    after Rennyo and His Mother

35
Osamu Tezuka (1928-1989)
  • Osamu Tezuka created a revolution in comics and
    animation.
  • 1928 born is 1928 in Toyonoka, in Osaka, Japan.

36
Osamu Tezuka (1928-1989)
  • 1947 enrolled in college as a medical student
  • made his debut as a cartoonist with a four panel
    newspaper comic strip titled "Ma-chan's Diary."
    "New Treasure Island", "Lost World" and "Next
    World", became smash hits, selling what was then
    unthinkable for comics-over 400,000 copies
    each-and making him nationally famous.
  • In comics, in particular, he pioneered long
    narratives of hundreds, even thousand of pages,
    bringing "cinematic" art styles and novelistic
    plots to the medium
  • 1950 he had firmly established his position as
    the leading comics artist of his day when he
    serialized his now-classic work Kimba the White
    Lion in the monthly magazine, Manga Shonen.
  • 1952, he began serializing "ASTRO BOY" as
    becoming one of Tezuka's most popular and famous
    works

37
Osamu Tezuka (1928-1989)
  • 1953 Princess Knight
  • 1961 founded Mushi production company
  • 1963 Astro Boy animation series
  • 1965 Kimba the White Lion

38
Osamu Tezuka (1928-1989)
  • 1966 Pictures at exhibition based on Mussorgsky
    music
  • 1973 created Tezuka Productions more flexible
    organization
  • 1980 the cosmic zone of love
  • 1980 the Phoenix
  • works centered on values of piece, love for
    nature and social participation.
  • 1984 Jumping
  • Those who jump are you,
  • the public, humanity. We humans
  • have tendency to go too far with
  • what we do. Often this becomes
  • a dilemma or a catastrophe.

39
Osamu Tezuka (1928-1989)
  • 1985 Broken down film parody for American
    silent movies
  • On February 10, 1989, the day after Tezuka
    passed away, Japan's Asahi Newspaper explained
    the contribution of this great artist as follows
  • "Foreign visitors to Japan often find it
    difficult to understand why Japanese people like
    comics so much. For example they often reportedly
    find it odd to see grown men and women engrossed
    in weekly comic magazine on the trains during
    commute hours. One explanation for the popularity
    of comics in Japan, however, is that Japan had
    Tezuka Osamu, whereas other nations did not.
    Without Dr. Tezuka, the postwar explosion in
    comics in Japan would have been inconceivable.

40
Yoichiro Kawaguchi b 1952
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
41
Yoichiro Kawaguchi b 1952
  • My pieces are being carried out on a paradigm
    that
  • "growth model is created by the recursive
    structure
  • of the self-organization, thus being the fruit of
  • complexed form of evolutional cells.
  • Yoichiro Kawaguchi

AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
42
Yoichiro Kawaguchi b 1952
1952 born on on Tanegashima Island. 1975 first
computer images. 1976 degree in Visual
Communication and Design from the Kyushu
Institute of Design. 1978 received his Master of
Fine Arts from Tokyo University of
Education. 1982 a regular participant in the
Siggraph events. 1986 involved in research work
for High Definition TV (HDTV). Associate
Professor of Computer Graphics Art at Art
Science Lab, Department of Art, Nippon
Electronics College, Tokyo.
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
43
Yoichiro Kawaguchi b 1952
Growth model
an algorythm-backed complex that builds and
generates forms via its recursive structure. By
running a genetic program, the computer creates
images of new forms that, although not real, are
abstractions of a distinctly organic nature.
The "GROTH Model" is a way to give an
unforeseen form to the progress of time. The
model is not intended to create or a faithful
representations of reality but to produce a
new bionomic pictorial space backed by an
algorithm. It is a "life form of probability."
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
44
Yoichiro Kawaguchi b 1952
Filmography
Pollen 1975 Lines 1976 Ecology 1976 Shell
1976 Grown 1977 Tentacle 1980 Horn 1981 Tendril
1981 Fern 1982 Growth 1983 Zooid
1984 Morthogenesis 1984 Origin 1985 Ocean
1986 Cosmo 1987 Float 1987
Tempter 1988 Embryo 1988 Flora 1989 Eggy
1990 Festival 1991 Mutation 1992 Cell
1993 Coacervater 1994 Gigalopolis 1995 Neurar
1996 Paradise 1997 Fossy 1999 Wriggon
1999 Nebular 2000 Gemotion 2001
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
45
Yoichiro Kawaguchi b 1952
Pollen 1975
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Ecology 1976
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Shell 1976
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Grown 1977
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Tentacle 1980
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
50
Yoichiro Kawaguchi b 1952
Horn 1981
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Tendril 1981
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Growth 1983
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Zooid 1984
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Morthogenesis 1984
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Origin 1985
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Ocean 1986
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Embryo 1988
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Flora 1989
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Eggy 1990
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Festival 1991
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Mutation 1992
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Cell 1993
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Gemotion 2001
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Critique Spring 2006
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Yoichiro Kawaguchi b 1952
Gemotion 2002 SIGGRAPH
AD 508 - Advanced Electronic Visualization and
Critique Spring 2006
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