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Bellwork 91809

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Woman holding a bison horn. Laussel, France. Circa 25,000 20,000 BCE ... Also, other bison are not in a group' Does not have a setting' or place' Spotted horses ... – PowerPoint PPT presentation

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Title: Bellwork 91809


1
Bellwork 9/18/09
  • True or False
  • Pre-historic human cave paintings were only done
    in easy to reach locations.
  • These cave paintings focused on the animals the
    pre-historic humans hunted.
  • Pre-historic human culture lacked any form of
    spiritual or magical ideas.
  • Cave paintings continued without interruption for
    thousands of years.

2
Todays Objective
  • I will be able to
  • explain the
  • stylistic conventions of
  • Pre-Historic art.

3
Pre-Historic Art
  • Vocabulary
  • Cultural Context
  • Timeline Events
  • Geography
  • Stylistic Conventions
  • Art works

4
VOCABULARY
5
Cultural Context
  • Timeline Events
  • Geography

6
Timeline
  • Paleolithic (Old Stone Age)
  • 30,000 - 10,000 BC
  • Mesolithic (Middle)
  • 10,000 - 8000 BC
  • Neolithic (New)
  • 8000 - 3000 BC 

7
Dating Ancient Art Objects
  • Radiocarbon dating
  • method of measuring the decay rate of carbon
    isotopes in organic matter to provide dates for
    organic materials such as wood and fiber

8
Events
  • CREATIVE EXPLOSION
  • EARLIEST KNOWN ART OBJECTS BEGIN TO BE CREATED
  • HUNTING AND GATHERING
  • NO ARCHITECTURE OR WRITING

9
Geography
10
Stylistic Conventions
  • Animals depicted from the side (profile)
  • Therianthropes
  • Carved or incised free-standing sculptures
    reliefs
  • Adapted art to natural resources
  • Beginning use of ground line
  • Hands Signs
  • Twisted Perspective

11
ART OBJECTS
12
Animal facing left, from the Apollo 11 Cave
  • Namibia, Africa
  • Circa 23,000 BCE (Paleolithic)
  • Charcoal on stone
  • Approx. 5 X 4.

13
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14
Animal facing left, from the Apollo 11 Cave
  • Humankind began in Africa
  • Earliest art is portable
  • Two questions
  • What to depict?
  • How to depict it?

15
Two Questions
  • What to depict?
  • Composition The way in which an artist organizes
    forms in an artwork
  • Pre-historic painting focused mostly on animals
  • How to depict it?
  • Medium The material (e.g., marble, bronze,
    fresco, etc.) in which an artist works

16
Stylistic Conventions
  • Animals Perspective
  • Always from the side (profile)
  • Tells the most about the animal
  • Artists aimed to create convincing images vs.
    original or creative ones

17
Human with feline head
  • Hohlenstein-Stadel, Germany
  • Circa 30,000 BCE (Paleolithic)
  • Mammoth ivory
  • Approx 12 high

18
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19
Human with feline head
  • Western Europe
  • Earliest examples are statuettes of humans
  • Therianthrope
  • Carved by hand

20
Stylistic Conventions
  • Therianthropes
  • Artistic images that share both human and animal
    features
  • Common in art, mythology, folklore, etc.
  • Shamans in the process of change or wearing
    masks, clothing, etc.

21
Stylistic Conventions
  • Carved by hand
  • Freestanding sculpture Freestanding figures,
    carved or modeled in three dimensions
  • Incise To cut into a surface with a sharp
    instrument also, a method of decoration metal or
    pottery
  • Burin a pointed engraving tool

22
Venus of Willendorf
  • Willendorf, Austria
  • Circa 28,000 BCE (Paleolithic)
  • Limestone
  • Approx. 4 high

23
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24
Venus of Willendorf
  • Venuses
  • NOT meant to be a goddess
  • Round like natural stone
  • Features Fertility
  • Stylistic

25
Woman holding a bison horn
  • Laussel, France
  • Circa 25,00020,000 BCE (Paleolithic)
  • Painted limestone
  • Approx. 1 ½ high

26
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27
Woman holding a bison horn
  • Relief sculpture
  • Stood in the open air
  • Carved AND painted
  • Pregnant and holds a bison horn (???)

28
Stylistic Conventions
  • Relief
  • Sculpted figures that project from a background
    of which they are part
  • Degrees
  • High
  • Low (bas)
  • Sunken

29
Two bison
  • Le Tuc dAudoubert, France
  • Circa 15,000 BCE (Paleolithic)
  • Clay (built on rock)
  • Each approx. 2 long

30
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31
Two bison
  • Some of the largest Paleolithic art
  • Clay brought in and modeled on a rock
  • Smoothed and incised with tools
  • Additive Subtractive

32
Bison with turned head
  • La Madeleine, France
  • Circa 12,000 BCE (Paelolithic)
  • Reindeer horn
  • Approx. 4 long

33
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34
Bison with turned head
  • Medium
  • Incised with great detail (only 4 long)
  • Head turned in profile
  • Adapted art to natural resources

35
Bison
  • Altamira cave
  • Santander, Spain
  • Circa 12,000 BCE (Paleolithic)
  • Approx. 5 long

36
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37
Bison
  • Cave ceiling
  • Profile
  • floating

38
Stylistic Conventions
  • Ground Line a painted or carved baseline on
    which figures appear to stand
  • There is no ground line in this painting
  • Hence it appears to float
  • Also, other bison are not in a group
  • Does not have a setting or place

39
Spotted horses negative hand imprints
  • Pech-Merle, France
  • Circa 22,000 BCE (Paleolithic)
  • Approx. 11 long

40
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41
Spotted horses negative hand imprints
  • Adapted to the natural resource
  • Human hands (negative)
  • Signs
  • Mural

42
Stylistic Conventions
  • Mural A wall painting
  • Hands
  • First form of stenciling
  • Blown paint powder
  • NEGATIVE
  • What does it mean?
  • Signatures?

43
Stylistic Conventions
  • Signs
  • Dots
  • Checks
  • Squares
  • Other arrangements of lines
  • What does it mean?
  • Language?
  • Hunting stories/instructions?
  • Magic?
  • Optical effect (video)?

44
Hall of the Bulls
  • Lascaux, France
  • Circa 15,000 BCE (Paleolithic)
  • Largest bull approx. 11 ½ long

45
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46
Hall of the Bulls
  • Mural, profile, etc.
  • Groundline now present
  • Outline
  • Twisted perspective

47
Stylistic Conventions
  • Outline vs. Silhouette
  • Both present in Lauscaux
  • Probably represents different periods
  • Twisted perspective A form of representation
    where one part of a figure is shown in profile
    and another part shown from the front

48
Wounded man and bison
  • Lascaux, France
  • Circa 15,000 BCE (Paleolithic)
  • Bison approx. 3 8 long

49
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50
Wounded man and bison
  • Where do we begin??
  • Only human figure
  • Therianthropic
  • How did the bull die?
  • NARRATIVE ART

51
Cultural Context
  • End of the Paleolithic
  • Ice recedes
  • Animals migrate north or disapear
  • Mesolithic
  • Europe becomes how it is today
  • Climate, geography, biologically
  • Neolithic
  • Fixed homes, domesticated crops animals
  • Creation of settled communities

52
Paleolithic vs. Neolithic
  • People drew pictures in an attempt to control
    their world
  • Nomadic
  • Hunter/gatherers
  • People actually began to take control of their
    world
  • Settled communities
  • Agriculture begins

53
Geography
54
Catal Huyuk
  • Turkey
  • Circa 6,000 BCE (Neolithic)
  • Approx. 32 acres

55
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56
Catal Huyuk
  • Fully developed agriculture extensive trading
  • Obsidian (volcanic) glass
  • No streets!!

57
Catal Huyuk
  • Unique house construction
  • Study
  • Protection
  • Lots of shrines
  • More decorated
  • Bull skulls
  • Female statuettes

58
Deer Hunt
  • Catal Huyuk, Turkey
  • Circa. 5750 BCE (Neolithic)

59
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60
Deer Hunt
  • Hunting still important
  • Human figures
  • Different poses
  • Creates setting
  • Creates a narrative
  • Rhythm
  • Twisted perspective
  • Surface prepared, painted with brushes

61
Landscape with volcano
  • Catal Huyuk, Turkey
  • Circa 6150 BCE (Neolithic)

62
(No Transcript)
63
Landscape with volcano
  • Worlds first landscape
  • A picture showing natural scenery, without
    narrative content
  • Visible from Catal Huyuk

64
Landscape with volcano
  • Found in a shrine
  • If it tells a story, then it CANNOT be a
    landscape
  • Still, no humans or animals

65
Stonehenge
  • Salisbury Plain, England
  • Circa 2000 BCE
  • 24 tall
  • 97 wide

66
(No Transcript)
67
Stonehenge
  • Megalithic
  • Almost 50 tons
  • Not just the stones, but the culture as well
  • Built in several phases
  • Astronomical observatory
  • Solar calendar

68
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69
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70
Stylistic Conventions
  • Megalithic
  • Greek, great stone.
  • A large, roughly hewn stone used in the
    construction of monumental prehistoric structures

71
Stylistic Conventions
  • Monolith
  • a column shaft that is all in one piece
  • a large, single block or piece of stone used in
    megalithic structures
  • Henge circle of monoliths

72
Stylistic Conventions
  • Lintel
  • a beam used to span an opening
  • Post and lintel system
  • A form of construction where two posts support a
    lintel

73
Stylistic Conventions
  • Animals depicted from the side (profile)
  • Therianthropes
  • Carved or incised free-standing sculptures
    reliefs
  • Adapted art to natural resources
  • Beginning use of ground line
  • Hands Signs
  • Twisted Perspective
  • Megalithic construction

74
Homework
  • Fill in your notes
  • www.vailhs.net
  • cengage

75
Closure
  • Tear and share
  • List three things you learned today
  • List two things you found interesting
  • List one thing you still have a question on
  • Please remember to put your name on the paper
    before you turn it in
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