Right: Freestanding male statue from the Mausoleum at Halikarnassos Below: Drawing of the Mausoleum

1
Right Freestanding male statue from the
Mausoleum at HalikarnassosBelow Drawing of the
Mausoleum at Halikarnassos, c. 350-340 BC
2
Altar of Zeus (Pergamon, Turkey), c. 175
BCEAttalos I and the Gauls/ gigantomachy/
Pergamon in Asia Minor
3
high relief/ violent movement
4
Epigonos (?). Gallic chieftain killing himself
and his wife, Roman copy after a bronze original
from Pergamon, c. 230-220 BCE, marble
5
Epigonos (?). Dying Gaul, Roman copy of a bronze
original from Pergamon, c. 230-220 BCE,
marbletheatrical moving, and noble
representations of an enemy/ pathos/ tubicen with
a torque
6
Compare with dying warrior from the Temple of
Aphaia
7
Reconstruction drawing of an Attalid group of
Gauls at Pergamon
8
Nike of Samothrace, c. 190 BCE,
marblesuggestion of movement/ effect of
statuary amplified by its setting
9
Alexandros of Antioch-on-the-Meander. Venus de
Milo (Melos, Greece), c. 150-125 BCE,
marbleteasing the spectator
10
Aphrodite, Eros, and Pan (Delos), c. 100 BCE,
marble
11
Barberini Faun (Rome), c. 230-200 BCE, marble
12
Seated boxer (Rome), c. 100-50 BCE,
bronzeusing art to appeal to the emotions
rather than the intellect/ addressing the subject
of defeat
13
Old market woman, c. 150-100 BCE, marble
14
Polyeuktos. Demosthenes, Roman copy after a
bronze original of c. 280 BCE, marbleusing art
to capture a likeness and personality/
Demosthenes/ realistic depiction vs. an idealized
one
15
Athanadoros, Hagesandros, and Polydoros of
Rhodes. Laocoon and his sons (Rome) early 1st
century CE, marbleVirgils Aeneid/ Laocoon/ art
as a theatrical device
16
(No Transcript)
17
Jean-Baptiste Carpeaux. Ugolino and his Children,
1865-67, marblefascination with torture and
despair/ Dantes Inferno