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Title: Vedas & Vedic Pantheon


1
Vedas the Vedic Pantheon
2
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3
Vedic Religion Hinduism
4
Vedic Religion Hinduism
  • The Religion of the Vedic period (1,500 to 500
    BCE), or of Brahmanism, though significantly
    different from it, is a historical predecessor of
    modern Hinduism. The term Hindu is originally a
    geographical nomenclature and refers to the
    inhabitants of the Indian subcontinent, the land
    across the Sindhu or Indus river. Al-Hind was,
    therefore, a geographical identity, and the
    Hindus were all the people who lived on this
    land. The term Hindu became a term of
    administrative convenience when the rulers of
    Arab, Turkish, Afghan and Mughal origin-all
    Muslims-had to differentiate between the
    believers and the rest.
  • Historically, religions like Buddhism and
    Jainism can claim greater antiquity than the
    Hinduism of today. It can be said that many of
    the religious aspects of Hinduism began in Vedic
    Siddha Harappan civilization of the Dravids,
    known as Aseevaham (Ajivika). The religion we
    know today as Hinduism is of a much later origin.
    Hinduism began to take a systematic form from the
    time of Adi Sankara (8th cent. CE). It is now
    argued that Vedas are the foundation of the
    Sanatana Dharma and that Hinduism is the oldest
    religion in the world, with a tradition going
    back to the very beginning of what we know of as
    history over 5,000 yrs. ago. However, some argue
    that modern Hinduism has drifted miles away from
    the Vedic faith and no noticeable continuity of
    Hinduism exists from the religion of the Vedas.
  • The Vedic people not only did not call
    themselves Hindus, but also did not possess the
    essential characteristics of the Hinduism of
    today. In addition, the gods and goddesses of
    Hinduism differ considerably from the deities of
    Vedas. Much of the modern Hinduism is
    Pauranic-Upanishadic Hinduism. For most Hindus
    of today, scriptures like the Bhagavad Geeta,
    Ramayana, Mahabharata and Puranas are more
    attractive and appealing than the Vedas. The
    influence from some elements from the Vedas may
    be considered as one of the many factors
    influencing modern Hinduism. The Vedanta school
    also may have received a part of the inspiration
    from the Vedas. For the rest of the Hindu
    philosophical schools and religious sects, the
    influence of the Vedas is nominal.

5
Vedic Religion Hinduism
  • Gods like Indra, Varuna, Agni, Soma and the
    like, whom the Vedic people worshipped, hardly
    have any significance in present day Hinduism.
    The gods and goddesses important to the Hindus of
    today are Rama, Krishna, Kali, Ganesh, Hanuman,
    Shiva, Brahma, Vishnu, Shankar and the respective
    consorts of the last three, viz., Saraswati,
    Lakshmi and Parvati said to be forms of Shakti.
    None of these deities figured prominently in the
    Vedic pantheon and some of them are clearly
    non-Vedic. The major gods of Hinduism like
    Vishnu and Shankar, are non-Aryan in origin.
    Though they may have belonged to the Vedic
    tradition, they did not play major role in the
    Vedas.
  • Hindu sects like Vaishnavism, Shaivism,
    Shaktism and so on did not have a Vedic origin,
    but came into existence in comparatively recent
    times. Originally, Shankar and the cult of the
    Mother Goddess belonged to the religion of the
    Indus Valley people. The substance of the Vishnu
    and Shankar cult is a melting of at least two
    cultures, if not three, namely, the pre-Aryan
    culture of the Ganges Valley (probably
    indirectly), the Indus Valley culture and the
    Aryan culture. Vedic worshipper did not use
    temples and idols as Hindus of today do. For
    them, the sacrificial rituals were more important
    than temple or idol worship. The major Hindu
    feasts of today are based on the epic feats of
    Rama and Krishna and the Pauranic lore pertaining
    to god Shankar and the Goddess Durga.
  • Belief in reincarnation, central to Hinduism of
    today, is not really attested to in the Vedas,
    though Rig Veda speaks of two paths for the souls
    of the deceased, viz., the path of the gods
    (Devayana) and the path of the manes (Pitriyana).
    The theory of Avatara (descent) of gods is
    non-Vedic. The caste system, so integral to
    Hinduism, was also not practiced in the Vedic
    times. The Vedas, however, speak of various
    classes of people, based on the names of
    professions, and they were not hereditary. The
    Purusha-sukta hymn of the Rig Veda (X.90), often
    referred to in order to give a religious sanction
    to the caste system, is considered by some a
    later day interpolation. It was precisely because
    the cow was a sacred animal that the authors of
    the Vedas sacrificed cows and ate beef on special
    occasions.

6
Vedic Scriptures Philosophy
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8
Vedic Scriptures
  • The Vedic scriptures are divided into two
    categories Shruti (which is revealed) and Smriti
    (which is believed). Shruti contains Vedas (which
    gives light or knowledge) Smriti contains Manus
    Code, Itihasas (such as Mahabharata, Ramayana and
    Bhagavad Geeta) and Puranas, written to help the
    common people to understand the culture of Vedic
    people.
  • There are four Vedas Rig, Sama, Yajur
    Atharva. Each Veda has been sub-classified into
    four major text types 1. Samhitas or Mantras-
    collection of hymns, prayers, charms, litanies
    and sacrificial formulas. The Samhitas are four
    Rig Veda Samhita (a collection of Hymns), Yajur
    Veda Samhita (White Yajur Veda contains hymns
    of prayer and sacrificial formulas Black Yajur
    Veda consists of texts to be recited by the
    Atharva priests in connection with the more
    important sacrifices), Sama Veda Samhita (mostly
    melodies responsible for the development of
    Indian music) Atharva Veda Samhita (dealing
    mostly with charms, magic and spells which are
    believed to be used to overcome enemies, win over
    friends and gain worldly success). 2. Brahmanas-
    massive prose of text, which contains the
    meanings of the hymns. It gives precepts for
    their application, relates stories of their
    origin in connection with that of social rites,
    and explains the secret meanings of the latter.
    3. Aranyakas and Upanishads embody philosophical
    meditations of hermits and ascetics on soul, god,
    man and cosmos. 4. Aagamas- commandments. The
    Samhitas, Brahmanas and Aranyakas are preoccupied
    with ritualistic worship to appease the diverse
    deities all rather uncertain elements who
    require frequent and fervent propitiation.
  • Upa-Vedas and Vedangas are necessary for reading
    and understanding the Vedas for the purpose of
    offering sacrifices. Upa-Vedas deal with Ayur
    Veda (medical science), Dhanur Veda (military
    science), Gandharva Veda (music and art),
    Sthapatya Veda (architecture) etc. There are six
    subjects in Vedangas Sutras Shiksha
    (pronunciation), Chhandas (metier), Vyakarana
    (grammar), Nirukta (explanation of words),
    Jyotisha (astronomy) and Kalpa (ceremonial).

9
Vedic Tradition
The Vedas
  • Veda means sacred spiritual knowledge. This
    knowledge was obtained, through education,
    devotion and meditation, by several hundred sages
    for years. It was orally handed down from
    generation to generation and compiled to book
    form over a period of time. The Vedas honour the
    Divine as One (not as one god), recognizing a
    common Self and Being in all beings. Yet the
    Vedas also honour the Divine as many, seeing the
    many as different forms and functions of the One.
    The Vedas honour the Divine as both pervading all
    nature (pantheism) and as transcending all
    manifestation in time and space (as the
    Absolute). The Vedic view has a place for monism
    (unity of all), monotheism (oneness of the
    creator), polytheism, pantheism and other
    approaches to truth. Yet, it cannot be defined
    according to any one of these alone.
  • The Vedas approach Unity through a comprehensive
    vision of the sacred presence pervading all of
    life. The Vedas emphasize wholeness and
    completeness, instead of singularity and
    exclusion. Their supreme deity is not a one God
    opposed to other Gods, but a unity of truth that
    encompasses all Divine powers and principles, and
    is both behind all names and forms and beyond all
    names and forms. The Vedic deities can be equated
    with one another, but have specific roles as
    well. They represent a difference of function,
    not one of reality.
  • The Rig Veda, which is the oldest religious
    document, contains 1,028 hymns that speak much of
    the religious ideas and deities of the Vedic
    religion. Various deities are described, which
    are personifications of phenomena in nature, upon
    whom Divinity is imposed. Often these beings are
    depicted in wholly or partially anthropomorphic
    forms, complete with a set of unique and complex
    iconography in each case. Vedas describe the
    ceremonies for each of them, intended to procure
    related material benefits to the worshipper. The
    exact nature of belief in regards to each of
    personal gods (Ishvaras) varies between
    differing Hindu denominations and philosophies.

10
Vedic Tradition
The Vedas
  • Vedas are assemblies of poetic hymns devoted to
    gods, and also explanations of essences,
    according to which, transcendental gods are
    connected with people and impact the physical
    world. Vedas, as Mantric poetry, may claim
    several levels of meaning including meanings
    that are hidden or esoteric, or very different
    from their literal import in which ordinary
    objects can take on cosmic connections. The Rig
    Veda itself mentions four levels of speech, three
    of which are hidden in secrecy. As part of such
    secret meanings, the Vedas have several
    well-defined traditional levels of interpretation
    that we find mentioned in later Vedic texts,
    reflecting such multiple types of meaning that
    exist simultaneously.
  • Vedic Sanskrit is one of the most ancient
    languages of mankind. Theologians and researchers
    of Indian philosophy approve that human speech is
    source of Vedas. Names of gods in Vedas can be
    compared with phonetic ordering of language and
    acoustic parameters of human speech, and in
    essence the hierarchy of gods in Vedic mythology
    can be correlated to letters of alphabet.
  • Vedas can thus be considered as a source of
    knowledge about language by means of which the
    first man names and realizes phenomena of world
    around, and also, phonetic ordering of alphabet
    can be considered as an acoustic matrix of sounds
    or phonemes, which form comprehensive essence of
    phenomena.
  • Vedas comprise the entire microcosmic Universe,
    and all its live essences. Some of the Vedic gods
    are clearly of astronomical inspiration, but
    there are some amongst these that represent
    cognitive categories, and others that have both
    astronomical and cognitive function. The
    functions of the Devas are not clearly
    delineated. This shadoweyness is owing to the
    mutual interconnections that also are a fact of
    cognitive function.

11
Vedic Philosophy
  • Vedic Philosophy primarily begins with the later
    part of the Rig Veda, which was compiled before
    1,100 BCE. Most of the philosophy of the Rig Veda
    is contained in the sections Purusha Sukta
    and Nasadiya Sukta. Major philosophers of this
    era were the rishis Narayana, Kanva, Rishabha, Vam
    adeva and Angirasa.
  • Ethics in the Vedas are based on the concepts
    of Satya and ?ta. Satya is the principle of
    integration rooted in the Absolute, whereas ?ta
    is the expression of Satya, which regulates and
    coordinates the operation of the universe and
    everything within it. ?ta is the ultimate
    foundation of everything it is the supreme. It
    is the expression of the primordial dynamism that
    is inherent in everything. Conformity with ?ta
    would enable progress, whereas its violation
    would lead to punishment. The term Dharma was
    already used in Brahmanical thought, where it was
    conceived as an aspect of ?ta. The concept
    of Yajnas- sacrifice is also enunciated in the
    Purusha Sukta, where reaching the Absolute itself
    is considered a transcendent sacrifice when
    viewed from the point of view of the individual.
    In Hinduism, the Devas are expansions
    of Brahman into various forms, each with a
    certain quality.
  • The Hindu Samskaras or sacraments go back to a
    hoary antiquity. The Vedas, Brahmanas,
    Grhyasutras, Dharmasutras, Smritis and other
    treatises describe the rites, ceremonies and
    customs. The Worshipping Rituals developed in
    such a way that a formal distinction was
    maintained between Shrauta rites (rites using the
    Vedic hymns), which were necessarily performed by
    priests, and Griha (domestic) rites, performed by
    the Aryan householder himself but both the
    latter and the former were subject to priestly
    influence. Some Griha rites became almost
    indistinguishable from the priestly Shrauta
    sacrifices and, even where older ceremonies were
    retained, they were usually interwoven with
    elements of the priestly ritual.

12
Vedic Tradition
Vedic concept of Sacrifice
  • The concept of Sacrifice plays an important
    role in Hinduism. The Vedic scriptures dictate
    the rules of sacrifice and priests follow highly
    structured methods of incorporating sacrifice
    into worship. In Hinduism, sacrifice, or Yajna
    means to consecrate, to worship, to convert the
    profane into the holy. Hindus use it to achieve
    a limited Moksha, which is liberation of the soul
    from the cycle of rebirth. It is intended, among
    other things, for the attainment of the
    heightened pleasures of the heaven of Indra. It
    also provides a separation between everyday
    activity and worship. Theories on the purpose and
    function of the sacrifice arrange over many
    explanations, such as homage to a communion with
    the gods, catharsis, renunciation, rejuvenation
    and social legitimacy.
  • Vedic rishis conceived of Yajna as a symbol of
    creation. Yajna was given by God himself at the
    beginning of the creation to human beings. It is
    a link between the gods and the human beings.
    Agni as the deity supervising over the elemental
    fire, is looked upon as the carrier of the
    offerings of oblation to the various Vedic
    deities like Indra, Prajapati etc. Man approached
    gods through Agni, who invoked them on their
    behalf, and was known as Hota.
  • Following the Rig Veda, Brahmin priests use
    grains, vegetables and ghee in sacrificial rites.
    The belief behind sacrificial rites is that these
    please the gods and preserve Dharma. Although
    priests perform these sacrifices in a temple
    setting, many Hindus perform these at home as
    daily rituals.
  • Prajapati was described as the embodiment of
    sacrifice, identifying himself with the universe.
    Sacrifice is the food of the gods. "May this body
    of mine be fit for sacrifice for the purpose of
    creating the world," he desires. Purusha Sukta in
    Rig Veda presents the whole process of creation
    as Yajna. It says Through that sacrifice,
    Purusha offered everything that he had, including
    the Rig, Sama, Yajur Vedas and the Chhandas
    (sacred writings). Thus, did all kinds of animals
    of the sky, forest and country, including
    sprinkled ghee (which represents the original
    sacrifice), originate.

13
Vedic Tradition
Vedic concept of Sacrifice
  • In the ancient times, there was no place for
    animal violence during the Yajna. The concept of
    Bali or animal sacrifice came in much later
    period, due to different impacts like the
    political pressure, the poverty of Brahmanas and
    mainly the changed meaning of Vedic words. For
    instance, Aja is the name of a type of grain used
    as oblation. It means the flame of Agni, the ray
    of sunlight that leaves apart or demolishes the
    darkness amongst the people. But, it also means
    the goat!
  • During the Vedic period, three different kinds
    of sacrifices were in practice 1. Nara (human)
    medha (body), 2. Go (cow) medha, 3. Ashwa (horse)
    medha. The sacrificial cow has now become a
    sacred cow. In most of the Hindu temples, there
    is a pillar big or small in front of the temple
    called Yupa Stambha meant for tying the
    sacrificial animal, and there is an altar to burn
    sacrificed animal to ashes. The Trishoola was
    used to position as well as to turn the animals
    body on the altar, because the altar should not
    be trampled by anyone. Now, this has been kept
    standing in front of the temple, and the Yupa
    Stambha in some places has become the flag-mast,
    and the stone image of the sacrificial animal is
    also kept by the side of the altar.
  • There is a Hindu belief that there are demons
    who have great powers and satisfying their desire
    for blood is a way of keeping them happy. Within
    Hinduism there is a history of blood sacrifice,
    particularly in the worship of the goddess Kali
    she is the slayer of evil and has an appetite for
    blood. Some 200 years ago in Calcutta's Kali
    temple, a male child was sacrificed daily. In
    some parts of the Hindu world, animal and human
    sacrifice still exist. Assamese, Nepalese and
    Balinese Hindus still practice animal sacrifice,
    and its practice continues during special
    occasions in some cases. Most Indian Hindus
    disapprove of the tradition, because many believe
    in non-violence and don't eat meat. Devotees
    flock to the Kali temples, but pumpkins instead
    of people are now used in the sacrificial rite.

14
Vedas describe the Microcosm
15
Vedas describe the Microcosm
  • The Vedas are the foundation, upon which, most
    world religions are based. They essentially
    relate to the description of the Microcosm
    during the Kali-yuga. The Microcosm is the region
    of creation in which the Jivatma- soul, in its
    present state of bondage, can traverse in
    accordance with the constitution of its current
    Kali-yugi Sutratma- soul-string, stretching from
    the Guda chakra to Kali, reposing above crown of
    human head. Although still connected with the
    Supreme Divine, the souls connecting links are
    in a stage of dysfunction. It is only when it
    receives the impulse of a living perfect Master,
    can it become free to traverse the entire
    Macrocosmic creation.
  • Kali (Isis, Mary) is the deity at
    ashta-dal-kanwal, the 8 petalled lotus in the
    Astral. This dark plane, mistakenly, considered
    by many religions to be Aadi- eternity, is the
    Christ plane (the cave where Christ is born)
    and the void (Shunya). It is the equator of
    Brahmand and forms the womb of nirguna Shakti,
    the feminine deity of the Astral, falsely taken
    to be the mother of jivas. It is Mahar Loka,
    where with the Big Bang, creation comprising
    lower triple worlds (the lesser 3-fold worlds
    Bhu, Bhuvah, Swah Lokas) and their gods and
    beings takes place. One who reaches here becomes
    a Siddha, having acquired the magical
    supernatural powers, the Riddhi-Siddhis.
  • Being a representation of Shakti- power or
    force, Kali is the powerhouse generator of
    (inert) physical forces, the products of Big
    Bang creation Heat, Sound, Light, Electricity,
    Magnetism, Gravitation, Cohesion, Affinity, etc.
    She is the powerhouse that provides energy to
    these worlds through Bijli- the thunderbolt.
    Above this plane is the luminous sun, and below,
    the night-sky of the nether-world created by
    the Astral light (let there be light). The
    Dhruva Pole star here has 7 companions, the
    Sapta-rishis enshrined in the Great Bear
    constellation, the various representations of
    manifestations of nature water, fire, flame,
    heat, thunder, lightning, wind, dawn etc. 6 of
    Sapta-matrikas are the Pleides, the 7th
    Arundhati staying with Alcor in Great Bear.

16
Sapta-rishis Sapta-matrikas
17
Jain
Nordic
Hindu
The Triple Worlds
Buddhist
18
Mahar Lok - Ashta-dal kanwal (Kali)
Manomayi Kosha (lower) Swarga Lok Heaven
7. Sahasrara chakra
6. Ajna chakra
Pranamayi Kosha Bhuvah Lok Atmosphere
5. Kantha chakra
4. Hridaya chakra
3. Nabhi chakra
Annamayi Kosha Bhu Lok Earth
2. Indri chakra
1. Guda chakra
THE MICROCOSM HUMAN SUTRATMA DURING KALI-YUGA
19
Vedic Tradition
Vedic concept of Sound
  • Sound embodies the organizing power of
    intelligence that creates. Speech is a vibration
    of the Akasha, a vibration of space itself. It
    refers to the structuring intelligence of nature,
    lively in its own organizing power. There is
    something in speech of a universal, cosmic
    character, something more than the vibration of
    air molecules, a movement or flow of a deeper
    broader field, called the Being, the pure field
    of Self-referral Unified Wholeness. Sounds of the
    entire Vedic Literature were the structuring
    dynamics responsible for the creation of human
    physiology, and there is comprehensive one-to-one
    correlations between the structure and function
    of the different branches of Vedic Literature,
    and the various fibres and components of the
    human nervous system and anatomy.
  • In the discovery of Veda and Vedic Literature in
    human physiology is the recognition of a sequence
    of sounds which create the human physiology, and
    correspondingly create the whole universe. The
    human physiology (including the DNA at its core)
    has the same structure and function as the
    holistic, self-sufficient, self-referral reality
    expressed in Rig Veda. The specialized
    components, organs, and organ systems of the
    human physiology, including all the various parts
    of the nervous system, match the 40 branches of
    Veda and the Vedic Literature one-to-one, both in
    structure and in function. This exact
    correspondence between the structure and function
    of the human physiology and the structure and
    function of Veda shows that Veda is the blueprint
    of creation the blueprint that evolves into
    physical creation.
  • The human nervous system is made of Natural Law,
    made of the principles of organizing power of
    Nature that are expressed in the various
    disciplines of Vedic Literature. The infinitive
    creative power of nature is present in the
    structure of the human nervous system. When the
    human nervous system thinks, acts and speaks,
    total natural law is made functional. In the
    process of thinking, speaking and acting, the
    human nervous system puts sequentially in motion,
    in principle, all the laws of nature, all the
    various mechanics of evolution and creation,
    which have given rise to the whole universe.

20
The 50 or 52 letters (with 33 consonents)of
Devanagari script represent the Chakras
of Microcosm
Human language can merely describe the Microcosm
Note In the 52 letter system, instead of the
2-fold Ajna chakra, 4-fold Antahkaran chakra is
included.
21
Vedic Religion
22
Vedic Religion
  • The Aryans of the Vedic era were herdsmen, but
    rather than propitiate rural deities, stressed
    upon the adoration of more fundamental and
    abstract conceptions and natural phenomena, such
    as the sun (Surya) and fire (Agni). Most Vedic
    deities were to a large extent visualized as
    having human or animal forms, although in varying
    degrees. Image worship started from the Vedic
    period and later the images were multiplied
    during the period of early Puranas and
    Shilpa-shastras. But the emergence of a common
    place of worship the temple, was of later
    origin. There is a school which believes that
    totemism also led to development of a formal
    place of worship at a later stage.
  • The Vedic godheads represent an interdependent
    reality, where all is One and One is All, as
    various manifestations of the same light and
    consciousness. The formed world is a symbolic or
    a visionary manifestation of the formless world.
    That is why the main Vedic deities are powers of
    light and only vaguely anthropomorphic in their
    attributes. The human side of their imagery is
    outweighed by their other natural
    correspondences. They are universal forces, not
    simply a projection of the human psyche onto the
    realm of nature.
  • When Aryans were yet a primitive civilization,
    they had no gods other than the prominent
    phenomena of nature in order to fulfill their
    basic needs. Indra, lord of the sky was invested
    with highest attributes as its light and clouds
    were resplendent, its thunder and lightning
    inspired terror and constant changes in it
    inspired feelings of awe. The involvement of the
    layman increased the awesomeness of the Vedic
    deities like Varuna- guardian of the cosmic
    order. All these deities were essentially nature
    or Jada- inert deities.
  • With the passage of time, Rig Vedic gods went
    through a phase of transformation and change in
    the Atharva Veda. Most present day Hindu gods
    were not so important in Rig Vedic period. The
    Vedic texts have a different understanding of
    properties which gods have, from Hindu gods.

23
Vedic Religion
  • The Mode of Worship comprised the worship of the
    elements like fire and rivers, worship of heroic
    gods like Indra, chanting of hymns and
    performance of sacrifices. The priests performed
    the solemn rituals for the noblemen, Kshatriyas
    and wealthy commoners, Vaishyas. People prayed
    for abundance of children, rain, cattle (wealth),
    long life and an afterlife in the heavenly world
    of the ancestors.
  • The Vedas are said to be apaurashaya, meaning
    uncreated by man, which further reveals their
    eternal non-changing status. The Vedic liturgy is
    conserved in the mantra portion of the
    four Vedas, which are compiled in Sanskrit. The
    religious practices centered on a clergy
    administering rites of worship. The Vedas record
    the liturgy connected with the rituals and
    sacrifices to be performed by the 16 or 17
    Shrauta priests and the purohitas.
  • This practice involved recitations from the
    Vedas by a purohita, for prosperity, wealth and
    general well-being. This mode is largely
    unchanged today within Hinduism. However, only a
    small fraction of conservative Shrautins continue
    the tradition of oral recitation of hymns learned
    solely through the oral tradition, and the
    primacy of Vedic deities has been seconded to the
    deities of Pauranic literature.
  • Texts dating to the Vedic period, composed
    in Vedic Sanskrit, are mainly the four Vedic
    Samhitas, but the Brahmanas, Aranyakas and some
    of the older Upanishads (Brhadaranyaka,
    Chhandogya, Jaiminiya) are also placed in this
    period. According to traditional views, the hymns
    of the Rig Veda and other Vedic hymns were
    divinely revealed to the rishis, who were
    considered to be seers or hearers (Shruti means
    what is heard) of the Veda, rather than their
    authors.
  • The followers of the ancient Tamil Aseevaham
    claim that Vedas were taught by god Shankar, the
    first Siddha, to his four disciples, and were
    later incorporated by the Aryans into their
    culture.

24
Vedic Religion
  • Of the 1,028 suktas in Rig Veda, about 250
    relate to Indra. Next in importance were Agni and
    Varuna. There are no references of Devi or Linga
    worship in the Vedas. The Rig Vedic deities of
    Agni, Indra, Surya, Savitur, Pushan, Varuna,
    Purusha, Prajapati, Brahma, Vishnu, Vayu, Rudra,
    Maruts, Ashwins, Soma, Yama, Brahaspati, Ushas,
    Aditi and Prithvi continued to survive in the
    later literature and art.
  • Some of the rituals and sacrifices of the Vedic
    religion were - The Soma rituals, which
    involved the extraction, utility and consumption
    of Soma, - Fire rituals involving oblations
    (Havir), - The oblation to Agni (Agnihotra), a
    sun charm, - The royal consecration (Rajasuya)
    sacrifice, - The Yajna dedicated to the glory
    and prosperity of the nation or empire
    (Ashvamedha), - The rituals and charms in
    the Atharva Veda are concerned with medicine and
    healing practices.
  • With Aryan penetration into the Gangetic plain,
    deities often lost and gained importance, as a
    result of absorption of traditions of local
    inhabitants. In the Atharva Veda era, almighty
    Indra of Rig-vedic era had to yield to Prajapati,
    who was then believed to be the creator and the
    preserver of the universe. Local Pashupati merged
    into Rig Vedic Rudra, then into Shankar. Varuna-
    guardian of cosmic order rose to prominence due
    to the social requirements.
  • Animal sacrifices arose with the desire for
    communion with totem spirits. Sacrificial
    enclosures and caves became temples. Brahmins
    became sacrificers, with power to intervene
    between gods and men. Stones in cylindrical and
    ring forms merged with Rig Vedic Sthuna (pole) to
    form Linga-Yoni. Images and idols were meant to
    facilitate Bhakti- devotion, earliest being those
    of minor deities like Yakshas (tree spirits) and
    Nagas (serpent gods).

25
Vedic Pantheon
26
Vedic Pantheon
  • Vedic Pantheon In the Rig Veda it is stated
    that there are 33 deities associated with sky or
    heaven (Dyu), earth (Prithvi) and the middle
    realm (Antariksha), though several other deities
    are also mentioned. Gods are called Devas (or
    Devatas) and goddesses are called Devis. The most
    prominent deities are Indra, a heroic god,
    slayer of Vritra and destroyer of the Vala,
    liberator of the cows and the rivers Agni, the
    sacrificial fire and messenger of the gods
    and Soma, the ritual drink dedicated to Indra.
  • Invoked in groups are the Vishvedevas (the
    all-gods), the Maruts, violent storm gods in
    Indra's train and the Ashwins, the twin horsemen.
    Also Invoked are several group-deities Ribhus
    (divine craftsmen), Tushitas, Abhaswaras, Anilas,
    Maharajikas, Sadhyas etc. There are two major
    groups of gods, the Devas and the Asuras. Unlike
    in later Vedic texts and in Hinduism, the Asuras
    are not yet demonized, Mitra and Varuna being
    their most prominent members. Aditi is the
    mother, both of Agni and of the Adityas or
    Asuras, led by Mitra and Varuna.
  • Surya is the personification of the sun,
    but Savitr, Vivasvant, the Ashwins and the Rbhus,
    semi-divine craftsmen, also have aspects of solar
    deities. Other natural phenomena deified
    include Vayu (the wind), Dyaus (Dyeus, the chief
    god of the Proto-Indo-European religion)  Prithvi
    - Heaven Earth, Ushas (the dawn, the most
    prominent goddess of the Rig Veda) and Apas (the
    waters).
  • Rivers play an important role, deified as
    goddesses, most prominently, the Sapta-Sindhu and
    the Sarasvati River. Yama is the first ancestor,
    also worshipped as a deity, and the god of
    the underworld and death. Vishnu and Rudra, the
    prominent deities of later Hinduism (Rudra being
    an early form of  god Shankar) are present as
    marginal gods.

27
Vedic Pantheon
  • Each Vedic deity has different roles and
    functions according to the level of approached
    involved. These are 1. Adhyatmik- relating to
    the self or the individual being, the
    psychological level, 2. Adhidaivik- relating to
    the gods, deities or cosmic powers, 3.
    Adhibhautik- relating to the elements of nature.
    A fourth level is often added to this primary
    three, which is Adhiyajna or relative to the
    Vedic sacrifice. The Vedic Yajna or the way of
    worship is twofold, as outer (Bahir Yajna) and
    inner (Antar Yajna).
  • For instance, take Agni, which is generally
    identified with the natural phenomenon of fire to
    the modern mind. Agni has many forms. At the
    Adhyatmik or individual level, Agni is identified
    primarily with speech (Vak), our main form of
    expression. At the Adhidaivik or cosmic level,
    Agni is primarily the sun, the light of heaven,
    not merely as a material force, but as the Divine
    light. On the Adhibhutik level, Agni is fire as
    an element, the fire that we use in our daily
    lives.
  • The retinue of Indra, king of heaven, consists
    chiefly of the Devas, Gandharvas, considered in
    the epics as the celestial musicians
    and Apsaras- lovely nymphs, who are frequently
    employed by the gods to make the pious devotee
    desist from carrying his austere practices to an
    extent that might render him dangerous to their
    power. Narada, an ancient sage (probably a
    personification of the cloud, the water-giver),
    is considered as the messenger between the gods
    and men, and as having sprung from the forehead
    of Brahma. Kamadeva (or Ananga), the bodyless, is
    the god of love.
  • Lokapalas or Regents of Earth Indra, the chief
    of the Devas, was the regent of E. Agni, the
    fire, was associated with SE Yama, lord of death
    and justice, with S. Surya, the sun, with
    SW Varuna, originally the representative of the
    all-embracing heaven (atmosphere), now the god of
    the ocean, with W Vayu, the wind, with
    NW Kubera, the god of wealth, with N. and
    Soma with the NE. In some traditions, Ishana- an
    aspect of Shankar is regarded as the regent of NE
    and Nirrti the regent of SW. Dikpalas or
    Guardians of Cardinal Directions Sudhanva (E),
    Shankhpad (S), Ketuman (W) Hiranyaroma (N).

28
RigVedic Pantheon
  •  
  • Celestial or Heavenly deities Surya, Dyaus,
    Ashwins, Savituh, Mitra, Pushan, Soma etc.
  • Atmospheric deities Indra, Vayu, Maruts, Vata,
    Rudra, Parjanya etc.
  • Terrestrial deities Agni, Prithvi, Brahaspati
    etc.
  • Abstract Deities
  • Dhatr- creator
  • Vidhata- ordainer
  • Vishvakarma- creator of cosmos
  • Prajapati- lord of creatures
  • Shraddha- faith,
  • Manyu- wrath
  • Rta- truth
  • Hiranyagarbha- the Implicit
  • Brahmanaspati- Lord of prayer
  • Virat Purusha- OversoulMinor Deities
  • Rbhus- aerial elves
  • Apsaras- water nymphs
  • Gandharvas- aerial spirits
  • Adityas- sons of primeval goddess, Aditi
  • Savituh, the diety of the Gayatri Mantra is not
    just sun (Surya). Sa stands for (half) moon
    Ha for (6clock) sun at ashta-dal-kanwal.
  • Deities that represent phenomena of Nature
  • Father Dyaus- the radiant god of the upper
    region
  • Mother Prithvi- Earth
  • Varuna- the all-comprehending sky
  • Indra- the god of Thunder and Rain
  • The Sun worshipped in five forms - Surya, as
    source of light
  • - Savita, as source of fertility - Mitra, as
    beneficent energy- Pushan, as source of plant
    life and agriculture - Vishnu, as the swift
    moving Sun
  • Rudra- god Shankar
  • The two Ashwins- the morning and evening stars
  • The Maruts- the Wind gods attending on Rudra
    together with Vayu and Vata
  • Parjanya- god of rain and water
  • Ushas- goddess of Dawn Domestic Deities
  • Agni- Fire
  • Soma- Cerebro-spinal fluid

29
Prithvi
Prajapati
Chandra
Soma
Usha
Surya
Indra
Agni
Vishwakarma
Dyaus
Rudra
Yama
Vayu
Varuna
Tvasthri
Deities
Vedic
30
Vedic Deities of the Brain
31
The Astral Brain
  • The higher Vedic deities pertain to the Brain,
    in the region above eyebrows, representing last
    quarter of the Astral plane. The region upto the
    eyebrows is the Physical plane, comprising 6
    chakras.
  • The Brain is an enlargement of front end of
    neural tube into bulb-shaped Fore, Mid Hind
    brain constituting heaven, atmosphere earth.
    Two cavities- lateral ventricles are continuous
    below with a 3rd ventricle, between two large
    masses of nerve cells at the base of the
    Fore-brain, called Thalami. Mid-brain is small,
    consists of nerve tissue branching out into two
    and connecting the two cerebral hemispheres with
    hind brain. A passage, Aqueduct of Sylvius, runs
    thru the mid-brain connecting 3rd ventricle in
    fore-brain with 4th ventricle in hind-brain.
    Upper part of Hind-brain forms the Pons, a bridge
    of transversely running nerves connecting two
    brain hemispheres of Cerebellum. Lower part of
    hind brain is Medulla Oblongata, which is
    continuous below spinal cord. It contains
    centres, found in grey matter forming the floor
    of 4th ventricle governing vital heartbeat and
    breathing functions. It rests on the Occipetal
    bone and projects thru the first part of spinal
    canal. 8 of the 12 pairs of nerves, including
    Vagus nerves, carrying messages from the centres
    to the organs take origin here.
  • The respiratory tract is under the control of
    the Vagus nerve which has two sets of fibres
    Afferent or Sensory and Efferent or Motor. They
    have their nerve endings in Thalamus (Agni) and
    Corpus Stratum (Surya). Thalamus has a strong
    influence on the activities of the Anterior
    Pituitary, while the Corpus Stratum exerts its
    influence on the Posterior Pituitary. They
    regulate the emotional activities and serve as an
    axis between physical and etheric bodies.
  • The Cerebellum has two fairly well defined
    lobes. The white matter in the centre of the
    Cerebellum spreads out from a central stem like
    the branches of a tree (Tree of Life), to which
    grey matter appears to form leaves. It is
    concerned with balance. It receives all messages
    from muscles that do not enter consciousness. It
    sends out messages, which travel down the stem of
    the Tree of Life and the spinal cord to the
    muscles by way of the spinal nerves.

32
The Brain 
Brain as Trinty
Brain as Mt. Meru
33
The Triple-worlded Brain 
The Brain Holy Trinity The astral 6 5 or
1000 4 petalled lotuses The pituitary
glandthalamuspineal gland or heaven
(Indra)in-between (Yama)hell (Vritra), form 1st
2nd 3rd persons FatherSonHoly Spirit , the
void at 8 being Turiya- fourth. These are
symbolized by the triple belt stars of Orion
constellation the triple pyramids of Gizeh in
Egypt.
34
Ganesha
Kartikeya
Ishwara
Maheshwara
Sadashiva
8 Lotus Ashta-dal
Turiya- the Fourth
Holy Spirit
Son
Father
Garden of Eden, Tunnel, Cave, Womb of Shakti.
Zurvane Akarne- Time Eternal, Wisdom Immortal.
Fertility goddess at Shaktis womb, Celestial
Virgin, Oceanus, Ourounos, Savituh, Aadi Kanya,
Aditi, Parvati, Kali, Durga, Isis, Mary, Astarte,
Gaia, Hathor, Kuan Yin, Celestial Cow, whose
male counterparts are Mithra, Christ, Bacchus,
Dyaus-pitar (Zeus-pater, Jupiter),
Brahma-Prajapati, Vishwakarma, Lord God. Aadi of
Buddhists, Siddhas and Naths. Adam-Eve Earth.
4 Lotus Naraka
6 Lotus Swarga
5 Lotus Pitri Loka
Pituitary
Thalamus
Pineal
The Trinity the Fourth in Astral
Q-IV Deities Brain parts
Yama
1st Person
2nd Person
3rd Person
Indra
Vritra
35
Vedas describe Human Physiology
  • Human physiology is an expression of the
    fundamental structures of Natural Law, which not
    only underlie the structures and orderly
    functioning of the body, but also underlie and
    govern the orderly functioning of the entire
    universe. These laws exist in an unmanifest form
    in an unmanifest field of intelligence or Atma.
    Modern quantum field theory describes this field
    of intelligence as the Unified Field of Natural
    Law.
  • Human physiology, including the DNA at its core,
    has the same structure and function as the
    holistic, self-sufficient, self-referral reality
    expressed in the 40 branches of Veda and the
    Vedic Literature. Each of these can be located in
    both structure and function in the human
    physiology. A precise relationship exists between
    the structures and functions of the different
    aspects of the Vedic literature and the
    structures and functions of the human physiology.
  • The sounds of Veda are the intelligence at the
    basis of the physiology. As the laws of nature
    express themselves in material creation, they
    first emerge as waves. These dynamic waves in
    their subtle expression are available in the
    sounds of Veda and the Vedic literature. From
    this perspective, all matter, including cells,
    tissues, organs and the entire physiology are
    based on these vibrations of Natural Law.
  • The principles describing the transformation of
    one condition of the physiology into another
    condition are also available in the Veda and the
    Vedic literature. These principles explain that
    at the level of the field of pure intelligence,
    the transformations of one sound into another are
    the mechanics of the transformations of Natural
    Law responsible for evolutionary processes in
    nature.
  • Using the knowledge of these principles and of
    the specific sounds of Veda and the Vedic
    literature corresponding to specific parts of the
    physiology, the expert enlivens the intelligence
    at the basis of that part of the physiology to
    transform disorderly functioning into orderly
    functioning.

36
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37
The Navagrahas 
Basal Ganglia
38
Nyaya in the Thalamus A view of the thalamus
with its 16 nuclei and the names of the nucleii
and the 16 aspects of Nyaya to which they
correspond.
Vedic Symbolism Of the Brain
The four chapters of Yoga-Sutras
Vyakaran and the Hypothalamus A cross section
of the cerebral cortex and a highlight of the
anterior hypo-thalamus areas, corresponding to
the 1st and 2nd chapters of Vyakaran. The 4
nucleii in each area correspond to the 4
divisions of each chapter. The other 3 chapters
have been similarly correlated with different
aspects of the hypothalamus.
39
The Ganga
in the Brain
RED - The emergence and flow of the cerebrospinal
fluid LIGHT BLUE BrainORANGE - Choroid plexus
resembles Shivas string of Rudraksha
beads GREEN Hypothalamus represents the moon
on Shivas head DARK BLUE - Brainstem
The 3 directions of Gangas flow the
cerebrospinal fluid flows from the choroid plexus
in 3 directions to right ventricle, to left
ventricle, and through cerebral aqueduct to
fourth ventricle. The cerebrospinal fluid also
covers the whole brain (Heaven). It goes around
the spinal cord area (Earth). It also moves deep
within these structures (subterranean
regions). The 7 streams of Ganga correspond to
the ventricular system inside the brain, which is
a hollow structure with 2 heads (2 anterior
horns) and 4 other horns (the 2 inferior and the
2 posterior horns). The final stream is the flow
that goes in direction of brainstem and spinal
cord, where the 4th ventricle is located.
40
The Rishis in the Brainstem
Jyotish
41
The ventral view of the brain, (the brain
seen from underneath), shows the clear
correspondence between Ganesh and the pons,
medulla and cerebellum. The face of Ganesh
corresponds to the pons. The medulla represents
the trunk of Ganesh. The roots of the trigeminal
nerves represent the eyes of Ganesh. A group of
nerves at the pons represent the tusks of Ganesh.
The cerebellum constitutes the ears of Ganesh.
These structures not only look like Ganesh, but
their functions in human physiology correspond to
the functions and activities ascribed to Ganesh.
42
The Deities
In the Brain
43
Ramayana Deities in the Brain
44
Vedic Deities of the Brain
Agni is Electricity (or Electrons) that powers
the world. Fire is in heaven as the sun, in air
as lightning, and on earth as fire from friction,
latent fire (Vaishwanara) subterranean fire,
fire in trees, fire of digestion etc. In the
brain, it is Thalamus. Indra is Jivatma or
Energy, Cerebrum, controlling the Sensory and
Motor nerves. The energy is fuelled by Soma-
nectar, cerebro-spinal fluid in its ventricles,
described as giver of Pranas and Virya- sperm.
Mitra-Varuna are Proton-Electron (Aryaman being
Neutron), the children of Aditi. Mitra-Varuna
control Ashwin twins- Prana-Apana or
Sensory-afferent Motor-efferent nerves, in
turn, regulated by Surya (Buddhi- intellect).
They are connected to Maruts- Pranas or Sensory
Motor nerves, the sons of Rudra- Pons. The
Adityas are the messengers of Mitra-Varuna, the
12 pairs of brain nerves that terminate at Pons.
Vishnu (Vedic) is Sun (Virat- macro) or Atom
(Vaman- micro), Universal or Nuclear Energy. His
3 steps are 1. Prithvi- Earth or Merudanda-
spinal cord upto Medulla Oblongata (Surya) 2.
Antariksha- Atmosphere upto Thalamus (Agni) 3.
Dyu- Heavens upto Cerebrum (Indra). Surya,
provider of energy to the world, represents its
Prana. Sun is Corpus Striatum, the ganglion
connected to Sensory Motor nerves its 7
horses refer to Gyanendriyas 2 eyes, 2
nostrils, 2 ears tongue, whereby it receives
signals from the environment and passes them onto
Indra or brain. Savita-Savitri are its
static-dynamic aspects. Savitri is solar energy
to earth and Gayatri the returning energy from
earth to the sun. Aditi is Chidakash, the
creative power of Vishnu, located in Central
Sulcus, the lateral fissure of the brain
containing centres of Sensory-Motor nerves. She
gets Karmendriyas (Motor nerves) to execute
messages received by Gyanendriyas (Sensory
nerves). Aditi is matter, Daksha is energy born
from one-another. She is mother of 8 Vasus head,
trunk, limbs, eyes, nostrils, ears, tongue
speech centre (Martanda). Diti is her opposite
her sons are Asuras, Daityas, Danavas etc.
Tridevis, the respective goddesses of heaven,
atmosphere earth are Pingla (Ganga), Sushumna
(Saraswati) Ida (Yamuna), Prana, Vak Manas
being their tattwas. Saraswati is Vak, provider
of Soma from Mansarovar (4 ventricles 2 in
Cerebrum- heaven, in Thalamus- atmosphere
Medulla- earth), to Indra or jivatma.
45
The 33 Vedic gods
46
The 33 main Vedic gods
  • There are two sources of creation in the
    universe Prajapati created the heavenly Adityas,
    while Tvastar created the Rudras. Tvastar is the
    first born creator of the universe and the
    visible form of creativity that emerged from the
    navel of the invisible Viswakarman. Each god is
    glorified and given epithets that endow it with
    various characteristics and qualities. A harmony
    between gods of and men is sought to be
    established thereby.
  • The concept of Vak or Name personifies knowledge
    and is source of Vedas. Vedas are poetic texts
    composed of hymns (Mantras), devoted to the
    various gods. The 33 gods correspond with sounds
    of human speech and personify the essence of
    language, while Vak personifies sounding speech
    and senses of words. The sounds of human speech
    and the gods are but the image of this divine
    Logos. The hierarchy of gods in Vedic mythology
    is display of universal acoustic system. Vedic
    mythology can thus be correlated to letters of
    the alphabet. 33 gods correspond to letters in
    the Russian alphabet.
  • The various qualities of light of heavenly gods
    are incorporated in the spectral palette of the
    atmosphere. Corpuscles of heavenly light are also
    incorporated in the displays of color in the
    Earths atmosphere, and form a visible picture of
    a universe, which is described in Vedas in the
    context of Vedic mythology. The hierarchy of
    Vedic gods corresponds with a phonetic structure
    of human speech that allows us to analyze
    metaphysical senses of words according to
    characteristics of gods.
  • The 33 gods of the Vedic pantheon are elements
    of the Microcosmic universe, filling the sky and
    penetrating space between heaven and earth, and
    the human spheres. The heavenly (Swah) Adityas
    correspond with human consciousness, while Rudras
    or Maruts occupy the space between heaven and
    earth (Bhuvar) and correspond with human
    individuality, and terrestrial (Bhu) Vasus are
    Ganas, inferior group deities (attendant upon god
    Shankar), who correspond with human feelings.

47
33 main gods
  • The astrological circle or zodiac symbolizes
    the universe comprising the 12 Adityas. They are
    mostly the children of Aditi, the daughter of
    Daksha, himself a descendent of Prajapati, the
    primary god. Adityas can be either solar or lunar
    deities, but are not heavenly bodies as such, and
    in essence personify the sky and light in space.
    They also have qualities of four basic elements
    air (dry), fire (hot), water (damp) and earth
    (cold). Adityas are the beneficent gods, who act
    as protectors of all beings, who are provident
    and guard the world of spirits and protect the
    world. They are bright and pure as streams of
    water, blameless, perfect, and free from all
    guile and falsehood.
  • The 11 Rudras (or Maruts) form an atmosphere of
    the Earth according to spectral parameters of
    color and according to their hierarchy.
     Rudras, ones who make cry are forms and
    followers of the god Rudra and are the sons of
    Kashyapa and Aditi. Rudra here identified
    with Shankar was born from the anger of the
    creator-god, Brahma. The furious Rudra was in
    Ardhanari form, half his body was male and other
    half female. He divided himself into two the
    male and female. The male form then split itself
    into 11, forming the 11 Rudras. From the female
    form were born the 11 Rudranis, who became wives
    of the Rudras.
  • In the Vedas, two classes of Maruts came into
    existence the white and gentle, friendly and
    beneficent, and the dark and fierce, roaring and
    turbulent the latter grew into the distinct
    group of deities called the Rudras, who were
    associated only with the wild Rudra. They are at
    times identified with the Maruts- sons of Rudra
    while at other times, considered distinct from
    them, as 49 sons of Diti, sister-wife of Aditi,
    and attendants of Indra. Brahma allotted to the
    Rudras the 11 positions of the heart and the
    5 sensory organs, the 5 organs of action and the
    mind. Rudras are associated with the 10 vital
    energies (Rudra-prana) in the body, the 11th
    being the Atman (soul). As wind-gods, Rudras
    represent the life-breath.

48
33 main gods
  •   The 8 Vasus personify directions of light or
    cardinal and intermediate points of world, i.e.
    the world space. They are the terrestrial
    displays of the heavenly Adityas. N symbolizes
    cold, S symbolizes heat, W symbolizes sunset,
    while E symbolizes the rising sun. They
    correspond to the zodiac signs related to matter,
    energy, space and time. Vasus, dweller' or
    dwelling' are attendant deities of Indra, and
    later Vishnu. They are 8 elemental gods
    representing aspects of nature, and representing
    cosmic natural phenomenon. They are children of
    sage Kashyapa by Aditi and are full siblings to
    Adityas. Mahabharata makes them to be sons
    of Prajapati, son of Manu, son of Brahma by
    various mothers.
  • The wife of Dyaus spotted an excellent cow and
    persuaded her husband to steal it, which he did
    with the aid of Prithu and his other brothers
    the Vasus. The cow was owned by sage Vashishta,
    who cursed the Vasus to be born on earth as
    mortals, but then promised that 7 of them would
    be free of earthly life within a year of being
    born, and only Dyaus would pay the full penalty.
    When the 8th was born, did their father, king
    Shantanu finally oppose his wife, Ganga, who
    therefore left him. The 8th son, Dyaus
    incarnated, remained alive, imprisoned in mortal
    form, and became known as Bhishma.
  • The 2 Ashwins (having horses) or Ashwini
    Kumaras are divine or cosmic (space) twins or are
    the brother and the sister, who mythologically
    personify not only the sky and ground, but all
    existing dual phenomena and contrasts of a
    universe, such as even and odd, right and left,
    top and bottom, and particularly, time and space.
    They are represented as humans with head of a
    horse. They are divine twin horsemen, sons
    of Saranya (daughter of Vishwakarma), a goddess
    of the clouds and wife of Surya in his form
    as Vivasvat. They symbolize the shining of
    sunrise and sunset, appearing in the sky before
    the dawn in a golden chariot, bringing treasures
    to men and averting misfortune and sickness. They
    are the doctors of gods and are Devas of Ayurvedic
     medicine. They are also called Nasatya (kind,
    helpful) in the Rig Veda later, Nasatya is the
    name of one twin, while the other is
    called Dasra (enlightened giving).
  •  

49
The 33 Main gods of Hinduism
50
The Heavenly Adityas 12 gods created by
Prajapati (Consonents) Infinity of heavenly space
The sphere of consciousness
12 Adityas Description Personification of
Surya Sun A bright and shrill sunlight
Mitra Contract or consent Illuminated and dawned sunlight
Vishnu Universal Radiant and shining light
Pushan Blossoming Clear and transparent light
Ushas Morning light Sparkling light
Aryaman Friendliness or hospitality Vast and gaping light
Savitr Stimulator Pale and dim light
Ansha Part or share Unclear and vague light
Bhaga Donator or happiness Brilliant and crystal light
Varuna True speech Indistinct and vague light
Vivasvat or Martanda Shining or dead born Foggy and gloomy light
Dhatr Founder Indiscernible and disappearing light
51
Atmospheric or air Rudras (or Maruts) 11 gods
created by Tvastar (Vowels) Cosmic light of
heavenly gods The sphere of individuality
11 Rudras (or Maruts) Description Colour Personification
Indra World autocrat - Rules over functions of all gods
Matarishvan Growing in the Mother Yellow Cosmic fire or tongues of flame
Trita Aptya The third Brown Smoke and fume-ashes of fire or steam
Apas Waters Orange Water of the rivers
Apam Napat Grandson of waters Pink Fog
Rudra Roaring Red Electromagnetic eneRigy of sky
Aja Ekapad One-legged goat i.e. lightning Purple Electric dischaRige of lightning
Parjanya Thundercloud Green Thundercloud, water in air space
Ahir Budhnya Serpent of depths Light blue Drops or jets of a rain
Vayau Wind Dark blue Breathing wind, Prana
Vata Wind force Violet Howling whirlwind
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Terrestrial Vasus 8 gods Cardinal points of the
world The sphere of feelings
8 Vasus Description
Apa Water or pervading
Anila Wind
Dhara Ground or support
Pavaka or Anala Fire or living
Prabhasa Morning dawn or pre-dawn
Soma Moon or soma-plant
Pratyusha Sun or shining light
Dhruva Polestar or motionless
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The Ashwins (or Nasatyas) "possessing horses",
Cosmic twins of Gemini, Personify duality 2
gods created by Dyaus Prithvi (do not belong
to the 3 classes) The sphere of individuality
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