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Hume on Force and Vivacity and the Content of Ideas

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Title: Hume on Force and Vivacity and the Content of Ideas


1
Hume on Force and Vivacity and the Content of
Ideas
  • David Banach
  • Department of Philosophy
  • St. Anselm College

2
The everlasting universe of things Flows
through the mind, and rolls in rapid waves,
Now dark -- now glittering -- now reflecting
gloom -- Now lending splendour, where from
secret springs The source of human thought
its tributes brings
P. B. Shelley, Mont Blanc
3
The Theory of Ideas
  • Concepts or Ideas are mental representations
    entertained in the mind.
  • Thought involves the causal relations of these
    ideas.

4
Pragmatic or Conceptual Role Theories
  • Concepts do not directly have representational
    content in themselves but only in the context of
    a judgment, proposition, or conceptual scheme.
  • Ideas get their meaning in the context of a
    system of dispositions to classify and act with
    respect to objects.

5
Ideas
  • Ideas are copies of impressions.
  • They differ only in force and vivacity, not in
    content.
  • Impressions transmit their force and vivacity
    (what I call their impetus) to ideas.
  • Quote 2 Impressions and ideas differ not in
    content but only in impetus
  • The first circumstance, that strikes my eye, is
    the great resemblance betwixt our impressions and
    ideas in every other particular, except their
    degree of force and vivacity.

6
Belief
  • Belief is a habit associated with an idea. This
    habit is manifested in the force and vivacity
    with which the idea is held.

7
Quote 3 Belief an impetus
  • Thus it appears, that the belief or assent, which
    always attends the memory and senses, is nothing
    but the vivacity of those perceptions they
    present and that this alone distinguishes them
    from the imagination. To believe is in this case
    to feel an immediate impression of the senses, or
    a repetition of that impression in the memory.
    'Tis merely the force and liveliness of the
    perception, which constitutes the first act of
    the judgment, and lays the foundation of that
    reasoning, which we build upon it, when we trace
    the relation of cause and effect.

8
Quote 6 Impetus does not change content. Belief
an impetus
  • All the perceptions of the mind are of two kinds,
    viz. impressions and ideas, which differ from
    each other only in their different degrees of
    force and vivacity.' Our ideas are copy'd from
    our impressions, and represent them in all their
    parts. When you would any way vary the idea of a
    particular object, you can only increase or
    diminish its force and vivacity. If you make any
    other change on it, it represents a different
    object or impression. The case is the same as in
    colours. A particular shade of any colour may
    acquire a new degree of liveliness or brightness
    without any other variation. But when you produce
    any other variation, 'tis no longer the same
    shade or colour. So that as belief does nothing
    but vary the manner, in which we conceive any
    object, it can only bestow on our ideas an
    additional force and vivacity. An opinion,
    therefore, or belief may be most, accurately
    defined, A LIVELY IDEA RELATED TO OR ASSOCIATED
    WITH A PRESENT IMPRESSION.

9
Thought the transmission of impetus.
  • Impressions and ideas convey their impetus
    according to three basic laws of (human) nature.
  • 1. Resemblance
  • 2. Contiguity
  • 3. Cause and Effect
  • Thought is merely the flow of this force and
    vivacity as it is carried along the succession of
    ideas.

10
Quote 7 Impetus something felt but mysterious.
  • An idea assented to feels different from a
    fictitious idea, that the fancy alone presents to
    us And this different feeling I endeavour to
    explain by calling it a superior force, or
    vivacity, or solidity, or firmness, or
    steadiness. This variety of terms, which may seem
    so unphilosophical, is intended only to express
    that act of the mind, which renders realities
    more present to us than fictions, causes them to
    weigh more in the thought, and gives them a
    superior influence on the passions and
    imagination.
  • ... I confess, that 'tis impossible to explain
    perfectly this feeling or manner of conception.
    We may make use of words, that express something
    near it. But its true and proper name is belief,
    which is a term that every one sufficiently
    understands in common life. .

11
Abstract Ideas
  • All ideas are particular and determinate. Ideas
    became general by bringing to mind an indefinite
    number of other ideas according to a custom of
    habit associated with the word or idea.

12
Quote 4 Meaning of general idea a custom
  • A particular idea becomes general by being
    annex'd to a general term that is, to a term,
    which from a customary conjunction has a relation
    to many other particular ideas, and readily
    recalls them in the imagination.
  • The only difficulty, that can remain on
    this subject, must be with regard to that
    custom, which so readily recalls every
    particular idea, for which we may have occasion,
    and is excited by any word or sound, to which we
    commonly annex it. The most proper method, in my
    opinion, of giving a satisfactory explication of
    this act of the mind, is by producing other
    instances, which are analogous to it, and other
    principles, which facilitate its operation. To
    explain the ultimate causes of our mental
    actions is impossible. 'Tis sufficient, if we can
    give any satisfactory account of them from
    experience and analogy.

13
Hume on Distinctions of Reason
We have no abstract idea of shape without
color. One single colored, shaped idea leads us,
according to custom, to other ideas that resemble
it with respect to shape, but not color.
14
Distinctions of Reason
Nor do we have an idea of color without shape.
In this case, the very same single colored idea
of the sphere leads us, according to a different
custom to other ideas that resemble it with
respect to color but not shape.
15
The power of the impetus associated with abstract
ideas
  • a. Ideas of large numbers, such as 1000, do not
    have a clear and determinate image.
  • b. An entire verse of poetry, though we can't
    recall it at the moment, can be brought back to
    us in a moment by one word.
  • c. We have no clear image for our complex ideas,
    such as church, negotiation, or conquest.
  • d. Knowing an idea bestows a marvelous ability
    to bring up relevant ideas at appropriate times
    without having a clear idea how we do so.

16
Quote 5 Custom or impetus a mysterious power of
the soul
  • The fancy runs from one end of the universe to
    the other in collecting those ideas, which belong
    to any subject. One would think the whole
    intellectual world of ideas was at once subjected
    to our view, and that we did nothing but pick out
    such as were most proper for our purpose. There
    may not, however, be any present, beside those
    very ideas, that are thus collected by a kind of
    magical faculty in the soul, which, tho' it be
    always most perfect in the greatest geniuses, and
    is properly what we call a genius, is however
    inexplicable by the utmost efforts of human
    understanding.

17
Summary
  • 1. Apart from the representational content of an
    idea there is another component its force and
    vivacity, its impetus.
  • 2. The impetus of ideas is felt, part of the
    phenomenology of the idea, though it is distinct
    from the content of the idea and is not itself
    another idea. (Indeed, it would have been more
    consistent for Hume to consider emotions and
    sentiments as these types of impetüs than as
    separate ideas.)
  • 3. The impetus of ideas, as the name suggests, is
    active, is connected with habit or custom, and
    directs the production and flow of ideas.
  • 4. The meaning of general ideas is a custom, the
    un-represented meaning of an idea is its
    impetus, which is distinct from its definition,
    or list of instances, or explicit rules for
    producing these instances.

18
The content of ideas are in the habits that
connect them, not their intentional content
itself.
  • Once one sees the way ideas actually do their
    work for Hume, it becomes clear that they are
    merely tokens, along for the ride in the real
    business of the transmission of the force or
    impetus that thought involves. A consideration of
    Humes view of abstract ideas suggests that the
    real content of thought lies within the impetus,
    not the idea.

19
Connectionism and the flow of information
20
Neural Networks in a Laminar Cortex
Figure from Paul Churchland, A Neurocomputational
Perspective, 1989
21
Quote 8 Impetus transmitted from idea to idea,
originates in object.
  • I would willingly establish it as a general
    maxim in the science of human nature, that when
    any impression becomes present to us, it not only
    transports the mind to such ideas as are related
    to it, but likewise communicates to them a share
    of its force and vivacity.
  • Now 'tis evident the continuance of the
    disposition depends entirely on the objects,
    about which the mind is employ'd and that any
    new object naturally gives a new direction to the
    spirits, and changes the disposition as on the
    contrary, when the mind fixes constantly on the
    same object, or passes easily and insensibly
    along related objects, the disposition has a much
    longer duration

22
The Impetus of Ideas.
  • 1. Arises from the object.
  • 2. Is active
  • 2. Is felt.
  • 3. Is formal.
  • It is felt as the form of our impressions of
    objects as they inform our habits of connection.

23
The Flow of Ideas
  • The secret strength of things
  • Which governs thought, and to the infinite dome
  • Of heaven is as a law, inhabits thee!
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