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The ironic speech situation: discursive democracy, citizenship, and humor

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Title: The ironic speech situation: discursive democracy, citizenship, and humor


1
The ironic speech situation discursive
democracy, citizenship, and humor
  • Sammy Basu PhD
  • Associate Professor of Politics
  • Willamette University
  • Salem Oregon, USA

2
Overview
  • I. Deliberative democracy
  • II. Whats so bad about humor?
  • III. What is humor?
  • IV. Whats so bad about deliberative democracy?
  • V. The ironic speech situation

3
I. Deliberative democracy
  • Representative democracy and communitarian
    alternatives
  • Jurgen Habermas and the Ideal Speech Situation
    according to which In the final analysis, the
    normative content arises from the very structure
    of communicative actions (199626).

4
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5
II. Whats so bad about humor?
6
1. The buffoon
7
  • For Habermas (1982271), jokes, fictional
    representations, irony, games, and so on, rest on
    intentionally using categorical confusions which,
    in the wake of the differentiation of
    validity-claims and corresponding modes
    (being/illusion, is/ought, essence/appearance),
    are seen through as category mistakes.

8
2. The cynic, or misanthrope
9
3. The boor
10
4. The hysteric
11
III. What is humor?
12
The essence of humor
13
Modes of appreciation
14
Theories of Humor
15
Theories of Humor
16
Theories of Humor
17
IV. Whats so bad about deliberative democracy?
18
1. Buffoon, or capacity for
  • Holistic critic
  • Specific critic
  • Linguistic critic

19
Holistic criticism Modern Times
20
  • Specific
  • Criticism

21
  • Linguistic criticism
  • Support our tropes

22
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23
  • 2. Boor,
  • or
  • Devils
  • Advocate?

24
  • It would seem that you cannot be funny without
    being vulgar . For it is not only sex that is
    vulgar. So are death, childbirth and poverty,
    the other three subjects upon which the best
    music-hall humour turns. And respect for the
    intellect and strong political feeling, if not
    actually vulgar, are looked upon as being in
    doubtful taste. You cannot be really funny if
    your main aim is to flatter the comfortable
    classes it means leaving out too much. To be
    funny, indeed, you have got to be serious.
    Orwell (1968)

25
  • 3. Cynic
  • (and misanthrope) or necessary hostility?

26
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27
4. Hysteria or just cracking up?
28
V. The ironic speech situation
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