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Classical Questions

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The heir to Haydn and Mozart. Radical. Showing new possibilities for music ... with Mozart. Mother ill, could not return to Vienna until 1792 (Mozart was dead ... – PowerPoint PPT presentation

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Title: Classical Questions


1
Classical Questions
  • The opening of Beethovens 5th Symphony was
    associated with what during WW II?
  • Morse code for V, meaning victory.
  • Who wrote the Ode to Joy which was set by
    Beethoven?
  • Schiller
  • Which of Beethovens symphonies uses the Ode to
    Joy?
  • the 9th

2
Beethoven Questions
  • Beethoven substituted the________in place of the
    minuet in his symphonies.
  • scherzo
  • How many symphonies did Beethoven write?
  • 9
  • What makes were Beethovens last two pianos?
  • Broadwood and Graf
  • Which of Beethovens pianos was strung with 4
    strings per note?
  • the Graf

3
Beethoven on Beethovens Pianos
  • Fur Elise
  • Beethovens most loved composition for beginners
    and amateurs
  • composed in 1810
  • Who is Elise?
  • Theresa Malfatti, daughter of Beethovens doctor
  • Beethoven intended to marry her
  • In Beethovens hand writing, Theresa and Elsia
    look alike
  • Played on a Broadwood piano
  • 1815
  • Given to the composer by the London Philharmonic
    Society
  • Beethoven loved the instrument and used it so
    much that, at the time of his death, the piano
    was ruined

4
Beethoven on Beethovens Pianos
  • Passed to various owners
  • Franz Liszt
  • Budapest Museum for Old Instruments
  • Sent to Bonn for the bicentenary of Beethovens
    birth - December 16, 1970

5
Beethoven on Beethovens Pianos
  • Bagatelle in E-flat Major, op. 126, No. 3
  • From Beethovens last collection of Bagatelles,
    Op. 126
  • Played on a Graf piano
  • In the collection of the Beethoven-Haus in Bonn
  • Presented to Beethoven by Conrad Graf
  • Graf tried to strengthen the sound with 4 strings
    in the upper register
  • Beethoven was very happy with this piano
  • Graf also built pianos for the Schumanns, Chopin,
    Mendelssohn and Schubert
  • Performances by Jorg Demus, December 16, 1970,
    in the Beethoven House in Bonn

6
Beethovens Place inthe classical tradition
  • Called the culmination of the Classical era
  • The heir to Haydn and Mozart
  • Radical
  • Showing new possibilities for music
  • All composers must now consider Beethovens
    accomplishments

7
Beethovens Life and Career
  • Born in Bonn in 1770
  • Musical talent at an early age
  • First public appearance in 1778
  • 1787 went to Vienna to study with Mozart
  • Mother ill, could not return to Vienna until 1792
    (Mozart was dead at this time)
  • Studied with Haydn
  • 1790s made reputation in Vienna as a pianist
  • Gradually became known as a composer

8
Beethovens Career
  • End of decade was ready for the symphony and
    string quartet
  • Career divided into three sections
  • early, middle and late
  • The middle period is called the heroic decade
  • began with the Eroica symphony of 1803
  • most famous works have a drive previously
    unknown
  • 1813 - 1819 change from middle period to late
    period
  • Suffered from a total loss of hearing and
    withdrawal from social life

9
Beethovens Career
  • Works of great power
  • 9th symphony
  • Hammerklavier sonata
  • All classical elements compressed into compact
    forms
  • The music was misunderstood in his day
  • Now seen as some of the most imaginative works of
    musical art

10
Musical Vienna
  • Capital of the Austrian Empire
  • The crossroads of musical influence
  • The modern concert series was just getting
    started
  • Much of Beethovens music was heard in the church
    as part of the service or in the homes of wealthy
    aristocrats
  • Early public concerts
  • The middle class expressed interest in music

11
Musical Vienna
  • Concerts were very different than they are today
  • 3-4 hours long
  • variety was the order
  • a movement of a symphony, arias, solos,
    improvisations, concertos, choral work, more
    symphony
  • Audiences consisted of aristocrats and middle
    class
  • Pieces were not identified as they are today

12
Symphony No. 5 in C minor
  • While sketches of the 5th symphony date to 1804,
    it was composed mostly in 1807.
  • The premiered took place on December 22, 1808, in
    Vienna.
  • The all-Beethoven concert lasted from
    630P.M.-1030P.M. and consisted of
  • The 6th Symphony
  • The 5th Symphony
  • The 4th Piano Concerto
  • The Choral Fantasy
  • A concert aria Ah, perfido
  • Two movements from the Mass in C
  • E.T.A. Hoffmann reviewed the program. Hoffmann
    viewed Beethoven as a colossal new figure in
    music.
  • Beethoven said Thus Fate knocks at the door.

13
Beethovens Orchestra
  • Strings
  • Violins in two sections
  • Violas
  • Cellos
  • Double basses
  • Woodwinds in pairs
  • Flutes (introduced the piccolo in the 5th)
  • Oboes
  • Clarinets (added in the 1780s)
  • Bassoons (introduced the contra bassoon in the
    5th)
  • Brass
  • Horns
  • Trumpets
  • Trombones (introduced the trombone in the 5th)
  • Percussion
  • Timpani

14
Symphony No. 5 in C minor
  • 1st mvt. - Beethoven achieves unity through the
    use of a motive - the famous 4-note figure
  • 2nd mvt. - For a change of pace and mood,
    Beethoven alternates between variations of two
    themes
  • 3rd mvt. - A scherzo - light and rapid - in
    A-B-A form with a contrasting section called a
    trio (three instruments?) this section leads
    into the finale
  • 4th mvt. - A Sonata-Allegro form, Beethoven adds
    trombones, piccolo and contrabassoon to the
    orchestra, extending the range of sound while
    also giving it weight and power

15
New Ideas
  • Virtually no introduction in the first movement
  • Economical thematic material (the 4-note motive)
    used for the entire work gives it remarkable
    unity
  • Oboe cadenza in the re-capitulation of the 1st
    movement
  • Extended coda
  • Two themes with variations
  • Scherzo and trio
  • Transition using material from the 4-note motive
  • Finale is in a major tonality rather than the key
    of the piece (c minor)
  • Addition of piccolo, contrabassoon, trombone to
    the orchestra
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