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Alignment: the third kind of constraints

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Title: Alignment: the third kind of constraints


1
Alignment the third kind of constraints
  • Today we will look at three alignment effects.
  • 1. Separation of domains syllabification.
  • 2. Concatenation of constituents
  • Simple illustration of alignment effects on word
    order
  • Simple illustration of other structural effects
    of alignment
  • Discussion of fin-second effects in the spirit of
    Legendre
  • 3. Falling together of different kinds of
    entities position of heads in phonology.
  • 4. Positional faithfulness

2
The third kind of constraintsAlignment
  • Alignment constraints are different from both
    markedness and faithfulness.
  • They require 1) that edges of constituents are
    clearly separated, 2) that constituents appear in
    a certain order and 3) that constituents fall
    together or that they appear in certain specified
    positions.
  • The constituents are generally assumed to be
    morphological, syntactic or phonological
    (prosodic).

3
Definition of alignment
  • (1) Generalized Alignment
  • Align (Cat1, Cat2, Edge)
  • Cat1 and Cat2 are prosodic and grammatical
    categories. Edge is Left or Right.
  • In order for (1) to be true, the edge of Cat1
    must fall together with the edge of Cat2.
  • For all Cat1 there is a Cat2 so that

4
Definition of alignment
  • Another possibility
  • Align (Cat1, Cat2) (no mentioning of edge)
  • In this case, all that is required is that two
    categories coincide
  • Examples stress with a syllable or a vowel, tone
    with a syllable

5
First effect of alignmentboundaries1.
Syllabification in German
  • The first effect of alignment and the most
    well-known in phonology is the requirements that
    constituents have clear boundaries.
  • That morphemes should end in a syllable is the
    prototypical example.
  • Some languages blurr their morpheme edges in
    having domains of syllabification larger than the
    morpheme French for example les-enfants
    sont-allés nager.
  • German is a good example of clear syllable
    boundaries.

6
1. Syllabification in German
  • In compounds and prefixed words, there is no
    resyllabification across the morphemes
  • Prefixation (CV)
  • unartig un.aáªtç u.naáªtç naughty
  • verärgern váª.áª.gáªn v\.ëáª.gáªn to
    annoy
  • Compounding
  • Stockente ?tøk.ent\ ?tø.kent\ mallart
  • Riesenaffe ëizn.åf\ ëiz\.nåf\ ape

7
1. Syllabification in German
  • The constraint responsible for the clear (crisp)
    syllabification is
  • ALIGN(stem, syllable, L)
  • The left edge of each stem falls together with
    the left edge of a syllable.
  • This constraint is undominated in German.

8
1. Syllabification in German
  • In suffixation, things are different
  • When the stem ends with a C and the suffix begins
    with a C, the syllabification corresponds to the
    morpheme structure. The same is true for the
    sequences VV and VC.
  • CC faul/Fául-heit fauªl.haiªt lazy-ness
  • VV Ruhe/rúh-ig ëu.ç quiet
  • VC froh/fröh-lich fëø.lç joyful

9
1. Syllabification in German
  • In the case of Faulheit, ruhig and fröhlich,
    ONSET and the new constraint do not conflict.
  • ALIGN(stem, syllable, R)
  • (The right edge of each stem falls together with
    the right edge of a syllable)
  • In ruhig, there is no onset, but syllabification
    separates the morphemes. In Faulheit and
    fröhlich, morpheme structure and syllabification
    fall together.

10
1. Syllabification in German
  • BUT when the stem ends in a consonant and the
    suffix begins with a vowel, things are different
  • CV Kind/kínd-isch kn.d? childish
  • In kindisch, sonnig sunny, Ladung cargo,
    lachen to laugh and so on, there is a conflict
    between ONSET and ALIGN(stem, syllable, R). ONSET
    ranks higher than ALIGN.

11
1. Syllabification in German
  • Conclusion
  • In suffixation, the need to satisfy the unmarked
    syllable structure (onset) is higher than the
    need to separate morphemes.
  • ONSET gtgt ALIGN-R

12
1. Syllabification in German
  • /kindisch/ ONSET ALIGN-R
  • kin.disch
  • kind.isch !

13
1. Syllabification in German
  • /unartig/ ALIGN-L ONSET ALIGN-R
  • un.ar.tig
  • u.nar.tig !
  • un.art.ig !

14
Side effectsNo coalescence
  • Two adjacent vowels, that would fuse together in
    a diphthong refrain from doing so because of
    morpheme edges.
  • German ruhig, prosaisch (u.i and a.i vs.
    Fleisch meatai or Pfui boo)
  • The same is true in French anti-alcoolique
    (i.a vs. piano ja) which is remarkable, since
    French resyllabifies across morpheme and word
    boundaries.

15
Side effectsGlottal stop epenthesis
  • At the beginning of a foot, an onset is
    obligatory in German. If the input does not
    provide any, a glottal stop is inserted that
    functions as the onset of the syllable falling
    together with the left edge of the foot
  • (?Eule) owl, Be(?amte) civil servant,
    Cha(?ot) chaotic person, ver?ärgern, Stock?ente
  • ALIGN(Foot, C, L) gtgt DEP

16
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17
Side effectsLaryngeal constraint
  • Inside of a foot, that is before an unstressed
    syllable, an onset is not obligatory. No glottal
    stop is inserted.
  • (And at lower levels of the prosodic hierarchy,
    some potential onsets are even deleted, like h
    and g after a nasal.)
  • Ehe e\ marriage(but Mahagoni), Zunge tsu\
    (but Tango)
  • ALIGN(Foot, C, L) gtgt DEP gtgt ALIGN(s(V), C, L) gtgt
    h, g gtgt ALIGN(s,(\) C, L)

18
Domain of syllabification summary
  • In German, the domain of syllabification is the
    Prosodic Word.
  • In French it is the Phonological Phrase
  • Alignment effects are usually not felt below the
    PhPh, but recall the anti-coalescence effect
    (biannuel, antialcoolique, transatlantique).

19
Alignment in Syntax
  • In syntax, one tends to focus on linear order
    when one talks about alignment.
  • We begin with a very simple example, discuss
    fin/clitic second effects, and turn to possible
    non-linearization effects of alignment finally.

20
A Simple Example
  • A simple linear example
  • Head Left! (a generalization of LEFT)
  • Head Right!
  • SpecFirst!
  • With these three principles, we can derive the
    basic word order typology

21
SpecFirst gt Head Left
22
Head Left gt Spec First

23
Spec First gt Head Right
24
Head Rightgt Spec First
25
Domain of Application
  • The result follows if we apply headleft to all
    intermediate projections
  • VP he saw Mary 1 violation
  • VP he Mary saw 2 violations

26
Word Order Alignment
  • The principles Head Left and Head Right can be
    formulated in terms of alignment
  • Head Left
  • Align (Phrase, Head, Left)
  • Each phrase has a head at its left edge
  • Align (Phrase, Head, Right)
  • This implies
  • Cross-Categorial Harmony

27
Constraints with more details
  • Align (Verbphrase, Verb, Left)
  • Align (Phrase, Head, Right)
  • This is a language in which verb phrases are
    headinitial, while other categories are headfinal
  • Recall we discussed a similar specialization of
    principles last time (Econ, LexEcon, Gov, LexGov)

28
Constraints with more details
  • Align (V1, V, Left) X
  • Align (VP, V(1), Right) Y
  • In such a language, the verb precedes the
    objects, but follows other VP material
  • Chinese?
  • Subj . Advs . V . Objects

29
Reinterpreting SpecFirst
  • SpecFirst
  • Align (XP, specifier, left)
  • There appears to be no SpecLast e.g. for
    wh-phrases
  • (perhaps in one or two languages ...)
  • One needs to decide what to do about VOS and OVS
    languages

30
Reinterpreting SpecFirst
  • SpecFirst thus does not appear to have a
    mirror-constraint
  • Likewise, LEFT does not really seem to have a
    mirror-constraint
  • (These facts can be due to positional
    faithfulness effects, see below.)

31
More examples for alignment
  • V-to-I movement
  • Jean embrasse souvent Marie
  • Align (Infl, Verb, left)
  • If (1) gt (2), we predict that Focus goes to the
    slot immediately preceding the verb in German
  • (1) Align (v-P, Head, right)
  • (2) Align (CP, Focus, right)

32
A Standard Example Finiteness-Alignment
  • The head of a clause comes first in a language
    like Irish
  • D'eirigh Ciaran
  • rose-3sg Ciaran
  • duirt Seán go-bhfuil Cathal ag rince
  • said John that-is Charles ing dance

33
A Standard Example Finiteness-Alignment
  • In Legendres terms
  • Edgemost (Fin, LEFT)
  • Align (clause, head, left)
  • Align (IP, head, left)
  • clause VP/IP ....
  • Turkish ranks the mirror-constraint higher ...

34
Breton 1a
  • Breton does not differ from Irish in an embedded
    clause
  • Kredin ran en deus aret Yann e bark
  • believe do-I 3sg has ploughed Y. his field
  • but in main clauses ...

35
Breton 1b
  • But the situation is different in the matrix
    clause
  • Yann en deus aret e bark
  • JOHN has ploughed the field
  • subject focus
  • e bark en deus aret Yann
  • object focus
  • en deus aret Yann e bark
  • FOC FIN VSO

36
Breton 1c
  • Align (Focus, root clause, left) A
  • Align (clause, head, left) B
  • Apparently A gt B
  • But we also find structures like
  • Lennet en deus Yann al levr
  • read 3-have John the book
  • and NEVER
  • En deus lennet Yann al levr

37
Breton 1d
  • Legendres proposal
  • NONINIT (Infl, root clause)
  • No Infl must be initial in a root clause
  • If
  • NONINIT (Infl, root clause) gtgt Align (clause,
    head, left)
  • the finite element goes to SECOND postion

38
Breton 1e
  • NONINIT (Infl, root clause)
  • can trigger verb movement that has no pragmatic
    etc. side-effect ...

39
Non-Initiality
  • Non-Initiality is a fairly funny alignment
    constraint that is of some importance for wide
    areas of syntax.

40
German
  • In German, the finite verb must be leftmost in
    root clauses, but non-initial if the root clause
    is a declarative or a wh-question
  • das Buch liest der Mann
  • the book reads the man
  • was liest der Mann
  • what reads the man

41
German
  • Non-Initiality is guaranteed by
  • Expletive insertion
  • es kommt jemand
  • there comes someone
  • Eocus/wh-movement
  • Movement of first element of clause
  • der Mann vergisst seinen Text
  • the man forgets his text

42
Topic Drop
  • Topic-Drop overrides Non-Initiality
  • Hab ich schon gesehen
  • (E) have I already seen
  • gefällt ihm nicht
  • pleases him not

43
Basque
  • Jonek hori daki
  • John that knows
  • Align (clause, head, right)
  • nork daki hori
  • who knows that
  • JONEK daki hori
  • Align (focus/wh, clause, left) A
  • Align (wh-clause, head, left) B
  • A gt B or NonInit (no evidence for latter)

44
Icelandic/Yiddish
  • Align (Clause, head, left)
  • NonInit (Fin, clause)
  • Generalized Verb-Second-Effect
  • az morgn vet dos yingl oyfn veg zen a kats
  • That tomorrow will the boy on the way see a cat

45
Icelandic/Yiddish
  • Stylistic movement/expletive insertion to fulfill
    NonInit
  • Fram hefur komidh adh fiskadh hefur veridh í
    leyfisleysi
  • forth has come that fished has been illegally
  • Fram hefur komidh adh thadh hefur veridh fiskadh
    í leyfisleysi
  • forth has come that it has been fished illegally

46
English
  • Align (Phrase, Head, Left)
  • Align (Fin, ROOT ,Left)
  • Verb-Second-Effect in Questions only
  • Who did you see?
  • I think that Bill, he likes
  • Again, alignment of wh-phrases would be sufficient

47
Croatian Clitics
  • All clitics appear in a cluster
  • tko li mu ga je dao bez pitanja
  • who-L-him-it-is given without question?
  • Clitics appear in second position
  • Ivan mu je jucer dao auto
  • Ivan him-be yesterday give car

48
Some surprises
  • Names can be split up
  • Lava sam Tolstoja citao
  • Lew am-I Tolstoy read
  • Lav je Tolstody citao knjigu

49
Prosody
  • The relevance of prosody
  • e.g. parentheticals .
  • oni su ja tako mislim nazvali ga jucer
  • they be I so believe called him yesterday

50
Prosodically triggered movement
  • Apparently, the cluster must not be initial in
    any intonation phrase
  • Align (clause, Agr, left)
  • NonInit (Agr, IntonPhrase)
  • Prosodic Triggern of movement
  • dao mu ga je Ivan
  • given him.it.is Ivan

51
Clitic Placement in Polish
  • My znowu wczoraj poszli smy do parku
  • We again yesterday went are to park
  • My znowu wczoraj smy poszli do parku
  • My znowu smy wczoraj poszli do parku
  • My smy znowu wczoraj poszli do parku
  • smy my znowu wczoraj poszli do parku
  • In Polish, only the non-initiality constraint has
    a high rank!

52
Other effects of alignment
  • The EPP
  • NonInit (Fin, Z)
  • This seems to be true for languages in which
    anything may precede the finite element.
  • Z root clauses in German, Scandinavian and
    Breton
  • Z IP
  • English type languages ....

53
Some possible consequences
  • We would thus be able to derive the various
    versions of the EPP from Non-Init.
  • This would explain why there are no systematic
    object expletives
  • This would explain (hopefully) why
  • there is normally just ONE expletive position
  • But why is Non-Init restricted to finite
    elements?

54
The Alternative
  • Align (IP, specifier, left)
  • This alignment principle guarantees that each IP
    begins with a specifier.
  • This also looks like the EPP!

55
Other Implications
  • One may wonder, however, why there seems to be no
    mirror-constraint
  • Align (IP, specifier, right)
  • OV languages do not seem to respect the EPP at
    all.

56
Headedness
  • Headedness, however, may be understood as a
    consequence of the alignment principles (this
    could replace OblHd)
  • This presupposes traces, or a cyclic version of
    OT

57
Second effect of alignment 2. Place of affixes
  • In German, English, as well as in all languages
    without infixation, the alignment constraint
    responsible for the positioning of prefixes and
    suffixes are always higher-ranking than all
    prosodic constraints that could trigger an affix
    shift.
  • Instrument-al, instrument-less
  • Ge-länd-e, kind-isch, un-art-ig

58
2. Place of affixes Infixation in Tagalog
  • In Tagalog (McCarthy Prince 1993b) the infix
    -um- is located after the onset of the first
    syllable, if there is one.
  • Root um Root
  • aral um-aral to teach
  • sulat s-um-ulat to write (um-sulat)
  • gradwet gr-um-adwet to graduate

59
2. Place of affixes Infixation in Tagalog
  • It is more important to fulfill the constraint
    against codas than to align a prefix with the
    left edge of a word.
  • NOCODA gtgt ALIGN(Prefix, PW, L)
  • Violations of Align-constraints are gradient, but
    as always violations are minimal.

60
Infixation in Tagalog

61
Infixation in Tagalog

62
Infixation in Tagalog

63
3. Stress
  • The third effect of alignment is the falling
    together of different kinds of constituents.
  • Stress is aligned with syllables, feet, prosodic
    words etc.
  • At the interface with syntax, stress can be
    asociated with lexical elements or with XPs, etc.

64
Third effect of alignment 3. Stress
  • At the interface with semantic, stress is
    associated with the scope of focus operators, for
    instance
  • John only sees his OWN reflection.
  • John only sees his own REFLECTION.
  • John only SEES Mary (but does not hear her).

65
Third effect of alignment 3. Stress
  • Stress is often peripheral final, penultimate or
    initial, which speaks for an analysis in terms of
    alignment.
  • Stress is grouping of constituents. At the lower
    level, syllables are grouped into feet.
  • Feet are trochaic (left-headed) or iambic
    (right-headed). This alignment is trivial, since
    feet consist of two syllables.

66
3. Stress
  • More interesting is what happens at higher
    levels, in a prosodic word or a phrase. There,
    too, stress can be interpreted as standing for
    groupings of constituents, and there, too, it is
    peripheral. But, since feet are the relevant
    constituents, when feet are trochaic and stress
    final, stress is penultimate.

67
3. Stress
  • English stress (McCarthy Prince 1993b)
  • ALIGN(PrWd, Ft, L) all Prosodic Words start with
    a left-aligned foot
  • ALIGN(Ft, PrWd, R) all feet are right-aligned
    with the right edge of the word
  • (Tàta)ma(góuchee) Ta(tàma)(góuchee)
  • Main stress is determined independently.

68
German stress
  • German stress
  • ALIGN(PrWd, Ft, R) all Prosodic Words end with a
    right-aligned foot.
  • ALIGN(PrWd, Ft, R) all Prosodic Words start with
    a left-aligned foot.
  • These two constraints give a stress pattern with
    exactly two stresses, one initial (if possible)
    and one final. The final one is the main stress.

69
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71
4. Positional faithfulness
  • Positional faithfulness has been recently
    introduced into OT phonology by Beckman and
    Steriade.
  • Its effects are often comparable with the effects
    of alignment, though the basic idea is
    different.
  • It says that some positions are more prominent
    than others in terms of perception, and that
    prominent positions allow more contrasts.

72
4. Positional faithfulness
  • As an example, consider Final Devoicing in German
  • loben lo.bn to praise Lob
    lop praise, N.
  • b. Hände d hands Hand t hand
  • c. kluge g clever, infl. klug k
    clever, uninfl.
  • d. brave v good, infl brav f good,
    uninfl.
  • e. niesen z to sneeze nies s sneeze,
    imp.
  • f. OrangeoËã?\ orange, N. orange oËã?
    adj.

73
4. Positional faithfulness
  • Lombardis explanation of FD
  • Voiced obstruents are allowed only before
    tautosyllabic sonorants.
  • Standard explanation It is an active process
    taking place at the end of syllables.

74
4. Positional faithfulness
  • VDOBSTR Obstruents are voiceless.
  • Faithfulness constraint (Beckman 199838)
  • IDENT(voice)
  • For all segments x, y, where x Î Input and y Î
    Output,
  • if xRy, then y is voice iff x is voice.
  • Correspondent segments must agree in voicing.

75
4. Positional faithfulness
  • Positional faithfulness constraint (Beckman
    199838)
  • IDENT(voice)Onset
  • For all segments x, y, where x Î Input and y Î
    Output
  • and y is syllabified in onset position, if xRy,
    then y is voice iff x is voice.
  • Onset segments and their input correspondents
    must agree in voicing.

76
4. Positional faithfulness
  • Exercise
  • Show how these three constraints interact to
    deliver the difference in voicing in Lob/loben.
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