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WRITING To LEARN

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Title: WRITING To LEARN


1
WRITING To LEARN
  • Beth Morton Christian, Ed.D.
  • Tennessee State University

2
  • Low stakes writing helps students involve
    themselves more in the ideas or subject matter of
    a course. It helps them find their own language
    for the issues of the course they stumble into
    their own analogies and metaphors for academic
    concepts. Theorists are fond of saying that
    learning a discipline means learning a discourse.
    That is, students dont know a field until they
    can write and talk about what is in the textbook
    and the lectures in their own lingo, in their
    informal home or personal language (Elbow, 1997,
    P. 7)

3
Writing and the Content-Area Teachers
  • Writing is powerful means for learning because
    the more students manipulate content, the more
    likely to remember and understand the content

4
When students write about content area, they
  • -select and organize words to represent what they
    have learned/read
  • -relate, organize, connect ideas in the text
  • -create systematic relationships between words,
    sentences, paragraphs, etc
  • -draw on prior knowledge, background, and
    purposes for reading
  • -build interrelationships between ideas
  • -helps students to think about to think
    critically

5
My Writing Territories(Atwell, 1995)
  • Writing territories are potential subjects or
    topics that you could write about
  • My writing territories
  • My students territories
  • Ex. Short stories, essays, resumes, recipes,
    notes, letters, checks, lists, emails,
    applications, poems etc.

6
The value of writing activities
  • Students can not remain passive learners when
    engaged in writing activities related to content
  • Writing activities demand participation by every
    student, not just those who volunteer
  • Writing activities quickly demonstrate whether
    students understand a topic

7
Some Guidelines
  • Writing in the classroom should be frequent and
    varied
  • Every writing does not have to be graded
  • Writing activities can be short and
    non-threatening
  • Writing activities should have a real and
    immediate audience (the audience should be more
    than simply the teacher)
  • Publish and Celebrate your students writings
  • Writing does not always have to be an essay or a
    summary

8
Forms of Writing
9
Reading and Writing as a Constructive Process
  • Reading and writing are separate, but overlapping
    processes that provide ways for the construction
    of meaning.
  • Just like reading, writing is a process
  • -Prewriting
  • -Writing
  • -Post-writing

10
Pre-reading Writing Activities
  • Motivate
  • Help to focus attention
  • Help them draw on relevant knowledge and
    experiences
  • Set purpose for reading

11
Writing Assignments
  • Effective writing assignments are essential
  • (e.g., bad assignments yield bad writing)
  • Set purpose
  • Topic or Possible Topics related to Content
  • Audience (who will read or hear writing)
  • Possible modes or formats (e.g., essay, letter,
    poem, etc.)

12
Writing Assignments should include
  • Length
  • Level of polish (first draft, second, edited,
    revised, etc.)
  • Format
  • Focus on grammar, mechanics, spelling
  • Method of evaluation (include rubric)

13
Writing Activities
  • Guided-Writing Activity
  • Learning Logs
  • Quickwrites
  • Double-Entry Journal
  • Framed paragraphs
  • Reader Response

14
SQ3R (Reading/Writing Activity)
  • Survey text Skim reading assignment for headings
    and subheadings.
  • Question Turn the headings into the question
    (Write them down leaving space for answers)
  • Read Read to find the answer to the question
  • Recite or Write Discuss the response with a
    partnersee if you agree. Write the answer under
    the question
  • Review Review your questions and answers

15
Learning Logs
  • Notebooks that students keep in order to record,
    ideas, questions, and reactions to what theyve
    read, observed, or listened to in class
  • Example from a Math Class
  • -ask student to write an entry for each unit of
    study
  • -have them respond to open-ended probes
  • that are designed to give her information on
    their knowledge and possible misconceptions.
  • 1. Ask students to write about the ways that they
    used math over the weekend.
  • What have you heard about averages?
  • Who uses averages and for what?
  • How are averages used?

16
Quickwrites(one minute papers)
  • Encourage students to construct meaning and to
    monitor their understanding
  • Give students 2 or 3 minutes to write about the
    topic of their reading assignment (can occur
    after a discussion of reading as well)
  • Use probes and prompts to get student going
    write an interesting quotation from the reading,
    ask for the main point, ask them to write down
    what they remember, etc.

17
Microthemes
  • Short writing assignments that can be written on
    an index card
  • Ask students to summarize key ideas form a
    reading assignment, demonstration, experiment, or
    lecture in their own words
  • Students feel less intimidated when they only
    have an index card to fill
  • Students must plan carefully what they will say
    and how they will say it because they receive
    only one index card
  • Options Take up index cards, let students share
    their summaries, let them ask questions about
    things they are confused, share answers and
    questions with a neighbor while you circulate the
    room

18
Guided-Writing Activity
  • On the first day, activate students prior
    knowledge on the topic by brainstorming and
    listing ideas on an overhead or chalkboard.
  • Ask the class to organize and label the ideas
    collectively.
  • Then ask the students to write individually on
    the topic using this information
  • In preparation for the second day, have the class
    read the text and revise their explanatory
    writing
  • In class on the second day, give a follow-up
    multiple-choice and essay exam on the texts key
    ideas
  • (ex. Stress)

19
Double-Entry Journal
20
Dialogue Journals
  • Between student and teacher
  • Between student and student

21
RAFT
  • Writing that encourages creativity and helps
    students get started
  • Role of the writer- I am a new business
  • Audience- my customers
  • Form- I will write a brochure
  • Topic- I will inform my customers what I will do
    for them

22
SPAWN
  • Special Powers- (if you had special powers to
    change any event in the novel or text, what would
    it be and why)
  • Problem Solving- (if you could solve the problems
    in text, what would you do and how)
  • Alternative viewpoints- after hearing one
    viewpoint on a topic, take the opposite view
    point or try to see the issue from someone elses
    perspective
  • What if (what if the story took place in
    another place or another time)
  • Next- (imagine what would happen next)

23
Reader-Response Journal Entries
  • Interaction between reader and the text
  • Personal meaning that the reader draws from the
    text (even from content area texts)
  • Not a summary
  • Prompts
  • What aspects of the text excited you or
    interested you?
  • What are your feelings and attitudes about this
    aspect of the text?
  • What experiences have you had that help other
    understand why you feel this way?

24
The Writing Process
  • Although the following points describe writing
    activity in an exemplary classroom, it should be
    understood that the writing, reading, speaking,
    and listening processes are intended to be
    integrated. Several elements from each process
    should be at work in all language arts
    experiences in the classroom.

25
The Writing Process
  • Prewriting
  • Drafting
  • Revising
  • Editing
  • Publishing/Sharing

26
  • In the classroom the following should be in
    evidence
  • the teacher modeling the writing process and
    sharing his/her own written work with students
  • the teacher providing instruction about the
    recursive nature of writing and the components of
    a writing process(e.g., pre-writing, planning,
    drafting, conferencing, revising, editing,
    sharing, publishing)
  • the students engaging in daily writing for a
    variety of audiences and purposes and in a
    variety of formats
  • the students moving around the classroom to
    accomplish their individual tasks, depending upon
    where they are in their writing process

27
  • the teacher encouraging and instructing students
    about how to use writing as a means of thinking,
    responding, and learning (e.g., jotting notes,
    creating idea webs) the teacher using brief
    mini-lessons with individuals, small groups, or
    the whole class as needed to help students
  • review or acquire the language skills and
    concepts in the context of their own writing
  • the students using a variety of available
    tools (e.g., dictionary, thesaurus, computer word
    processor, language
  • usage handbook, peers) to assist them during
    writing

28
  • the teacher conferring regularly with individual
    students about their writing, responding with
    encouraging, useful suggestions and providing
    assistance on a regular basis
  • the students engaging in conferences
    throughout the writing process (e.g., during
    revising and editing)
  • the teacher and students displaying and
    publishing their writing

29
  • Self-Evaluation and Peer-Conferences
  • Ask yourself some of these questions (or have a
    conference partner ask them after reading the
    writing-in-progress)
  • How do I feel about what I've written so
    far?
  • What is good that I can enhance?
  • Is there anything about it that concerns
    me, does not fit, or seems wrong?
  • What am I discovering as I write this
    piece?
  • What surprises me? Where is it leading?
  • What is my purpose?
  • What is the one most important thing that I
    am trying to convey?
  • How can I build this idea? Are there places
    that I wander away from my key idea?

30
  • Who is my audience?
  • What might my readers think as they read
    through this piece?
  • What questions will they ask?
  • What will be their response to the
    different parts? To the whole?
  • What might I do next?
  • Would it help to try another draft ... to
    talk to a peer ... to talk to the teacher ... to
    check a resource book ... To reread it aloud,
    silently, several times ... to read a published
    example of this genre ... to put it aside ... to
    try the idea in a new genre ... to keep on
    writing ...?

31
Minilessons
  • Determine your students needs for minilessons by
    evaluating their writing from various formats and
    from talking to students bout their struggles
  • Devise minilessons to address the problems that
    you discover
  • Minilessons may include grammar, literary
    elements, using conventions appropriately, style,
    organization, getting started, story structure,
    language use, content, etc
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