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Title: Rhetorical Tropes and Schemes


1
Rhetorical Tropes and Schemes
  • The same notes only different

2
Alliteration
  • Repetition of the same sound beginning several
    words in sequence. From the Latin, "putting
    letters together"
  • Let us go forth to lead the land we love.
    (J. F. Kennedy, Inaugural)
  • Veni, vidi, vici. (Julius Caesar)
  • "The soul selects her own society."(Emily
    Dickinson)

3
Anacoluthon
  • Lack of grammatical sequence a change in the
    grammatical construction within the same
    sentence. From the Greek, "inconsistent."
  • Agreements entered into when one state of facts
    exists -- are they to be maintained regardless of
    changing conditions?
    (J. Diefenbaker)
  • "I will have such revenges on you both,That all
    the world shall--I will do such things,What they
    are, yet I know not."(William Shakespeare, King
    Lear)

4
Anadiplosis
  • The rhetorical repetition of one or several
    words specifically, repetition of a word that
    ends one clause at the beginning of the next.
    From the Greek "doubling back."
  • Men in great place are thrice servants servants
    of the sovereign or state servants of fame and
    servants of business.
    (Francis Bacon )
  • "Our doubt is our passion, and our passion is our
    task."(Henry James)
  • "I am Sam, Sam I am."(Dr. Seuss, Green Eggs and
    Ham)

5
Anaphora
  • The repetition of a word or phrase at the
    beginning of successive phrases, clauses or
    lines. From the Greek, "carrying back."
  • We shall not flag or fail. We shall go on to the
    end. We shall fight in France, we shall fight on
    the seas and oceans, we shall fight with growing
    confidence and growing strength in the air, we
    shall defend our island, whatever the cost may
    be, we shall fight on the beaches, we shall fight
    on the landing grounds, we shall fight in the
    fields and in the streets, we shall fight in the
    hills. We shall never surrender. (Churchill)
  • "I needed a drink, I needed a lot of life
    insurance, I needed a vacation, I needed a home
    in the country. What I had was a coat, a hat and
    a gun."(Raymond Chandler, Farewell, My Lovely)

6
Anastrophe
  • Transposition of normal word order most often
    found in Latin in the case of prepositions and
    the words they control. Anastrophe is a form of
    hyperbaton. From the Greek, "a turning back, a
    turning upside down."
  • The helmsman steered the ship moved on yet
    never a breeze up blew.

    (Coleridge, The Rime of the Ancient Mariner)
  • "Our lives upon, to use Our strongest hands"
    (from Antony and Cleopatra by William
    Shakespeare)

7
Antistrophe
  • Repetition of the same word or phrase at the end
    of successive clauses. From Greek, "a turning
    about, a turning back."
  • In 1931, ten years ago, Japan invaded Manchukuo
    -- without warning. In 1935, Italy invaded
    Ethiopia -- without warning. In 1938, Hitler
    occupied Austria -- without warning. In 1939,
    Hitler invaded Czechoslovakia -- without warning.
    Later in 1939, Hitler invaded Poland -- without
    warning. And now Japan has attacked Malaya and
    Thailand -- and the United States --without
    warning. (Franklin D.
    Roosevelt )
  • "Since the time when from our state concord
    disappeared, liberty disappeared, good faith
    disappeared, friendship disappeared, the common
    wealth disappeared." (from Rhetorica ad
    Herennium)

8
Antithesis
  • Opposition, or contrast of ideas or words in a
    balanced or parallel construction. Late Latin,
    from Greek, to oppose tithenai, to set.
  • Extremism in defense of liberty is no vice,
    moderation in the pursuit of justice is no
    virtue. ( Barry Goldwater)
  • Brutus Not that I loved Caesar less, but that I
    loved Rome more. (Shakespeare, Julius Caesar)
  • The vases of the classical period are but the
    reflection of classical beauty the vases of the
    archaic period are beauty itself." (Sir John
    Beazley)

9
Aporia
  • Expression of doubt (often feigned) by which a
    speaker appears uncertain as to what he should
    think, say, or do. From the Greek, "without
    passage."
  • Then the steward said within himself, 'What
    shall I do? (Luke 16)
  • "I come not, friends, to steal away your
    heartsI am no orator, as Brutus isBut, as you
    know me all, a plain, blunt man,That love my
    friend."(Antony in Shakepeare's Julius Caesar)

10
Apostrophe
  • A sudden turn from the general audience to
    address a specific group or person or personified
    abstraction absent or present. From the Greek,
    "turning away."
  • For Brutus, as you know, was Caesar's
    angel.Judge, O you gods, how dearly Caesar loved
    him. (Shakespeare, Julius Caesar)
  • "Hello darkness, my old friendI've come to talk
    with you again . . .."(Paul Simon, "The Sounds
    of Silence")
  • "Bright star, would I were steadfast as thou
    art"(John Keats)

11
Aposiopesis
  • A form of ellipse by which a speaker comes to an
    abrupt halt, seemingly overcome by passion (fear,
    excitement, etc.) or modesty. From the Greek,
    "maintaining silence."
  • "I won't sleep in the same bed with a woman who
    thinks I'm lazy! I'm going right downstairs,
    unfold the couch, unroll the sleeping ba--uh,
    goodnight."(Homer Simpson in The Simpsons)
  • "Almira Gulch. Just because you own half the
    county doesn't mean that you have the power to
    run the rest of us. For 23 years I've been dying
    to tell you what I thought of you! And now . . .
    well, being a Christian woman, I can't say
    it!"(Auntie Em in The Wizard of Oz, 1939)

12
Archaism
  • Use of an older or obsolete form. From the Greek,
    "ancient, beginning."
  • Pipit sat upright in her chairSome distance from
    where I was sitting (T. S. Eliot, "A Cooking
    Egg)
  • "Among the technological archaisms I've had to
    explain to the Tuned In children--what a 'record'
    is, why they call it 'dialing' a phone, the fact
    that, once, you couldn't rewind TV shows--is the
    fact that, a long time ago, musicians used to
    make little movies of their songs, and people
    would watch them on TV."(James Poniewozik, "Wake
    Up and Smell the Cat Food in Your Bank Account."
    Time magazine, May 2, 2007)

13
Assonance
  • Repetition of the same sound in words close to
    each other. From the Latin, "sound."
  • Thy kingdom come, thy will be done.
  • "The spider skins lie on their sides, translucent
    and ragged, their legs drying in knots."(Annie
    Dillard, Holy the Firm)
  • "Old age should burn and rave at close of
    dayRage, rage, against the dying of the
    light."(Dylan Thomas, "Do not go gentle into
    that good night")

14
Asyndeton
  • Lack of conjunctions between coordinate phrases,
    clauses, or words. From the Greek,
    "unconnected."
  • We shall pay any price, bear any burden, meet any
    hardships, support any friend, oppose any foe to
    assure the survival and the success of liberty.
    (J. F. Kennedy, Inaugural)
  • But, in a larger sense, we cannot dedicate, we
    cannot consecrate, we cannot hallow this ground.
    ( Lincoln, Gettysburg Address)

15
Brachylogy
  • A general term for abbreviated or condensed
    expression, of which asyndeton and zeugma are
    types. Ellipse is often used synonymously. The
    suppressed word or phrase can usually be supplied
    easily from the surrounding context. From the
    Greek, "short" "speech"
  • "My very photogenic mother died in a freak
    accident (picnic, lightning) when I was three,
    and, save for a pocket of warmth in the darkest
    past, nothing of her subsists within the hollows
    and dells of memory . . .."(Vladimir Nabokov,
    Lolita, 1955)
  • The omission of "good" in "good morning."

16
Cacophony
  • Harsh joining of sounds. From Greek, "harsh
    sounding,"  "bad, evil," phone  "voice."
  • We want no parlay with you and your grisly gang
    who work your wicked will. (W. Churchill)
  • And being no stranger to the art of war, I have
    him a description of cannons, culverins,
    muskets, carabines, pistols, bullets, powder,
    swords, bayonets, battles, sieges, retreats,
    attacks, undermines, countermines, bombardments,
    sea-fights (from Jonathan Swifts
    Gullivers Travels --1726)

17
Catachresis
  • A harsh metaphor involving the use of a word
    beyond its strict sphere. From the Greek "misuse"
    or "abuse."The inappropriate use of one word for
    another, or an extreme, strained, or mixed
    metaphor, often used deliberately.
  • I listen vainly, but with thirsty ear.
    (MacArthur, Farewell Address)
  • "Attentive readers will have noticed a lamentable
    catachresis yesterday, when the Wrap referred to
    some French gentlemen as Galls, rather than
    Gauls."(Sean Clarke, The Guardian, June 9,
    2004)

18
Chiasmus
  • Two corresponding pairs arranged not in parallels
    (a-b-a-b) but in inverted order (a-b-b-a) from
    shape of the Greek letter chi (X). From the
    Greek, "mark with the letter X."
  • Those gallant men will remain often in my
    thoughts and in my prayers always. (MacArthur)
  • "You forget what you want to remember, and you
    remember what you want to forget."(Cormac
    McCarthy, The Road, 2006)
  • "In the end, the true test is not the speeches a
    president delivers its whether the president
    delivers on the speeches."(Hillary Clinton,
    March 2008)
  • "Fair is foul, and foul is fair."(William
    Shakespeare, Macbeth I.i)

19
Climax
  • Arrangement of words, phrases, or clauses in an
    order of ascending power. Often the last emphatic
    word in one phrase or clause is repeated as the
    first emphatic word of the next. From the Greek,
    "ladder."
  • One equal temper of heroic hearts,Made weak by
    time and fate, but strong in willTo strive, to
    seek, to find, and not to yield. (Tennyson,
    Ulysses)
  • I came, I saw, I conquered."(Julius Caesar)
  • "I am the way, the truth, and the
    life."(St.John, The New Testament, Chapter 14,
    verse 4)

20
Euphemism
  • Substitution of an agreeable or at least
    non-offensive expression for one whose plainer
    meaning might be harsh or unpleasant. From the
    Greek, use of good words.
  • Mr. Prince We'll see you when you get back from
    image enhancement camp.Martin Prince Spare me
    your euphemisms! It's fat camp, for Daddy's
    chubby little secret!("Kamp Krusty," The
    Simpsons, 1992)
  • Dr. House I'm busy.Thirteen We need you to . .
    .Dr. House Actually, as you can see, I'm not
    busy. It's just a euphemism for "get the hell out
    of here."("Dying Changes Everything," House,
    M.D.)

21
Hendiadys
  • Use of two words connected by a conjunction,
    instead of subordinating one to the other, to
    express a single complex idea. From the Greek,
    "one through two."
  • It sure is nice and cool today! (for "pleasantly
    cool")
  • I love the Lord, because he hath heard my voice
    and my supplications. (Psalms 116)
  • House and home or law and order

22
Hypallage
  • Transferred epithet grammatical agreement of a
    word with another word which it does not
    logically qualify. More common in poetry. From
    the Greek, "interchange."
  • "Winter kept us warm, coveringEarth in forgetful
    snow, feedingA little life with dried
    tubers."(T.S. Eliot, The Waste Land)
  • "happy morning" Mornings have no feelings, but
    the people who are awake through them do.
  • "distracted driving" The driving is not
    distracted, but the person doing it is.

23
Hyperbaton
  • Separation of words which belong together, often
    to emphasize the first of the separated words or
    to create a certain image. From the Greek,
    transposed.
  • Some rise by sin, and some by virtue
    fall."(William Shakespeare, Measure for Measure
    II.i)
  • "Object there was none. Passion there was none. I
    loved the old man."(Edgar Allan Poe, "The
    Tell-Tale Heart")
  • "Sorry I be but go you must."(Yoda in Star Wars)

24
Hyperbole
  • Exaggeration for emphasis or for rhetorical
    effect. From the Greek, "excess."
  • My vegetable love should growVaster than
    empires, and more slowAn hundred years should
    got to praiseThine eyes and on thine forehead
    gazeTwo hundred to adore each breast,But
    thirty thousand to the rest. (Andrew Marvell,
    To His Coy Mistress)
  • "I was helpless. I did not know what in the world
    to do. I was quaking from head to foot, and could
    have hung my hat on my eyes, they stuck out so
    far."(Mark Twain, "Old Times on the
    Mississippi")

25
Hysteron Proteron
  • Inversion of the natural sequence of events,
    often meant to stress the event which, though
    later in time, is considered the more important.
    From the Greek, "latter first."
  • "I like the island Manhattan. Smoke on your pipe
    and put that in." -- from the song "America,"
    West Side Story lyric by Stephen Sondheim
    (submitted per litteram by guest rhetorician
    Anthony Scelba)
  • Put on your shoes and socks!
  • "Let us die, and charge into the thick of the
    fight." (Aeneid ii. 353)

26
Irony
  • Expression of something which is contrary to the
    intended meaning the words say one thing but
    mean another. From the Greek, "feigned
    ignorance."
  • Yet Brutus says he was ambitiousAnd Brutus is
    an honourable man. (Shakespeare, Julius Caesar)
  • Gentlemen, you can't fight in here! This is the
    War Room."(Peter Sellers as President Merkin
    Muffley in Dr. Strangelove, 1964)
  • "It is a fitting irony that under Richard Nixon,
    launder became a dirty word."(William Zinsser)

27
Litotes
  • Understatement, for intensification, by denying
    the contrary of the thing being affirmed.
    (Sometimes used synonymously with meiosis.) From
    the Greek, "plainness, simplicity."
  • A few unannounced quizzes are not inconceivable.
  • War is not healthy for children and other living
    things.
  • "The grave's a fine a private place,But none, I
    think, do there embrace."(Andrew Marvell, "To
    His Coy Mistress")
  • "We made a difference. We made the city stronger,
    we made the city freer, and we left her in good
    hands. All in all, not bad, not bad at
    all."(Ronald Reagan, Farewell Address to the
    Nation, January 20, 1989)
  • One nuclear bomb can ruin your whole day.
    (meiosis)

28
Metaphor
  • Implied comparison achieved through a figurative
    use of words the word is used not in its literal
    sense, but in one analogous to it. From the
    Greek, "carry over."
  • Life's but a walking shadow a poor player,That
    struts and frets his hour upon the stage.
    (Shakespeare, Macbeth)
  • "Men's words are bullets, that their enemies take
    up and make use of against them."(George Savile,
    Maxims)
  • "A man may break a word with you, sir, and words
    are but wind."(Shakespeare, The Comedy of
    Errors)

29
Metonymy
  • Substitution of one word for another which it
    suggests. From the Greek, "change of name."
  • He is a man of the cloth.
  • The pen is mightier than the sword.
  • By the sweat of thy brow thou shalt eat thy
    bread.
  • The suits on Wall Street walked off with most of
    our savings.

30
Onomatopoeia
  • Use of words to imitate natural sounds
    accommodation of sound to sense. From the Latin,
    "make names."
  • "Plop, plop, fizz, fizz, oh what a relief it
    is."(slogan of Alka Seltzer, U.S.)
  • "He saw nothing and heard nothing but he could
    feel his heart pounding and then he heard the
    clack on stone and the leaping, dropping clicks
    of a small rock falling."(Ernest Hemingway, For
    Whom the Bell Tolls)

31
Oxymoron
  • Apparent paradox achieved by the juxtaposition of
    words which seem to contradict one another. From
    the Greek, "sharp-dull."
  • I must be cruel only to be kind. (Shakespeare,
    Hamlet)
  • "How is it possible to have a civil war?"(George
    Carlin)
  • I hate intolerant people."(Gloria Steinem)
  • "O brawling love! O loving hate! . . .O heavy
    lightness! serious vanity!Misshapen chaos of
    well-seeming forms!Feather of lead, bright
    smoke, cold fire, sick health!Still-waking
    sleep, that is not what it is!This love feel I,
    that feel no love in this."(William Shakespeare,
    Romeo and Juliet)

32
Paradox
  • An assertion seemingly opposed to common sense,
    but that may yet have some truth in it. From the
    Greek, "incredible, contrary to opinion or
    expectation."
  • What a pity that youth must be wasted on the
    young. (George Bernard Shaw)
  • "I have found the paradox, that if you love until
    it hurts, there can be no more hurt, only more
    love."(Mother Teresa)
  • "War is peace.""Freedom is slavery.""Ignorance
    is strength."(George Orwell, 1984)
  • "Some day you will be old enough to start reading
    fairy tales again."(C.S. Lewis to his godchild,
    Lucy Barfield, to whom he dedicated The Lion, the
    Witch and the Wardrobe)

33
Paraprosdokian
  • Surprise or unexpected ending of a phrase or
    series. From Greek, meaning "beyond" and
    "expectation"
  • He was at his best when the going was good.
    (Alistair Cooke on the Duke of Windsor)
  • "She got her good looks from her father, he's a
    plastic surgeon." (Groucho Marx)
  • "Outside of a dog, a book is man's best friend.
    Inside of a dog, it's too dark to read." (Groucho
    Marx)
  • "If I could say a few words, I would be a better
    public speaker." (Homer Simpson)

34
Paronomasia
  • Use of similar sounding words often etymological
    word-play. From the Greek, "word-shunting."
  • ...culled cash, or cold cash, and then it turned
    into a gold cache. (E.L. Doctorow, Billy
    Bathgate )
  • The dying Mercutio Ask for me tomorrow and you
    shall find me a grave man. (Shakespeare, Romeo
    and Juliet)
  • "I have a mind to join a club and beat you over
    the head with it."(Groucho Marx)
  • "Curl Up and Dye"(beauty salon in London)

35
Personification
  • Attribution of personality to an impersonal
    thing. 1755, noun of action from personify. Sense
    of "embodiment of a quality in a person" is
    attested from 1807.
  • England expects every man to do his duty. (Lord
    Nelson)
  • "Fear knocked on the door. Faith answered. There
    was no one there."(proverb quoted by Christopher
    Moltisanti, The Sopranos)
  • You're in good hands with Allstate.(Allstate
    Insurance Company)

36
Pleonasm
  • Use of superfluous or redundant words, often
    enriching the thought. From the Greek,
    "excessive, abundant."
  • No one, rich or poor, will be excepted.
  • Ears pierced while you wait!
  • I have seen no stranger sight since I was born.
  • "The most unkindest cut of all."(William
    Shakespeare, Julius Caesar)

37
Polysyndeton
  • The repetition of conjunctions in a series of
    coordinate words, phrases, or clauses. From the
    Greek, "bound together."
  • "Who killed him?" and he said, "I don't know who
    killed him but he's dead all right," and it was
    dark and there was water standing in the street
    and no lights and windows broke and boats all up
    in the town and trees blown down and everything
    all blown and I got a skiff and went out and
    found my boat where I had her inside Mango Bay
    and she was all right only she was full of water.
    (Hemingway, After the Storm)
  • "We lived and laughed and loved and left."(James
    Joyce, Finnegans Wake, 1939)
  • "Let the whitefolks have their money and power
    and segregation and sarcasm and big houses and
    schools and lawns like carpets, and books, and
    mostly--mostly--let them have their
    whiteness."(Maya Angelou, I Know Why the Caged
    Bird Sings, 1969)

38
Praeteritio
  • Pretended omission for rhetorical effect.
  • That part of our history detailing the military
    achievements which gave us our several
    possessions ... is a theme too familiar to my
    listeners for me to dilate on, and I shall
    therefore pass it by. (Thucydides, "Funeral
    Oration)

39
Prolepsis
  • The anticipation, in adjectives or nouns, of the
    result of the action of a verb also, the
    positioning of a relative clause before its
    antecedent. From the Greek, "preconception,
    anticipation."
  • Consider the lilies of the field how they grow.
  • Michael Moore concludes his book Dude, Where's My
    Country? (2003) with a dream he had one night
    that took him several years into the future a
    time when the world has run out of oil and wars
    started by the U.S. have brought an end to
    America as we know it. Moore is having a
    conversation with his granddaughter, who wants to
    know how Americans could have been so blind to
    the truth and so wasteful.

40
Simile
  • An explicit comparison between two things using
    'like' or 'as'. From Latin, "likeness" or
    "comparison."
  • My love is as a fever, longing stillFor that
    which longer nurseth the disease (Shakespeare,
    Sonnet CXLVII)
  • Reason is to faith as the eye to the telescope.
    (D. Hume)
  • Let us go then, you and I,While the evening is
    spread out against the sky,Like a patient
    etherized upon a table... (T.S. Eliot, The
    Love Song of J. Alfred Prufrock)
  • "Life is like an onion You peel it off one layer
    at a time, and sometimes you weep."(Carl
    Sandburg)

41
Syllepsis
  • Use of a word with two others, with each of which
    it is understood differently. From the Greek, "a
    taking."
  • We must all hang together or assuredly we will
    all hang separately. (Benjamin Franklin)
  • "You held your breath and the door for
    me."(Alanis Morrissette, "Head Over Feet")
  • "She tracks sand in as well as ideas, and I have
    to sweep up after her two or three times a
    day."(E.B. White, "On a Florida Key")

42
Synchysis
  • Synchysis is an interlocked word order, in the
    form A-B-A-B which often display change and
    difference. This poetry form was a favorite with
    Latin poets. They are often employed to
    demonstrate such change within the event in which
    they are situated on occasion, there are
    synchyses within a poem which were not intended
    but happened to be written in such a way.
  • A synchysis may be opposed to chiasmus, which is
    in the form A-B-B-A.
  • A line of Latin verse in the form adjective A -
    adjective B - verb - noun A - noun B, with the
    verb in the center (or a corresponding chiastic
    line, again with the verb in the center), is
    known as a golden line.
  • "Abraham George Lincoln Washington"
  • aurea purpuream subnectit fibula vestem, "a
    golden clasp bound her purple cloak" (Virgil,
    Aeneid 4.139)
  • "I run and shoot, fast and accurate."
  • "Matter too soft a lasting mark to bear"
    --Alexander Pope, "Epistle II. To a Lady" (1743)

43
Synecdoche
  • Understanding one thing with another the use of
    a part for the whole, or the whole for the part.
    (A form of metonymy.) From the Greek, "shared
    understanding."
  • Give us this day our daily bread. (Matthew 6)
  • I should have been a pair of ragged
    clawsScuttling across the floors of silent
    seas.(T. S. Eliot, "The Love Song of J. Alfred
    Prufrock)
  • The sputtering economy could make the difference
    if you're trying to get a deal on a new set of
    wheels.(Al Vaughters, WIVB.com, Nov. 21, 2008)

44
Synesis
  • The agreement of words according to logic, and
    not by the grammatical form a kind of
    anacoluthon. From the Greek, "understand, bring
    together."
  • For the wages of sin is death. (Romans 6)
  • Then Philip went down to the city of Samaria, and
    preached Christ unto them. (Acts 6)
  • "Most of the audience were standing, and the
    house was in a buzz of conversation and
    expectation."(Charles D. Warner, "Wagner's
    Parsifal")

45
Tautology
  • Repetition of an idea in a different word,
    phrase, or sentence. From the Greek, "redundant."
  • With malice toward none, with charity for all.
    (Lincoln, Second Inaugural)
  • "The 'new public management' has brought new
    ailments, particularly tautology. You often see
    such phrases as 'first class organizations are
    those that perform excellently.'"(David Walker,
    "Mind Your Language." The Guardian, Sep. 27,
    2006)

46
Zeugma
  • Two different words linked to a verb or an
    adjective which is strictly appropriate to only
    one of them. From the Greek, "a yoking, a bond."
  • Nor Mars his sword, nor war's quick fire shall
    burn the living record of your memory.
  • "He carried a strobe light and the responsibility
    for the lives of his men."(Tim O'Brien, The
    Things They Carried)
  • "You held your breath and the door for
    me."(Alanis Morissette, "Head over Feet")
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