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George Bernard Shaw (1856-1950)

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George Bernard Shaw (1856-1950) Cecilia H. C. Liu Oct. 5, 2005 George Bernard Shaw Born in Dublin, where he grew up in something close to genteel poverty. – PowerPoint PPT presentation

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Title: George Bernard Shaw (1856-1950)


1
George Bernard Shaw
(1856-1950)
  • Cecilia H. C. Liu
  • Oct. 5, 2005

2
George Bernard Shaw
  • Born in Dublin, where he grew up in something
    close to genteel poverty. Young Shaw and his two
    sisters were brought up mostly by servants.
  • His father George Carr Shaw, in the wholesale
    grain trade a drunkard - his example prompted
    his son to become a teetotaller.
  • - died in 1885.
  • Mother Lucinda Elisabeth (Gurly) Shaw was the
    daughter of an impoverished landowner.
  • - 16-years younger than her husband She
    eventually left the family home to teach music,
    singing, in London
  • - died in 1913.

3
George Bernard Shaw
  • Shaw finished his formal education at the Dublin
    English Scientific and Commercial Day School. At
    the age of 15, he started to work as a junior
    clerk. In 1876 he went to London, joining his
    sister and mother. Shaw did not return to Ireland
    for nearly thirty years.
  • In 1877-78 Shaw educated himself at the British
    Museum. He began his literary career by writing
    music and drama criticism, and novels, including
    the semi-autobiographical IMMATURITY, without
    much success.

4
Shaw and the Fabian Society
  • A vegetarian, who eschewed alcohol and tobacco,
    Shaw joined in 1884 the Fabian Society, served on
    its executive committee from 1885 to 1911.
  • A man of many causes, Shaw supported abolition of
    private property, radical change in the voting
    system, campaigned for the simplification of
    spelling, and the reform of the English alphabet.
    As a public speaker, Shaw gained the status of
    one of the most sought-after orators in England.

5
Prostitution in Victorian Britain
  • a. Modern scholars support Shaw's claims that
    women turned to prostitution as better than the
    alternatives that they organised themselves,
    helped themselves (as the Warren sisters do) and
    had contacts with the highest classes, and
    protection from them and that most prostitutes
    hoped to retire to respectability.
  • b. The nineteenth-century theatre portrayed
    prostitutes as repentant but tragic figures e.g,
    Dumas fils , La Dame aux Camélias (1852), which
    became Verdi's opera La Traviata (1853) Pinero,
    The Second Mrs Tanqueray (1893). Mrs Warren is
    different in not apologising for her profession
    instead, she is proud of herself.

6
Performance Ban
  • Embarrassment of this subject and the temptation
    to treat it with horror or jokiness.
  • Shaw tries to counter this by adapting Ibsenite
    realism. Influence of Ibsen on Shaw, especially
    his social problem plays (e.g., An Enemy of the
    People (1882)) in terms of (a) realism of
    presentation (b) seriousness of social issues
    raised (c) technique of unmasking of characters
    and society.

7
  • Central revelation of play is Crofts' speech to
    Vivie in Act III where he shows that 'all decent
    society' is based on exploitation of the poor,
    especially women (i.e., prostitution is a symptom
    of economic not just sexual exploitation).
  • But unmasking is essentially a comic technique
    (e.g., the discovery that the Rev. Sam Gardner
    was one of Mrs Warren's clients, end of Act I).

8
  • Vivie's response to Crofts is revolutionary - she
    refuses to join the rest in the society he
    describes, but sets off to look for a new life.
    This conversion referred to as 'a serious call'
    in Act IV (p. 273) and has a religious quality
    compare attitudes of characters in later plays by
    Shaw, e.g., Saint Joan (1923).

9
Is Mrs Warren's Profession a comedy?
  • a. Not a romantic comedy, despite discussions of
    marriage and conflict between lovers and parents
    - no wedding at end!
  • b. Not a satirical comedy, since Mrs Warren,
    Crofts, et al., are not the abnormal contrasted
    with the normal, but the normal itself. Vivie
    tells her mother 'You are a conventional woman at
    heart' (p. 286) i.e., Mrs Warren occupies the
    same moral ground from which society judges her.
  • c. Perhaps a divine comedy (despite Shaw's
    atheism), as the play shows an optimism about
    goodness. The apparent evil of society is a
    temporary error and the play describes a universe
    where benevolence and redemption, though
    difficult, are possible, to those who see it
    clearly and commit themselves to living honestly.

10
Works Cited
  • Comedy in English Literature. 4 Oct. 2005
    lthttp//www.st-andrews.ac.uk/www_se/personal/cjmm
    /Shaw.htmlgt.
  • George Bernard Shaw. 4 Oct. 2005
    lthttp//www.kirjasto.sci.fi/gbshaw.htmgt.
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