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Title: Physics of the Blues: Music, Fourier and the WaveParticle Duality


1
Physics of the BluesMusic, Fourier and the
Wave-Particle Duality
  • J. Murray Gibson
  • Presented at Fermilab
  • October 15th 2003

2
The Advanced Photon Source
3
Art and Science
  • Art and science are intimately connected
  • Art is a tool for communication between
    scientists and laypersons

4
The Poetry of Mathematics
5
Music is excellent example
6
Outline
  • What determines the frequency of notes on a
    musical scale?
  • What is harmony and why would fourier care?
  • Where did the blues come from?    (We' re
    talking the "physics of the blues", and not "the
    blues of physics"  - that's another colloquium).
  • Rules (axioms) and ambiguity fuel creativity
  • Music can explain physical phenomena
  • Is there a musical particle? (quantum mechanics)
  • The importance of phase in imaging?

7
Overtones of a string
Fourier analysis all shapes of a string are a
sum of harmonics
Harmonic content describes difference between
instruments e.g. organ pipes have only odd
harmonics..
8
Spatial Harmonics
  • Crystals are spatially periodic structures which
    exhibit integral harmonics
  • X-ray diffraction reveals amplitudes which gives
    structure inside unit cell
  • Unit-cell contents?(or instrument timbre?)

9
Semiconductor Bandgaps
  • Standing waves in a periodic lattice (Bloch
    Waves) the phase affects energy and leads to a
    bandgap

10
Familiarity with the Keyboard
C
D
E
G
A
F
B
1 step semitone 2 steps whole tone
C D E F G A
11
How to make a scale using notes with overlapping
harmonics
G3/2
E5/4
B?flat7/4
2
1
3
6
7
8
4
5
C
Concept of intervals two notes sounded
simultaneouslywhich sound good together Left
brain meets the right brain
Pythagoras came up with this.
12
The pentatonic scale





C
D
E
G
A
5/4
3/2
9/8
27/16
1
Common to many civilizations (independent
experiments?)
13
Intervals
  • Unison (first)
  • Second
  • Third
  • Fourth
  • Fifth
  • Sixth
  • Seventh
  • Octave (eighth)

Two notesplayed simultaneously
Major, minor, perfect, diminished..
Not all intervals are HARMONIC(although as time
goes by there are more.. Harmony is a learned
skill, as Beethovendiscovered when he was booed)
14
Natural Scale Ratios
15
Diatonic Scale
C
D
E
G
A
F
B
C
Tonic is C here
Doh, Re, Mi, Fa, So, La, Ti, Doh.
16
Simple harmony
  • Intervals
  • perfect fifth
  • major third
  • minor third
  • the harmonic triads basis of western music
    until the romantic era
  • And the basis of the blues, folk music etc.

The chords are based on harmonic overlapminimum
of three notes to a chord (to notes ambiguity
which is widely played e.g. by Bach)
17
The triads in the key of C
C E G M3 P5 C Major Triad
D F A m3 P5 D Minor Triad
E G B m3 P5 E Minor Triad
F A G M3 P5 F Major Triad
G B D M3 P5 G Major Triad
A C E m3 P5 A Minor Triad
B D F m3 d5 B Diminished Triad
18
Three chords and youre a hit!
  • A lot of folk music, blues etc relies on chords
    C, F and G

19
Baroque Music
Based only on diatonic chords in one key (D in
this case)
20
Equal temperament scale
Frequency (Hz)
Difference from Just Scale (Hz)
Note
Step (semitone) 21/12
Pianoforte needsmultiplestrings to hidebeats!
21
The Well-Tempered Clavier
1
2
3
4
6
5
22
Mostly Mozart
From his Sonata in A Major
23
D dim c.f. D min
24
Minor and Major
25
(No Transcript)
26
The Dominant 7th
  • The major triad PLUS the minor 7th interval
  • E.g. B flat added to C-E-G (in the key of F)
  • B flat is very close to the harmonic 7/4
  • Exact frequency 457.85 Hz,
  • B flat is 466.16 Hz
  • B is 493.88 Hz
  • Desperately wants to resolve to the tonic (F)

B flat is notin the diatonic scale for C, but
it is for F Also heading for the blues
27
Circle of Fifths
  • Allows modulation and harmonic richness
  • Needs equal temperament
  • The Well Tempered Clavier
  • Allows harmonic richness

28
(No Transcript)
29
Diminished Chords
  • A sound which is unusual
  • All intervals the same i.e. minor 3rds, 3
    semitones (just scale ratio 6/5, equal temp -1)
  • The diminished chord has no root
  • Ambiguous and intriguing
  • An ability of modulate into new keys not limited
    by circle of fifths
  • And add chromatic notes
  • The Romantic Period was lubricated by diminished
    chords

C diminished
30
Romantic music..
A flat diminished (c.f. B flat dominant 7th)
2
1
3
4
5
C diminished (Fdominant 7th)
31
Beethovens Moonlight Sonata in C Minor
1
5
F dim
9
13
F (or C) dim
32
Blue notes
  • Middle C 261.83 Hz
  • E flat 311.13Hz
  • Blue note perfect harmony 5/4 middle C
    327.29 Hz slightly flatter than E
  • E 329.63 Hz
  • Can be played on wind instruments, or bent on a
    guitar or violin. Crushed on a piano
  • 12 Bar Blues - C F7 C C F7 F7 C C G7 F7 C C

33
Crushed notes and the blues
34
Not quite ready for the blues
35
Four-tone chords
  • Minimum for Jazz and Contemporary Music

And more 9th, 11th s and 13th s (5,6 and 7note
chords)
36
Ambiguities and Axioms
  • Sophisticated harmonic rules play on variation
    and ambiguity
  • Once people learn them they enjoy the ambiguity
    and resolution
  • Every now and then we need new rules to keep us
    excited (even though we resist!)

37
Using Music to Explain Physics
  • Quantum Mechanics
  • general teaching
  • Imaging and Phase
  • phase retrieval is important in lensless imaging,
    e.g. 4th generation x-ray lasers

38
The Wave-particle Duality
  • Can be expressed as fourier uncertainty
    relationship
  • Df DT 2 p

2p/f
DT
Demonstrated by musical notes of varying duration
(demonstrated with Mathematica or
synthesizer) Wave-nature ? melody Particle-nature
? percussive aspect
39
Ants Pant!
Phase-enhanced imaging
Westneat, Lee et. al..
40
Phase Contrast and Phase Retrieval
  • Much interest in reconstructing objects from
    diffraction patterns
  • lensless microscopy ios being developed with
    x-ray and electron scattering
  • Warning, for non-periodic objects, phase, not
    amplitude, is most important..

41
Fun with phases
Helen Gibson
Margaret Gibson
42
Fourier Transforms
Helen
Marge
Amp
Phase
43
Swap phases
Helen with Marges phases
Marge with Helens phases
Phases contain most of the information
(especially when no symmetry)
44
Sound Examples
Beethoven
Clapton
Clapton with Beethovens phases
Beethoven with Claptons Phases
45
Conclusion
  • Music and physics and mathematics have much in
    common
  • Not just acoustics
  • Musicians palette based on physics
  • Consonance and dissonance
  • Both involved in pleasure of music
  • Right and left brain connected?
  • Is aesthetics based on quantitative analysis?
  • Music is great for illustrating physical
    principles
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