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Sign Language Phonology II

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GO-UP-IN-FLAMES GERMANY. Wiggling on the M segment Wiggling on the L segment ... The wiggling in GO-UP-IN-FLAMES is only restricted to the M segment, and does ... – PowerPoint PPT presentation

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Title: Sign Language Phonology II


1
Sign Language Phonology II
  • COGS 524, A. Hohenberger
  • Sandler Lillo-Martin 2006,
  • chapter 13 Movement

2
Movement M
  • All signs have a movement in them path or
    hand-internal (handshape or orientation change),
    otherwise they are not well-formed
  • ? Is movement a sequential segment type or
    characteristic of the entire sign?
  • ? Is M like a vowel V?

3
M as a segment
  • M is often redundant, just a straight path
    between two locations L. Can it therefore be
    dispensed with in the representation of a sign?
  • Here, the position is held that M exists as a
    phonological category, as a sequential segment,
    and should be reflected in the representation
  • M defines the sign language syllable

4
Kinds of movement
  • MOV
  • path internal M
  • HS change Orient change 2nd M

http//www.lifeprint.com/asl101/pages-signs/b/bug.
htm
THROW path M and HS change REQUEST Ori
change (from Brentari 1998)
SIT path mov UNDERSTAND HS
change BUG2nd M
5
Distinguishing lexical from transitional movement
  • In both lexical and transitional movements,
    handshape changes do occur. However, the timing
    of the HS change within lex signs is much more
    evenly distributed than between lex signs, i.e.,
    during the transitional mov

6
Evidence for a M categoryM is phonologically
distinctive (Valli, Ceil 200120)
SIT vs. CHAIR (1 vs. 2 M)
7
Evidence for a M categoryM under inflection
  • M affects morphological processes
  • Only signs with no underlying movement may
    undergo MULTIPLE inflection
  • SUPERVISE vs. SUPERVISE-ALL

8
2 views on M
  • M is a sequential segment (S L-M)
  • M is a prosodic feature (Brentari 1998)

9
Evidence for M as a segment the feature contact
  • Any segment type, L and M, can be specified for
    contact
  • a. NUDE b. SHINY c. TOUCH d. CLEAN
  • LML LML LML LML
  • contact contact contact contact

Brentari 1998 8)
10
M in morphological processes
  • In the intensive form of adjectives and verbs,
    the M segment is geminated, i.e., temporally
    lengthened. Also, the final L segment is
    lenghtened in continuative aspectual forms
  • Gemination in ISL
  • M in intensive L in continuative
  • LML LMML LML LMLL redup
  • F ? F F ? F

11
Secondary M under phrase-final lengtheningbase
form base form
  • GO-UP-IN-FLAMES GERMANY
  • Wiggling on the M segment Wiggling on the L
    segment
  • (Perlmutter 1992, pictures from Channon 200242)

12
Secondary M under phrase-final lengthening
(through mora ??insertion)
  • M GO-UP-IN-FLAMES P GERMANY
  • Under phrase-final lengthening, a static Position
    P segment is added to both signs.
  • wiggle M P wiggle P
  • ? ?? ???????????????
  • The wiggling in GO-UP-IN-FLAMES is only
    restricted to the M segment, and does not show up
    on the extra P segment
  • The wiggling in GERMANY also shows up on the
    extra P segment. From this, we can conclude that
    the 2nd M is associated with M in GO-UP-IN-FLAMES
    and with P in GERMANY. This example proves that M
    and P are distinct segments.
  • (Perlmutter 1992, pictures from Channon 200242)

13
M in temporal aspect
  • Signs with no underlying M, e.g., STUDY, have a
    secondary M (wiggling) on their single L segment.
  • Under temporal aspect, and arc M is added to the
    sign. Now the secondary M vanishes and is
    substituted by the primary arc M
  • STUDY STUDY durational
  • arc
  • L wiggling LML

14
The M feature
  • The 2 default features for M are straight and
    concave. Any arc M is concave per default. Its
    marked form convex is a dependent of concave.

15
Path M in the Hand Tier model
  • o Orientation
  • Position o
  • Selected fingers o
  • HC
  • L M L
  • arc
  • convex tense
  • restrained
  • Place o
  • Setting o

16
M as prosody (Brentari 199826)
Inherent Features static
Prosodic Features dynamic
? change
  • IF Handshape, POA
  • PF MOV (path), setting change, ori change,
    aperture change

17
Elaborated Prosodic Model (Brentari)
  • Sandler's critique in Brentari's model
    categories and their features are separated from
    the movemet that they articulate

18
Motivation for the model
  • Enhancement of signs through adding of path and
    hand internal M.
  • To make a sign more prominent, a larger movement
    is made by making the M with the arms instead of
    only the hands.
  • A M of the wrist (orientation change) can be
    enhanced by substituting it with a path movement
    at the elbow
  • A path M can be reduced by substituting it with a
    wrist twist, making it smaller.

19
Motivation for the model
  • Since those movements (secondary wrist and
    primary path M) can substitute for each other
    systematically, they are represented together
    under the same feature branch the prosodic
    features, PF.

20
Enhanced UNDERSTAND
  • Root
  • inherent F prosodic F
  • manual setting
  • h1 path
  • selected fingers aperture direction
  • one closed open
  • X X

A direction feature is added to the
representation (the arm moves upwards)
21
Sign Language of the Netherlands SLN normal and
enhanced form of NEW
Normal wrist M Enhanced wrist M path
M (Crasborn 2005)
22
Sandler's criticism
  • NegBy separating the IF and the PF on two
    different branches, the internal organization of
    categories such as HC and place is disrupted in
    the Prosodic Model.
  • Pos The Prosodic Model represents both path and
    internal M in the same branch. The evidence from
    enhanced, loud signing corroborates this
    representation internal M and path M can indeed
    substitute for one another.
  • In the Hand Tier Model, on the other hand,
    internal M is a branching of the HC category and
    path M is on the segmental tier.

23
2 Hand Tier Representations
  • Internal M only path M only
  • HC HC
  • L L M L
  • In the hand tier Model, internal M is represented
    as branching in the HC and path M as an M
    position on the segmental tier.

24
2 Prosodic model representations
  • Internal M only path M only
  • root root
  • IF PF IF PF
  • ... ...
  • aperture setting
  • X X X X

25
Arguments in favor of the Pros or the Hand Tier
Model
  • In the Delayed completive aspect, the first
    x-slot is related to the wiggling/wagging and the
    2nd x-slot to the non-manual 'op'. However, in
    Brentari's model, the non-manuals are in the IF
    branch, so the 'op' would have to spread over the
    entire sign.
  • Enhancement of signs (wrist path M alternation
    in 'loud' signing) is a phonological process in
    Sandler's model it is only a phonetic one.
  • Strongest argument Both internal and path M make
    the sign wellformed

26
Arguments in favor of the Pros or the Hand Tier
Model
  • However, in that Brentari locates Handshape (with
    closed-open fingers) on the IF branch but
    handshape change on the PF branch, she misses the
    generalization that the fingerposition changes
    during handshape change.
  • Also total handshape assimilation in compounding
    is not captured very well. What happens is that
    selected fingers, finger positions (all IF) and
    orientation features (PF) spread together.
    However, in Brentari's model, they are located on
    different branches.

27
Arguments in favor of the Pros or the Hand Tier
Model
  • The Prosodic Model has the expectation that
    PF-features undergo common phonological
    processes. However, apart from the louder
    signing, no such processes have been shown
  • The Prosodic Model rejects the idea that M is a
    sequential segment. The Hand Tier Model, on the
    other hand, shows that phonological processes
    relate to the M segment in particular, so it is
    justified to assume it as a sequential segment.

28
M in lexemes M in CL, poetry
  • In lexical signs, movement is a quite restricted
    category, there is little variation (mostly path)
  • M is not a good phonological category
  • In Classfier predicates, in poetry, M is a very
    rich expressive device.
  • M is more related to morphological proceses
  • M is important in the identification of the
    central unit in SL, the word.
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