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Title: Logic of Fiction and Logic in Computer Science


1
Logic of Fiction and Logic in Computer Science
  • Chayunt Mathon
  • Department of Philosophy, Chulalongkorn
    University
  • Thailand

2
Fictions
  • Fictional Discourse
  • Fictive Discourse
  • Metafictive Discourse
  • Transitive Discourse
  • Theories of Fiction
  • Ontological Analysis
  • Fictive-operator Analysis
  • Pretense, Imagination, and Make Believe Analysis

3
Fictional Discourse
  • Woods and Alward, 2004 though that the below
    aspects of fiction are axiom of naïve theories of
    fictionality or our pre-theoretic intuitions
    regarding fictions.Reference is possible to
    fictional beings even though they do not exit.
  • A. Some sentences about fictional beings and
    events are true.
  • B. Some inference about fictional beings and
    events are correct.
  • C. These three facts are name possible, in a
    central way, by virtue of the creative authority
    of authors of fiction. Indeed, the primary and
    originating criterion of truth for fictional
    sentences is the authors sayso.
  • D. These three facts are name possible, in a
    central way, by virtue of the creative authority
    of authors of fiction. Indeed, the primary and
    originating criterion of truth for fictional
    sentences is the authors sayso.
  • E. It is possible for a fictional truth to make
    reference to real things. For example, Sherlock
    Holmes lived in London is true and refers to the
    actual capital city of England.

4
Ontological View
  • This view believes that sentences of fictional
    and non-fictional discourse have the same logical
    form, but a distinct range of entities serve as
    the semantic values of fictional and
    non-fictional expressions. The exemplars are
  • Qusasi-actualist Meinongean accounts of the
    referents of fictional names (Parsons, 1975 and
    1980 and Routley, 1979 and Cf. Castaneda,
    1979 and Zalta, 1983). The version of Parsons
    correlated with each non-empty set of properties
    a distinct, specific object existent and
    non-existent. Fictional objects are a subclass of
    the class of non-existent objects. They are the
    objects correlated with sets of the following
    sort, where x is a fictional object
  • x the object correlated with p according to
    the relevant body of literature, x has p.
  • An example of this scheme is p according to
    the Conan Doyle stories, Sherlock Homes has p.
    The consequence of such treat is that, fictional
    objects can enter to a sentence or the like and
    make it to have truth-value true.

5
Fictive-Operator Analysis
  • This view believes that sentences of fictional
    and non-fictional discourse have different
    logical form. The sentences of fictional
    discourse are analyzed in term of tacit or
    explicit fictive operator. Each of the approach
    differs in interpretation of fictive operator.
    But their general scheme or logical form is
  • It is true-in-t that ?
  • Where t is fictional text and ? is fictional
    sentence. For example, It is true-in-the-Holmes-s
    tories that Sherlock Holmes was a detective. The
    exemplars are
  • ? Possible world analyses (Plantinga, 1974 and
    Kaplan, 1973 and Gabriel, 1979 andLewis,
    1983). The version of Lewis truth theory of the
    fictional discourse is
  • A sentence of the form It is true-in-t that ?
    is true iff ? is true at every world where t is
    told at known fact rather than fiction.
  • For example, It is true-in-the-Holmes-stories
    that Sherlock Holmes was a detective is true
    just in case at all possible worlds in which the
    Holmes stories are told as known fact, the
    occupant of the Holmes-role is detective.
  • ? Fictional world analyses (Howell, 1979 and
    Pavel, 1986 and Woltersdorff, 1980). Simply,
    fictional worlds are worlds of fiction, but they
    need not be consistent, even need not be
    complete. Such analyses interpret fictive
    operator as
  • It is true-in-t that ? is (actually) true
    just in case ? is true at all of the fictional
    worlds determined by t.
  • ? Non-referential, substitutional-quantificationa
    l accounts Woods, 1974. The version of Woods
    truth theory of the fictional discourse is
  • A sentence of the form It is true-in-t that ?
    is true just in case either (1) ? occurs in t or
    (2) ? can be derived from sentences that occur
    in t through repeated application of
    fictional-inference rule.

6
Imaginative Analyses
  • This group of views is analyzed in term of some
    kind of imaginative activities. According to this
    kind of analyses, storytellers do not assert the
    sentences they utter, nor do readers believe the
    sentences they encounter, they get involved in
    the story in certain way.
  • ? Authorial pretense analyses Searl, 1975. The
    version of Searls truth theory of the fictional
    discourse is
  • Authors do not assert sentences they utter,
    they pretend to do so and part of this pretense
    involves pretending to refer to real individuals
    (in the case of the sentences contain fictional
    names). In this manner, authors create fictional
    characters and events. When critics or readers
    say that ? they really refer to the fictional
    entity in ?, they do so because of the shared
    pretense.
  • ? Reader/appreciator make-believe analyses
    Walton, 1990. According to the version of
    Walton, games of make-believe are rule-governed
    activities. Such rules prescribe that particular
    propositions be imagined. These are the fictional
    truths of the game. A prop in a game of
    make-believe is an object that, in virtue of the
    rules of the game, generates fictional truths.
    Here is his theory
  • A sentence of the form It is true-in-t that S
    is true iff fiction t is such that one who
    engages in pretense of kind K in a game
    authorized for it makes it fictional of herself
    that she speaks truly
  • For example it is true-in-The Hound of the
    Baskervilles that Holmes was a detective has to
    be paraphrased as The Hound of the Baskervilles
    is such that one who engages in pretense of kind
    K in a game authorized for it to makes it
    fictional of herself that she speaks truly.

7
Nature of Fictions
  • A fiction is a made-up story. (Scholes, Robert
    (1991) Element of Literature)
  • Theres no one right way to read a piece of
    fiction. There are many good ways. This does not
    mean that anyones reading of a piece of fiction
    is equal to anyone elses. There are better and
    worse reading, depending on how well readers can
    attune themselves to the story, on how carefully
    they have looked at the language, become aware of
    the tone, understood the theme, notice patterns
    of imagery, and, in general, become quite and
    really listened to a separate human being. But
    given equal attention and sensitivity to a story,
    there are many legitimate approaches. (Clayton,
    John J. (2000) The Heath Introduction to Fiction )

8
Structure of Formal logical System
  • Grammar formal Language/symbols
  • Deductive Apparatus axiom(s)/ Rules of Inference
  • ? Proof Theory
  • Semantics Interpretations of formal language

9
Historical sematics approach of Logic of Fiction
  • We, intuitively, can valuate a metafictive
    proposition to be TRUE
  • Denying the Objectual Interpretation of Classical
    Logic (only FALSE value can be given for a
    metafictive proposition)
  • The relevant semantics is ordinary
    Model-Theoretic
  • A metafictive proposition can be TRUE because of
    an aspect of Correspondence Theory of Truth the
    story say so or the author say so.

10
Historical systematic approach to the Logic of
Fiction
  • Woods, John (1974), The Logic of Fiction
    Philosophical Sounding of Deviant Logic
  • .
  • .
  • .
  • Nossum, Rolf (2003), A Contextual Approach to
    the Logic of Fiction, LNAI 2680
  • .
  • .
  • .
  • Woods, John and Peter Alward (2004). The Logic
    of Fiction In Gabbay, D. M. (ed.), Handbook of
    Philosophical Logic

11
Logic of Fiction vs. logics in computer science
12
Logic in computer sciencetopics where logic is
applied to computer science and artificial
intelligence logic has important role in some
area of computer science in general and AI in
particular
  • Unconcerned logics Boolean Logic, Fuzzy Logic,
    Quantum Logic, etc.
  • Concerned logics
  • - Common Sense Logicism including narrative
    understanding (AI) John McCarthy
  • - The Default based logics/kinds of
    Nonmonotonic Logics Belief Revision (AI)
    Closed world reasoning (Database of computer
    science) Rational Planning

13
Woods, John and Peter Alward (2004). The Logic
of Fiction
  • Take the ordinary Model-Theoretic Semantics.
  • Yet
  • In Proof Theory proposed
  • 1. default (Reiter, 1980) (Makinson, 1993) )
    as Generic proposition (The default that Holmes
    has a skin is derived from the generic
    proposition that humans have skins Holmes is a
    human.)
  • 2. Implicatures (Grice, 1989) (Levinson,
    2000) as speakers common knowledge

14
Monotonic-Nonmonotonic Logics
  • Monotonic Logic
  • - Aristotelian logic
  • - Classical logic
  • - deal only with patterns of inference that hold
    without exception
  • Nonmonotonic Logics
  • - It is reasonable to ignore outlandish
    possibilities.

15
Default based logic
  • To ignore outlandish possibilities is to have
    default(s).
  • Manipulate some Default Rule for example
  • General form
  • In the presence of A1,,An and in the absence
    of B1,,Bn, conclude C.
  • Normal default form General form
  • In the presence of A1,,An and in the absence
    of -C, conclude C.

16
Recall
  • (Clayton, John J. (2000) The Heath Introduction
    to Fiction )
  • Theres no one right way to read a piece of
    fiction. There are many good ways. This does not
    mean that anyones reading of a piece of fiction
    is equal to anyone elses. There are better and
    worse reading, depending on how well readers can
    attune themselves to the story, on how carefully
    they have looked at the language, become aware of
    the tone, understood the theme, notice patterns
    of imagery, and, in general, become quite and
    really listened to a separate human being. But
    given equal attention and sensitivity to a story,
    there are many legitimate approaches.

17
AND
  • Need of ordinary Model-Theoretic

18
What should we concern in logics in Computer
Science?
  • No values 0, 1
  • No Physical status of 0/1 values, 0v., 5v
  • Yes the informal reading of the values 0, 1 (the
    informal semantics)

19
Informal semantics approach
  • Logic of Fiction (Philosophical)
  • many values logic, bivalence logic with truth
    valueless proposition (?), mixed semantics (at
    least one of them must be ordinary
    Model-Theoretic)
  • ? ordinary Model-Theoretic with default based
    proof theory
  • logic of fictions (Computer Science/AI, default
    based )
  • Non-ordinary Model-Theoretic semantics for
    example, Preference Model-Theoretic, others
  • ? sole ordinary Model-Theoretic (because of
    the nature of fictions human should care)

20
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