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Fermi National Accelerator Laboratory

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Title: Fermi National Accelerator Laboratory


1
From Flapping Birds to Space TelescopesThe
Modern Science of Origami
  • Robert J. Lang
  • robert_at_langorigami.com

2
Fold Lines
3
Context
4
Background
  • Origami Japanese paper-folding.
  • Traditional form Decorative abstract shapes
    childs craft
  • Modern extension a form of sculpture in which
    the primary means of creating the form consists
    of folding
  • Most common version a figure folded from one
    sheet of paper with no cuts.

5
Evolution of origami
  • Right origami circa 1797.

6
Even earlier
  • Japanese newspaper from 1734 Crane, boat, table,
    yakko-san
  • By 1734, it is already well-developed

7
European origami?
  • A 1490 text the first paper boat?

8
Modern Origami
  • The modern art form was reborn in the early 20th
    century through the efforts of a Japanese artist,
    Akira Yoshizawa, who created new figures of
    artistic beauty and developed a written
    instructional language.

A. Yoshizawa, Origami Dokuhon I
9
The Design Revolution
  • Creative origami caught on worldwide in the
    1950s and 1960s.
  • Beginning in the 1970s, many geometric design
    techniques were developed that enabled the
    creation of figures of undreamed-of complexity.
  • The mathematical theory of origami was greatly
    expanded in the 1990s, leading to computer-aided
    origami design.

10
Origami today
  • Black Forest Cuckoo Clock, designed in 1987
  • One sheet, no cuts
  • 216 steps
  • not including repeats
  • Several hours to fold

11
Ibex
12
Dragonfly
13
What Changed?
  • Origami was discovered by scientists.

14
Math in Origami
  • The tools of mathematics, as applied to origami,
    have served to advance the art of origami
  • But origami can also be used to amplify,
    illustrate, and explain mathematics as well.

15
Origami Mathematics
  • The mathematics underlying origami addresses
    three areas
  • Existence (what is possible)
  • Complexity (how hard it is)
  • Algorithms (how do you accomplish something)
  • The scope of origami math include
  • Plane Geometry
  • Trigonometry
  • Solid Geometry
  • Calculus and Differential Geometry
  • Linear Algebra
  • Graph Theory
  • Group Theory
  • Complexity/Computability
  • Computational Geometry

16
Geometry
  • Many of the geometric results can be appreciated
    -- and even discovered -- by elementary and
    secondary school students, by
  • Inspection
  • Manipulation
  • Measurement
  • of crease patterns and folded forms.

17
Properties
  • 2-colorability
  • Every flat-foldable origami crease pattern can be
    colored so that no 2 adjacent facets are the same
    color. You need only 2 colors.

18
An Experiment
19
Mountain-Valley Counting
  • Maekawa-Justin theorem
  • At any interior vertex, M V 2

20
Angles Around a Vertex
  • Kawasaki-Justin Condition
  • Alternate angles around a vertex sum to a
    straight line
  • Independently discovered by Kawasaki, Justin, and
    Huffman (Pi condition)

21
Targeting Level
  • Many concepts applicable to several levels of
    education
  • Elementary fold circles, then cut and assemble
    angles
  • Secondary demonstrate (or discover) a proof
  • College prove related properties for entire
    crease patterns

22
Folding on the Cutting Edge
  • A leader in current mathematical folding Erik
    Demaine, assistant professor at MIT
  • MacArthur Genius Fellow
  • First solved (as a student) the one-cut problem

23
One-Cut
  • From a single sheet of paper, what shapes can be
    formed with a single straight cut across a folded
    sheet of paper?

24
One-Cut 2
  • Fold on the black and green lines and cut on the
    dotted line.

25
One-Cut 3
  • A bit more complex.
  • Vertex hint
  • MgtV, point up
  • MltV, point down

26
One Cut 4
  • Demaine et al proved that any shape or
    combination of shapes could be created with a
    single straight cut
  • They did this by giving a general method for
    constructing the required creases
  • Mathematically, the problem is equivalent to
    folding the paper so that a given set of lines
    all end up collinear (the cut line).
  • Even when you know the creases, getting all the
    folds to go together can be quite a challenge!

27
One-Cut 5
28
Geometric Constructions
  • What shapes and distances can be constructed
    entirely by folding?
  • Analogous to compass-and-straightedge, but
    more general

29
The Delian Problems
  • Trisect an angle
  • Double the cube
  • Square the circle
  • All three are impossible with compass and
    unmarked straightedge
  • The first two are possible in origami

30
Abes Trisection
31
Messers Cube Doubling
32
Geometric Constructions
  • One-fold-at-a-time origami can solve exactly
  • All quadratic equations with rational
    coefficients
  • All cubic equations with rational coefficients
  • Angle trisection (Abe, Justin)
  • Doubling of the cube (Messer)
  • Regular polygons for N2i3j2k3l1 if last term
    is prime (Geretschläger)
  • All regular N-gons up to N20 except N11

33
Foldable Distances
  • There are seven distinct ways to form a crease by
    aligning combinations of points and lines
  • Six Huzita-Justin operations (or axioms)
  • Seventh operation identified by Hatori Koshiro in
    2002
  • The seven are now proven to be complete
  • See Folding Proportions, in Tribute to a
    Mathemagician, A K Peters, 2004.

34
Huzita-Hatori Operations
35
Simultaneous Creases
  • If you allow forming two creases at one time,
    higher-order equations are possible.
  • An angle quinsection!

36
Three-dimensional linkages
  • The origami flapping bird is a simple mechanical
    linkage
  • Linkages allow the simulation of arbitrarily
    complex functions
  • Origami gadgets allow the construction of any
    mechanical stick-and-pivot linkage
  • There is an origami linkage that signs YOUR name

37
Instrumentalists
38
Organist
39
Applications in Art
  • The mathematics of origami has found application
    in representational origami.

40
Textures
  • Patterns of intersecting pleats can be integrated
    with other folds to create textures and visual
    interest

41
The recipient form
42
(Scaled Koi)
43
Western Pond Turtle
44
Rattlesnake
45
Flap Generation
  • The most extensive and powerful origami tools
    deal with the generation of flaps in a desired
    configuration.
  • Why is this useful?

46
Origami design
  • The fundamental problem of origami design is
    given a desired subject, how do you fold a square
    to produce a representation of the subject?

47
A four-step process
  • The fundamental concept of design is the base
  • The fundamental element of the base is the flap
  • From a base, it is relatively straightforward to
    shape the flaps into the appendages of the
    subject.
  • The hard step is
  • Given a tree (stick figure), how do you fold a
    Base with the same number, length, and
    distribution of flaps as the stick figure?

48
Flaps
49
What is a Flap?
  • A flap is a longish bit of paper that gets turned
    into some feature of the base.
  • (Theres a more mathematical description, too.)
  • Origami tree theory is all about how to
    construct flaps.

50
How to make a flap
  • To make a single flap, we pick a corner and make
    it narrower.
  • The boundary of the flap divides the crease
    pattern into
  • Inside the flap
  • Everything else
  • Everything else is available to make other flaps

51
Limiting process
  • What does the paper look like as we make a flap
    skinner and skinnier?
  • A circle!

52
Other types of flap
  • Flaps can come from edges
  • and from the interior of the paper.

53
Circle Packing
  • In the early 1990s, several of us realized that
    we could design origami bases by representing all
    of the flaps of the base by circles overlaid on a
    square.

54
Circles are not enough
  • But where do the creases go?

55
Creases
  • The lines between the centers of touching circles
    are always creases.
  • But there needs to be more. Fill in the polygons,
    but how?

56
Molecules
  • Crease patterns that collapse a polygon so that
    all edges lie on a single line are called
    bun-shi, or molecules (Meguro)
  • Different bun-shi are known from the origami
    literature.
  • Triangles have only one possible molecule.

57
Quadrilateral molecules
  • There are two possible trees and several
    different molecules for a quadrilateral.
  • Beyond 4 sides, the possibilities grow rapidly.

58
Four is enough
  • It is always possible to add flaps (circles) to a
    base so that the only polygons are triangles and
    quadrilaterals, so these molecules suffice.

59
Universal molecule
  • Eventually, I found an algorithm that produces
    the crease pattern to collapse an arbitrary valid
    convex polygon into a base whose projection is a
    specified stick figure, dubbed the Universal
    Molecule.

60
Uni molecule one-cut
  • The Universal Molecule construction is closely
    related to the One-Cut problem solved by
    Demaine, Demaine Lubiw
  • The U.M. may have extra gussets in the crease
    pattern that insure the flaps have specified
    lengths

61
Circles and Rivers
  • Body segments between flaps can also be
    represented by geometric objects Rivers.

62
Circle-River Design
  • The combination of circle-river packing and
    molecules allows an origami composer to construct
    bases of great complexity using nothing more than
    a pencil and paper.
  • But what if the composer had more
  • Like a computer?

63
Formal Description
  • A formal mathematical description of a problem is
    harder to understand for most people
  • But it is required in order to apply
    computational techniques to solving the problem.

64
Formal Statement of the Problem
  • Given an arbitrary weighted tree graph, construct
    a crease pattern that folds into a base whose
    projection is the given tree graph.
  • Each edge of the tree corresponds to a flap
  • The weight of the edge is the length of the flap.

65
Formal Statement of the Solution
  • The search for the largest possible base from a
    given square becomes a well-posed nonconvex
    nonlinear constrained optimization
  • Linear objective function
  • Linear and quadratic constraints
  • Nonconvex feasible region
  • Solving this system of tens to hundreds of
    equations gives the same crease pattern as a
    circle-river packing

66
Computer-Aided Origami Design
  • 16 circles (flaps)
  • 9 rivers of assorted lengths
  • 120 possible paths
  • 184 inequality constraints
  • Considerations of symmetry add another 16 more
    equalities
  • 200 equations total!
  • Childs play for computers.
  • I have written a computer program, TreeMaker,
    which performs the optimization and construction.

67
The crease pattern
68
(The folded figure)
69
Box-pleating
  • Most creases are parallel, more easily foldable
    patterns

70
Bull Moose
71
The Art
72
One art, two expressions
  • Two distinct artistic expressions of origami have
    emerged
  • Composition
  • The design of a new figure akin to the
    composition of a musical score (with its own
    notation)
  • Performance
  • The realization of a design in folded paper
  • Within origami, there are composers (designers),
    and performers (folders)
  • performers fold their own compositions or those
    of others

73
Dichotomy
  • Origami is set apart from many arts by the
    separation between design and execution (and the
    artistic ability required for both).
  • Historically, composition (design) has been the
    province of only a few.
  • That is now changing.

74
Three forms of composition
  • Discovery
  • The subject resides within the paper and by
    exploration, one eventually finds it
  • Many elegant and clever figures are still
    discovered this way
  • Intuitive
  • Design
  • The goal of the composition is to explore a
    design technique or solve a technical challenge
  • Typically focused on a specific result
  • Engineering
  • Synthesis
  • The end result is driven by an artistic vision
  • Techniques of folding are used to realize the
    vision

75
Bull Elephant
76
Hummingbird Trumpet Vine
77
(Hummingbird Close-up)
78
Grizzly Bear
79
Roosevelt Elk
80
Tree Frog
81
Tarantula
82
Murex
83
Spindle Murex
84
12-Spined Shell
85
Banana Slug
86
Spiral Tessellation
87
Egg17 Tessellation
88
Continued evolution
89
Applications in the Real World
  • Mathematical origami has found many applications
    in solving real-world technological problems, in
  • Space exploration (telescopes, solar arrays,
    deployable antennas)
  • Automotive (air bag design)
  • Medicine (sterile wrappings, implants)
  • Consumer electronics (fold-up devices)
  • and more.

90
The Eyeglass Telescope
  • Under development at Lawrence Livermore National
    Laboratory
  • 25,000 miles above the earth
  • 100 meter diameter (a football field)
  • Look up see planets around distant stars
  • Look down

91
The lens and the problem
  • The 100-meter lens must fold up to 3 meters
    (shuttle bay)
  • Lens must be made from ultra-thin sheets of glass
    with flexures along hinges
  • What pattern to use?

92
5-meter prototype
  • I provided several designs from origami
    techniques, one of which was selected for the
    first prototype.

93
Solar Sail
  • Japanese Aerospace Exploration Agency
  • Mission flown in August 2004
  • First deployment of a solar sail in space
  • Pleated when furled, expands into sail

94
Solar Sail
http//www.isas.jaxa.jp/e/snews/2004/0809.shtml
95
NASA
  • NASA, too, is developing unfolded and inflatable
    solar sails.

Video courtesy Dave Murphy, AEC-Able Engineering,
developed under NASA contract NAS803043
96
Stents
www.tulane.edu/sbc2003/pdfdocs/0257.PDF
97
Airbags
  • A mathematical algorithm developed for origami
    design turned out to be the proper algorithm for
    simulating the flat-folding of an airbag.

98
Airbag Algorithm
  • The airbag-flattening algorithm was derived
    directly from the universal molecule algorithm
  • More complex airbag shapes (nonconvex) can be
    flattened using derivatives of the DDL one-cut
    algorithm
  • No one foresaw these technological applications.

99
Resources
  • Origami design software TreeMaker (with 170 pp
    manual) can be downloaded from
  • http//origami.kvi.nl/programs/treemaker
  • or Google-search for TreeMaker
  • Version 5.0 (Mac/Linux/Windows) is under
    construction.
  • Other origami-related software, including
    ReferenceFinder, is at the same site

100
More Resources
  • Origami Design Secrets, my new book teaching how
    to design origami (and more), was published by A.
    K. Peters in October 2003.
  • For the month of November, FNAL employees get 15
    discount from www.akpeters.com enter FNAL
    promotion code.
  • Origami Insects II, my latest, contains a
    collection of fairly challenging insect designs
  • Both (and other books) available from the
    OrigamiUSA Source (www.origami-usa.org).
  • Further information may be found at
    http//www.langorigami.com, or email me at
    robert_at_langorigami.com
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