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1. SPANISH LANGUAGE MEDIA 2. CLEAR CHANNEL

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Title: 1. SPANISH LANGUAGE MEDIA 2. CLEAR CHANNEL


1
1. SPANISH LANGUAGE MEDIA2. CLEAR CHANNEL
  • Linguistic and radio oligopolies

2
Hispanic Media Market Attractions (1)
  • Hispanic population projected to triple in size
    by 2050, accounting for 24 of the population.
  • Growth in this market greatly exceeds growth in
    comparative markets.
  • Media age of Hispanics is 26.6 versus 35.8 for
    non-Hispanics.
  • One in five teens are Hispanic.
  • Hispanic teen pop. Grew 30 1993-2001, while
    non-Hispanic teen pop grew 8 is expected to
    grow further 62 by 2020 compared with
    non-Hispanic teen growth of 10.
  • 18 of Hispanic viewers in the 18-34 age range.

3
Hispanic Media Market Attractions (2)
  • Hispanics watch more TV (4.6hrs) than whites
    (3.9hrs) and Asians (3.5hrs)
  • Average Hispanic teen spends 320 monthly (total
    19bn spending power), 4 more than average
    non-Hispanic teen
  • 96 of Hispanics use at least some Spanish at
    home 86 do so at work or school.
  • 70 Hispanics learn more about products when
    advertised in Spanish
  • 50 Hispanic households prefer watching programs
    in Spanish

4
Hispanic Media Market Attractions (3)
  • Hispanics are more brand-oriented.
  • Hispanic advertising industry grew at average
    rate of 17 a year 1997-2002, from 1.7bn to
    3bn.
  • U.S. leading advertisers under-investing in
    Hispanics allocated only 2.4 of advertising
    expenditures 1999-2002, although Hispanics
    accounted for 13 of U.S. population.
  • Hispanic purchasing power is 630bn in 2003.
  • Hispanic middle class grew 80 1979-1998.

5
MERGER 1 Telemundo NBC
  • Established
  • 2002 Telemundo network, No.2 in U.S. Hispanic TV
    market acquired from Sony Liberty by NBC.
  • Cost of purchase 2.7 bn
  • Potential market 35.3 m Hispanics (14 of U.S.
    market, but 3 of advertising pie)
  • Advantages of synergy
  • Telemundo (in 1993, 300m in debt) gets access
    to NBC sales, marketing, formats, news gets
    increase in market share NBC gets broadcasting
    in both languages for major news stories (e.g.
    2004 Olympics), since 40 of Telemundo staff is
    bilingual

6
Merger 1 Telemundos Strategy
  • Will concentrate more on telenovelas in
    primetime, particularly Mexican telenovelas since
    Mexican Americans prefer imports from Mexico
  • New imports come mainly from TV Azteca (No.2
    network in Mexico)

7
Merger 2 Univision HBC
  • Univision (No. 1 U.S. Hispanic TV and radio,
    reaching 97 of all U.S. Hispanic TV households
    owns and programs 66 radio stations in 17 of top
    25 U.S. Hispanic markets) Univision is fifth
    most watched network in U.S.
  • In 2003, Univision announced merger with Hispanic
    Broadcasting Corporation (HBC) a Spanish-language
    broadcaster with 63 stations in 15 of top 20
    Hispanic marketsFCC approved merger Sept 2003
  • This merged company would control nearly 70 of
    Spanish-language TV ad revenue in the U.S. and
    40 of Hispani audience radio ad revenue
  • Largest HBC shareholder is Clear Channel (8.4bn
    rev).

8
Merger 2 (ctd)
  • Univision owns
  • Univision Television Network
  • Telefutura (24 hr broadcast-TV network)
  • Galavision (No.1 cable network for
    Spanish-speakers in U.S.)
  • Univision Music Group (leading LatAm co., with
    more than 35 market share
  • Univision Online
  • Univision gets most of its telenovelas from
    Mexicos Televisa

9
Advantages of Univision-HBC deal
  • Scope for marrying Univision recording artists
    with Univision/HBC TV/radio shows potential
    trouble for independent artists
  • Cross promotional prospects for commercials
    promoting Univision artists on Univision/HBC
    TV/radio
  • Links with Clear Channel to marry Univision/HBC
    TV/radio with Clear Channel artists, concerts,
    promotions

10
Problems with Univision-HBC merger
  • Both Clear Channel / Univision run by politically
    active billionaire Republicans at a time when
  • GOP reaching out to Hispanic voters (most vote
    Dem)
  • Clear Channel syndicates many right-wing talk
    shows and shock jocks
  • Both Clear Channel and Univision exert
    near-monopoly power in their respective markets.
    In 2000-2001 Univision accounted for ALL top
    20-rated Spanish programs
  • Clear Channel owns 1,200 radio stations (970 more
    than nearest competitor) 37 TV stations, 770,000
    billboards and hold of venues, promoters and
    tours to exert control over concert industry
    (sold 30m concert tickets in 2002, 70 of
    national total). Said to have the power to
    determine which artists get to be heard by
    public. Exercises political censorship.

11
Problems ctd.
  • Neither Univision nor HBC is controlled by
    Hispanic Americans Univision, once owned by
    Hallmark, is owned by Jerrold Perenchio, Televisa
    of Mexico and Venevision of Venezuela. But half
    the board is Hispanic as are its three highest
    paid officers
  • 87 of Hispanics in US are opposed to having
    Spanish language media owned by non-Hispanics
  • Perenchio is strong GOP supporter as is Clear
    Channels CEO Lowry Mays, and its investor/board
    member Tom Hicks

12
BUT
  • Univision only attracts 5 of U.S. TV viewers,
    and 2 of ad. dollars but it had more than 50
    of Hispanic audience in L.A..

13
A Third Player Azteca America
  • Azteca America is an off-shoot of TV Azteca which
    broke Televisas monopoly in Mexico and now
    commands 40 of the audience in Mexico.
  • TV Azteca is owned by Group Salinas, which also
    owns Group Elektra (home electronics), Unefon
    (cellular phones), Todito.com (Internet services)
    and half of the Mexican soccer league.
  • Launched 2001, in L.A.
  • In 2002, AAs LA station, KAZA-TV 54 had been
    3-4 of total U.S. Spanish language TV sales.
    Controls WPMF 38 in Miami (but Miami Cuban
    audience not so receptive to programming from
    Mexico)

14
CLEAR CHANNEL (1) The Complaint
  • Consolidation has made radio even more
    cookie-cutter bland, with narrow, unimaginative
    playlists.
  • Demographic targeting and audience testing
    eliminate variety, stifle regionalism and foist
    the least objectionable music on the public.

15
Clear Channel (2) Complaint ctd.
  • Advertising pricing policies undermine
    competing stations
  • Payment deals that skirt laws prohibiting
    payola
  • Purchases of stations across the Mexican border
    to bypass domestic ownership caps
  • Strong-arming of artists to perform with Clear
    Channel's concert production arm
  • Four or fewer companies control 70 percent or
    more of market share in nearly all local markets

16
Clear Channel (3) The Complaint
  • Owns more than 1,200 local radio stations in all
    50 states
  • Dominates rock and Top 40 formats in many of the
    countrys largest markets
  • CC stations control 60 percent of the rock radio
    market nationally
  • CC stations share logos, promotional bits but
    draw from same pool of on-air talent
  • CC runs programming and advertising operations of
    many stations it does not own

17
Clear Channel (4) The Complaint
  • In S.F., CC has 7 radio stations, massive concert
    business, and many of the city's billboards. And
    through its subsidiary, Adshel, it may soon
    control street distribution of newspapers

18
Clear Channel (5) The Complaint
  • Radio station owners use their power to push
    around record companies that want their songs
    played on the air
  • Clear Channel often demands rising artists play
    at live concerts promoting individual Clear
    Channel stations. Stations continue playing
    group's music only if it appeared at the concert.
    Record companies must bear group's expenses. Such
    appearances dilute audience for groups own
    concerts.

19
Clear Channel (6) The Defense
  • In its defense, Clear Channel says top 10 radio
    companies only control 44 percent of the radio
    industry. In contrast, top 10 film studio owners
    account for 99 percent of movie profits, and five
    record distributors dominate 84 percent of that
    market.

20
Clear Channel (7) The Defense
  • Owns only 10 of nations 11,000 stations
  • (BUT takes 20 percent of advertising rev and
    attracts 25 of listeners nationwide about a
    third of the population)
  • Surveys show people prefer tight, predictable,
    repetitive play-lists
  • Specialization has led to stations that play only
    hip-hop or dance music
  • Focus attention on under 35s decline in classic
    stations
  • Subscriber sat services such as XM and Sirius,
    and Internet radio promise more choice
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