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Dublin Core and the Cultural Heritage

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Title: Dublin Core and the Cultural Heritage


1
Dublin Core and the Cultural Heritage
  • Paul Miller
  • UK Interoperability Focus
  • P.Miller_at_ukoln.ac.uk
  • ltURL http//www.ukoln.ac.uk/interopfocus/gt

2
Introducing Interoperability Focus
  • Funded by British Library Research Innovation
    Centre (BLRIC) and Joint Information Systems
    Committee (JISC)
  • Based at UK Office for Library Information
    Networking (UKOLN)
  • Began work January 1999
  • Funded for three years initially.

3
Introducing Interoperability Focus
  • Focus upon enabling interoperability between
    resources in

libraries
archives
the cultural heritage sector
etc.
4
Introducing Interoperability Focus
  • By
  • disseminating best practice
  • participating in relevant standards development
    initiatives
  • encouraging/ facilitating crosswalks and
    crossproject communication
  • representing UK interests internationally
  • raising awareness of interoperabilitys benefits
    to users, creators holders.

5
Introducing Interoperability Focus
  • Email P.Miller_at_ukoln.ac.uk
  • Web http//www.ukoln.ac.uk/interopfocus/

6
CIMI
  • Consortium for the Computer Interchange of Museum
    Information lthttp//www.cimi.org/gt
  • members drawn from cultural heritage
    organisations (not only museums) and system
    suppliers all over the world
  • aims to increase use of computerbased solutions
    through consensusbuilding work with member
    organisations
  • To bring cultural heritage information to the
    widest possible audience, through the use of
    standards
  • e.g. Z39.50 Profile for the Cultural Heritage
    (CIMI Profile).

7
CIMI Dublin Core Testbed
  • 17 members in Phase 1 (1998)
  • including
  • Arts Humanities Data Service (UK)
  • Blue Angel Technologies (USA)
  • CHIN (Canada)
  • DSTC (Australia)
  • Databasix (Netherlands)
  • Finsiel (Italy)
  • Guggenheim (USA)
  • Joanneum (Austria)
  • Museum Computer Network (USA)
  • National Museum of Denmark (Denmark)
  • Natural History Museum (UK).

8
CIMI DCT Phase 1 Aims
  • Evaluate the feasibility of using DC for the
    museum community
  • Test implicit assumptions behind DC
  • Promote international consensus on DC practices
    for the museum community
  • Provide a forum for understanding and resolving
    the various issues
  • Create a pool of DC records in XML for retrieval
    experiments.

9
CIMI DCT Phase 1 Methods
  • Four major meetings, working groups, mailing
    list, web-site, activity log
  • Test database created by Blue Angel Technologies
  • Work with the DC user guide draft
  • Liaison with the main DC community, Z39.50
    Testbed and others (eg ZIG).

10
CIMI DCT Phase 1 Results
  • TYPE element is the key to interpretation of the
    rest of record
  • item/collection
  • original/surrogate
  • event
  • Close adherence to 11 model
  • CREATOR and the God Problem
  • RIGHTS important
  • Need for Physical Description.

11
CIMI DCT Phase 1 Results
  • Over 200,000 DC Simple records in the database
    pool, in XML format
  • Analysis reveals degree of consistency /
    conformance
  • Creation of records from scratch v. mapping onto
    an existing database
  • Production of Cultural Heritage Annex to DC User
    Guide
  • due for public release by Easter.

12
CIMI DCT Phase 2
  • Commencing March 1999
  • Add new project participants
  • Extend sample record base
  • introduce qualifiers and subelements
  • open up for public testing and comment
  • Investigate use of fully parsed RDF, rather than
    CIMIdeveloped XML syntax.

13
CIMI DCT Phase 2
  • Amalgamation of 3 main projects
  • develop applications that can make use of the
    returned data to provide a museum-like experience
  • map CIMI Access Points to DC
  • Z39.50 Profile group
  • Dublin Core Test bed
  • IIM group.
  • fin.
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