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resources for narrative and conceptual meaning

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Images have a semiotic system and ... Visual grammar (K & v L 1996 style) runs parallel to verbal grammar ... possessive attributes, e.g. maps. Suggestive ... – PowerPoint PPT presentation

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Title: resources for narrative and conceptual meaning


1
resources for narrative and conceptualmeaning
  • EDBT6122

2
Focus
  • Link from research on visual literacy
  • To Syllabus documents
  • To practical in class activity

3
Key points
  • Images have a semiotic system and grammar - the
    choices construct meanings - versions of
    reality
  • Visual grammar (K v L 1996 style) runs parallel
    to verbal grammar
  • Words rely on logic of time and sequence and
    images rely on space and simultaneity

4
Time and sequence
  • The man wobbled on a board while juggling rings
    and keeping a box balanced on a ball on top of
    his head as a bee flew through the rings

Space and simultaneity
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" children actively experiment with the
representational resources of word and image, and
with the ways in which they can be combined.
Their drawings are not just illustrations of a
verbal text, not just 'creative embellishment'
they are part of a 'multimodally' conceived text,
a semiotic interplay in which each mode, the
verbal and the visual, is given a defined and
equal role to play." Kress and van Leeuwen p118
7
Theory of semiotic systems( how we make meaning)
  • Remember theory from writing lectures three
    metafunctions in communication (ideational,
    interpersonal and textual) which are realised in
    the register variables of field, tenor and mode.
  • This theory is behind the English K-6 syllabus
    but the language it is expressed in is
    traditional grammar.

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Meaning for action or classification
  • Narrative patterns serve to represent unfolding
    actions and events, processes of change,
    transitory spatial arrangements. They involve
    participants doing something to or for another.
  • Conceptual patterns represent participants in
    terms of their class (classificatory), structure
    (analytical) or meaning (symbolical).

The cat is chasing the mouse. My netball team has
nine players in it. Four girls are really tall
and two are short and three are medium height.
Thinking moment - how would you represent these
statements in images?
10
What metalanguage do we have?
Interactive
11
What metalanguage is in the K-6 English syllabus?
12
what is the motivation to use this metalanguage
in the classroom?
  • We are working towards building up an explicit
    metasemiotic knowledge base.
  • Why? Because children need to move
  • from the informal to the
  • systematic, from concrete to
  • abstract understandings of
  • the world, from the spoken
  • to the written.

13
Using visual literacy in the stage 3 classroom
context - learning to view
  • The class is studying early industry in
    Australia. They are to discuss what the working
    conditions for shearers were like based on a
    range of sources.

Half the class is given the image and they are to
represent the information in terms of a graphic
organiser of factual information and then write
it up as an discussion of the pros and cons of
working life.
The other half of the class is given a text
description of the life of a shearer in the
sheds. They are to convert the information using
a graphic organiser into an image that represents
key points.
Shearers in the 1800s
14
glossary
  • Graphic organisers visual means of representing
    written information in logical patterns

Venn compare and contrast
Topic sentence and facts
Cycle format
fact
fact
topic
topic
fact
fact
fact
15
Narrative as action in material events
  • Transactional an action carried out on
    something visible (a goal) seen in vector lines
    from actor towards goal

16
Conceptual images
  • Classification by relationship or taxonomy
  • Overt if a superordinate or category label is
    given

17
Covert if no category label is given
Netball teams
tigers
pumas
tabbycats
need to have equivalence in size, orientation to
viewer and objectivity
18
Analytical images
  • Images that show part whole relationships
  • If labelled then structured analytical
  • The whole is the carrier
  • and the parts the
  • possessive attributes,
  • e.g. maps

19
Suggestive
  • Symbolism is carried within the image and often
    the detail of the image is de-emphasised to
    create a mood the equivalent of metaphor in
    written text

20
Using visual literacy in the stage 3 classroom
context - learning about viewing
  • Text analyst role in another lesson using the
    same image students are asked to discuss the
    image in terms of visual grammar resources. How
    has the illustrator chosen to represent our
    history using ...
  • classification (write up as overt taxonomy)
  • analytical (write up as carrier attributes)
  • symbolic (write up as list of suggestive
    attributes)
  • transactional processes (write up as list of
    actions)

21
Interactive structures
  • visual resources construct the nature of
    relationships between viewers and what is viewed.
  • contact
  • social distance
  • attitude
  • power
  • realism
  • coding orientation

22
Coding orientation - what counts as real
  • Naturalistic
  • Schematised
  • abstract

23
Learning about evaporation
24
Using visual literacy in the stage 2 classroom
context - learning to view
  • Text analyst role in a science lesson students
    are asked to categorise the images in terms of
    visual grammar resources.
  • Attitude frontal angle, closely involved
  • Social distance close up, the hand could be
    ours
  • Power high angle
  • Coding orientation naturalistic

25
Using visual literacy in the stage 2 classroom
context - learning about viewing
  • How could students transform the text to be more
    scientific and less participatory?
  • Students are to discuss what effect the images
    had on their appreciation of the topic in terms
    of engagement, links to their own lives and
    understanding of scientific concepts.
  • Students are to redesign the text changing the
    level of coding from naturalistic to schematic or
    abstract.

26
Compositional structures
  • are concerned with the distribution of the
    information value or relative emphasis among
    elements of the text and image.
  • information value
  • framing
  • Salience

27
The reading path
  • The way the eye moves around the page
  • It starts at the point on the page where the eye
    is drawn to most
  • Therefore framing and salience are very
    important when planning text layout

28
Using visual literacy in the stage 3 classroom
context - learning to view for information
What is the reading path of this text? Give
students a copy on which they number the 7 images
in order of their importance and reading logic
related to the main topic. They must justify
their reasons.
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